This home was built in 1913 and is a high-style Neo-Classical example of a “beach cottage”. The home is located in the fashionable Rye Beach colony in New Hampshire, which developed in the mid 19th century through the first half of the 20th century as an exclusive enclave for vacationing elite. The home was purchased by Susan Bailey Lord just years after its completion as a summer retreat from her home in Malden, MA, just outside Boston. She purchased the home just years after the death of her husband, who was thirty years her senior. It’s safe to say that Susan let loose up on the beach and had a “hot girl summer”.
The Rye Beach Club is located right on Rye Beach, one of New Hampshire’s most upscale seaside communities, one whose history as a fashionable summer resort dates back to the 1840s. The Beach Club was established in 1925 in the decade after the First World War as the nation was experiencing a social transformation fueled by the postwar boom of the “Roaring Twenties”. As automobile ownership rates increased by the 1920s, the average motorist was no longer dependent upon schedules and the fixed routes of streetcars, railroads and steamboats. As one early historian of American recreation noted tongue-in-cheek, “The wealthy could make the fashionable tour in 1825, the well-to-do built up summer resorts of the 1890s, but every Tom, Dick and Harry toured the country in the 1930s.” As a result, many wealthy communities created private, exclusive recreation and social clubs where they would not be forced to mingle with the “average” American. Rye Beach residents formed the Rye Beach Club in 1925, which comprises of a rubblestone building with various wood-frame additions.
Odiorne Point in Rye New Hampshire was owned by the Odiorne Family from at least 1800, when the family built a farmhouse on the land. The peninsula juts out into the Atlantic Ocean, just south of Portsmouth, and it was seen as a strategic position by the United States Government, to protect the Portsmouth Naval Shipyard. With the advent of World War II, the United States Government deemed it necessary to improve the fortifications commanding the approaches to the Portsmouth Navy Yard, so the Government acquired this property and named it Fort Dearborn. Giant 16” coast defense guns and other equipment were installed to protect the coast from the impending German advance into North America. The Government acquisition on Odiorne’s Point included Mr. Odiorne’s home and 24 other properties, with many fine old homes on the coast demolished to make way for military facilities, but the Odiorne house was converted to a barracks. When The Nazi forces were beat in Europe, the fort was deactivated and all the guns were removed. In the Cold War period, the U.S. Air Force took formal possession of 45.3 acres at Odiorne’s Point in 1955, which it had been using since 1949 as the Rye Air Force Station. By 1961, the defensive use of the site was not as important, and the site was sold to the State of New Hampshire as a State Park. Today, you can explore the park and the decaying concrete batteries up close, which is a favorite excursion of mine.
Located at the Charles River Esplanade in Boston, the Hatch Memorial Shell has long been an iconic landmark and meeting place for Bostonians and tourists alike. Built in 1940, this outdoor amphitheater structure replaced an earlier 1920s shell, envisioned by Arthur Fiedler, the first permanent conductor of the Boston Symphony Orchestra. Construction began on the first shell in 1928 and Arthur Fiedler conducted the first Boston Pops concert there on July 4, 1929, followed by a month of concerts during that first summer, a tradition that has continued to this day. A second temporary shell was constructed of metal in 1934, which was unsatisfactory for the famous orchestra. In 1940, the construction of the new music shell took place, donated by benefactor Maria Hatch, to build a memorial for her late brother, Edward, who it is named after to this day. The permanent shell was designed by Richard J. Shaw, a Boston architect known for designing churches. The Art Deco design, with intricate woodwork adorning the interior and a terrazzo tile roof, was dedicated on July 2, 1940, just in time for Independence Day celebrations.
This stunning Georgian farmhouse in Acton, Massachusetts, was built around 1773 for Seth Brooks (1740-1831) and his wife Molly Conant Brooks, on land that had belonged to her father, William Conant of Concord (part of which was later annexed to Acton). Seth Brooks fought under Captain Isaac Davis on April 19th, 1775 at the Battle of Concord, who was among the first killed and was the first American officer to die in the Revolution. It was Brooks who ordered Davis’ body carried from the field after he fell, so he could be buried with honor. After the war, the family suffered an unfathomable tragedy. Seth and his wife, all their nine children, and all but one of their grandchildren died of the same type of tuberculosis, “slow consumption.” The family “curse” appears to have been broken by grandson Nathan Brooks, Jr., (1799-1881,) who inherited the property. According to local legend, a room beside the center chimney sheltered runaway slaves, as Nathan Brooks was an avid abolitionist. At the turn of the 20th century, the farm was purchased by Brookline timber merchant Benjamin Pope, owner of the Pope and Cottle Company of Boston. For many years, the Pope family used the house as a summer residence, with managers working the property as a dairy farm. It was Pope who named the farm “Stoneymeade,” and added greenhouses, an icehouse, and had an elaborate water system installed. Stoneymeade Farm continues to this day as an equestrian farm with boarding space for horses.
This 2-1/2 story wood frame house in Acton, Massachusetts was built in 1760, and is one of the town’s best-preserved colonial-era houses. It is an unusual double house, consisting of one section with a square plan, and the other with a typical colonial “half house” plan, having three bays and an off-center chimney. The house was built by Jonathan Hosmer, Jr., a bricklayer whose workmanship is evident in the house’s many fireplaces. Hosmer was also prominent in civic and military affairs; he served (along with his son, who was killed at 17 years old) in the 1777 Battle of Bennington. The home was later owned by Jonathan’s son Simon, who may have added the attached dwelling, creating the double-house form we see today. In 1974 the property was acquired by the Acton Historical Society, which rents one of the units, and operates the rest of the property as a museum. The home is a great example of a Georgian double-house with a saltbox roof.
Arguably the most identifiable and iconic building in Acton is Exchange Hall, towering above the small village of South Acton. Exchange Hall was built in South Acton in 1860 to serve a variety of functions, primarily commercial. South Acton, with small milling operations and an ironworks established along Fort Pond Brook, had been a locus of settlement since the earliest years of the 18th century. While the town’s village center evolved to the north, South Acton remained the site for industrial and economic development into the 19th century, spurred by the arrival of the Fitchburg Railroad from Boston in 1844. On the eve of the Civil War, South Acton supported a number of thriving businesses, most under the aegis of three men: James Tuttle, his brother Varnum Tuttle, and Elnathan Jones Jr. The latter was the great-grandson of Samuel Jones, who established a successful tavern and store across the road from the site (a previous post). At the cost of $10,000, the three men financed the construction of Exchange Hall, designed to serve as the focus for the group of shops they ran together. The Italianate style Exchange Hall is 3 1/2-stories atop a raised foundation, with full length porches, stunning proportions, and a cupola at the roof.
Not far off Main Street in Acton Center, this stunning old Georgian home was built around 1740 for Jacob Hooker a tailor and later served as the home of James Dudley, a blacksmith in the village. After the American Revolution, Acton called on Reverend Moses Adams (1749-1819) to be the minister for the Acton Meetinghouse. The town acquired the old Dudley House for Reverend Adams to reside in with his family. In 1780, the home was enlarged, and possibly given the raised foundation we see today. Mrs. Adams ran a store out of the basement, accessed by the doorway in the brick foundation. After Adams’ death in 1819, the property went to the next reverend in town, until his death decades later. In 1889, a carpenter, Moses Taylor, purchased the home, restored much of the woodwork, and replaced the historic windows with 2-over-1 windows, popular at the time. Moses moved a house on Main Street to make way for the new Acton Memorial Library, and was active in building and renovating homes in Acton until his death.
This large Italianate house in Acton was built in 1873 for Henry Waldo Tuttle (1847-1916), who ran a grocery store business in town with his father, James Tuttle. The business did quite well as Henry built this massive home around his 26th birthday, likely around the time of his marriage. The exuberant Italianate home features a wide central gable and a projecting central entrance porch accessed by double entrance doors. The home has a detached stable to the left of the home too!
In 1794, four men from Acton, Abel Conant, Dr. Abraham Skinner, John Robbins and Horace Tuttle, jointly purchased a $5.00 ticket in a lottery run by Harvard College to raise funds for the construction of Stoughton Hall in Harvard Yard. This house, built for Dr. Abraham Skinner, is one of the four, and is the most grand of the four. Dr. Skinner was the third physician to practice in Acton and the first to arrive from out of town. He came to Acton in 1781 from Woodstock, Connecticut, and continued in practice until his death in 1810. The Federal style home is nearly square with five bays on all sides, with the facade and rear being slightly less crowded. The main entry includes a pediment with dentils, 4-pane side lights and a 4-panel, wooden door with elongated, rectangular, top panels. A similar entry, without sidelights, centers the south elevation. Time to buy some lottery tickets!
In 1907, the 86-acre Bigelow Estate (featured yesterday), was purchased by Horace K. Turner, owner of an art publishing company founded in Boston about 1904. Turner moved his workshops to the estate so the artists could work in healthy country surroundings. The firm required the long wings contoured into the hillside to provide ample natural light and views to the distance for the workers. In 1920, the entire property, including the Bigelow House and the bungalow workshops, were acquired by the New England Peabody Home, which had been located in Hyde Park for 25 years. It was set up as a school and hospital for “crippled children” and this brick building was added to the center section. Architects for this addition were Coolidge and Shattuck, successors to the firm of Shepley, Rutan, and Coolidge. The Peabody Home was among the first to use sun treatment as a cure for physical ills and the extensive porches were well suited to this purpose. The Peabody Home became obsolete and the property was sold off in the mid-20th century. In 1979, the Peabody Home was sold to Edward Leventhal, who converted the buildings into 22 condominiums. Architects for the project were Jung/Brannen.
Driving through the quaint village of Wilmot Center in New Hampshire, I had to pull over to snap a photo of this little library building. When I got home, I learned that the building was constructed in 1854 not as a library, but as a schoolhouse! The vernacular Greek Revival school served as one of many district schoolhouses in the region, dispersed around small towns to be within walking distance of the sparsely developed parts of the state. With population growth in the 20th century and the proliferation of the personal automobile, these small regional schools became obsolete. Many of these buildings were converted to other civic uses or as personal residences, but most were demolished. The Wilmot Public Library located in the former schoolhouse in 1972 and is now connected to the town offices next door.
Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.
On a rise above the Cape Elizabeth’s rocky shore stands Beckett’s Castle, a picturesque Gothic cottage of a century ago. Designed and built by the Portland literary figure Sylvester Beckett for his summer residence, the Castle was begun in 1871 and finished in 1874. It is said that Beckett constructed the cottage from local gray fieldstone largely with his own hands, though he must have had help, or fabricated this fiction as he would have in his own books. The home was patterned after a typical English castle, but on a much smaller scale, and is tucked away from the street. Sylvester Blackmore Beckett was born in Portland, Maine in 1812, as the son of English parents. Although never attending college, he acquired a modest education and became a prominent journalist and articulate writer. He was admitted to the bar in 1859 and spent much of his time administering and settling estates becoming well-connected in town. Beckett held massive parties in the home, and invitations to the social gatherings held there were highly prized; guests were served expansive dinners cooked in primitive fashion in a large fireplace. Sylvester Beckett died in 1882, and went to his only child, Lizzie. The home fell into disrepair in the 1970s, but was restored by the most recent owner. It was sold in 2018, and the listing photos show some great interior spaces.
The town of Cape Elizabeth, Maine was originally a part of Portland (named Falmouth at the time) until the citizens there petitioned for and obtained their own government in 1765. Commercial and industrial growth in the north end of the town, nearest the harbor (now South Portland), was in sharp contrast to the continuing rural character of the southern tip of the Cape. In 1895, the two sections agreed to separate, and from that date forward the southern end of the original town became the present town of Cape Elizabeth. Shortly after the separation of South Portland, funding for a new town hall was appropriated, and the town hired Portland-based architect Frederick A. Tompson to design the new building to mark the start of the new town. The Town Hall building was constructed in 1900 and is an excellent example of Colonial Revival architecture with its hipped roof with cupola, classic central portico, and entry with Federal Revival sidelights with a fanlight above.
