Architectural History

Daniel Davis Homestead // 1739

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In 1739, recently married Daniel Davis (1713-1799) and Mehitable Lothrop Davis (1717-1764) inherited land in Barnstable Village from Mehitable’s father Thomas as their wedding present. The young couple broke ground on a new family home that year. Daniel Davis fought in the American Revolution and was was a selectman, assessor, town clerk, and treasurer for Barnstable and represented it at the Massachusetts House of Representatives and Council. Davis also held the position of Guardian of the Mashpee Indians, a position begun in 1746 when Massachusetts appointed white guardians to manage each Indian reservation in the province, the Mashpees protested. Daniel Davis died in the home in 1799. The house retains much of its original design from the multi-pane double-hung windows to the large, central chimney.

Barnstable Olde County Courthouse // 1763

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This historic building was constructed in 1763 as the Barnstable County Courthouse replacing an even earlier courthouse building that was outgrown in the village. The building served primarily as a courtroom with jury deliberations carried out in one of the nearby taverns. Additionally, large town meetings were sometimes held in this building until it too was outgrown. This courthouse was the site of a mass protest on Sept. 27, 1774, after Britain revoked Massachusetts Bay’s 1691 charter — one of a series of Coercive Acts intended to punish the colonists for the Boston Tea Party the previous year. As a result of the protest, all Barnstable county officials agreed to ignore Parliament’s new rules, effectively freeing Cape Cod of British control. The significance of this building cannot be understated as the building is one of only two remaining Massachusetts colonial-era courthouses where such protests occurred. The county dedicated its new courthouse in the 1830s, consolidating all court functions in a large, granite structure closer to the present center of Barnstable Village (featured previously). This building was acquired by the Third Barnstable Baptist Church, who renovated the building at the time and again in 1905. After the church was disbanded in 1972, the building was purchased by Tales of Cape Cod, a nonprofit volunteer group committed to preserving the Cape’s history. What a building to be based out of!

Barnstable County Courthouse // 1831

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Perched atop a hill in Barnstable Village, the old town center of the historic Cape Cod town, the Barnstable County Courthouse sits proudly as a well-preserved example of the Greek Revival architectural style in a civic building. The building was constructed in 1831 from plans by renowned architect Alexander Parris, who designed the iconic Quincy Market in Boston just years earlier in the same style. Due to its highly visible location along the Old King’s Highway and public function, the courthouse was likely instrumental in popularizing the Greek Revival style on the Cape. The building was constructed of Quincy granite with a portico and fluted Doric columns made of wood fashioned to look like stone (which fooled me from the street). The building has been expanded five times between 1879 and 1971, with each addition made cognizant of the architectural significance of the building. At the front of the building, two bronze statues of Mercy Otis Warren and James Otis, Jr frame the building. The Barnstable Superior Court is located in the building today.

Langham Court // 1991

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Image courtesy of Goody/Clancy

Appropriate infill construction can be a very difficult thing to accomplish, with some developments hitting the mark and others adversely impacting the historic neighborhoods where they were built. Boston is home to many examples of both occurrences, but I wanted to share a very successful infill project in the South End neighborhood, Langham Court. As the South End resurfaced as a desirable neighborhood, long-time residents were priced out, which led to the Boston Redevelopment Authority to fund projects to provide much-needed housing for the local community. This site which once housed over 20 townhouses, was razed by the 1960s in a period of urban renewal where existing housing was deemed unsafe and inadequate. The local design firm of Goody/Clancy was hired, and they masterfully designed a U-shaped complex of 84 mixed-income units that fits well within its surroundings. The design exhibits dormers, bays, arched and vaulted entries, a combination of mansard and flat roofs, stringer courses and textured brickwork, and a palette of well chosen materials all at a scale that blends in the 1990s building to its surroundings which came nearly 150 years prior. The complex remains as a testament to good-quality design even for affordable housing, which notoriously gets the short end of the stick design-wise.

Joshua Bennett Townhouse // 1834

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Just steps from the iconic Louisburg Square in Boston’s exclusive Beacon Hill neighborhood, a man named Joshua Bennett in 1834, purchased two recently completed townhouses built by housewrights Samuel H. Mitchell and Loring Dunbar. Joshua Holden Bennett (1792-1865) was born in Billerica, Massachusetts and split his time between his hometown and Boston. Bennett and his family owned the two identical bowfront houses until about 1930, likely renting them out to middle-upper class families. The home on the right (pictured) was later purchased by Benjamin B. Gillette an organist at a local church. After WWII, property values in Beacon Hill began to falter and this property and its neighbor became lodging houses of rented rooms to a more wealthy clientele than those on the North Slope of the hill. The home last sold in 1989 for $753,000 and is estimated at a value today at over $4,000,000!

Elmendorf House // c.1780

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Built circa 1780, this old stone house is fairly new compared to some of its neighbors (it was built after the Revolution). The land upon which the house sits was originally owned by Anthony de Hooges and his wife Eva. It was purchased by Conrad Elmendorf, who likely built the home after the War. and handed down to his great-grandson Col. Jonathan Elmendorf who served in the War of 1812. The property is now home to the Hurley Historical Society, which host an Old Stone House Tour every year.

Van Etten-Dumond “Spy” House // c.1726

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One of my favorite houses in Hurley is the Dumond House (also known as the “Spy House”), a pre-Revolutionary stone cottage built in Dutch traditions. The house is one and one-half stories high, and is built of limestone. The limestone walls are of various thickness, from a nearby quarry, with the square ends laid up in mortar made of clay, and pointed with lime mortar outside. The house was built by Jacobus Van Etten (1696-1779) and used as a Guard House during the American Revolution. In 1777, it was famous for housing the convicted British spy, Lt. Daniel Taylor after he was caught carrying a message between British Generals Henry Clinton and John Burgoyne. Lt. Taylor was arrested as a British spy, convicted in court of spying and held in the basement of the Du Mond House as a prisoner. He was hung on October 18, 1777 from a nearby tree. American soldiers encamped in the area were paraded by the body as a warning to any potential British sympathizers. The home was later owned by the Dumond Family. It has been owned by the Kent family since 1933.

Polly Crispell Cottage // c.1700

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Another of Hurley’s stone houses is this beauty, known as the Polly Crispel Cottage. The house was built before the American Revolution c.1700 by an Anthony Crispell, a cordwainer. The home was likely a half cape in form with the door and two windows to its right. The other half was added at a lower level later on with the floors uneven, likely in 1735 where a construction date plaque read. The home also features a dutch door, which I wish we had more of in New England.

Hurley Reformed Church // 1854

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From about 1670 to 1801, the villagers of Hurley were associated with the Kingston Reformed Church, about three miles away. In those years, the minister of the Kingston Church met with the Hurley parishioners at least once every six weeks and conducted a Sunday service in one of the local homes. In 1801, they grew tired of not having their own place of worship, and they petitioned to establish their own church in Hurley, and succeeded. The original church building was a large, single room, stone building that seated over 250 people on the main floor and in three galleries around the side and back walls. A tall steeple atop the building boasted a large brass globe surmounted by a wrought iron weathervane in the shape of a crowing rooster. A large crack in the building was unrepairable and the structure began to shift, leading to its replacement with the current building in 1854. The old white church has been occupied by the congregation ever since.

Petrus Crispell House // c.1725

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Another of Hurley, New York’s beautiful old stone houses is this Georgian-era home, right on Main Street. The house is known as the Petrus Crispell House and dates to about 1725. Petrus Crispell must have purchased or inherited the house and occupied it for some years until it was acquired by the Dutch Reformed Church in the village to be used as a parsonage. It is 1 1/2 stories and is built of coursed and squared stone which continues into the gables. The facade, now 5 bays, was formerly 6, perhaps with two entrances. Nineteenth century alterations by the church include a large cross-gabled dormer and 2/2 sash.

Abram Elmendorf House // c.1789

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As the Elmendorf family put its roots down in Hurley, Ulster County, New York, the descendants built stone houses as a nod to their ancestors of Dutch heritage, following those building traditions. This five-bay stone house was built around 1789 and is a vernacular Federal home with Dutch and English building influence. The property exhibits shed dormers and a Colonial Revival portico, but exudes 18th century charm.

Half Moon Tavern – Elmendorf House // c.1710

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When Pieter Ostrander settled in Hurley, NY with his family in the late 1600s. Being of Dutch descent, he (and other settlers) built their homes and barns in Dutch traditions. This lot along the village’s main street was acquired by Pieter and inherited by his son, Arent in about 1710, about the time the home is estimated to have been built. It was acquired by the Elmendorf Family by the early 19th century. At that time, the property operated as the Half Moon Tavern, after Petrus Elmendorf purchased it in 1804. The addition to the east (right) was built as a weaving room. The property remained in the Elmendorf family until 2008 (that’s almost 300 years in two families!) It was acquired by the new owner who has been restoring and researching the home ever since. He runs a blog documenting the property’s rich history.

The Colony Hotel // 1929

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As Woodstock New York surged in popularity as a retreat for American and European artists, savvy businessmen from Manhattan could not help themselves but to envision ways to make a little extra money. Morris Newgold and his son, Gabriel of New York City who purchased the Overlook Mountain House in 1917, sought to expand their upstate lodging empire and built a secondary establishment in the village of Woodstock, the Colony Hotel. The Colony Hotel serve as a more modest establishment to the grand Overlook Mountain House atop Overlook Mountain and would be a staging area and a stopover point for guests coming up the Hudson River by boat or train. Guests would spend the night at the Colony and eat at its fine restaurant before making the arduous trip up the mountain to the Overlook Mountain House the next day. The Colony Hotel appears to have been Gabriel’s idea who prided himself on the new building being “pretentious” as it was much more substantial than the more modest, vernacular buildings around the village. Gerald Betz of nearby Kingston was the architect for the Colony Hotel. Construction began for the Colony Hotel in 1927, and it opened to guests the summer of 1929. Morris died in 1940 and Gabriel continued to manage the Colony until his son took over from 1945 until the 1960 but as event space for arts and antiques fairs. It became known as the Colony Arts Center. The Colony’s website goes on to state that the building sat empty almost entirely through the next forty years. It was recently restored by artists Alexia and Neil Howard who converted it to a music venue and beer garden, it is pretty amazing and a must-see for history buffs visiting Woodstock.

Woodstock Artists Association & Museum // 1919

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By 1919, artists from all over the United States and Europe were living and creating art in Woodstock, NY. As a thriving and expanding group of diverse individuals, the need for a welcoming and open-minded gallery space was quickly recognized. To facilitate this, a group of five painters established two complimentary organizations: The Woodstock Art Association (later changed to Woodstock Artists Association in 1933) who would maintain the exhibition space and set its artistic principles, and the Artists Realty Company who would finance the construction and maintenance of the physical space. The five painters being: Carl Eric Lindin (1869-1942), John F. Carlson (1874-1945), Frank Swift Chase (1886-1942), Henry Lee McFee (1886-1953) and Andrew Dasburg (1887-1979). New York City architect William A. Boring was commissioned to design the new museum and art space for the group. Boring (whos career was anything but boring) briefly worked for McKim, Mead and White for a year before starting his own practice with Edward Tilton in 1891. His most noted work is his 1897 Immigration Station on Ellis Island for which he and Tilton won the design competition as relative unknowns. The refined Colonial Revival building for the Woodstock Artists Association sits right in the middle of the village and its symmetrical façade is defined by a central double door entrance with transom and pedimented enframement. Of particular interest is the row of four elliptical windows above the double-hung windows.

Trippy Tower House // 2002

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One of the most unique buildings I have ever stumbled across is located in the mountain town of Woodstock, NY. Often referred to as the Trippy Tower House, the house was built over the course of 15 years by artist John Kahn, who designed sets for the Muppets and “Fraggle Rock”. The Tower House is crafted from repurposed materials such as slate, copper, aircraft grade aluminum and redwood with the property being considered his largest “sculpture” and his life’s work. The 3,518 square foot home has three bedrooms and four bathrooms across its five floors The cylindrical house was completed in 2002 and sold five years later when Kahn moved to Easter Island. Kahn sold the house to Rhoney Gissen Stanley, who was former secretary to the Grateful Dead and wife of Owsley Stanley, the Dead’s sound man and the alleged first mass producer of LSD. It was listed for sale again in 2017 for $1.2 Million.