Stanhope Stables // c.1868

Boston has many examples of adaptive reuse, likely none as frequent as converted horse stables and carriage houses from the 19th century. These one-story stables with a mansard roof on Stanhope Street in the Back Bay were constructed by 1868. The street once held other stable buildings, but those lots were either redeveloped or closed for the extension of Clarendon Street. The stables were used to store the horses and carriages of wealthy Back Bay residents including Jacob Pfaff, Dexter Follett, and Barney Corey. When automobiles replaced horses as a primary way of getting around, these buildings were converted to garages. As the land value raised here, they were adapted to commercial use eventually as restaurants. The building at the far left (now Red Lantern) was originally occupied by Gundlach’s Hofbrau German Restaurant, followed by the Red Coach Grill. A large fire occurred at the restaurant in 1955, likely destroying any historic fabric inside. The Stanhope Stables are threatened for redevelopment as the high-value land facilitates a higher and better use (presently proposed as a hotel). While the preservationist in me wants to see these stables remain intact, my stance is that the brick facades should be reconfigured into a new development in a lobby or restaurant.

What do you think?

The Clarendon // 2010

Few architects today continually put out good designs for new construction. One of those firms is Robert A. M. Stern Architects (RAMSA), who designed The Clarendon, a high-rise apartment building catty-corner to the tallest building in New England, the Hancock Tower. The Clarendon rises 32-stories atop a five-story limestone base, which relates to the scale of the base of the Old John Hancock Building (across the street). Above, the building is clad in the traditional Boston palette of red brick and limestone, but expressed in a way that relates to its modern neighbors with two-story recessed masses that break up the sheer height of the building. Above the base, the building sets back to create elevated green spaces and to mitigate wind conditions caused by the John Hancock Tower. Together the design features and materials provide a nod to historical context in Boston, while being unapologetically Modern. Part of the appeal for me is how this building does not command the corner, but adds to the rich layered fabric in this section of the Back Bay.

What do you think of the Clarendon?

George L. Allen Summer Residence // c.1895

This massive summer “cottage” in Rye Beach, NH, was built around 1895 for St. Louis businessman George L. Allen. The massive Colonial Revival home features a gambrel roof with a series of gabled, hipped and shed dormers to break it up. A circular driveway would have allowed visitors for Great Gatsby-esque parties to get dropped off by their driver and enter right into the home’s large stair-hall. The most stunning facade is the rear, which faces a lawn with views out to the Atlantic Ocean. A full-length porch on the first floor sits recessed under the floor above to provide shelter from the harsh summer sun. Sadly, the mansion has seen better days and appears to be a shadow of its former self. Luckily, almost all of the historic windows remain and the home can definitely be saved. Fingers and toes are crossed to see this beauty preserved.

Rye Beach Club // 1925

The Rye Beach Club is located right on Rye Beach, one of New Hampshire’s most upscale seaside communities, one whose history as a fashionable summer resort dates back to the 1840s. The Beach Club was established in 1925 in the decade after the First World War as the nation was experiencing a social transformation fueled by the postwar boom of the “Roaring Twenties”. As automobile ownership rates increased by the 1920s, the average motorist was no longer dependent upon schedules and the fixed routes of streetcars, railroads and steamboats. As one early historian of American recreation noted tongue-in-cheek, “The wealthy could make the fashionable tour in 1825, the well-to-do built up summer resorts of the 1890s, but every Tom, Dick and Harry toured the country in the 1930s.” As a result, many wealthy communities created private, exclusive recreation and social clubs where they would not be forced to mingle with the “average” American. Rye Beach residents formed the Rye Beach Club in 1925, which comprises of a rubblestone building with various wood-frame additions.

Lougee Cottage // c.1880

This house was built and first occupied by George G. Lougee, owner and proprietor of the Sea View House Hotel (demolished) across the street. Before building his own hotel, Lougee was a clerk at the Atlantic House, another summer resort. Lougee eventually worked his way up and ended up managing that hotel. Lougee’s success managing the Atlantic and later, the Farragut, enabled him to pursue his own enterprise and build his Sea View Hotel. When Lougee sold the Sea View hotel, he also sold this house with it. His former Stick style home was then converted to additional rooms at the hotel until it closed in the 20th century.

Fort Dearborn // 1943-1961

Odiorne Point in Rye New Hampshire was owned by the Odiorne Family from at least 1800, when the family built a farmhouse on the land. The peninsula juts out into the Atlantic Ocean, just south of Portsmouth, and it was seen as a strategic position by the United States Government, to protect the Portsmouth Naval Shipyard. With the advent of World War II, the United States Government deemed it necessary to improve the fortifications commanding the approaches to the Portsmouth Navy Yard, so the Government acquired this property and named it Fort Dearborn. Giant 16” coast defense guns and other equipment were installed to protect the coast from the impending German advance into North America. The Government acquisition on Odiorne’s Point included Mr. Odiorne’s home and 24 other properties, with many fine old homes on the coast demolished to make way for military facilities, but the Odiorne house was converted to a barracks. When The Nazi forces were beat in Europe, the fort was deactivated and all the guns were removed. In the Cold War period, the U.S. Air Force took formal possession of 45.3 acres at Odiorne’s Point in 1955, which it had been using since 1949 as the Rye Air Force Station. By 1961, the defensive use of the site was not as important, and the site was sold to the State of New Hampshire as a State Park. Today, you can explore the park and the decaying concrete batteries up close, which is a favorite excursion of mine.

Hatch Memorial Shell // 1940

Located at the Charles River Esplanade in Boston, the Hatch Memorial Shell has long been an iconic landmark and meeting place for Bostonians and tourists alike. Built in 1940, this outdoor amphitheater structure replaced an earlier 1920s shell, envisioned by Arthur Fiedler, the first permanent conductor of the Boston Symphony Orchestra. Construction began on the first shell in 1928 and Arthur Fiedler conducted the first Boston Pops concert there on July 4, 1929, followed by a month of concerts during that first summer, a tradition that has continued to this day. A second temporary shell was constructed of metal in 1934, which was unsatisfactory for the famous orchestra. In 1940, the construction of the new music shell took place, donated by benefactor Maria Hatch, to build a memorial for her late brother, Edward, who it is named after to this day. The permanent shell was designed by Richard J. Shaw, a Boston architect known for designing churches. The Art Deco design, with intricate woodwork adorning the interior and a terrazzo tile roof, was dedicated on July 2, 1940, just in time for Independence Day celebrations.

Stoneymeade Farm // c.1773

This stunning Georgian farmhouse in Acton, Massachusetts, was built around 1773 for Seth Brooks (1740-1831) and his wife Molly Conant Brooks, on land that had belonged to her father, William Conant of Concord (part of which was later annexed to Acton). Seth Brooks fought under Captain Isaac Davis on April 19th, 1775 at the Battle of Concord, who was among the first killed and was the first American officer to die in the Revolution. It was Brooks who ordered Davis’ body carried from the field after he fell, so he could be buried with honor. After the war, the family suffered an unfathomable tragedy. Seth and his wife, all their nine children, and all but one of their grandchildren died of the same type of tuberculosis, “slow consumption.” The family “curse” appears to have been broken by grandson Nathan Brooks, Jr., (1799-1881,) who inherited the property. According to local legend, a room beside the center chimney sheltered runaway slaves, as Nathan Brooks was an avid abolitionist. At the turn of the 20th century, the farm was purchased by Brookline timber merchant Benjamin Pope, owner of the Pope and Cottle Company of Boston. For many years, the Pope family used the house as a summer residence, with managers working the property as a dairy farm. It was Pope who named the farm “Stoneymeade,” and added greenhouses, an icehouse, and had an elaborate water system installed. Stoneymeade Farm continues to this day as an equestrian farm with boarding space for horses.

Hosmer House // 1760

This 2-1/2 story wood frame house in Acton, Massachusetts was built in 1760, and is one of the town’s best-preserved colonial-era houses. It is an unusual double house, consisting of one section with a square plan, and the other with a typical colonial “half house” plan, having three bays and an off-center chimney. The house was built by Jonathan Hosmer, Jr., a bricklayer whose workmanship is evident in the house’s many fireplaces. Hosmer was also prominent in civic and military affairs; he served (along with his son, who was killed at 17 years old) in the 1777 Battle of Bennington. The home was later owned by Jonathan’s son Simon, who may have added the attached dwelling, creating the double-house form we see today. In 1974 the property was acquired by the Acton Historical Society, which rents one of the units, and operates the rest of the property as a museum. The home is a great example of a Georgian double-house with a saltbox roof.

Exchange Hall // 1860

Arguably the most identifiable and iconic building in Acton is Exchange Hall, towering above the small village of South Acton. Exchange Hall was built in South Acton in 1860 to serve a variety of functions, primarily commercial. South Acton, with small milling operations and an ironworks established along Fort Pond Brook, had been a locus of
settlement since the earliest years of the 18th century. While the town’s village center evolved to the north, South Acton remained the site for industrial and economic development into the 19th century, spurred by the arrival of the Fitchburg Railroad from Boston in 1844. On the eve of the Civil War, South Acton supported a number of thriving
businesses, most under the aegis of three men: James Tuttle, his brother Varnum Tuttle, and Elnathan Jones Jr. The latter was the great-grandson of Samuel Jones, who established a successful tavern and store across the road from the site (a previous post). At the cost of $10,000, the three men financed the construction of Exchange Hall, designed to serve as the focus for the group of shops they ran together. The Italianate style Exchange Hall is 3 1/2-stories atop a raised foundation, with full length porches, stunning proportions, and a cupola at the roof.

Old Acton Parsonage // c.1740

Not far off Main Street in Acton Center, this stunning old Georgian home was built around 1740 for Jacob Hooker a tailor and later served as the home of James Dudley, a blacksmith in the village. After the American Revolution, Acton called on Reverend Moses Adams (1749-1819) to be the minister for the Acton Meetinghouse. The town acquired the old Dudley House for Reverend Adams to reside in with his family. In 1780, the home was enlarged, and possibly given the raised foundation we see today. Mrs. Adams ran a store out of the basement, accessed by the doorway in the brick foundation. After Adams’ death in 1819, the property went to the next reverend in town, until his death decades later. In 1889, a carpenter, Moses Taylor, purchased the home, restored much of the woodwork, and replaced the historic windows with 2-over-1 windows, popular at the time. Moses moved a house on Main Street to make way for the new Acton Memorial Library, and was active in building and renovating homes in Acton until his death.

Jones Tavern // 1732

Settlement of South Acton (by colonialists) was begun in 1701 when the Jones and Knight families purchased 600 acres of a private land grant. Over the next 26 years, members of the two families established and operated mills near the Fort Pond Brook, which provided running water for operations. Samuel Jones built a home here in 1732, which as originally built, was a simple, four room central entry Georgian home with gable roof, typical of many eastern Massachusetts homes at the time. In 1750, Jones opened a tavern and general store in his house, enlarging it with a two story addition now visible on the left side. Samuel’s son Aaron Jones, a Harvard graduate and soldier who fought at the Battle of Concord nearby, took over the tavern from his father. In 1818, Aaron more than doubled the size of his establishment when he built a large, 5-bay extension and rear kitchen ell directly behind the existing structure. In addition to enlarging his property, Aaron also had it “modernized”, inserting sash windows (replacing the casement windows) throughout and adding fashionable Federal style door and window surrounds. The additions gave the building two major entries, as well as secondary access to the communal taproom. The property was then willed to his son Elnathan Jones, who operated the establishment until 1845 as both a tavern and hotel. The building remained in the Jones family until it was sold in 1946, and divided inside into multi-family use. The house was sold for salvage in 1964 after years of neglect, but was saved by Iron Work Farm, Inc., a non-profit who maintain the property to this day.

Henry Tuttle House // 1873

This large Italianate house in Acton was built in 1873 for Henry Waldo Tuttle (1847-1916), who ran a grocery store business in town with his father, James Tuttle. The business did quite well as Henry built this massive home around his 26th birthday, likely around the time of his marriage. The exuberant Italianate home features a wide central gable and a projecting central entrance porch accessed by double entrance doors. The home has a detached stable to the left of the home too!

Acton Town Hall // 1863

Acton, Massachusetts, was once part of Concord, the first inland colonial town established in the Massachusetts Bay Colony in 1635. 100 years later in 1735, land that we know today as Acton, separated from Concord to become their own town. Acton’s second Meetinghouse was located here in Acton Center, which was selected for its location more accessible to all houses and farms in the town. The Second Meetinghouse was built in 1806, and burned to the ground in 1862. Immediately after, a town committee was formed to construct a new town hall. Opening in 1863, Acton’s Town Hall stands as a stunning Italianate building with tripartite arched windows, corner quoins, a two-stage cupola with clock, and a bold (and historically appropriate) paint scheme. Acton’s Town Hall remains as one of the finest extant in the state.

Tewksbury State Hospital, Superintendent’s Residence // 1894

Located adjacent to the Administration Building at the Tewksbury State Hospital, the Superintendent’s Residence, built in 1894, combines elements of the Craftsman and Colonial Revival styles wonderfully. The home is two-stories, and built of red brick laid in Flemish bond, capped with a slate hipped roof with exposed rafters. A massive uncovered porch wraps around the home and sits atop a rubblestone foundation. Like the adjacent Administration Building, the Superintendent’s Residence was also designed by Boston architect John A. Fox. From this residence, the massive almshouse and asylum would be run by the superintendent, who oversaw day to day activities and made sure everything was running smoothly. The house appears vacant now.