Beckett’s Castle // 1874

On a rise above the Cape Elizabeth’s rocky shore stands Beckett’s Castle, a picturesque Gothic cottage of a century ago. Designed and built by the Portland literary figure Sylvester Beckett for his summer residence, the Castle was begun in 1871 and finished in 1874. It is said that Beckett constructed the cottage from local gray fieldstone largely with his own hands, though he must have had help, or fabricated this fiction as he would have in his own books. The home was patterned after a typical English castle, but on a much smaller scale, and is tucked away from the street. Sylvester Blackmore Beckett was born in Portland, Maine in 1812, as the son of English parents. Although never attending college, he acquired a modest education and became a prominent journalist and articulate writer. He was admitted to the bar in 1859 and spent much of his time administering and settling estates becoming well-connected in town. Beckett held massive parties in the home, and invitations to the social gatherings held there were highly prized; guests were served expansive dinners cooked in primitive fashion in a large fireplace. Sylvester Beckett died in 1882, and went to his only child, Lizzie. The home fell into disrepair in the 1970s, but was restored by the most recent owner. It was sold in 2018, and the listing photos show some great interior spaces.

Cape Elizabeth Town Hall // 1900

The town of Cape Elizabeth, Maine was originally a part of Portland (named Falmouth at the time) until the citizens there petitioned for and obtained their own government in 1765. Commercial and industrial growth in the north end of the town, nearest the harbor (now South Portland), was in sharp contrast to the continuing rural character of the southern tip of the Cape. In 1895, the two sections agreed to separate, and from that date forward the southern end of the original town became the present town of Cape Elizabeth. Shortly after the separation of South Portland, funding for a new town hall was appropriated, and the town hired Portland-based architect Frederick A. Tompson to design the new building to mark the start of the new town. The Town Hall building was constructed in 1900 and is an excellent example of Colonial Revival architecture with its hipped roof with cupola, classic central portico, and entry with Federal Revival sidelights with a fanlight above.

First Methodist Church, Burlington // 1869

This beautifully designed Romanesque Revival church consists of a large rectangular block with a steeply pitched gable roof and a square tower surmounted by a spire. The church is constructed of Willard’s Ledge stone (a locally quarried purplish limestone) with trimmings of Isle La Motte grey sandstone from quarries north of Burlington. This church is the only Romanesque Revival style church in the city and just one of four pre-1880 churches in Burlington. Architect Alexander R. Esty (1826-1881) designed the building and was a noted New England architect working during the late nineteenth century. He was trained in Boston and opened his own office in 1850 in Framingham, Massachusetts. The congregation remains active and welcoming.

East Washington Baptist Church // 1877

Residents in the eastern portion of the rural town of Washington, NH found it very inconvenient to attend church at the center of town. In 1800, a group of residents on the east side of town banded together to create a new congregation, building a church perched on a low hill soon by 1826. The church was used for decades until it burned in 1844, it was replaced a year later, but that burned as well. Undeterred, the small congregation had yet another church built in 1877. The church remains in great condition, and is still active.

Washington Congregational Church // 1840

Located adjacent to the Washington Meeting House and Central Schoolhouse on the Washington, New Hampshire Town Green, the Washington Congregational Church perfectly compliments the collection of vernacular buildings here to create a very cohesive, three-building historic district. The church is dominated by a Gothic-inspired two stage square tower adorned by pointed pinnacles and crenellation. The building, constructed in 1840, is a great example of a Gothic Revival vernacular church building in rural New Hampshire and has been well-maintained over the years. In 1960, a fire in the church resulted in several thousand dollars worth of damage. A full basement was built under the church in 1985 to provide space for Sunday School classes and events. The simple arched sanctuary has remained in keeping with the original interior design, and features wide board wainscoting and wooden pews, taken from the old Meeting House.

South Congregational Church, Newport // 1823

The South Congregational Church in Newport, NH, is located (as its name suggests) south of the commercial and civic heart of downtown Newport. The church congregation was founded in 1779 and grew substantially in the early 19th century. The church’s location, outside the present downtown, is the result of a long-running dispute within the town of where its civic heart should be located, to the north or south of the Sugar River. The consequence of this disagreement resulted in the placement of the Baptist church at the town common (north of the present-day commercial downtown), and the placement of this church here. The resulting development to the north of the river left this massive, brick Federal style church towering over the small working-class homes, with a majority of the town’s other significant Federal buildings built years later, like the Eagle Hotel and Old County Courthouse to the north of the river. The 1823 church is thought to have been designed by Elias Carter, who designed many Federal-era churches in the New England area.

Richards Free Library // 1899

Designed by Boston architect, James Templeton Kelley, the Richards Free Library (originally the Seth Richards House) is an outstanding example of the Colonial Revival style, in a region where such expressions of opulence are relatively rare. Located on Main Street in Newport, NH, the house was built during a period of great prosperity by one of Newport’s wealthiest citizens. Richards was one of the few in the area able to afford the services of a metropolitan architect for his own home. The family occupied the home until the 1960s when Louise Richards Rollins, offered the family home on Main Street for the to the town for use as a library in 1962. The first floor rooms were renovated and equipped as a library and Ms. Rollins continued to live on the second floor of the library until her death.

“Puddingstone” // 1927

Located across the street from Larz Anderson Park and the former Larz Anderson Estate, this stunning Spanish Revival home, built in 1927, was constructed as a guest house for visitors of Larz and Isabel Anderson. Between 1925-29 the Andersons constructed three guest houses outside the estate on Goddard Avenue. The designs were intended to call to mind places the Anderson’s had visited. “Puddingstone”, was named for a nearby outcropping of puddingstone on the Anderson estate, and was modeled after a house the couple had seen in Santa Monica, California. The Andersons used the buildings occasionally as guesthouses for relatives or friends who came for long stays at Weld, especially when Larz and Isabel were not in residence there. But for the most part, the houses remained empty and it was only after Larz’s death in 1937 that Isabel disposed of them. She donated them to Boston University for use as the Brookline Campus, who in turn, sold them off as private residences years later. Built in a Spanish Colonial style, it features a red terra cotta tile roof, adobe-colored stucco walls, and a center entrance framed by an elaborate cast stone surround in a Spanish Baroque style. To the right of the front door, a clathri (grid/lattice in architecture) over a window can be found in a blind arch.

.

Hannah Harris House // c.1772

This cute little Georgian home in Brookline was built around 1772 for Hannah Winchester Harris, a widow at the time. Hannah’s husband, Timothy died in 1772 and it appears the widow had this small gambrel-roofed home constructed sometime soon after. Ms. Harris died in 1805 and the home was occupied by a new family, who added the saltbox addition. The home is today owned by the Town of Brookline, who maintain the building through the Brookline Historical Society. the home sits on the boundary of the old Weld Estate.

141-147 5th Avenue // 1896 & 1900

This stunning Beaux-Arts store and loft structure, is located on a
prominent corner site at 5th Ave and 21st Street in Manhattan. The structure is faced in limestone and terra cotta and was constructed in two phases. The original three southern bays (on the right side of the image) on 5th Avenue were designed by prominent architect Robert Maynicke for real estate developer Henry Corn. In 1899, two years after its completion, architect Henry Edwards Ficken designed an addition to the north wrapping around and running along 21st Street. The addition continued the richly embellished facade and supplemented it with a twelve-story, curved corner bay which is crowned by a dome. The building appears to have been constructed without a major tenant, and many companies utilized the iconic space including: the Merchant Bank of New York, Park & Tilford’s, a fancy grocer, and lace companies. In the mid 20th century the building suffered from deferred maintenance until 2005 when the building was restored and converted to 38 apartments (including one utilizing the dome)!

Samuel Allen Nichols House // 1848

Samuel Allen Nichols (1790-1864) was born in Fairfield, Connecticut to a large family. He began his adult career as a farmer, but shifted towards the merchant trade after seeing how the village of Southport began to see massive wealth accumulating. He ran a store in the town and later became involved in local politics serving as the clerk from 1847-1863. A year after he accepted this position, he had this home built on Harbor Road. The 1848 home was Gothic Revival in style with gabled dormers, lancet windows, and decorative bargeboard. Nichols died in 1864 and the home was likely willed to one of his five living children. The home was renovated around 1871 with a Second Empire style Mansard roof and square belvedere to overlook the Southport Harbor. Since then, much of the detailing has been removed, but the home remains as a gorgeous home, changed over time to keep up with the changing architectural tastes of the 19th century.

Mary Pomeroy House // 1868

Mrs. Mary Pomeroy, the widow of one of Southport’s industrious and wealthy shipping merchants, Benjamin Pomeroy, built this large residence for herself and her daughters, soon after her husband’s death. Mr. Pomeroy was a merchant who also served as a Senator. In 1866 with ailing health, he took a doctor on a private ship to try various remedies in the West Indies, to no avail, he died at 48 years old. Ms. Pomeroy appears to have taken the money her and her husband had saved and built a large mansion to cement her position in town as the most eligible bachelorette in town. While she never remarried, she sure showed the town what good taste looks like! The facade of the Pomeroy house is symmetrical with a projecting three-story central pavilion, all surmounted by a mansard roof with cresting. Rounded dormers with twin round-headed windows pierce the roof’s multicolored slate surface, making this Second Empire house one of the nicest in a town full of historic homes!

Old Fairfield County Courthouse // 1794

Located at the Fairfield Town Green, the Georgian-style Fairfield County Courthouse stands as a reminder on the town of Fairfield’s Colonial-era history. The first courthouse at the site was built in 1720. After a fire destroyed the first (which housed the jail as well), a second structure was built in 1767. That second courthouse was the center of a thriving, wealthy village with a port just blocks away. In July 1779, the British landed in Fairfield and destroyed much of the town, harming its prosperity for decades to come (though it has clearly recovered since). In 1794, a new courthouse was built, also housing town offices. In 1870, it became solely a town hall (the County Court moved to Bridgeport years before) modified and altered in the Second Empire style to ‘modernize’ the building. As Colonial Revival resurged in popularity in the late 19th and early 20th- centuries, the town sought to bring back the Georgian style Town Hall building, in 1936 hiring architect Cameron Clark, to restore the building.

Ames Mansion-Borderland // 1910

One of the more stunning homes and parks in Massachusetts is located in Easton, known as the Borderland State Park. Borderland was the 1,200-acre estate of Blanche Ames Ames, an artist, political activist, inventor, writer, and prominent supporter of women’s suffrage and birth control. Blanche Ames’ husband, Oakes Ames (of the Ames Family of Easton), came from a wealthy Massachusetts family that owned the Ames Shovel Works. Marrying in 1900, Blanche and Oakes (who were not related even though they had the same last name) constructed their stone mansion in 1910 and created a system of ponds and dams on their property. Blanche and Oakes, who wanted a fireproof house, became displeased with the work of their architect because of the challenges he faced with their design and engineering requirements. Dismissing the architect, Blanche took over the design and construction management of the mansion and hired the Concrete Engineering Company to draw plans according to her specifications. Also on the grounds is a hunting lodge with fireplace, overlooking the large pond on the estate.

Once the mansion was completed, Blanche set up a studio on in the house and developed a scientific color system for mixing paints. She became the sole illustrator of her husband’s botanical books (Oakes was a renowned authority on orchids and taught botany at Harvard from 1900 until his retirement in 1941). Later in life, Blanche became the co-founder of the Birth Control League of Massachusetts and the Treasurer of the League of Women Voters from 1915 to 1918. She also gained notoriety for her political cartoons depicting the struggle for women’s suffrage. In addition to these many accomplishments, Blanche was an inventor who, in 1939, designed a hexagonal lumber cutter. During World War II she designed, tested and patented a method for ensnaring enemy airplanes in wires hung from balloons. Remaining active her entire life, Blanche received a patent for a water anti-pollution device in 1969, a year before her death.

The estate remained in the Ames family for 65 years, until 1971, when the Commonwealth of Massachusetts was gifted the Borderland Estate and all furnishings inside for use as a State Park.

North Easton Fire Station // 1905

In the early 20th century, the village of North Easton, Massachusetts saw large growth, in large part by the Ames Family. The town had previously had a volunteer fire station, but due to the development, a permanent fire department was needed. In 1904, Mary S. Ames (later Mrs. Louis Frothingham) donated land for the purposes of building a fire station; across from the Ames Shovel Works. The fire station, completed in 1905, remained active until 1968, when the town’s modern firehouse that could accommodate larger fire apparatus was constructed. In 1991, the former fire station became the home of the Children’s Museum in Easton, which it remains to this day.