Historic Preservation

Canterbury Shaker Meeting House // 1792

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The Canterbury Shaker Village was one of two Shaker communities existing in present-day New Hampshire (the other being Enfield Shaker Village, featured previously on here). In 1782 Israel Chauncey and Ebeneezer Cooley from the Mount Lebanon village of Shakers traveled to Canterbury and converted several prominent figures of the community by convincing some of the Christian farmers that the Shaker way was what they had been seeking. Among those converted to the Shakers, the Whitcher, Wiggin and Sanborn families, donated land to house the Canterbury Village community of Shakers and the Canterbury Village was founded in 1792, led by Father Job Bishop. The village expanded over time, and in 1803 there were 159 members in three families. Nearly fifty years later in 1850, the site contained 3,000 acres with a community of 300 housed in 100 buildings!

The first building of the Canterbury Village was the Meeting House. The Gambrel roofed building was constructed by members in reverent silence and supervised by Moses Johnson (1752-1842) who served as master builder of seven Shaker meetinghouses all over the Northeast. Inside, there were two stairways, one for men and one for women, located in the northwest and southwest corners of the building, each easily accessed by separate entrances, which led brothers and sisters from the first floor meeting room to the second story sleeping lofts.

In 1992, Canterbury Shaker Village closed, leaving only Sabbathday Lake Shaker Village open as a functioning community. There are apparently only two active Shakers left in the country, both at Sabbathday Lake in Maine. Many other villages like Canterbury, have been converted to museums, which give historians and the general public a great insight into how these places have functioned.

St. Saviour’s Rectory // 1898

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Standing adjacent to the beautiful St. Saviour’s Episcopal Church in Bar Harbor (last post), the church’s Rectory building fits very well into the landscape here. Built in 1898, the rectory is a two-and-a-half-story stone and frame home with a projecting entrance porch at the facade framed by a pair of steeply pitched gables. The Rectory was designed by Westray Ladd who grew up in the area, and worked in the office of Wheelwright & Haven in Boston, Massachusetts as well as with William Emerson and Peabody & Stearns before opening up a firm in Pennsylvania.

St. Saviour’s Episcopal Church // 1877

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Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.

Breeze Cottage // 1896

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The marriage of Anna Perkins Pingree to Joseph Peabody in 1866 was a merging of two of the most influential and wealthy families of Salem, Massachusetts. The marriage however did not meet the mark, as the couple eventually had a large falling-out after purchasing a mansion in Boston’s Back Bay neighborhood in 1877. In her time away from her estranged husband, Anna became heavily involved in the arts, collecting hundreds of paintings and decorating her homes in Boston, Ipswich, and her new summer cottage in Bar Harbor. In 1896, she had her Bar Harbor cottage built on West Street, a road of substantial summer homes right next to downtown. The Colonial Revival “cottage” sits on the waterfront of Frenchman Bay and has only 12 bedrooms and 7 bathrooms, in 12,500 square feet.

“The Crossways” // 1901

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Built in 1901, “The Crossways” is one of Bar Harbor’s most stunning summer cottages built in the 20th century. The home was designed by the illustrious Boston architectural firm of Andrews, Jaques and Rantoul, possibly as part of the of the William B. Rice estate. The home appears to have been rented in early years until it was occupied by Edward and Esther Mears. Edward ran a hotel in town during the summer months before getting involved in real estate, where he made much more money. The home blends together the best of architectural styles of the time from Queen Anne to Shingle Style, and remains in an excellent state of preservation.

Sunset Cottage // 1910

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Sunset Cottage was designed by local architect Milton Stratton and cost $20,000. The cottage was constructed for New Yorker Gertrude Stevens Rice, a decade after the death of her husband William. She and her husband formerly resided at The Tides, a home nearby, but she decided to construct a new home to summer at with her sister. The shingled home originally had half-timbering in the gables, but other than that, looks almost identical to when it was built 110 years ago!

Thornhedge // 1900

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Located next door to “The Poplars” (last post), another summer cottage Thornhedge, stands out for its architectural splendor and great state of preservation. Similar to “The Poplars”, the home was built in 1900 for Lewis A. Roberts, a retired book publisher from Boston. Roberts ran the publishing house with his brothers, and they published work by authors including Emily Dickinson, Fyodor Dostoyevsky and George Sand, the first American edition of Treasure Island by Robert Louis Stevenson, and had their greatest commercial success with Little Women by Louisa May Alcott. The business was purchased by Little and Brown Publishing in 1898. Lewis Roberts died in 1901, only a year after completing Thornhedge, and the house came under the care of his son, Lewis Niles Roberts. Mr. Roberts kept the house as a summer residence until 1920, then sold it to the family of William F. Frick, a prominent judge from Baltimore. The home became an inn by the 1970s. Thornhedge is a Queen Anne style cottage which was originally organized with the first and second floor serving as the living quarters and the top and bottom floors for the servants. The laundry, servants dining hall, and kitchen were out of sight in the finished basement, with a dumb-waiter to bring hot food to the butler’s pantry. The third floor was the servants’ living quarters.

“The Poplars” // 1899

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It’s Tudor Tuesday so I have to share one of the great Tudor Revival cottages in Bar Harbor, Maine, “The Poplars” (because any good summer cottage needs a name)! The cottage was built in 1899-1900 for Lewis A. Roberts, a retired book publisher from Boston, who purchased the lot which contained a summer cottage and stable, razing both. He hired the local firm of Goddard & Hunt, an architect/builder duo who worked on many projects in the village. The Tudor Revival cottage was only occupied in the summer months by Roberts and his family as the home was not winterized at the time. The cottage was built of wood and rough stucco work with rough timber trimmings all hallmarks of the Tudor style. The home was later known as the Stratford House, and became an inn until just a couple years ago. It was recently listed for sale and has 13 bedrooms and 13 bathrooms!

“The Kedge” // 1871

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Built for an A. Veazie, this mini-mansard cottage stands out as the oldest home on Bar Harbor Maine’s beautiful West Street. The 1871 Second Empire style home was located elsewhere in the village, but moved to the current site in 1886 by new summer resident, William Sterling. The cottage was modified in 1916 by Maine Architect Fred Savage for William and his family. The stunning windows inset into the mansard roof are especially noteworthy.

Church of the Holy Redeemer // 1907

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Built to replace the former St. Sylvia’s Catholic Church (1881-1909), the Church of the Holy Redeemer in Bar Harbor stands as one of the more imposing religious buildings in town. The new church was envisioned by Rev. James O’Brien, who wanted a larger church structure closer to downtown Bar Harbor than the current St. Sylvia’s. The Neo-Gothic stone church was designed by Bangor architect Victor Hodgins, and was constructed from granite blocks quarried from Washington County, Maine. Inside, massive trusses from felled cyprus trees nearby support the roof and stone walls. Gorgeous stained glass windows line the walls which flood the interior with color.

“Greenlawn” // 1887

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West Street in Bar Harbor was laid out in 1886, and developers laid out house lots on both sides, with larger, more expensive land right on the water. One of the earliest homes built on the street is Greenlawn, constructed in 1887 for William Rice, an industrialist who co-founded Rice & Hutchins, a shoe manufacturing company with main offices in Boston. The architectural firm of Rotch and Tilden, comprised of partners Arthur Rotch and George Thomas Tilden. Both had studied at the Massachusetts Institute of Technology and at École des Beaux-Arts in Paris. Both had worked at the architectural firm of Ware and Van Brunt, and would be best known for their Gilded age mansions in New England. By 1896, the cottage was owned by William L. Green, which is likely when the cottage’s name “Greenlawn” stuck. The house recently sold for $4.25 Million and the interiors are gorgeous!

“La Rochelle” // 1903

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“La Rochelle”, one of the many beautiful summer “cottages” in Bar Harbor, Maine, sits on West Street, a well-preserved stretch of mansions that showcase Gilded Age wealth in the town. The cottage dates back to the 1902-3, when George Sullivan Bowdoin, great-grandson of Alexander Hamilton, and partner at J.P. Morgan, and his wife, Julia Irving Grinnell Bowdoin, a great niece of Washington Irving) commissioned the Boston architectural firm of Andrews, Jacques & Rantoul to design a cottage for them. They hoped to spend their summers away from New York, where they could rub elbows with other wealthy and well-connected summer residents in Bar Harbor. The French Renaissance style cottage, known as La Rochelle, became one of the first Bar Harbor mansions constructed of brick. The forty-one room, 13,000 square foot cottage was built with twelve bedrooms and nine full-bathrooms on two acres of land, which backs up to the Mount Desert Narrows and harbor. The name La Rochelle comes from La Rochelle, a seaport in Nouvelle, Aquitaine, France, where George’s ancestors lived before settling in present-day Maine (later moving to Boston). In the 1940s, Tristram C. Colket of Philadelphia and his wife (the former Ethel Dorrance, daughter of John T. Dorrance, the Campbell’s Soup king) acquired La Rochelle. In 1972, La Rochelle’s owners, the Colket family, donated it to The Maine Seacoast Mission, who then sold it in 2019 to the Bar Harbor Historical Society.

Ullikana // 1885

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One of the earlier summer cottages in Bar Harbor is Ullikana, a Queen Anne style cottage, verging on Tudor Revival style. The cottage was built in 1885 for Alpheus Hardy (1815-1887) a trader in Boston. Hardy gained his wealth in shipping. He got his start by buying a small and fast ship that could make the voyage to the Mediterranean and back so quickly that he and his other investors captured much of the fruit importing business. His company would grow to have over 15 ships going as far as China. Hardy hired the Boston architectural firm of Cummings & Sears to design a new summer cottage in Bar Harbor, Maine, an ever-growing rival to Newport. He could only enjoy the cottage for two years, when in 1887, while cutting coupons, he dropped the scissors, the sharp points piercing his leg. Blood poisoning followed and death resulted. The summer cottage was owned by his family as a rental cottage for a number of years until it was purchased by the Maine Central Railroad, and rented to the recently widowed Princess Miguel de Bragança of Portugal, the former Anita Rhinelander Stewart. The cottage is now an inn.

Mathes House // c.1835

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Benjamin Mathes built this stone home around 1835 for his family, of the same stone he used to build a store across the street. The Federal/Greek Revival building has amazing granite quoins (stone blocks at the corners) and lintels (blocks above the windows). Even though there are later alterations, including the bracketed door hood and massive central dormer at the roof, the home remains one of the most visually stunning buildings in town.

Willey Hotel // pre-1822

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Originally an old tavern/inn, this wood-frame building in Newmarket, NH, was built for a member of the Rundlett Family who settled in town from nearby Portsmouth. The old building was known as Rundlett’s Tavern for a number of years, later renamed the Washington House, and eventually Silver’s Hotel by 1870. Under owner Joseph B. Silver, the Federal style building was updated with Victorian-era flair, marketing to visitors of town who had business with the Newmarket Manufacturing Company across the street. After Silver died in 1898, the building was purchased by George H. Willey and renamed the Willey Hotel/Willey House. He oversaw renovations in the 1920s to give it the Colonial Revival appearance we see today. The building is now apartments.