Townhouse

Faulkner-Hayden House // 1881

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This unique house at 29 Brimmer Street in Boston’s Beacon Hill, was completed in 1881 is architecturally distinctive compared to the early 19th century homes that the neighborhood is known for. The five-story residence has a raised entrance up a flight of steps set within an arched opening. To the side, an arched window frames the facade and has an ornate terracotta panel as a base. More terracotta ornament can be found at the second floor and under the cornice as a thick band frieze with a copper-clad mansard roof above. The single-family residence was built in 1881 for Charles Faulkner (1811-1885), a commission merchant, for his daughter, Ann Ruth Faulkner the year of her marriage to Charles Rowley Hayden. Mr. Hayden was a musician and vocalist. For the new wedding gift, Faulkner hired the esteemed architectural firm of Bradlee & Winslow prepare the designs. The former Faulkner-Hayden House today contains five condominiums.



Baker-Byrd House // 1888

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Located on Brimmer Street in Beacon Hill, this handsome residence is constructed of rough-faced brownstone laid in a random ashlar pattern and is among the most unique in a neighborhood known for brick townhouses. Decorative treatment includes a stone band that is carved with foliate and faces, colonettes that rise along the facade at the bay, and an ornate molded copper entablature and parapet at the roof. The residence dates to 1888 and was built for Seth R. Baker, a Boston real estate developer at the end of the 19th century. It can be inferred that the building was designed by architect, Ernest N. Boyden, as Baker hired Boyden as architect for a half-dozen other apartment buildings between 1888-1890. Antoino Xavier, a Portuguese-born mason is listed as the builder. In the 1910s, the property was purchased by Marie Ames Byrd, wife of polar explorer Richard A. Byrd, who lived a few houses away at 9 Brimmer Street. She rented the four apartments to boarders through the 1930s.


Eliot C. Clarke Townhouse // 1884

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One of the many great townhouses on Brimmer Street in Boston’s Beacon Hill neighborhood is this residence designed as a unique interpretation of Queen Anne and Romanesque Revival styles. Original owner, Eliot Channing Clarke (1845-1921), an MIT-educated civil engineer. His uncle, Thomas Curtis Clarke, was a noted civil engineer, a member of the firm of Clarke, Reeves & Co., Bridge Builders in Pennsylvania, and served later as President of the American Society of Civil Engineers. When Thomas Clarke’s firm was designing and building a new bridge over the Mississippi River in Quincy, Illinois, he had his nephew lead in the design. In 1876, Eliot was appointed engineer in charge of a survey for a main drainage system for Boston. The project was adopted and construction began a year later, taking years to complete. In 1885, Clarke published the work that he oversaw, modernizing a rapidly growing Boston water and plumbing system. He became one of the leading sanitary engineers of the United States. In 1884, Clarke hired architect, S. Edwin Tobey, who designed this townhouse with a unique gable containing a ocular window and panel brick parapet as an interpretation of a Flemish gable. A traditional arched entry in brick is a nod to the Romanesque Revival style, which surged in popularity in Boston following the completion of H. H. Richardson’s Trinity Church. In 1969, the Clarke house’s interior was connected with its neighbor as the Advent School, a private K-6 school associated with the Church of the Advent across the street.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.

Perkins House – Diocesan House // 1832

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Constructed of red brick and trimmed with brownstone, the beautiful townhouse at 1 Joy Street, is one of a few properties in Boston’s Beacon Hill neighborhood to have a front yard. Built in 1832, the four-story residence has its primary facade characterized by a flat entrance with a rounded bay extending upwards to the roof. Designed by architect, Cornelius Coolidge, who designed many other homes in this section of Beacon Hill, the completed house was purchased by Thomas Handasyd Perkins, Jr. (1796-1850), the eldest son of the enormously wealthy and influential Thomas Handasyd Perkins, Sr., who is considered by many to have been the most successful merchant prince of Boston’s Federal period. In 1892, the Episcopal Association purchased 1 Joy Street for use as headquarters of the diocese, and it became known as the Diocesan House. Today, the building is divided up into condominium units, providing residences just steps from the Boston Common.

Unitarian Universalist Association Headquarters // 1926

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The American Unitarian Association (AUA) opened its first headquarters in Boston in 1865, forty years after the organization was founded. Since its founding in 1825, the AUA occupied several locations but eventually took residence in a Richardsonian Romanesque style building constructed in 1886 at the corner of Beacon and Bowdoin streets. The handsome structure, designed by Robert Swain Peabody of the firm, Peabody and Stearns, served as the headquarters for the association until it was demolished in the 1920s for the expansion of the Hotel Bellevue. In 1926, the AUA purchased an 1840s townhouse and demolished it, replacing the former residence with their new building to serve as a church headquarters office building. The American Unitarian Association hired the Boston architectural firm of Putnam and Cox to design their building, which employed architectural similarities to the adjacent 1820s townhouses designed by Cornelius Coolidge. The six-story building is constructed of red brick with a two-story granite base with piano nobile with a balcony, all under a mansard roof with dormers. The American Unitarian Association sold their Beacon Street building and relocated to a new headquarters on Farnsworth Street in the Seaport/Fort Point area of Boston in 2014. The 1926 building was converted to high-end luxury condominiums.

Russell-Bradlee Mansion // 1825

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The land at the corner of Beacon and Joy streets in Boston’s Beacon Hill neighborhood was once John Hancock’s west pasture for his grand manor (razed in 1863) until 1819, when subdivision of the Hancock estate began following his death. In 1821, Israel Thorndike, one of the leading land speculators of early nineteenth-century Boston, began buying out the Hancock heirs and house lots overlooking the Boston Common were sold to John Hubbard and George Williams Lyman, who hired architect Cornelius Coolidge, to build some stately Greek Revival townhomes for wealthy Boston elites. The house at the corner of Beacon and Joy streets, 34 Beacon Street, was built in 1825 for Nathaniel Pope Russell, a leading Federal period China Trade merchant. By 1850, James B. Bradlee, a wealthy merchant, had acquired the property. Bradlee’s grandson Ogden Codman Jr., the influential late nineteenth- and early twentieth-century architect and interior decorator, was born in this house in 1863. Codman later collaborated with novelist and tastemaker Edith Wharton on ‘The Decoration of Houses‘, a book that had an enormous impact on the direction of interior design when it was published in the 1890s. Little, Brown and Company, a publishing company founded in 1837, purchased the former residence and moved their headquarters here in 1909. The publishing company sold the property in 1997, and it converted to a single-family home. In 2007, the residence was purchased by Northeastern University and has since been the President’s House.

Pope-Barron Townhouse // 1871

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Merry Christmas to those who celebrate! As there is no snow on the ground in Boston, I wanted to share a house with a prominent pine tree, which resembles an oversized urban Christmas tree on Beacon Street. This house at the corner of Beacon and Fairfield streets was built in 1871 by architect and builder Frederick B. Pope on speculation. It did not sell as quickly as he would have hoped, and it took two years for it to finally sell at public auction in 1873. The relatively modest brick Second Empire style house was bought and sold numerous times until March 1905, when the residence was purchased by Clarence Walker Barron, a prominent publisher and journalist. In 1903, he purchased Dow Jones & Company and from 1912 until his death in 1928, he was its president. During this period, he was also de facto manager of The Wall Street Journal, he expanded its daily circulation, modernized its printing press operations, and deepened its reporting capabilities. In 1921, he founded Barron’s National Financial Weekly, later renamed Barron’s Magazine. Barron pushed for the intense scrutiny of corporate financial records, and for this reason is considered by many to be the founder of modern financial journalism. In 1920, he investigated Charles Ponzi, inventor of the “Ponzi scheme”. His aggressive questioning and common-sense analysis helped lead to Ponzi’s arrest and conviction. For his Boston townhouse, Barron hired the firm of Cram, Goodhue & Ferguson to completely renovate the dwelling with an extra floor, limestone facades, and more bold roof design.

Derby Townhouse // 1886

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Hasket Derby (1835-1914), was the grandson of Elias Hasket Derby, a prominent trader in Salem, MA., who was thought at one time to be the richest man in the United States. Hasket married Sarah Mason and the family lived in Boston. Dr. Hasket Derby was a renowned opthamologist and had this townhouse built in the Back Bay of Boston in 1886. He hired architect William Ralph Emerson, who ditched his prototypical Shingle style for the urban townhouse in the Colonial Revival style. The townhouse exhibits a brownstone swans neck pediment at the entry, three-story rounded bow, dentilled cornice and brick pilasters framing the bays. Its an often overlooked house in Back Bay, but so very special.

Gouldsboro Townhouse // 1884

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Welcome to Gouldsboro, Maine! The town is a charming community made up of many small fishing villages and neighborhoods dotting the rugged Maine coastline. Land in what was then part of Massachusetts, was given to Colonel Nathan Jones, Francis Shaw and Robert Gould in 1764 by the General Court of the Commonwealth of Massachusetts. Francis Shaw and Robert Gould were both merchants from Boston. Francis Shaw had worked hard to develop Gouldsboro, and reportedly died broke because of it, and his son Robert Gould Shaw returned to his parents’ native Boston. Development in the area was slow and never really took-off due to the distance from Boston, but fishing, mills, and villages were built and remain to this day. Now, much of the area is home to summer residents flocking to the area from urban areas. This building was Gouldsboro’s second townhouse. It was constructed in 1884, soon after the first townhouse burned a year prior. The structure was used for town meetings and elections until 1983. It is now owned by the Gouldsboro Historical Society. It is a late, vernacular example of a Greek Revival townhouse.