New England Architecture Blog

Robert Gould Shaw Estate // 1912

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Born into the heart of Boston Brahmin society (Boston’s elite class), Robert Gould Shaw II (1872-1930) had a life of great opportunity, but full of tragedy. Robert was born in Boston and was a first cousin of Robert Gould Shaw, the famed military officer who accepted command of the first all-Black regiment (the 54th Massachusetts) in the Northeast. Robert II had a life of leisure, and enjoyed his position in society by drinking and enjoying elite sporting events. He became a wealthy landowner around Boston, and international polo player of the Myopia Hunt Club in the North Shore. He gained a reputation for alcohol abuse and promiscuity and divorced his first wife after just four years, she would later move to England and marry Waldorf Astor, and become the first woman seated as a Member of Parliament. The couple’s only son Robert Gould Shaw III followed his mother to England, but was eventually imprisoned there for six months for “homosexual offenses”. His alcoholism and his mother’s death, may have led to his suicide in 1970. Robert Gould II in Boston, remarried and purchased land in Oak Hill, Newton to build a country estate. He hired James Lovell Little Jr. to design the Tudor style property with a mansion, and various outbuildings including a carriage house and stable. As the Gilded Age gave way to the Progressive Era and eventually the Great Depression, the Shaw fortune collapsed. Shaw died in New York in 1930. The estate was later purchased as the new home to Mt. Ida College, now a regional campus of UMass.

As another piece of this interesting family’s history… Louis Agassiz Shaw II, one of Robert’s four children in his second marriage, had all the opportunities of his father, as he attended Harvard, had a sizable bank account, but was a recluse and had some mental issues and paranoia. Like his elder half-brother Robert Gould Shaw III, and father, Louis struggled with depression and alcoholism and in 1964, he strangled his 64-year-old maid, who he said was plotting to murder him in his sleep. He confessed but plead not guilty; he was committed to Danvers State Hospital and later McLean, where he lived for 23 years until his death. After which, much of his art collection, which he intended to donate to the Fogg Museum at Harvard, was discovered to be fakes.

Breezy Cottage // 1840

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On the backroads of the rural town of Wilmot, NH, I stumbled upon this perfect Greek Revival cottage tucked away on a dirt road. The home was built in 1840 by Col. Samuel Thompson, likely operated as a farm. The property was purchased by the Tewksbury Family decades later, who likely gave the home its name “Breezy Cottage”, after an older colonial home nearby, and subsequently the name of the street in which it is sited. The Greek Revival home is symmetrical with a wide, gabled roof and upper floors overhanging the recessed front porch. The home features bold corner and entry pilasters.

Wilmot Center Schoolhouse // 1854

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Driving through the quaint village of Wilmot Center in New Hampshire, I had to pull over to snap a photo of this little library building. When I got home, I learned that the building was constructed in 1854 not as a library, but as a schoolhouse! The vernacular Greek Revival school served as one of many district schoolhouses in the region, dispersed around small towns to be within walking distance of the sparsely developed parts of the state. With population growth in the 20th century and the proliferation of the personal automobile, these small regional schools became obsolete. Many of these buildings were converted to other civic uses or as personal residences, but most were demolished. The Wilmot Public Library located in the former schoolhouse in 1972 and is now connected to the town offices next door.

Thomas Casey Building // 1896

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Located on West Broadway in a section of South Boston that has almost been stripped of all of its architectural character and history, sits this historic commercial building, which soon may face the wrecking ball. This building was constructed in 1896 for Thomas Casey, an Irish liquor dealer. He hired Irish-born architect Charles Donagh Maginnis who emigrated to Boston at age 18 and got his first job apprenticing for architect Edmund M. Wheelwright, the city architect of Boston, as a draftsman. The result was a four-story Colonial Revival commercial building, significant for the series of rounded copper bays and cornice. Of special note, there are wreath inlays designed into the bays between the third and fourth floors with the letters “T” and “C” within, representing Thomas Casey. Years after the building was constructed, it was purchased by Emma A. Amrhein, and has – until recently – been home to Amrhein’s Restaurant and Bar. The local landmark had two (unconfirmed) claims to fame; the oldest hand carved bar in America and the first draft beer pump in Boston. The large property was sold, and the developers proposed a large housing development on the site, retaining the Casey-Amrhein building. However, some have recently pushed for the demolition of this building to make the project slightly larger than would be with the historic building.

Boston Consolidated Gas Company Building // 1927

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The Boston Gas Light Company was incorporated in 1823 and for thirty years was the sole company producing coal gas in the City of Boston. In the second half of the 19th century, several additional gas light companies were formed in and around Boston to make loads of money with the booming industrial growth seen there. They continued until it was determined that with the proximity of competing pipelines and the overlap of service areas it would be more efficient to consolidate into a single company. The Boston Consolidated Gas Company was chartered in 1903 to to combine numerous smaller corporations operating in the City of Boston under one conglomerate. The organization had a small building in Downtown, which was outgrown decades later. The company hired the local firm of Parker, Thomas & Rice, to design the new mid-rise office building on the outskirts of the fashionable Back Bay neighborhood. The base of the Classical Revival building follows the base, shaft and capital form. The base is traditional with three stories of rustication, ornamental capitals, carved detail at the arches and the elegant bronze window frames. The central stories are clad in dressed limestone, streamlined with punched openings, emphasizing verticality. Stories 12 and 13 are framed by colossal engaged columns with arched windows and bas reliefs. The ground floor today is home to a recently opened restaurant, Nusr-Et Boston, which was created by the famous chef, Salt Bae.

Linden Place // 1810

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For the last post in this series on Bristol, Rhode Island, I am leaving you with a house that is architecturally stunning, but holds a dark history. Linden Place was built in 1810 by slave trader, merchant, privateer and ship owner George DeWolf and was designed by architect, Russell Warren. The DeWolfs of Bristol, who became the biggest slave-trading family in U.S. history, transported well over 11,000 Africans to the Americas between 1769 and 1820. The U.S. banned the slave trade in 1808, but the DeWolfs continued dealing in the slave trade until the 1840s by going through Cuba, where they had numerous plantations. They also got help from a DeWolf brother-in-law, who served as a customs inspector in Bristol — thus ensuring family slave ships continued to come and go. In 1825, George DeWolf suffered major financial hits and he and his family fled to his plantation in Cuba, where they’d be beyond reach of his creditors. Stories explain that with the possibility of legitimate payment out of the question, the townspeople sought compensation for George’s debts where they could, and they broke down the front door of Linden Place, and took everything, even peeling the silk wallpaper off the walls.

Following DeWolf’s bankruptcy, the house was bought by his uncle James DeWolf, who was alleged to have directed the murder of a female African slave in 1789 who was sick with smallpox on the slave ship Polly, which he commanded; she was bound to a chair and lowered overboard. James DeWolf was tried and effectively acquitted; which, sadly, should not surprise anyone based on historical precedent. In fact, James DeWolf financed another 25 slaving voyages, usually with other members of his family and was thought to be the second richest man in the United States upon his death in 1837. In later years the house passed to Samuel Pomeroy Colt, a grandson of George DeWolf (as well as the nephew of the inventor of the Colt revolver). His son Russell married actress Ethel Barrymore, who was the great-aunt of current actress Drew Barrymore, and lived in the home. Today, the grand estate is a house museum and event space.

St. Michael’s Episcopal Church // 1860

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While I love the quintessential white, wood-frame New England churches that proliferate the region, the stone, Gothic churches always make me stop in my tracks; and this example in Bristol is no exception! St. Michael’s parish was founded in 1718 as one of the Rhode Island’s four colonial churches, funded and overseen from London. The first church, built in 1720, was ironically later burned during a British raid in 1778. It was replaced in 1785 by a plain wooden meetinghouse with funds from local residents and partitioners. In 1833, it was replaced by a wood-frame Gothic church which burned in 1858. Undeterred, the church hired New York City architects Alexander Saeltzer and Lawrence B. Valk, who designed the present brownstone Gothic Revival church. Just over a decade later, the church hired Worcester architect Stephen C. Earle, to design a chapel and parish house, across the street. The chapel building follows the Gothic Revival style, but with more Victorian flair, and is also constructed of brownstone to compliment the church. Together, the two structures transport you to the English countryside with their design and presence on the main street in town. What do you think of them?

Russell Warren House // 1807

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Architect Russell Warren (1783-1860), who I have featured on here numerous times, built this 2-story, 5-bay, hip-roof Federal house in Bristol, Rhode Island. This residence as interpreted by Warren as an example of the Federal style with stylistic features most notably being the angulated quoins (at the corners of the house). The house was designed for William Van Doom, a Bristol tailor of modest means. In 1814, Warren, a young and aspiring architect, saw the significant wealth in Bristol and decided to buy this home he designed. Siting himself in the vicinity of the extremely wealthy DeWolf family, he gained recognition and success by designing three expensive and elaborately crafted houses for them at this time, only Linden Place remaining. Warren lived in this house from 1814 until 1823.

Bristol County Courthouse // 1816

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Located on the Bristol Town Green, facing the main commercial area and harbor, the old Bristol County Courthouse is a well-preserved example of a building for civic use in town, at the height of its growth. It is believed that the courthouse is the work of architect Russell Warren, who lived in a home he designed just blocks away. This Federal-style stone building is faced with brick and subsequently stuccoed, giving it the unique composition it has today. The focus of the symmetrical facade is the large central arched window with granite quoins, and Y-tracery that echos Gothic design. As part of the 1836 state Bicentennial, the stucco facing was added over the original brick facing, and the exterior was painted a Gothic Revival sand color with darker trim, replicated in a 1976 restoration. From 1819, the courthouse served as one of the five state houses used in rotation by the Rhode Island General Assembly (in 1854, the General Assembly decided to meet only in Providence or Newport). In 1853, it reverted to courthouse use, a function which ceased in the early 1980s. The Bristol County Sheriff maintained offices there until 1997, when the building was purchased from the state for $1 by the Bristol Statehouse Foundation. The nonprofit foundation has worked to restore and maintain the building. Today, the building is used for education, community programs, meetings, and events.

Lemuel Richmond House // 1856

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Lemuel Clarke Richmond (1782-1876), a whaler, built this Octagon home in his seventies. This was the second home he built in Bristol Rhode Island, the first being the Richmond-Herreshoff House I featured previously. When Lemuel Richmond sold his 1803 Federal style home, his home was empty as his wife passed and all of his children married and moved out of the house. Octagon houses are fairly rare nationwide, and most were built in a small timeframe in the 1850s. The publication of Orson Squire Fowler’s A Home for All: or the Gravel Wall and Octagon Mode of Building in 1853 briefly brought popularity to octagonal structures. The
octagon, according to its proponents, offered greater floor space, increased air and sunlight, and was a healthful natural form. Orson Squire Fowler was a phrenologist (a pseudoscience which involves the measurement of bumps on the skull to predict mental traits) and lecturer who had a huge impact on American architecture, though only for about a decade. The Richmond House in Bristol also features an octagonal cupola, bracketed porch, and a single-room addition over the porch over the front door. Could you live in an Octagon?

Herreshoff Manufacturing Complex // 1853+

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In 1859, 18 year old John Brown Herreshoff (1841-1915) of Bristol, accepted his first commission to design and build a yacht. The fact that he was blind, having completely lost his sight at 15, didn’t seem to slow him down. He became known as the “blind boat builder.” In his early years, John Herreshoff had acquired such a keen knowledge and “feel” of boats that his blindness was no obstacle. The handwork however, was done by his brother, Nathanael Greene Herreshoff, later known as “the Wizard of Bristol.” His skill in shipbuilding became well-known; so in 1863, John took on space in an old rifleworks, hired a crew of shipwrights and established what would become the Herreshoff Manufacturing Company. From 1864 to 1869, the boatworks built forty-three steam yachts, including Seven Brothers, the first steam-powered fishing boat in America. In 1876, Lightning, the first United States Navy torpedo boat, was completed. Construction of larger craft soon followed, including the 94-foot Stiletto, considered the fastest boat in the world, and was later purchased by the Navy, and was its first torpedo boat capable of launching self-propelled torpedoes. J.B. Herreshoff died in 1915 and the company continued under his brother Nathanael, until it was taken over by a syndicate of New York and Boston yachtsmen. Business stagnated after WWI and the business closed after WWII. Today, Burnside Street in Bristol showcases the lasting legacy of the Herreshoff Manufacturing Company and their impact. Also, the Herreshoff Marine Museum sits at the end of the street, continuing that legacy.

Josiah Talbot House // 1835

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Anyone that has followed this account for a while knows at least one thing, I LOVE Greek temple-front homes. Designed by famed architect, and Bristol-native, Russell Warren, this 2-story, 3-bay, gable-roof Greek Revival house is one of the finest in the state. Its facade has a pair of fluted Corinthian columns, set in antis (where the side walls extend to the front of the porch). A simple side-hall entrance is framed by heavy Doric pilasters, supporting a broad, plain entablature, making this such a head-turning Greek Revival home. The walls are sheathed with horizontal flush boarding at the facade to give a smoother look and clapboards on the side and rear. The home was built for Josiah Talbot, a sea captain. The house is excellently preserved to this day, almost 200 years later.

“Longfield” // 1848

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“Longfield”, aka the Abby DeWolf House was built in 1848 and is one of the finest homes in Bristol, Rhode Island. The home was completed from designs by Providence architect Russell Warren, who also designed other mansions in town (I’ll post those later on in this series), the Westminster Arcade in Providence, and “Hey Bonnie Hall” a since demolished Federal style home I featured a couple days ago. Longfield’s name derives from the 60-acre meadow, part of the 300-acre Henry DeWolf farm, given to Abby DeWolf when she married Charles Dana Gibson at just 21 years of age. The DeWolf Family paid for the home as a gift to Abby. The DeWolf Family is infamous for being highly active in the slave trade, and was believed to have transported over 11,000 enslaved people from Africa to the Americas before congress abolished the African Slave Trade in 1808, which “prohibited the importation of slaves into any port or place within the jurisdiction of the United States…from any foreign kingdom, place, or country.” This policy did little as many owners of slaves just kept children born into slavery and also opened plantations in the Caribbean and South America. After Abby died in 1901, the home went to her granddaughter who maintained the home. By the 1970s, the home was sold out of the family and began a period of decades of deterioration to its current state. The interior is effectively gutted, but some original woodwork and fireplaces remain. Recent calls for a townhouse development with ample parking was proposed and approved by the town a couple years ago, but would greatly diminish its siting and architectural integrity. Nothing has happened on the site, but here’s to an appropriate restoration!

Throope Place // 1760

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In 1687, William Throope 1637-1704, who migrated to Bristol from Barnstable, Massachusetts by way of England, purchased land in Bristol, Rhode Island. On it, he constructed a small, one-room deep, two-story house. Throope’s grandson, Thomas, Jr. (1710-1771), enlarged the house about 1760, when he constructed this four-bay Georgian home, adding the old 1687 Throope house to the rear. Interestingly, house moves were very common in America to the early 20th century, as materials such as glass, nails, and brick were more expensive while labor was much cheaper, making the reuse of original structures and materials common. The farm eventually passed to Isaiah Drown Simmons (1810-1882), a dairy farmer, in 1830, and remained in the Simmons family until 1922. Records show that the original 1687 house that was moved to the rear of the 1760 house was replaced in the 1830s by Simmons. The home remained in the Simmons Family until after the death of their only daughter Elizabeth, who died in 1914. It appears that the existing front portico was added after that time, which appears more Colonial Revival.

Colt Dairy Barn // 1917

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Samuel Pomeroy Colt (1855-1921), a Bristol industrialist, purchased three farms on Poppasquash Neck, in Bristol, Rhode Island in 1905. One of the farms he aquired, Coggeshall Farm, was featured in my last post. On the newly consolidated farmland, just outside the hustle-and-bustle of Bristol’s downtown core, Colt built a large summer dwelling called ‘The Casino’. He lived at his family estate in town a majority of the year, but used ‘The Casino’ as a gentleman’s farm and a space to raise his prize-winning Jersey cattle and Berkshire sows. Colt wished that the citizens of town share his enjoyment of the property and had an open invitation carved onto the marble piers at the estate entrance which reads, “Private Property, Public Welcome”; access was freely allowed at the farm and shoreline. The two marble piers at the entrance to the estate are topped with massive bronze bulls modeled after two of Colt’s bulls, and were cast in Paris by Val d’Onse Company. Colt died in 1921. His will specified that Colt Farm not be sold and that it remain accessible to the public. Though he left a sum to operate the farm, it ran a deficit. The Casino was demolished in the 1960s as it was consistently destroyed by vandals, and became a public safety concern. The lasting cow barn was built in 1917, from designs by architect Wallis E. Howe. The barn utilized field stone from existing stone walls on the property and is capped with a red tile roof. The barn is unlike anything I have ever seen, and now is park offices. In 1965, after approval by Bristol voters, the State of Rhode Island purchased 466 acres of the Colt estate and created the largest public park in the Bristol County, known as Colt State Park.