George F. Loring House // 1895

The George F. Loring House on Highland Avenue in Somerville, Massachusetts, is an architect-designed house designed as the architect’s personal residence. While the architect specialized in the Richardsonian Romanesque and Colonial Revival styles, for his own home, George Loring crafted a free interpretation of seventeenth-century medieval architecture with a brick first story and upper floors overhanging and sheathed in cedar shingles. Loring trained in the office of Boston City Architect, George A. Clough, before establishing his own practice. By 1895, when he constructed this residence on Highland Avenue, Loring was in partnership with Sanford Phipps, specializing in the design of large single-family homes in the Boston metropolitan area.

Lane-Smith-Bailey House // 1848

The most colorful house in Rockland, Massachusetts can be found on Union Street, the town’s busiest corridor, lined with houses and buildings of all ages and styles. The Lane-Bailey House was built in 1848 for Marshall Lane, a shoe manufacturer in town. The Greek Revival style residence features a gable roof oriented towards the street, which reads as a pediment and a full-length columned porch that wraps around the side of the home. The property was purchased in the early 20th century by William Andrew Grant Smith (1863-1908), a wealthy jeweler, who apparently added a second floor to the house, up from a 1-1/2 story cottage, and likely added the wrap-around porch at this time. Jumping ahead to the turn of the 21st century, the prominent house was owned by Brad and Sam Bailey, who painted the residence bold colors, added a wishing well and birdhouses to the front yard, and replaced the traditional grass lawn with crushed seashells. In an article talking about the house, Brad Bailey stated, “We do it because lots of things in life [that] are dull. Our house shouldn’t have to be.” Despite the polarizing thoughts and opinions from those who walk or drive by, the house is loved and certainly causes people to stop and smile!

Ludo Poole House // 1829

Rockland, Massachusetts, was first populated by European settlers in 1673 as the northeastern region of the town of Abington. The town separated and incorporated as Rockland in 1874, due, in part, to issues on how the town spent its tax dollars on schools. The town name was likely selected due to the rocky soil found there, which was better-suited for mulls and industry than for farming. The Ludo Poole House, seen here, was built in 1829 at the corner of Union and Exchange streets, at an intersection which became known as ‘Poole’s Corner’. The house was built for Mr. Ludo Poole (1803-1870) and his new wife, Mary Josselyn Poole, who would raise eight children here. The property was inherited by the couple’s eldest son, Ludo Augustus Poole, who worked at a local shoe manufacturer and served in the American Civil War. The property remained in the Poole family until 1951. The property was owned in the late 20th century by John Burrows, who renovated the interior thoughtfully to blend original Federal-period elements with English Arts and Crafts style.

Frederick Sears Cottage // 1851

The Frederick Sears Cottage in the Cottage Farm neighborhood of Brookline, Massachusetts, is significant as one of the major surviving examples of Gothic Revival domestic architecture in the Boston area. In 1849, wealthy Bostonian, David Sears (1787-1871) laid out parks and squares in the Cottage Farm neighborhood, and built houses for himself and his children. His own house, erected in 1843, was the oldest, soon followed by houses for his four daughters, Ellen d’Hautville, Harriet Crowninshield, Anna Amory, Grace Rives, and son, Frederick. The Frederick Sears Cottage is the only surviving Sears residence in the Cottage Farm neighborhood. Frederick Sears‘ cottage was built in 1851, though he did not occupy the house long, as just three years after he and his wife married in 1852 to move into this home, Marian died. The house was inherited by Frederick Sears Jr. , and was acquired by Boston University in 1960, who began to expand into this neighborhood. They maintain the significant property very well. The Sears Cottage is an excellent example of the Gothic Revival style in stone with scalloped vergeboards, quatrefoil motifs, corner quoins, and projecting entry. The house is constructed of Roxbury Puddingstone and is said to have been designed by George Minot Dexter.

George and Annie Andrews House // 1899

By the end of the 19th century, Brookline’s connection to Boston via the streetcars opened the town up to suburban development unlike anything seen before. From this, Boston businessmen could move to the suburbs for more land and live in larger single-family homes while commuting to the city for work. This large house in the Cottage Farm neighborhood was built in 1899 on speculation and purchased by George and Annie Andrews, who two years later, built a stable on the adjacent lot. Architect Robert Coit, specialized in large suburban houses, primarily in the Boston-area suburbs, and showcased his design talents for this Tudor Revival home. Tudor Revival style ornament include the second story over-hangs supported on brackets, the diamond pane sash and casement windows, vergeboard with finials, and portico with steep gable.

Kramer-Duane House // 1895

One of five houses built by developer Albert Jewell along Powell Street in the Cottage Farm neighborhood of Brookline, this residence stands out for its materiality and stately design. The house was designed by J. Williams Beal, an architect who trained at Massachusetts Institute of Technology and then worked for McKim, Mead & White before opening his own business. The house was first purchased from Mr. Jewell by Grace and Edwin Kramer, who worked as superintendent for R. H. White & Co., the large dry goods store in Boston. The next long-term owner was Harry B. Duane, a wealthy grocer. The Kramer-Duane House is unique for the stone veneer at its facade, gambrel roof covered in slate, and varied window styles including: bay windows, dormer windows, and an eyebrow dormer window at the roof.

Former Essex County Jail // 1811

The former Essex County Jail is a large and significant building in Salem, Massachusetts, that has seen a recent rebirth thanks to the intersection of historic preservation and the demand for new housing in many New England communities. Constructed of large, Rockport granite blocks, the building was constructed in two phases—the section to the east was constructed in 1811-13 while the parallel west wing dates to 1884, with each of the construction dates inscribed at the top of the pediments on the south elevation. Completing the complex is the 1813 Jailer’s Residence which sits at the edge of the now enclosed courtyard. Those who were committed here were largely sentenced to short terms, many for the offense of drunkenness or petty theft. Inside, prisoners did all the labor, such as cooking, baking, firing the boilers, etc., with the female inmates making clothing for all inmates. The jail was in operation until 1991, and at that time was considered the oldest active penitentiary in the United States. Years prior, in 1984, several detainees had successfully sued the county for inadequate living conditions, leading to the closure of the building. A preservation restriction was established for the building and in 2009, the property was conveyed to a developer who converted the complex into 23 apartments, with 19 in the old jail, three in the old jail keeper’s residence, and one in a converted carriage house. The great preservation/adaptive reuse firm of Finegold Alexander Architects furnished the plans for the successful renovation that provided a new life for a once crumbling eyesore.

Brown-Battis House // 1851

Captain Nathaniel Brown (1800-1866), a master mariner in Salem, built this fine brick house on Brown Street in 1851. Captain Brown bought the lot from the heirs of Nathaniel Kinsman in 1850, with an older house already occupying the site. The existing house was razed and construction began on this house, with it completed by 1851. The building is unique as it resembles the Federal period form of the five-bay and three-story residence with shortened third-floor windows under a low hipped roof. Although the Federal period waned in popularity by the 1830s, this house clearly took cues from the earlier homes nearby. Following Nathaniel Brown’s death in 1866, James Herrick Battis, a tobacconist and cigar manufacturer, purchased the home. City records state that Battis was issued a building permit in 1878 for an addition to the dwelling. It is probable that the bay windows and front door hood were also added at this time, giving the residence more of an Italianate style. Battis continued to own the property until his death in 1891. By 1930, the residence was converted into apartments and was known as the Conant Apartments. It remains a six-unit apartment building today.


George Clark Cottage // 1847

In 1847, George Clark (1815-1890), a Salem carpenter, purchased a house lot on Oliver Street, a block away from the Salem Common. That year he began constructing this cottage for his family. The Clark Family resided here for just a year until 1849, when George got caught up in the California Gold Rush, selling the property and moving west to make his fortune. Since Mr. Clark was back in Salem by 1850 (according to the federal census), he was likely one of the thousands of forty-niners who did not strike it rich. The Greek Revival style house is unique for its more Gothic style gable, brackets, and segmental arched windows.

Wright Estate Gatehouse // 1907

Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.