New England Blog

Canton Center Schoolhouse // 1872

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Canton, Connecticut, the only town in the state named after a city in China! The land which we now know as Canton had long been inhabited, specifically by the Wappingers, a group in the larger Algonquin speaking tribes. Canton was incorporated out of Simsbury in 1806, and named after the City of Canton in China (now known as Guangzhou), though I am not sure why. The town quickly developed two main villages. Collinsville sits on the Farmington River and its power was harvested for industry; while the center village grew differently as an agricultural village of farms. At the center of town sat a green for civic and town functions and gatherings. The town constructed a school here as far back as 1759, when the rural village was still a part of Simsbury. This is the fourth building on the green and it was built in 1872, and can be classified as Italianate in style. The building was occupied as a school until 1949, and it was used for other city uses until 1971, when the building was rented to the Canton Artist’s Guild and the building was renamed Gallery on the Green. The building remains community-focused and holds exhibits of local artists! Much of the rest of Canton Center lost all of its bucolic charm when the main road became commercialized, prioritizing speeding cars over a walkable village.

Newhall-Lane House // 1809

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The Newhall-Lane House (could be the home of many wives) was built in 1809 by Pliny Newhall, a bricklayer. He purchased the land here at a prominent crossroads in Lancaster in 1808 from his employer who owned a brickyard across the street. At a previous home in town, Newhall’s wife Patty died giving birth to their son, at just 23 years old. Their son also died during childbirth. He remarried and had a full family to grow into the couple’s new house. They relocated to Lincoln and the home was sold to Captain Anthony Lane, who was the son of Deacon Jonas Lane, an important figure in Lancaster town history. Jonas had four wives, outliving three of them. Captain Lane himself, was married twice while living in this house; he had no children from either marriage. Although he was a talented craftsman and cabinetmaker, Captain Lane listed his occupation as farmer. The house is significant architecturally, as a fine example of Federal style architecture in Lancaster . Its sophisticated design is reflected in the graceful entrance. One of the unique features of the house is the pedimented gable of the facade which in combination with the narrow plan of the house, creates a delightful massing in this distinctive combination of Greek Revival and Federal styles.

Old Settlers’ Burying Ground // 1674+

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I know.. I know.. It’s not a building, but I couldn’t help myself but to find this hidden cemetery and take some photos! Tucked way off a street, across railroad tracks and down into a grove of trees, I came across this Colonial-era cemetery known as the Old Settlers’ Burying Ground. Established by 1674, it is the town’s oldest formal cemetery with gravestones dispersed, both standing up to the heavens and seemingly jutting out of the ground like crooked teeth. The Old Settlers’ Burying Ground contains approximately 196 stones and an estimated 230 burials. The stones in the cemetery reflect the continuum of headstone iconography popular from the 17th through 19th centuries, depicting winged death’s head, soul effigy, heart, hourglass, skeleton, and cherubs, to name a few. The cemetery is thought to possibly have unmarked graves of the colonists who were killed during the Lancaster Raid, the first in a series of five planned raids on English colonist towns during the winter of 1675 as part of King Philip’s War. Metacom, known by English colonists as King Philip, was a Wampanoag sachem involved in leading and organizing Wampanoag warriors during the war. The tension that led to these raids began from the decline in the fur trade due to overhunting, the decrease in the native population due to European-derived diseases, and the invasion of English livestock on native land. According to one estimate, at least fourteen Lancaster inhabitants died and twenty-three were captured and taken as prisoners, some of those 14 are likely buried here in unmarked graves.

Isaac Farrar Mansion // 1836

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The Isaac Farrar Mansion in Bangor, Maine not only looks gorgeous, it is significant as the one of the first known works of architect, Richard Upjohn. It is important because it shows that English-born Upjohn, who is best-known for launching the popularity of the Gothic Revival style in the United States, began his career by building in the Greek Revival style, the traditional style of the time. This mansion was designed for Isaac Farrar, a lumberman and merchant, and later, President of the Maritime Bank of Bangor. Charles B. Sanford, who lived in the house from 1865-1878, was proprietor of the Sanford Steamship Lines. The home had a few more subsequent owners until 1911, when it was acquired by the University of Maine Law School, which used it as a residency until 1929. It was soon after purchased the Bangor Symphony Orchestra, who renamed it “Symphony House”, and operated the Northern Conservatory of Music on the premises, also hosting the music branch of the Bangor Public Library. In 1972 the school closed, and the symphony sold the building the following year to the local YMCA, which now uses it as an exhibit and reception space. While some aspects of the house look to be from the early 20th century, it retains much of the Greek Revival design by Upjohn. Talk about a full history!

Joseph Low Mansion // 1857

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The neighbor to the iconic Thomas Hill Standpipe (last post), this pre-Civil War Italianate mansion predates the water tower and has long been one of the most grand homes in Bangor, Maine. The house was constructed in 1857 for Joseph W. Low, a businessman and trustee of the Bangor Savings Bank. The house he had built is one of eastern Maine’s outstanding Italianate residences, designed by Boston architect Harvey Graves, who was born in Maine. Soon after the Civil War, Graves moved west to California, likely seeking additional wealth from the spurned from the success of the Gold Rush. He appears to have lived out the remainder of his life out west, giving his family in Maine this home. The house exhibits flushboard siding with scored wood to resemble ashlar masonry, gorgeous window hoods and mouldings, and a large belvedere at the roof, which would have provided sweeping views of the Maine frontier when built, atop one of the highest hills in Bangor.

Canterbury Shaker Bee House // 1837

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The original purpose served by this small clapboard building in the Canterbury Shaker Village, built in 1837 and measuring just 12 x 25 feet is subject to some debate, although it was definitely used as a drying house. Early writings indicate it was built as an apple-drying house while others state that the original purpose was to dry lumber. The present off-center gable-roofed cupola on the gable roof served as a ventilator. In 1865, the building became the headquarters of the bee keepers of the local Shakers.

St. Saviour’s Episcopal Church // 1877

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Initially erected in 1877 and enlarged several times thereafter, the St. Saviour’s Episcopal Church in Bar Harbor is an excellent example of ecclesiastical architecture in the state of Maine. The original church building had been erected in 1877-78 at a cost of about $7,000 from designs by the New York architect Charles C. Haight. Within eight years of its construction, space limitations caused the church to undertake a major expansion. Designed by the Boston architectural firm of Rotch and Tilden, this building campaign – carried out in 1885-86 – dramatically changed the church’s appearance by developing a cross shaped plan that made use of the original structure for transepts and added a larger nave, semi-circular apse, and an imposing crossing tower. The numerous building campaigns designed by both prominent and lesser known architects, have produced a rich eclectic architectural legacy that mirrors the development of Bar Harbor.

Breeze Cottage // 1896

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The marriage of Anna Perkins Pingree to Joseph Peabody in 1866 was a merging of two of the most influential and wealthy families of Salem, Massachusetts. The marriage however did not meet the mark, as the couple eventually had a large falling-out after purchasing a mansion in Boston’s Back Bay neighborhood in 1877. In her time away from her estranged husband, Anna became heavily involved in the arts, collecting hundreds of paintings and decorating her homes in Boston, Ipswich, and her new summer cottage in Bar Harbor. In 1896, she had her Bar Harbor cottage built on West Street, a road of substantial summer homes right next to downtown. The Colonial Revival “cottage” sits on the waterfront of Frenchman Bay and has only 12 bedrooms and 7 bathrooms, in 12,500 square feet.

Willey Hotel // pre-1822

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Originally an old tavern/inn, this wood-frame building in Newmarket, NH, was built for a member of the Rundlett Family who settled in town from nearby Portsmouth. The old building was known as Rundlett’s Tavern for a number of years, later renamed the Washington House, and eventually Silver’s Hotel by 1870. Under owner Joseph B. Silver, the Federal style building was updated with Victorian-era flair, marketing to visitors of town who had business with the Newmarket Manufacturing Company across the street. After Silver died in 1898, the building was purchased by George H. Willey and renamed the Willey Hotel/Willey House. He oversaw renovations in the 1920s to give it the Colonial Revival appearance we see today. The building is now apartments.

Delano-Clapp House // 1735

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My favorite Georgian style house in Rochester, MA is the Delano-Clapp House set far off the street, behind a stone wall. The house was built in 1735 for Jonathan Delano, a weaver. Jonathan’s son, Jonathan, Jr., sold the house and land to Ebenezer Clapp, in 1755. The property remained in the Clapp Family for nearly 250 years, when it sold out of the family in 1990. This house is testament to the fact that you can find great architecture in every corner of New England!

Inn Victoria // c.1850

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Located right on Main Street in the beautiful village of Chester, Vermont, this historic inn has been a landmark in town since it was built in the mid 19th century. The house was constructed around 1850 for Dr. Abram Lowell (1794-1876), the village doctor. Dr. Lowell conducted his medical practice in a small building next to the main house and resided in the home, which originally had a side-gable roof. Tributes printed in regional newspapers at the time of his death called him an eminent physician, accomplished gardener, “eccentric in his ideas,” and “the wealthiest man in town.” After his death, the home was inherited by his daughter and her husband, George Hilton. They immediately “modernized” the home, adding the mansard roof, which provided an extra full story of living space. The home was converted to a bed & breakfast in 1998, and has been one of the most intact, Victorian era inns in the state since! It is known as Inn Victoria, so named after Queen Victoria and the Victorian period of architecture in the United States.

Robert Lippitt House // 1854

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“Less is more” is a phrase adopted in 1947 by architect Ludwig Mies van der Rohe to describe his minimalist, Miesian glass box buildings. While he was referring to Modern architecture, the same phrase can be used in 19th century design, where massing, form, and materials are showcased in all their glory with little frills or additions. The Robert Lippitt House in Providence was constructed by 1854 for Robert Lincoln Lippitt (1823-1858), who worked with his brother Henry Lippitt in owning and managing textile mills. Henry would later build his own mansion nextdoor to his late brother’s house (see past post). Sadly, Robert died four years after this home was built, at the young age of 34. His widow, Louisa Gorden Hallet remained in the home and remarried within a year of her late husband’s death, to Charles Lippitt, possibly a cousin to Robert. Messy. The home was designed by architect Thomas A. Tefft, a promising and respected young architect who also died young, at the age of 33.

Grace Church // 1835-1966

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Grace Church was built in 1835 for a growing congregation in Beacon Hill. The absolutely stunning Gothic style church was designed by William Washburn (1808–1890), an architect and city councilor in Boston. The church was constructed of granite and had massive stained glass windows and soaring towers with decorative embellishments. Inside, a massive central window flooded the interior with natural light, and illuminated paintings from Mario Bragaldi, a Milan artist. In 1865, the building was sold to the Methodist Episcopal Society. 1873, it merged with Hanover Street, and took the name First Methodist. The church was variously referred to as First, Grace, or Temple Street, sometimes all at once! This church was occupied until 1962, when it merged with Copley to form First-Copley, which appears to have then occupied the Old West Church. The building was soon after acquired by Boston University and demolished for the building on the site today, a true loss to one of Boston’s most beautiful buildings.

Mitchell-Patten House // c.1840

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One of the most stunning examples of Greek Revival architecture in Gardiner, Maine, is the Mitchell-Patten House. The home was constructed in the mid-1840s for John S. Mitchell (1804-1891) head of the firm of Mitchell, Wilson and Co., who were traders on the Kennebec river, in lumber and other goods. The home was likely built not long after John’s wife, Philenia Sewall Mitchell died during childbirth in 1837 to the couple’s son, who died at just two years old himself. After the death of his wife and only son, John met Mary and they married, moving into this home. Together, they had four children. Together, they had three sons, but like with his first marriage, tragedy wasn’t far behind. Their first son was stillborn, their son William died at age 27, and their third son, Egbert died in his first year. The family home was willed to the couple’s only living child, Susan, after her marriage to husband Freeman Patten. Freeman was a successful businessman in town and worked as a bank director, and later served as President of the Board of Trade and as Mayor of Gardiner 1899-1900.

Hartley Jewett House // c.1895 //

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This stunning Queen Anne home in Gardiner, Maine, overlooks the Kennebec River from its high position on a hill. The home was built for Hartley Jewett, who ran a busy lumber mill in town, which sold long lumber, laths, and shingles, some of which ended up on his own home. Maine was huge in the lumber industry, and it’s vast forests were often cut and sent down to cities like New York and Boston on rail to supply their own building booms.