maine architecture

Spruce Point Inn // c.1892

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Spruce Point Inn sits amongst acres of pristine pine forests on the shore of the rugged coastline in Boothbay Harbor, in Mid-Coast Maine. The Inn had its beginnings in the 1890s as a hunting and fishing lodge when the peninsula was an undeveloped and remote point on the outer edge of Boothbay Harbor. The enchanting location off the beaten path attracted rusticators, who sought to escape the hot and polluted air of Boston and other cities, for the coastal breezes on Spruce Point. Private cottages were built nearby the old lodge, and frequented by summer rusticators year-after-year. By the 1940s the lodge was converted to an inn and many of the private summer cottages surrounding were acquired and rented out for summers. The buildings exhibit the warm, natural materials typical of the region, with weathered shingles and expansive porches that invite guests to take in the ocean breeze. Inside, the beadboard walls, wood floors, and fireplaces paired with period-appropriate furnishings really provide an authentic historic feeling. The resort’s first saltwater pool was constructed in a rocky outcropping right at the coastline and was recently restored, providing visitors a unique experience to swim in a historic saltwater pool just over the ocean! Over the years, the inn has undergone several renovations and expansions, ensuring that it continues to meet the needs of modern travelers while preserving its historical significance. The Spruce Point Inn is more than just a place to stay; it is a part of the rich history of Boothbay Harbor and ongoing legacy, a historic getaway that blends both luxury and history in a setting unlike any other.

Wildwood Baptist Chapel // 1910

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Tucked away on a wooded lot, away from the main villages of Kennebunkport, Maine, the Wildwood Baptist Chapel sits on the side of the road looking like a scene from a storybook. The chapel was built in 1910 for Baptists residing in the Wildes District of town, between the busier Kennebunkport Village and Cape Porpoise. The stone used in the construction of the chapel was taken from nearby properties and assembled on site by a skilled mason who built the walls with a Shingle style roof. Services here were limited and eventually ceased in earnest in 1935, as personal automobile allowed residents to travel to the church in the village for services. The poorly insulated chapel and small fireplace made the sanctuary inside difficult to heat in the cold winter months. The chapel is maintained well to this day, and is primarily used for summer services and special events.

Atlantic Hall // 1920

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Atlantic Hall is one of the most iconic buildings in the well-visited town of Kennebunkport, Maine. The landmark structure was completed in 1920 as a volunteer fire station, by the Atlantic Hose Company. The volunteer fire-fighting company was founded in April 1906, and different members kept different parts of fire fighting equipment in each of their barns without a consolidated station. With the advent of the automobile, the community raised funds and purchased a Chevrolet hose truck, but had no station to put it. Without having the town pitch in money, residents (both permanent and summer “rusticators”) donated funds and a central location in Cape Porpoise was selected as a site for the new station. Construction started on a modest building in 1914, but was halted during WWI. After the war, local resident, Marion Goodall Marland hired the well known firm of Kilham, Hopkins and Greeley to furnish updated designs for the station, in a more elaborate version of the Colonial Revival style, fitting for the charming town. The building opened in 1920 with an engine room at the first floor and a meeting hall on the second floor. It was in 1958 that the Atlantic Hose Company outgrew its station at Atlantic Hall, and a new fire house was built across the street. Atlantic Hall was renovated for library and event use and has remained a significant piece of Cape Porpoise ever since!

Kennebunk River Clubhouse // 1889

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A canoe club formed by John B. McMaster, Prosper L. Senat and Henry E. Woods in the early 1880’s grew to a large “Lobster Club” by 1888. In 1889, the club decided to build this Shingle style boat house and the organization changed their name to the ‘Kennebunk River Club’ and hired Lowell, Massachusetts architect, Frederick W. Stickney to design a new boathouse. It opened in August 1890. The club grew quickly as Kennebunkport continued to become a premier summer destination with wealthy residents building summer “cottages” in town. In the building, canoes were built and hired out to club members by members of the Penobscot tribe who came to Kennebunkport from Old Town each summer working here. The clubhouse is one of the finest Shingle style recreational buildings in New England.

Point O’ View Cottage // 1892

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The Point O’ View Cottage in Kennebunkport sits on a large lawn on the rugged Maine coast, with sweeping views of the Atlantic Ocean. Built in 1892 by Burleigh S. Thompson as a rental property (he rented it for $1,500 for the summer) the nine-bedroom “cottage” was designed in a Tudoresque version of the Queen Anne architectural style and originally named Fort Bradford. The cottage (like others built for Mr. Thompson) was designed by Henry Paston Clark, THE architect for the Cape Arundel Summer Colony in the 1890s, who also designed St. Ann’s Episcopal Church and other cottages nearby. The cottage was renovated more in keeping with the Shingle style and was entirely clad in cedar shingles, but it retains its perfect, rustic stone foundation and rounded porch. It is now known as Point O’ View Cottage. What a view it has!

Kewaydin Cottage // 1900

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Every good summer cottage needs a name, and this charmer in the Cape Arundel Summer Colony of Kennebunkport, Maine, is no exception! This is “Kewaydin” a massive summer home built for Eben Caldwell Stanwood Jr. (1856-1906) a merchant and later banker of Boston, Massachusetts. Stanwood hired the Boston firm of Chapman & Frazer to design the cottage, which blends Shingle style and Queen Anne elements in a rustic composition that has such great curb appeal! The use of cedar shingles and rubblestone chimneys, paired with the vergeboards and complex roofline with dormers, makes this one of the gems of Kennebunkport!

Pine Haven Cottage // 1902

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Pine Haven Cottage sits on a rise overlooking the Atlantic Ocean in the Cape Arundel summer colony in Kennebunkport, Maine. Built in 1902 for Thomas Brodhead Van Buren, Jr., a silk importer in Manhattan as a summer home, the cottage was designed by Henry Paston Clark and his partner, John W. Russell in an eclectic example of the Shingle style with gable roofs, vergeboards, stone foundation, and a prominent porch that has since been enclosed.

John Andrews Jr. House // c.1808

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John Andrews Jr. (1747-1844) was born in Essex County, Massachusetts to John Andrews Sr., a church Deacon, merchant, and blacksmith. John Jr., was a fisherman and would later move to Arundel by 1783 (now named Kennebunkport) and built this stately Federal style residence in the village. The house was built sometime between 1783 and 1810, with my best estimate dating the house (at least in its current form) to around 1808 as the high-style entry is similar to what is seen in Asher Benjamin’s plan books of the early 19th century, like the American Builder’s Companion, which provided builders with plans for elevations, cornices, entrances and windows, and any other features of a house built at the time.

S Road Schoolhouse // 1860

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The S Road Schoolhouse is the last-remaining one-room schoolhouse in the charming coastal town of South Bristol, Maine. The structure was built in 1860 as the District Five School for the Town of Bristol (South Bristol set off and incorporated as a separate town in 1915). This building replaced an earlier schoolhouse on the site that was on the 1857 Map of Lincoln County. By 1895, enrollment was about 16 but rose to the mid-twenties after other schools closed in the early 1900’s. The school is said to have closed in 1943 following the death of the teacher here, it never reopened. The South Bristol Historical Society recently restored the building following a successful capital campaign, gathering funds from members and town citizens, preserving this lasting remnant of days past.

Walpole Meetinghouse // 1772

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The Old Walpole Meetinghouse is a rare extant example of a Colonial meetinghouse in New England. The building is located in South Bristol, Maine, in the village of Walpole, and was constructed in 1772. The Walpole Meetinghouse is a little-altered example of a late colonial church in Maine (and one of the oldest actively used churches in the state.) The building originally housed a predominantly Presbyterian congregation of Scottish immigrants, but as the presbytery was based far away in Boston (Maine at this point was still a part of the Commonwealth of Massachusetts) the congregation eventually became Congregationalist. The Georgian-style building is clad in wood shingles, originally stained painted a brownish yellow to blend in with the birch leaves as to camouflage it among the trees. The building was painted white in the 20th century. It is one of a few extant meetinghouses in New England that utilized shingle siding instead of the quintessential New England clapboards. It is said that these are still the original shingles. Inside, the doors all enter the single main chamber, where the ground floor is dominated by a series of box pews and the elevated pulpit is sited at the north wall. It is maintained by the South Bristol Historical Society, and is still used occasionally for summer services.

Hiram Lodge 39, Knights of Pythias // 1895

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Another of the extant, significant vernacular buildings in the small town of Hiram, Maine, is this large frame building on Main Street. Hiram Lodge #39, Knights of Pythias, was organized in 1883 and a building was constructed on this site around that time. The first meeting hall was destroyed by fire in 1895, and soon-after replaced by this large lodge building, which is possibly the largest wooden building in town!  On the destruction of that first “hall” by fire in 1895, the Lodge hired Alva Ward to build what is probably the largest wooden building extant in Hiram. The Knights of Pythias Hall is important as a remnant of Hiram’s earlier commercial prosperity, with general store on the first floor, a large hall on the second floor (where dances, theatrical performances, and public suppers were held), and the lodge hall on the third floor.

Mount Cutler Grange Hall // 1875

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The two-and-a-half story Mount Cutler Grange Hall in Hiram, Maine, is a plain but important vernacular structure near the western end of the town’s Main Street. Originally organized in 1875 by local farmers, the local grange was able to dedicate its present building in late December of that year. Attributed to local builder James Lot Hill, the clapboard-covered frame building has a three-bay facade and retains its original windows. Once the site of grange store, the well-preserved structure still displays a fine late-nineteenth century sign above its first story. Little changed over the years, the Mount Cutler Grange Hall remains an important part of Hiram’s social fabric, but appears vacant or largely unused. Hopefully some life can be brought back to this significant building (and other abandoned Grange Halls in New England).

Mount Cutler School // 1882

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The cross-gabled, two-and-a-half story Mount Cutler School was built in 1883, possibly by local builder James Lot Hill, and is a well-preserved example of a district school in Hiram, Maine. A very late example of the Greek Revival style utilized for an educational facility, the structure displays a gabled facade with closed pediment highlighted at the center by a diamond-paned triangular window. The building, used solely as a grammar school (except from 1922-30 when a two-year high school operated in one room) replaced a similar structure which burned in February of 1883. The Mount Cutler School served the youth of Hiram from 1883-1967 and again in 1974-78. Its second floor now houses the collections of the Hiram Historical Society and it has been preserved ever since.

Hiram Public Library // 1915

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Located on a slight rise above Main Street and across from the sprawling Hiram Village Cemetery, this one-story library with walls of textured concrete blocks was dedicated in August of 1915 and has been a center for cultural activities in the town of Hiram, Maine, since that time. The Soldier’s Memorial Library was built with funds provided largely by Virginia Barker Jordan, a granddaughter of local businessman Benjamin Barker. Also instrumental in organizing Hiram’s first free public library was Llewellyn A. Wadsworth, local poet and cousin of Henry Wadsworth Longfellow. Beyond the unique use of concrete block construction for a library, other interesting exterior architectural features include the wide-flaring eaves with exposed rafters and the bands of windows on the first story walls, which hint of the Arts and Crafts/Bungalow styles. The library building was designed by Boston architects Robert Wambolt and Amos A. Lawrence.

Hiram Village Store // c. 1850

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Hiram is a small, rural town in Oxford County, Maine, and has a handful of notable old buildings. The town was incorporated in 1814 and was occupied by white settlers as early as 1774. The land here has long been heavily wooded and the town’s name was inspired by the biblical King Hiram of Tyre whose kingdom was set among “timber of cedar and timber of fir.” The town’s two villages, Hiram Village and South Hiram, grew along the Saco River, and are typical rural villages built around industry and modest frame dwellings. This commercial building is one of the larger structures in Hiram Village and it dates to the mid 19th century. The structure was owned by Thomas B. Seavey, who purchased a store built on the site as early as 1816, from a Simeon Chadbourne. The store was enlarged and became a major hub of the sleepy town in the 19th and 20th centuries, but like many such structures, struggled due to changing of shopping habits and rural decline. The building, with its vernacular and Greek Revival lintels, appears vacant today.