Cemetery History

Wooster Memorial Chapel, Fountain Hill Cemetery // 1915

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Located in Fountain Hill Cemetery, which has become a sort of Rural Cemetery in the small town of Deep River, Connecticut, this handsome gothic chapel graces the entrance and has provided a place of solemn memorials and celebrations of life for over 100 years. The Fountain Hill Cemetery was originally established in 1851, but after a half-century of use, Miss Mary McCellan Wooster (1839-1911), sought a non-denominational chapel for the grounds to not only beautify the local cemetery, but provide a place to honor the dead. In her will, Miss Wooster left $10,000 for a new chapel. The cemetery board of directors hired architect, Isaac Allen, Jr. of Hartford, Connecticut, to design the structure. The Neo-Gothic chapel was built of local stone and opened to the public in April 1915.

Another interesting story in the cemetery is the mysterious ‘XYZ’ gravestone. Legend says that in the evening of December 13, 1899, an unnamed man arrived in Deep River, Connecticut (along with three other male accomplices), to rob the local bank. This unnamed individual was confronted by the night security guard with a sawed-off shotgun, firing at the robber, blowing away part of his face. The other three robbers fled, leaving their accomplice in Deep River. In the hope that someone could identify him, his body was laid out for viewing at the local funeral parlor. During this time, an anonymous letter arrived, requesting that the man be buried with the headstone only marked as XYZ. The odd request was accorded, but was never fully explained. To this day, many locals leave stones and coins at the marker in Fountain Hill Cemetery.

Chester Public Tomb and Hearse House // 1850

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Near the entrance to the Brookside Cemetery in the charming village of Chester, Vermont, these two very different looking buildings were constructed for one purpose, death. Before the proliferation of funeral homes and cremation, infrastructure for the dead was a necessary piece of the built environment for towns and cities all over the region. The wood-frame building seen here was built as a hearse house, which would shelter the horse-drawn hearse for the town. Prior to the advent to funeral homes, most wakes were held at the home of the deceased, after-which, the body would be transported by the horse-drawn hearse to the cemetery for burial. This was followed by a memorial service at the nearby church. If the ground was frozen or if the family did not yet have the funds to bury their family member, the body would be held in the public tomb until the burial. The Chester Public Tomb dates to 1850 and was built by local mason, Arvin Earle from stone  quarried near Gassetts, a hamlet in the north part of Chester that was shipped to Chester Depot by the newly completed railroad. While no longer in use, these two vernacular buildings hold a very important history of the town and have been lovingly preserved by local residents. 

Pine Grove Cemetery Mausoleum & Chapel // c.1875 & 1904

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Mausoleum

The mausoleum and the Jonas A. Stone Memorial Chapel are two historic structures located in the Pine Grove Cemetery of Westborough, Massachusetts. Land here was acquired in 1746 by the Reverend Ebenezer Parkman, and it comprised of a pine lot of sixteen acres on the road to Mendon (now South Street). Nearly 100 years later, in 1844, the lot was deeded to the town as a new cemetery, as the older cemeteries were quickly becoming crowded. It was named Pine Grove after the historic use of the grounds. Due to the rural cemetery movement, which sought to reimagine cemeteries as a beautiful park-like setting, not a simple burial ground, many Westborough families purchased plots here and some even moved their loved ones to the new family plot, in the “new” Pine Grove Cemetery.

Chapel

The Mausoleum was built sometime in the mid-19th century and is a modest, Greek Revival style structure of granite and brick construction. Four Doric columns support the portico and wooden roof which serves as a pediment above. The Jonas A. Stone Memorial Chapel was built in 1904 following a bequest to the town from the will of Jonas Adams Stone (1821-1900), and additional donation by his brother, Nymphas Stone. The Victorian Gothic chapel is built of brick and brownstone with a wooden gable and roof. The structure was damaged during the destructive 1938 New England Hurricane, but restored and is an important local landmark today.

St. Peter’s Episcopal Church // 1833

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The St. Peter’s Episcopal Church of Salem, is a landmark example of a granite, Gothic Revival church of the 19th century. The present church, which is constructed of Cape Ann granite, was the second church on the site built for local Episcopalians, replacing a wood-frame building constructed there 100 years prior. Designed by architect Isaiah Rogers, the Gothic church features a prominent entry tower with a quatrefoil window in each elevation, large lancet-arched windows in the tower and lining the sanctuary, and a crenelated parapet. When completed, St. Peter’s had Salem’s first church bell, an 1740 English bell that supposedly still graces the tower today and is said to be the oldest church bell in the United States! In 1871, the rear chapel was added to the building, from plans by George E. Harney. The chapel was built directly over the old parish cemetery, requiring some of the tombstones to be placed inside the chapel walls, while others were moved to the front of the church, creating a really unique “garden cemetery” in front of the church.

Holyhood Cemetery Chapel // 1857

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Holyhood Cemetery in Brookline, Massachusetts, was laid out in 1857 under the direction of Father Joseph M. Finotti, pastor of Assumption Parish , which included Brookline and Brighton. The cemetery reflects the mid-19th century influence of the Rural Cemetery movement and the romantic landscape cemetery planning begun at Cambridge’s Mount Auburn Cemetery in the 1830’s. A plan of the cemetery was drawn up by Shedd & Edson and published in August 1857. It shows curvilinear avenues and paths named after former bishops of Boston and Biblical figures. All were welcome to be buried except those who “died in a state of Drunkenness, Duel, or by self-destruction, unbaptized, non-Catholic, or otherwise opposed to the Catholic Church.” In the 1857 Shedd & Edson plan for Holyhood Catholic Cemetery, a chapel was located at the center on the hill shown in a small drawing on the edge of the plan. Known as St. Joseph’s Chapel, the stone building was designed by Patrick Keely, the successful and influential New York architect of many mid-19th century Catholic churches. The chapel would be dedicated in 1862. Decades later, a cemetery office was planned and built across Heath Street from the cemetery gates, but was demolished sometime in the 20th century. The cemetery grew and it along with the mid-19th century chapel, has been lovingly maintained to this day.  

Chapin Mausoleum // 1914

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The Chapin Mausoleum was built as a memorial to Chester and Dorcas Chapin by their son, Chester W. Chapin Jr. Located in the Chicopee Street Cemetery in Chicopee, Massachusetts, the otherwise ordinary burial ground is adorned by this stately mausoleum, which was designed by none other than Louis Comfort Tiffany. Chester W. Chapin, the father of the mausoleum builder, was one of the Connecticut Valley’ s most important 19th century businessmen. After more humble beginnings operating a store, Chapin operated a business for coaches and steamboats, and later, he became president and director of the Western Railroad Corporation (1854 to 1867), and president of the Boston and Albany Railroad Company (1868 to 1878). He was elected as a Democrat to the US House of Representatives and served from 1875 to March 3, 1877. His son, Chester Williams Chapin (1842-1922), followed his father’s footsteps and serves as president of the New York & New Haven Steamship Company and one of the organizers of the Central New England Railroad. Chapin Jr. hired Louis Comfort Tiffany to design and decorate this mausoleum as a memorial to his parents, in the cemetery where hundreds of family members are buried in Chicopee. The mausoleum is constructed of “Tiffany granite”, from a granite quarry in Cohasset that Tiffany Studios purchased in 1914. The entrance to the mausoleum is through a Romanesque portico complete with round arches, stocky columns, and Favrile glass mosaics on the sides. Two marble benches flank a specially designed Tiffany bronze door. Inside, it is said that there are 12 catacombs of richly veined white marble under a Favrile glass mosaic ceiling.

Spaulding Memorial Chapel // 1910

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Located within the Fairview Cemetery in Chicopee, Massachusetts, this lovely memorial chapel serves as an everlasting love letter from one spouse to another. Justin Spaulding (1838-1906) was a wealthy grocer who operated stores locally and amassed quite a sizable fortune. He and his wife, Sarah Elizabeth (Cooley) Spaulding, lived in a large Queen Anne home and would bequeath substantial funds to the City in their will. Justin died in 1906, and Sarah would die a year later, and as they do not appear to have had any children, they became benefactors to the town, partially funding the construction of the town’s first purpose-built library and this memorial chapel in the Fairview Cemetery. Over $6,000 was spent on this chapel, with plans drawn by architects Eugene Clarence Gardner and his son, George C. Gardner. The Classical Revival building is constructed of yellow brick with stone trim and ornament, with a notable eternal flame motif in the gable.

Copp’s Hill Burying Ground // 1659

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Happy Halloween! Welcome to Copp’s Hill Burying Ground, a historic cemetery nestled in Boston’s historic North End. Established in 1659, it served as a burial site for some of Boston’s earliest settlers and notable figures, including craftsmen, merchants, and members of the influential Mather family. Also burie here is abolitionist and leader in the free black community in Boston, Prince Hall. Originally called North Burying Ground, Copp’s Hill was the second place of interment on the Boston peninsula and was laid out in 1659. The area acquired its present name through its association with William Copp (1589-1670), a shoemaker and early settler who lived near today’s Prince Street; ironically, his stone is no longer standing.

The cemetery is particularly known for its distinct slate gravestones, many adorned with intricate carvings that reflect the artistry of the era. Over the centuries, it has witnessed significant events, including the American Revolution, when it was used as a lookout point for British troops. During the Revolution, the burying ground’s prominent location overlooking the harbor gave it strategic military importance. At its southwest side the British established their North Battery and an earthworks from which they directed the shelling of Bunker Hill and ultimately the torching of Charlestown. Legend has it that British troops used gravestones for target practice. Many have interpreted the round scars on the gravestone of Captain Daniel Malcolm, an ardent son of liberty who spoke against Britain, as the result of musketballs shot at close range. The cemetery was used continually until the 1850s and is today, an evocative reminder of Boston’s early days, drawing visitors who seek to connect with the city’s storied history amidst its tranquil surroundings while the city stretches upwards around it. The cemetery is open and free to visit most of the year and is a great place to stroll and learn about Boston’s early history and see amazing stone carving!

Highland Cemetery Chapel // 1903

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Tucked away in Highland Cemetery, a typical looking cemetery in Norwood, Massachusetts, you will find a masterpiece chapel designed by one of the great architects of the Arts & Crafts movement. The Highland Cemetery was established in 1880 becoming the town’s second and primary burial ground. The town’s first burial ground was the Old Parish Cemetery which is located in the center of town on a 3/4-acre hill and because of its limited size and the difficult terrain; there was no room for growth. The rapidly developing town required a second cemetery and laid out Highland View on the outskirts of the village. In 1903, the Chapel of St. Gabriel the Archangel, also known as the Day Memorial Chapel, was erected at the center of the cemetery. The Chapel, which also acts as a mausoleum, was donated to the town by Lewis and Anna Smith Day in memory of their parents. Their only stipulation was that the chapel be available for use free of charge for any resident who desired to do so, no matter their religion or race. Esteemed architect Ralph Adams Cram designed the chapel in the Neo Gothic Revival style. Fred Holland Day, a renowned photographer and publisher, was the only child born to Lewis and Anna and he was a close friend of Ralph Adams Cram and Bertram Grosvenor Goodhue, likely leading to their commission here in Norwood. F. Holland Day lived in a Tudor mansion in town, modified from his childhood home. The Cemetery Chapel remains a seminal building for its genre and time.

Card Memorial Chapel // 1898

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Cemetery chapels are fairly uncommon, but always a must-see when exploring a new place. These small charming buildings help bridge the gap between life and death and are often adorned with a permanence not seen in our lifetimes. This is the Card Memorial Chapel in the Spring Brook Cemetery of Mansfield, Massachusetts. The chapel was erected in 1898 as a memorial to 31-year-old Mary Lewis Card, who died in 1896. Mary’s parents, Simon W. Card and Mary J. Card, founded S.W. Card Manufacturing Company in 1874. The Mansfield-based company did very well and manufactured tap and die tools locally, shipping them all over the country. Before her abrupt death, Mary Lewis Card was set to marry architect Charles Eastman, who is credited with designing the memorial to his late-fiance. The chapel borrows from the Romanesque and Victorian Gothic styles, and is constructed of red brick laid with a tinted mortar atop a foundation of Quincy granite. The various roof sections are sheathed in green slate. The building displays a cross plan with a central tower rising forty-two feet from the ground to the apex, topped by a steeply pitched pyramidal roof. The building was restored years ago and still looks great!