Massachusetts History Blog

Howard Athenaeum // 1846-1962

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One of the more iconic theater buildings to ever stand in Boston was the Howard Athenaeum, later the Old Howard, which stood on the former Howard Street in Downtown Boston. The origins of the building begin in 1843, when a flimsy, tent was built to serve as a church for the small Millerite sect. The small but loyal congregation eventually abandoned the site following disappointment with the minister’s promise that the world would end in 1844. After Armageddon failed to materialize, the founder of the sect, William Miller, an ex-Deputy Sheriff from Poultney, Vermont, was discredited and the Millerites moved on. After running their former minister out of town, several church members (who had given up all their worldly possessions in preparation for their trip to heaven,) decided to recoup some of their losses by selling the property to Messers Boyd and Beard, who opened a theater here in 1845. A fire destroyed the structure, and it was replaced by a larger, fireproof building that same year. The new building was constructed in 1845 and was designed by architect Isaiah Rogers in the Gothic Revival style with massive granite blocks from Quincy.

The Howard Athenaeum saw many iconic performers and historical events in its 100 years. A young John Wilkes Booth, played Hamlet at the Howard before becoming famous for a more nefarious deed in Washington in 1865. Also, Sarah Parker Remond, a Black anti-slavery activist and lecturer with the American Anti-Slavery Society (and later a medical doctor), had bought a ticket through the mail for the Donizetti opera, Don Pasquale, but, upon arriving, refused to sit in a segregated section for the show. She was forcibly removed and pushed down a flight of stairs. She eventually won a desegregation lawsuit against the managers of the Howard Athenaeum and received $500 in a settlement.

The theater was quickly deemed obsolete and second-tier compared to more modern theatres built nearby. By the mid-20th century, the Old Howard was largely featuring burlesque shows. To keep bringing in audiences, the burlesque performances got more risqué with each year. As a result, the Boston vice squad made the Old Howard the object of their attention. The Boston Vice squad made a 16 mm film during one of their raids in 1953 and captured on film the performance by “Irma the Body”. This film footage resulted in an indecency hearing which eventually led to the closing of the Old Howard in 1953. A fire a few years later along with Urban Renewal led to the demolition of the Old Howard by 1962. Like the former Suffolk Savings Bank (featured previously), the present Center Plaza Building is on the site.

King’s Head Tavern // 1691-1870

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Another of Boston’s Lost buildings is the King’s Head Tavern, an old establishment that was built in the early days of Boston and rebuilt following a fire in 1691. It stood on the corner of Lewis and North Streets, in the North End near Scarlett’s Wharf. Due to its proximity to the harbor and wharfs, it became the first place weary sailors stopped to get a drink on solid ground. The two-story, brick tavern was capped with a gambrel roof, which was later filled with wooden additions giving the structure a boxy look. The establishment was named the King’s Head Tavern after a popular London tavern of the same name. Like much of the North End, surging immigrant populations put immense strain on the built environment and many older buildings were demolished in the late 19th and early 20th centuries for tenement housing. The old King’s Head Tavern was demolished in 1870, just two years after the photo was taken.

Lamont Residence // 1907

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In 1907, William F. Lamont and his family moved into this beautiful turn-of-the-century home in the rapidly developing Waban Village in Newton, Massachusetts. The extension of the circuit railroad connected this part of Newton (which had previously been farmland) to Downtown Boston, opening up the area to development for middle-income families who sought land and fresh air in the suburbs. The first house on Alban Road in Waban was built for the Lamont Family, and it perfectly blends multiple architectural styles under a gambrel roof.

What is your favorite feature of this house?

Thomas Snow Shop // 1854

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This tiny building next to the John Palmer House featured previously was built in 1854 by Thomas Snow as an income-producing property. According to the sign, Snow was a grocer in town and must have rented the small building, which was developed on a small sliver of land, formerly a side garden. I’d guess that the building was originally 1 1/2-stories with the brick first floor added underneath sometime later. The house is vernacular Greek Revival in style and the scale is exactly what makes Marblehead so charming to get lost walking in!

Alexander Watts House // c.1755

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In 1748, Alexander Watts, a merchant and sea captain purchased land in Marblehead, building a dwelling house, shop, and barn. This home was likely built in the 1750s, not long after he purchased the lot from David LeGallais, a merchant and prominent landowner in town. The gambrel-roofed Georgian house with its elaborate entry stands out on the street for its large frontage, with many other period homes sited on narrow lots, with the side of the house facing the street. He likely lived in the shop nextdoor until he had enough money to build this separate, more elaborate dwelling. Captain Watts died in 1772, and the property was willed to his “wife Rachel for her widowhood, and at her decease, one-half was to descend to her heirs, and the other half to his kinsman, Alexander Watts of London, England”. By the 1780s, the property was noted as “much decayed” with his widow likely struggling to maintain the property, renting the shop to others for income. On April 13, 1795, the estate was divided, meaning Rachel, Alexander’s widow, likely died at the home.

John Adams House // c.1795

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In 1795, mariner and fisherman John Adams had this late-Georgian house built in Marblehead, which resembles many homes in the area built a century earlier. The house was apparently built by Benoice Johnson, a cabinetmaker from Roxbury who settled in Marblehead. The gambrel-roofed house had a later lean-to added on the rear for additional square footage. Adams died in 1816 and the house remained in his family until the Great Depression!

Merritt House // c.1725

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In 1725, Samuel Merritt, a fisherman, inherited some of his father’s land in Marblehead and built this house. After Samuel Merritt died in 1743, his second wife Mary, her daughters Mary and Elizabeth and her son-in-law James Dennis, lived in the house. They added the one-story lean-to, giving the house a saltbox roof in 1762. This house, and many others in Marblehead are the reason why human-scaled historic neighborhoods built before the automobile, are some of the best places to explore. Historic preservation equals tourism, which results in tax revenue and property values, stabilizing neighborhoods and cities from the ebbs and flows of the economy. Gotta love it!

Samuel Sparhawk House // c.1870

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In 1870, Samuel Sparhawk built a large Second Empire style mansion on Mugford Street in Marblehead. Samuel and his brother Peter were among the first large shoe manufacturers in Marblehead, and did very well for themselves. Samuel also worked as Director of the Marblehead Savings Bank. In the early 20th century, the property was sold to Asa A. Schofield. In 1910, a fire at the Second Congregational Church destroyed the 1832 building and embers carried and burned the roof of the old Sparhawk House. The mansard roof was replaced with a simpler hipped roof with dormers.

Old North Church, Marblehead // 1825

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Old North Church, formally the First Church of Christ Marblehead, was organized in 1635 by fishermen and mariners who formed a church to relieve them of the burden of travel to Salem in order to receive church sacraments and participate in civil affairs (before the separation of church and state). They met in member’s homes until 1638, when a meeting house was constructed overlooking the ocean. By 1695, a “modern” church structure was built on Franklin Street. The structure was not adequate for the growing wealth and prosperity of the town, as Marblehead emerged from local cod fishing to overseas trade. In 1824, merchant-politician William Reed helped the congregation acquire a large lot on Washington Street. Within a year, the new stone church was built. The stone to build the church was blasted from the ledge upon which it stands. In 1879, a wooden meeting house was built to accommodate an increased membership at prayer meetings. The detached meeting house was added onto in 1951, connecting it to the stone church. The two attached buildings were designed/re-designed in the Colonial Revival style to add to the architectural composition of the old Federal period church.

Cross-Kimball House // 1804

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In 1803, sea-captain John J. Cross (1768-1804) began building a large Federal style house on land he purchased from his success on the open sea, largely working for the Hoopers. Sadly, before the home was finished, Captain Cross and all his men aboard his ship, the “Traveller” died at sea. The home, which was to be finished by the time of his return was left abandoned when news got back to the shore of the ship’s loss. His wife and three children were devastated and likely sold the property not long after. The property was owned later by Edmund Kimball, a sea-merchant who married into the Hooper Family. Kimball did well for himself and eventually owned multiple vessels. After his first wife, Mary Hooper Kimball died bearing him six children, Edmund remarried to Lydia Mugford Russell. The family home across from the town’s common has been very well preserved since and is an excellent example of a vernacular three-story Federal home on the North Shore.

Pearson-Bessom House // c.1720

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In 1720, James Pearson acquired a house lot on Windmill Hill in Marblehead, and he soon after built a house in the bustling harbor town. He lived in the house until 1734, when it was sold to a Giles Irwin. After Mr. Irwin’s death, it was conveyed to John Patton and John Bailey, both mariners, who likely split up the home inside. From this, fireplaces were punched into the central chimney inside, totaling 10 fireplaces in the home! John Bailey also worked as the Captain of Fort Sewall during the War of 1812. His wife Mary, served as temporary commander of Ft. Sewell after his death until a successor was appointed. The house eventually came under the ownership of siblings Carrie Florence Bessom (1867-1944) and her brother Frank Lewis Bessom (1870-1952). Florence operated an antiques store in town and Frank worked as a welfare commissioner. The home is a great example of a Georgian, Colonial-era home with a gambrel roof and even has the two (what I believe to be) separate coal doors in the raised stone foundation when the home was occupied by two families.

Powsland-Homan-Dixey House // 1732

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The colonial home at 33 Washington Street in Marblehead was built in 1732 for (and likely by) Jonathan Powsland, a joiner (furniture maker-carpenter). In the 1740s, Peter Homan added the rear lean-to, giving the home a saltbox appearance, possibly after he married into the Powsland family. The home was eventually owned by the Dixey Family. John Dixey (1776-1868) spent a good part of his life as a ship master and had several sons that also went to sea. The most well known son was Richard W. Dixey (1809-1860) who, along with two other Marbleheaders, captained the ship that took the first American Consulate to China.

Homan House // 1744

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This perfect Georgian house in Marblehead was built in 1744 for Richard Homan (1713-1803), a sea captain who also fought in the Revolutionary War. In 1736, Richard married Hannah Goodwin, the daughter of William Goodwin, a notable housewright. William Goodwin seemingly gave the newlywed couple land on his estate and likely built this stunning home for them. Hannah died in 1772, and remarried in 1776 to Susanna Stacey, who he also outlived. The couple moved to Ipswich, and this home was sold to his son, William. In the 1800s, the property was owned by William Hawkes Jr., a trader and shopkeeper who apparently operated a “rum shop” out of the first floor of the home. It remained in the Hawkes Family until at least 2013. The house features a gambrel roof of cedar shingles, 12-over-12 windows, a pedimented entry, and a period-appropriate paint color.

St. Anthony’s Church Campus // 1951

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In the 1920s Italian-speaking residents in Everett, Massachusetts appealed to Archbishop of Boston, William O’Connell for an Italian parish. Everett had seen a large influx of Italian immigrants who settled in town and the surrounding communities for work. The Archdiocese saw the demand, and rented the former Broadway Theater to be used as a church for the short term. In 1951, land was acquired a few blocks away for a new church, school and rectory. The church was designed to resemble historic Romanesque-style churches seen in Italy, with the school and renovated rectory following the Modern tradition. The brick and limestone church appears to have been built more in the historical tradition, with hand-carved stone trim and a beautiful rose window. It’s amazing that this church was built in the 1950s!

Woodlawn Cemetery Lodge // 1897

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Woodlawn Cemetery in Everett, MA was established in 1850 as a rural, private cemetery in the tradition of Mount Auburn Cemetery in Cambridge. The story of Woodlawn Cemetery began in 1850 when a group of ten prominent Bostonians petitioned the Massachusetts General Court to organize a corporation “for the purpose of procuring, establishing and preparing a cemetery or burial place for the dead in Malden” (present-day Everett was established in 1870 from Malden). Adjacent to the Cemetery Gate and Tower (last post), the Woodlawn Cemetery Lodge replaced an 1850s lodge and office constructed of wood, in the Gothic-style, that was deemed unsatisfactory for later boards managing the cemetery. The group hired Boston architect William Hart Taylor to design the gate and lodge, the latter in the Classical Revival style. The buff brick building features terra-cotta trim and a red tile roof with dentil cornices and copper cresting along the ridges and eaves. The square entry tower has a columned belfry and incorporates additional Classically-inspired features including Ionic columns, moldings, swags, and wreaths, which looks like a Greek Temple plopped onto the top. Gorgeous!