Dr. Skinner “Lottery” House // c.1800

In 1794, four men from Acton, Abel Conant, Dr. Abraham Skinner, John Robbins and Horace Tuttle, jointly purchased a $5.00 ticket in a lottery run by Harvard College to raise funds for the construction of Stoughton Hall in Harvard Yard. This house, built for Dr. Abraham Skinner, is one of the four, and is the most grand of the four. Dr. Skinner was the third physician to practice in Acton and the first to arrive from out of town. He came to Acton in 1781 from Woodstock, Connecticut, and continued in practice until his death in 1810. The Federal style home is nearly square with five bays on all sides, with the facade and rear being slightly less crowded. The main entry includes a pediment with dentils, 4-pane side lights and a 4-panel, wooden door with elongated, rectangular, top panels. A similar entry, without sidelights, centers the south elevation. Time to buy some lottery tickets!

Acton Women’s Clubhouse // 1829

In 1912, a group of under twenty young mothers of Acton, Massachusetts, formed a club to provide a space to discuss issues ranging from child-rearing to larger topics like prohibition and women’s right to vote. The women began meeting at their homes before it was determined that they would need a permanent home. In 1915, the Acton Women’s Club acquired the old Dr. Cowdrey House (last post) next door occupying it and the attached barn. The 1829 Chapel for the Evangelical Society in Acton was part of the property and deteriorating. The Acton Women’s Club decided to sell the historic Cowdrey Home and use those funds to restore and occupy the old brick-end chapel. In 1940, the Club ceremoniously held a Mortgage Burning Party, having proudly paid off its debt. Today, the Acton Woman’s Club is the oldest and last standing brick- ended Federal structure in town.

Dr. Cowdrey House // 1830

Located in Acton Center, the Dr. Harris Cowdrey House represents the emergence of Acton, Massachusetts from a sleepy rural town to a wealthy suburban town. This home was built in 1830 by Dr. Harris Cowdrey (1802-1875) as a 1 1/2-story gable end Greek Revival home. It was evidently enlarged to its present size decades later, possibly around the time Dr. Cowdrey and his wife Abigail growing their family. The Cowdreys had two children , Arthur who became a physician, after serving in the Civil War as a surgeon, and a daughter Helen who married a doctor herself, Dr. Charles Little also of Acton. After Dr. Harris Cowdrey died in 1875, Helen Cowdrey Little (who’s husband died young at just 32 years old) remained in Acton living with her mother in this house until 1886 when both women died. The home was later occupied by the Acton Women’s Club, who ran a crafts school for children out of the barn. The house showcases the original Greek Revival form, but features mostly Italianate detailing from the brackets, to the wrap-around front porch supported by turned posts.

Tewksbury State Hospital, Administration Building // 1893

The Tewksbury State Hospital was established in 1852 as one of three Massachusetts State almshouses (along with Bridgewater and Monson). The almshouses were needed due to the unprecedented influx of Irish immigrants at that time, many of which found difficulty locating work. These almshouses represented the state’s first venture into care of the poor, a role previously filled by the cities and towns up to that time. In 1866, when Tewksbury began accepting the “pauper insane”, it became the state’s first facility to accept cases of chronic insanity specifically. Decades later, Massachusetts Governor Benjamin Butler accused the almshouse in Tewksbury in, “trading in bodies of dead paupers and transporting them for a profit to medical schools,” and “tanning human flesh to convert to shoes or other objects”. The facility was later investigated, and no conclusive evidence was found. In the late 19th century, a major rebuilding (and re-branding) campaign to upgrade the old almshouse by replacing its early wood-frame buildings with more durable and fireproof masonry ones was undertaken. One of the earliest “new” buildings was this Queen Anne-style Administration Building, standing at the head of the former entrance drive, which creates a fairly foreboding presence. This building was designed by Boston architect John A. Fox, and showcases the epitome of Queen Anne institutional design. The hospital runs today much like a traditional campus, with some of the older buildings unused, providing a strange composition. The former Administration Building is now home to the Massachusetts Public Health Museum.

Snecked House // c.1850

In the early 1830s, skilled masons from Scotland and Ireland came to central Vermont to work on building projects. A number of these workers, mainly from the Aberdeen area, and specialized in a specific building style in which plates of stone are affixed to a rubblestone wall. This method of bonding stonework is so prevalent in Scotland and
Ireland it has been referred to in some journals as ‘Celtic Bond’, but in Vermont, it is known as “snecked ashlar”. The mixture of stone sizes and colors produces a strong bond and an attractive finish. This home is a rare example in the state, which is estimated to have about 50 of these homes left. I could not locate any information on the owners of the home, but the house has seen better days, with the wooden front porch shifting away from the main house. Also, if you look closely, you can see the original wood shingle roofing breathing under the sheet metal roof!

Turner Art Publishing Company Building // 1908

In 1907, the 86-acre Bigelow Estate (featured yesterday), was purchased by Horace K. Turner, owner of an art publishing company founded in Boston about 1904. Turner moved his workshops to the estate so the artists could work in healthy country surroundings. The firm required the long wings contoured into the hillside to provide ample natural light and views to the distance for the workers. In 1920, the entire property, including the Bigelow House and the bungalow workshops, were acquired by the New England Peabody Home, which had been located in Hyde Park for 25 years. It was set up as a school and hospital for “crippled children” and this brick building was added to the center section. Architects for this addition were Coolidge and Shattuck, successors to the firm of Shepley, Rutan, and Coolidge. The Peabody Home was among the first to use sun treatment as a cure for physical ills and the extensive porches were well suited to this purpose. The Peabody Home became obsolete and the property was sold off in the mid-20th century. In 1979, the Peabody Home was sold to Edward Leventhal, who converted the buildings into 22 condominiums. Architects for the project were Jung/Brannen.

Exeter Chambers // 1889

One of the lesser-known historic hotels in Boston can be found at the corner of Exeter and Blagden Streets in the Back Bay neighborhood, tucked behind the Boston Public Library’s Johnson addition. Exeter Chambers (now Courtyard by Marriott Boston Copley Square), was built between 1889 and 1890 from plans by architect Theodore Minot Clark. Clark was a professor at MIT and the understudy of Boston’s famed Trinity Church architect, H. H. Richardson. Clark oversaw much of the construction of Trinity Church and his name is even engraved on the building. Exeter Chambers was constructed by the Guastavino Company, a very prominent contractor during the period noted for style and quality, known for the Guastavino tile. Cutting edge techniques such as compression arches and terracotta accents were featured throughout the structure. The hotel was vacant for many years and a renovation in 2004, which added three stories to the building, restored the ornate exterior to its former glory.

Cape Elizabeth Town Hall // 1900

The town of Cape Elizabeth, Maine was originally a part of Portland (named Falmouth at the time) until the citizens there petitioned for and obtained their own government in 1765. Commercial and industrial growth in the north end of the town, nearest the harbor (now South Portland), was in sharp contrast to the continuing rural character of the southern tip of the Cape. In 1895, the two sections agreed to separate, and from that date forward the southern end of the original town became the present town of Cape Elizabeth. Shortly after the separation of South Portland, funding for a new town hall was appropriated, and the town hired Portland-based architect Frederick A. Tompson to design the new building to mark the start of the new town. The Town Hall building was constructed in 1900 and is an excellent example of Colonial Revival architecture with its hipped roof with cupola, classic central portico, and entry with Federal Revival sidelights with a fanlight above.

Nantasket Beach Bath House // 1935

A part of any large public beach in Massachusetts is the public bathhouse, where visitors can go to the bathroom, change, and store belongings in lockers. Ever since the Massachusetts Parks System of Boston acquired land at Nantasket Beach, a bathhouse was here for visitors. The earlier building by Stickney & Austin burned down and was soon replaced. This amazing Art Moderne bathhouse features a central mass with wings adorned by glass block. The architects Putnam & Cox created a whimsical 1935 Moderne design that blends into the sandy beach. The building suffered from the salt air and cold winters and went through a massive restoration in the late 1990s, it was then re-opened and re-named after Mary Jeanette Murray, a state representative.

Chittenden County Superior Courthouse // 1906

The Chittenden County Superior Courthouse in Burlington, Vermont was built in 1906 and is one of the most bold architectural designs in the city. The building was actually constructed as the U.S. Post Office and Custom House for Burlington, but changed use in the 1980s after the Old County Courthouse was destroyed by fire. The building was the work of U.S. Treasury architect James Knox Taylor. Taylor designed, many major eastern federal buildings during the late 19th and early 20th centuries. He provided plans for this Beaux Arts structure with a well-appointed exterior finished in marble and dressed granite. Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, blossoming in the United States in the early 20th century after many American architects studied at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century.

East Washington Baptist Church // 1877

Residents in the eastern portion of the rural town of Washington, NH found it very inconvenient to attend church at the center of town. In 1800, a group of residents on the east side of town banded together to create a new congregation, building a church perched on a low hill soon by 1826. The church was used for decades until it burned in 1844, it was replaced a year later, but that burned as well. Undeterred, the small congregation had yet another church built in 1877. The church remains in great condition, and is still active.

Shedd Free Library // 1881

Aren’t tiny old libraries just the best?!

Located in Washington, NH, the Shedd Free Library is the only Victorian Gothic building in town, and packs a punch for its small size. The library was named for Sarah Shedd, a Washington teacher and poet who went to work in the cotton mills of Lowell, Massachusetts to support her family and educate her siblings. When she died in 1867 she bequeathed $2,500 to her hometown to establish a free public library, an amazing gift! The gift did not appear to be enough as nothing was built until 1881, after Boston architect S. S. Woodcock was selected by Luman T. Jefts, a wealthy shoe manufacturer in Massachusetts, to design the library after a gift to his hometown.

Washington Congregational Church // 1840

Located adjacent to the Washington Meeting House and Central Schoolhouse on the Washington, New Hampshire Town Green, the Washington Congregational Church perfectly compliments the collection of vernacular buildings here to create a very cohesive, three-building historic district. The church is dominated by a Gothic-inspired two stage square tower adorned by pointed pinnacles and crenellation. The building, constructed in 1840, is a great example of a Gothic Revival vernacular church building in rural New Hampshire and has been well-maintained over the years. In 1960, a fire in the church resulted in several thousand dollars worth of damage. A full basement was built under the church in 1985 to provide space for Sunday School classes and events. The simple arched sanctuary has remained in keeping with the original interior design, and features wide board wainscoting and wooden pews, taken from the old Meeting House.

Newport Opera House // 1886

The architectural focal-point on Main Street in Newport, NH is the Newport Opera House, with its solid massing and prominent central tower. The town was growing after the American Civil War and its position as County Seat solidified that growth. A new large civic building was erected in 1872 which housed a new courthouse and town hall. A fire destroyed much of the buildings on Main Street in 1885, and destroyed the courthouse and town hall building. As a response to the loss of the building, a fire-proof structure was erected from designs by Hiram Beckwith, a regionally prominent architect from Claremont. The structure featured space for the county, town, and even an opera house! The jewel of the new building was the Opera House located on the second floor that housed a stage considered the largest north of Boston. The Newport Opera House soon became the center of entertainment in Sullivan County and patrons came from far away to enjoy the large variety of programs presented. The large hall played host to dances, boxing matches, weddings, political rallies, plays, school graduations and more! After a period of severe decline, a group of artists and residents of town worked together to restore the building and use the space as a performance center. It remains one of the finest buildings in this part of the state.

Wheatleigh // 1893

Designed in 1893 by the Boston architectural firm of Peabody and Stearns, Wheatleigh is an early example of Renaissance Revival architecture which became popular for country estates in the early 20th century. The estate was constructed for Henry Harvey Cook, who purchased over 250-acres of forest and lawns overlooking Lake Maheenac for his summer “cottage”. Cook was a New York-based businessman who made his fortune in the railroad and banking businesses, and he wanted a summer house to escape to every year. He named his home “Wheatleigh” as an homage to his family’s ancestral home, Wheatley, Oxfordshire. The mansion is approached by a circular drive that terminates in a formal entrance court partially enclosed by a buff brick wall and evergreen trees, centered on an octagonal marble fountain decorated with a shell and leaf motif. Upon Cook’s death in 1905 Wheatleigh passed to his daughter, Georgie, the Countess de Heredia. Under her ownership the formal garden was opened for evening worshipping services and musical events. Following de Heredia’s death in 1946 the property was divided and changed hands numerous times. In 1976 the mansion and 22 acres were opened as a resort hotel, known as the estates historic name. The Wheatleigh remains one of the most esteemed luxury hotels in the country.

Wheatleigh Caretaker’s house (1893)