Chittenden County Superior Courthouse // 1906

The Chittenden County Superior Courthouse in Burlington, Vermont was built in 1906 and is one of the most bold architectural designs in the city. The building was actually constructed as the U.S. Post Office and Custom House for Burlington, but changed use in the 1980s after the Old County Courthouse was destroyed by fire. The building was the work of U.S. Treasury architect James Knox Taylor. Taylor designed, many major eastern federal buildings during the late 19th and early 20th centuries. He provided plans for this Beaux Arts structure with a well-appointed exterior finished in marble and dressed granite. Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, blossoming in the United States in the early 20th century after many American architects studied at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century.

East Washington Baptist Church // 1877

Residents in the eastern portion of the rural town of Washington, NH found it very inconvenient to attend church at the center of town. In 1800, a group of residents on the east side of town banded together to create a new congregation, building a church perched on a low hill soon by 1826. The church was used for decades until it burned in 1844, it was replaced a year later, but that burned as well. Undeterred, the small congregation had yet another church built in 1877. The church remains in great condition, and is still active.

Shedd Free Library // 1881

Aren’t tiny old libraries just the best?!

Located in Washington, NH, the Shedd Free Library is the only Victorian Gothic building in town, and packs a punch for its small size. The library was named for Sarah Shedd, a Washington teacher and poet who went to work in the cotton mills of Lowell, Massachusetts to support her family and educate her siblings. When she died in 1867 she bequeathed $2,500 to her hometown to establish a free public library, an amazing gift! The gift did not appear to be enough as nothing was built until 1881, after Boston architect S. S. Woodcock was selected by Luman T. Jefts, a wealthy shoe manufacturer in Massachusetts, to design the library after a gift to his hometown.

Washington Congregational Church // 1840

Located adjacent to the Washington Meeting House and Central Schoolhouse on the Washington, New Hampshire Town Green, the Washington Congregational Church perfectly compliments the collection of vernacular buildings here to create a very cohesive, three-building historic district. The church is dominated by a Gothic-inspired two stage square tower adorned by pointed pinnacles and crenellation. The building, constructed in 1840, is a great example of a Gothic Revival vernacular church building in rural New Hampshire and has been well-maintained over the years. In 1960, a fire in the church resulted in several thousand dollars worth of damage. A full basement was built under the church in 1985 to provide space for Sunday School classes and events. The simple arched sanctuary has remained in keeping with the original interior design, and features wide board wainscoting and wooden pews, taken from the old Meeting House.

Newport Opera House // 1886

The architectural focal-point on Main Street in Newport, NH is the Newport Opera House, with its solid massing and prominent central tower. The town was growing after the American Civil War and its position as County Seat solidified that growth. A new large civic building was erected in 1872 which housed a new courthouse and town hall. A fire destroyed much of the buildings on Main Street in 1885, and destroyed the courthouse and town hall building. As a response to the loss of the building, a fire-proof structure was erected from designs by Hiram Beckwith, a regionally prominent architect from Claremont. The structure featured space for the county, town, and even an opera house! The jewel of the new building was the Opera House located on the second floor that housed a stage considered the largest north of Boston. The Newport Opera House soon became the center of entertainment in Sullivan County and patrons came from far away to enjoy the large variety of programs presented. The large hall played host to dances, boxing matches, weddings, political rallies, plays, school graduations and more! After a period of severe decline, a group of artists and residents of town worked together to restore the building and use the space as a performance center. It remains one of the finest buildings in this part of the state.

Wheatleigh // 1893

Designed in 1893 by the Boston architectural firm of Peabody and Stearns, Wheatleigh is an early example of Renaissance Revival architecture which became popular for country estates in the early 20th century. The estate was constructed for Henry Harvey Cook, who purchased over 250-acres of forest and lawns overlooking Lake Maheenac for his summer “cottage”. Cook was a New York-based businessman who made his fortune in the railroad and banking businesses, and he wanted a summer house to escape to every year. He named his home “Wheatleigh” as an homage to his family’s ancestral home, Wheatley, Oxfordshire. The mansion is approached by a circular drive that terminates in a formal entrance court partially enclosed by a buff brick wall and evergreen trees, centered on an octagonal marble fountain decorated with a shell and leaf motif. Upon Cook’s death in 1905 Wheatleigh passed to his daughter, Georgie, the Countess de Heredia. Under her ownership the formal garden was opened for evening worshipping services and musical events. Following de Heredia’s death in 1946 the property was divided and changed hands numerous times. In 1976 the mansion and 22 acres were opened as a resort hotel, known as the estates historic name. The Wheatleigh remains one of the most esteemed luxury hotels in the country.

Wheatleigh Caretaker’s house (1893)

Chesterwood // 1901

Chesterwood is the former summer home, studio and gardens of American sculptor Daniel Chester French (1850–1931), who is best known for creating two of our nation’s most powerful symbols: the Minute Man (1871–75) at the Old North Bridge in Concord, Massachusetts, John Harvard in Harvard Yard, and Abraham Lincoln (1911–22) for the Lincoln Memorial in Washington, D.C. Daniel Chester French was one of the most successful artists of the late 19th and early 20th centuries, producing more than 100 works of public sculpture. In the fall of 1895, he and his wife drove by horse and buggy and discovered the resort town of Stockbridge. They returned the next summer and purchased the Marshall Warner farm from the family who had purchased the land from Mohican Native Americans. The French family and two maids moved into the white clapboard farmhouse the next summer. To ensure that his summer would be productive as well as restful, he improvised a studio in the barn. He asked his friend and colleague, architect Henry Bacon, to design a studio for him (Bacon would later work with French on the Lincoln Memorial). Soon, in spite of renovation, the original farmhouse was deemed inadequate and French commissioned Bacon to design a residence, completed in 1901. The family owned the home for decades, even after Daniel Chester French’s death. Much of the credit for Chesterwood’s preservation and metamorphosis from summer retreat to public site belongs to Margaret French Cresson (1889–1973), the sculptor’s daughter. After her parents’ death, she maintained the property and began to use it year-round, assembled the work of her father, and established the estate as a historic site of the National Trust for Historic Preservation.

Glacy House // 1930

Residential architecture of the early decades of the 20th century is among my favorites as the Tudor Revival movement took off and was sometimes mixed with other revival styles at the time, creating really unique homes. The Glacy House in South Brookline, MA was built in 1930 as one of the earlier homes in the Walnut Hill development. It was likely designed and built by Walter L. Fernandez, a contractor who appears to have design-built a handful of spec homes to help get the neighborhood’s development going in the early stages. This home was originally occupied by George and Mary Glacy. George later worked as Vice President of the Boston & Maine Railroad, though he later got into legal trouble for hiring companies for railroad projects where he had financial interests, becoming indicted in an antitrust case by a Federal grand jury. The home features a first floor constructed of stone and brick with half-timbering on the floor above. The building is topped by a terracotta red tile roof, which is fairly uncommon for the region.

Smith House // c.1847

This home on Hollis’ town green was built around 1840, seemingly for a member of the Smith Family. The family was well-known in town as the patriarch, Rev. Eli Smith, took over as minister of the Congregational Church in town after the death of Reverend Emerson (last post). It appears that after Elias Smith’s death, the home was constructed by a member of the family who then used the land for agricultural purposes, adjacent to the former family home. The home does not face the Green or the street, but faces eastward, and features a symmetrical, five-bay facade with a modest Classically inspired door surround. The home retains its agricultural use today since the property was purchased by Robert and Martha Valicenti. The property is now known best as the Valicenti Pasta Farm, who make some of the best home-made pastas, stuffed ravioli and sauces. I even bought some for Christmas gifts. Shop Local!

Cummings-Abbott House // c.1735

Samuel Cummings (1709-1772) married Prudence Lawrence (1715-1796) and moved to Hollis, NH from Groton, MA. The couple had a home built in town and raised at least four children, Samuel Jr., Mary, Sibbel, and Prudence. The original house built by Cummings was a single-story, four room, center chimney type. After his death in 1772, the property passed to Cummings’ son, Samuel Cummings, Jr., an acknowledged Tory. Interestingly, Samuel’s sister Prudence was an ardent patriot, who moved to Pepperell, MA and married a militia man, David Wright. While the Revolutionary War was raging, Prudence visited her brother in the old family home, when she overheard her brother Samuel talk to his friend, a British army officer about passing information to the British. Prudence returned to Pepperell and gathered the women of the town. Then a 35-year-old mother of five, she organized 30 or 40 of them into a militia called ‘Mrs. David Wright’s Guard.’ The women dressed in their husbands’ clothes and carried whatever they could for weapons. As the men had probably taken muskets with them, the women probably used farm implements such as pitchforks. The women patrolled the roads leading into town. The group eventually captured two British soldiers on horseback and let them go only once they agreed to never come back to the colony. Due to this event, Prudence never spoke to her loyalist brother again.

In the 1850s, the house was owned by Superintendent of Schools, Levi Abbott and his wife, Matilda. It was the Abbotts who reportedly added a second story to the house with a hip roof, cornice and corner pilasters, giving it the appearance we see today.

Commonwealth Trust Company // 1908-c.1974

Ca. 1910 image courtesy of Boston Public Archives.

Located at the corner of Summer and Devonshire Streets in Downtown Boston, the Commonwealth Trust Company’s two-story marble banking house commanded the corner, despite its short stature. The building, completed in 1908, was constructed with Lee marble and decorated with ornate wrought and cast-iron grilles over windows. The building was designed by the architectural firm of Parker, Thomas & Rice in the Classical mode with large, fluted Corinthian columns and boxed corner pilasters framing the recessed center entrance, Corinthian pilasters ran along the side facade. At the inside, the building was coated with Cararra and Blanco marble with paneled oak offices. At the ground floor, offices and banking stations framed the outer walls, with the safety deposit boxes located on the second floor. The building was demolished by the 1970s and replaced with a one-story minimalist Modern building (I could not figure out why the former building was razed). The new building was demolished after a few decades with a larger building, better fitting the commercial district.

Justin Morrill Homestead // 1851

One of the most stunning Gothic Revival homes in New England has to be the Justin Morrill Homestead in the tiny town of Strafford, Vermont. The home was designed by and built for Senator Justin Smith Morrill (1810-1898), who was born in town and worked with his mentor Jedediah Harris at the local store. He later expanded and owned numerous stores in the area and diversified, investing in railroads, banks and real estate in the region. He retired in the late 1840s and became a gentleman farmer, building this Gothic Revival home in town. In 1854 Morrill was elected to the Thirty-fourth Congress as a Whig. He was a founder of the Republican Party, and won re-election five times. In 1866, Morrill was elected to the U.S. Senate as a Union Republican, serving until his death in 1898. Morrill is best known for sponsoring the Morrill Act, also known as the Land Grant College Act. This act was signed into law by Abraham Lincoln in 1862, and established federal funding for higher education in every state of the country. Senator Morrill primarily used this house as a summer residence, as he spent much of his time in Washington, DC. The property remained in the Morrill family, until World War II. The house was eventually acquired by preservationists, who sold it to the state in 1969 for use as a Historical Site and museum.

Justin Morrill Barn

DeForest House // c.1800

At the beginning of the 19th century, Fairfield, Connecticut was slowly recovering from its destruction by the British at the end of the Revolution. By around 1800, a member of the DeForest family appears to have built this home, across from the Town Common, overlooking the recently completed Fairfield County Courthouse. Before the American Civil War, the home was significantly altered, with a central pavilion, new round arch windows, and a full-length front porch, showcasing early Victorian-era desire for detail. The house changed hands several times over the next century, at one point becoming a boy’s school from 1891 to about 1909. In 1930, the house was renovated by architect Walter Bradnee Kirby, who restored the home back to its Colonial past, showing how the pendulum of architectural tastes can change back-and-forth with every passing generation.

Ames Memorial Hall // 1881

There are few buildings that make you stop and stare in marvel at their perfect architectural proportions, detailing and design, the Ames Memorial Hall in Easton, Massachusetts is one of them for me! In the late 1870s, the children of Oakes Ames commissioned the great American architect Henry Hobson Richardson to design the Memorial Hall as a tribute to their father. Richardson, the architect of Boston’s beloved Trinity Church in Copley Square, responded with a picturesque masterpiece using his signature architectural elements of rounded arches, dramatic roof lines, and heavy masonry adorned with carvings. The building was provided to the inhabitants of Easton “for all the ordinary purposes of a town hall”. Oakes Ames (1804-1873) was partner in the family business, O. Ames & Sons, a U. S. congressman, an early investor in the Central Pacific Railroad, and, at the urging of President Abraham Lincoln, a prominent force in the building of the first transcontinental railroad. The Richardsonian Romanesque building stands on the solid foundation of a natural ledge, from the northeast corner of which rises the beautiful octagonal tower, on whose frieze are carved the twelve signs of the zodiac.

Brethren’s East Shop // 1819

This 1819 building was originally located next to the first dwelling house on the present location of the Great Stone Dwelling in Enfield Shaker Village. The Shakers moved this structure to its current location in 1834 to make room for their new stone dwelling house. The building was primarily used as a school building for the Shaker children, but was soon converted to a tailor’s shop after the boy’s and girl’s schools were joined into one room. In Shaker communities throughout the United States, it was customary for Shaker tailors to create the clothing for the men of the community. A brother’s standard uniform consisted of a great coat, dress coat, waistcoat, and trousers.