In the 1840s in New England, one architectural style commanded a large majority of all new house styles, Greek Revival. A divergence from the Classical designs of the Georgian, Federal and Greek Revival styles which dominated at the time, the Romantic movement began its first true breaths across New England. The Gothic Revival and Italianate styles are often thought to be the first couple styles which brought the frills and detailing personified by Victorian-era architecture.
This home in Fairfield, Connecticut was built in 1840 to a design by Joseph Collins Wells, it is one of the oldest-known and best-documented examples of architect-designed Gothic Revival architecture. The home was built for for Jonathan Sturges (1802–1874), a businessman and patron of the arts. It is one of the earliest known examples of architect-designed Gothic Revival architecture, a style more often taken by local builders from pattern books published by the style’s proponents. The home was likely a pre-cursor to architect Joseph Wells later commission, the famous Roseland Cottage.
This homestead in Fairfield, Connecticut is situated on the edge of what was formerly called Pequot Swamp, and was originally built by Stephen Osborn in 1772. It is said to be the third Colonial dwelling erected in this part of the town and was left undisturbed by the British when they burned Fairfield in 1779 and raided various sections of the country along the shore. The home was originally located a few blocks away, but was moved in the 1950s when the highway (I-95) was routed through this part of Fairfield. The saltbox Georgian home was documented prior to the move by the Historic American Buildings Survey (HABS).
Located in a more rural part of Fairfield, Connecticut, I drove past this massive tower just off the road. Intrigued, I doubled back to find out what it was, and learned it was once a windmill! The over eighty-foot tall shingled tower was constructed in 1894 as part of a large country estate. Frederic Bronson (1851-1900) was a prominent, gilded age lawyer in New York City. He accumulated massive wealth representing many elite families, eventually becoming a member of the “Four Hundred”, a list of the 400 most powerful (rich and connected) people of New York society. In the early 1890s, Bronson constructed a summer estate in Fairfield, CT, known as Verna Farm. A part of this estate the windmill which pumped water from a well 75 feet below ground into a 7,500-gallon wooden storage tank inside the tower. The estate eventually became the Fairfield Country Day School, and the windmill (no longer in use) was gifted to the town. Eventually, it was leased by Sprint, and the telecommunications firm restored the windmill and installed a cellphone tower in its interior.
Herbert Almon Chaffee and Irma Chaffee had this Tudor home built by 1931 for their family in Fairfield, Connecticut. Mr. Chaffee was the Vice President and Assistant Treasurer of the City Savings Bank of nearby Bridgeport. Chaffee also at that time worked as Vice President of the A.W. Burritt Company, a lumber mill that produced building supplies and also operated as a real estate company that bought land and constructed on it. The home he had built clearly showcased the company’s work and features hallmarks of the English Tudor Revival style, with half-timbering, slate roof, and jettying (upper floor slightly overhanging the first).
Originally built in 1775, the first iteration of the Burr Homestead, home of Thaddeus and Eunice Burr, which actually saw the marriage of John Hancock, President of the Continental Congress, to Dorothy Quincy. Thaddeus was the cousin of the famous Aaron Burr, Jr., who was the 3rd vice-president of the United States alongside Thomas Jefferson as President. Aaron Burr Jr. is best-known today through his portrayal in the popular play “Hamilton,” where he shoots Alexander Hamilton in a duel. The house was rebuilt in 1794 in its former location in Fairfield, Connecticut after a fire by the British in Fairfield destroyed the first. The home was willed to Thaddeus’ son General Gershom Burr, who eventually sold the mansion to Obadiah Jones. Mr. Jones updated the home by, ““taking out the dormer windows and lifting the roof, taking away the porch and building the broad veranda with its lofty massive fluted columns”. The home was eventually gifted to the Town of Fairfield and is presently maintained by the Fairfield Museum and History Center.
At the beginning of the 19th century, Fairfield, Connecticut was slowly recovering from its destruction by the British at the end of the Revolution. By around 1800, a member of the DeForest family appears to have built this home, across from the Town Common, overlooking the recently completed Fairfield County Courthouse. Before the American Civil War, the home was significantly altered, with a central pavilion, new round arch windows, and a full-length front porch, showcasing early Victorian-era desire for detail. The house changed hands several times over the next century, at one point becoming a boy’s school from 1891 to about 1909. In 1930, the house was renovated by architect Walter Bradnee Kirby, who restored the home back to its Colonial past, showing how the pendulum of architectural tastes can change back-and-forth with every passing generation.
On July 7-8, 1779, the Red Coats marched through Fairfield torching houses to punish the locals for seeking independence. They killed locals, destroying anything they could find on their way out, setting fires to homes and civic buildings around the Green. This home was built by Isaac Tucker, later sold to Jonathan Maltbie, sea captain involved with East Indies trade. He later would fight against the British during the Revolution, and after the war, was hired as captain on one of the first cutter ships built, the Argus. During the British invasion of Fairfield, they attempted to set fire to this home three times, but it seemed to never go up in flames when they returned. The tradition holds that an elderly servant, hiding upstairs, put out the flames and saved the house from destruction, after the British Troops torched it. Burn marks apparently remain inside to this day. Since the home was built, the front door facing the street was relocated to the side, and a large multi-pane bay window was installed in its place.
Located at the Fairfield Town Green, the Georgian-style Fairfield County Courthouse stands as a reminder on the town of Fairfield’s Colonial-era history. The first courthouse at the site was built in 1720. After a fire destroyed the first (which housed the jail as well), a second structure was built in 1767. That second courthouse was the center of a thriving, wealthy village with a port just blocks away. In July 1779, the British landed in Fairfield and destroyed much of the town, harming its prosperity for decades to come (though it has clearly recovered since). In 1794, a new courthouse was built, also housing town offices. In 1870, it became solely a town hall (the County Court moved to Bridgeport years before) modified and altered in the Second Empire style to ‘modernize’ the building. As Colonial Revival resurged in popularity in the late 19th and early 20th- centuries, the town sought to bring back the Georgian style Town Hall building, in 1936 hiring architect Cameron Clark, to restore the building.
One of the more stunning homes and parks in Massachusetts is located in Easton, known as the Borderland State Park. Borderland was the 1,200-acre estate of Blanche Ames Ames, an artist, political activist, inventor, writer, and prominent supporter of women’s suffrage and birth control. Blanche Ames’ husband, Oakes Ames (of the Ames Family of Easton), came from a wealthy Massachusetts family that owned the Ames Shovel Works. Marrying in 1900, Blanche and Oakes (who were not related even though they had the same last name) constructed their stone mansion in 1910 and created a system of ponds and dams on their property. Blanche and Oakes, who wanted a fireproof house, became displeased with the work of their architect because of the challenges he faced with their design and engineering requirements. Dismissing the architect, Blanche took over the design and construction management of the mansion and hired the Concrete Engineering Company to draw plans according to her specifications. Also on the grounds is a hunting lodge with fireplace, overlooking the large pond on the estate.
Once the mansion was completed, Blanche set up a studio on in the house and developed a scientific color system for mixing paints. She became the sole illustrator of her husband’s botanical books (Oakes was a renowned authority on orchids and taught botany at Harvard from 1900 until his retirement in 1941). Later in life, Blanche became the co-founder of the Birth Control League of Massachusetts and the Treasurer of the League of Women Voters from 1915 to 1918. She also gained notoriety for her political cartoons depicting the struggle for women’s suffrage. In addition to these many accomplishments, Blanche was an inventor who, in 1939, designed a hexagonal lumber cutter. During World War II she designed, tested and patented a method for ensnaring enemy airplanes in wires hung from balloons. Remaining active her entire life, Blanche received a patent for a water anti-pollution device in 1969, a year before her death.
Located across the street from the Oakes Ames Memorial Hall and the Ames Free Library, the North Easton Savings Bank and Post Office building perfectly compliments the Romanesque Revival motif seen in the village. The building was constructed in 1904 in a Richardsonian Romanesque design with rough-faced granite ashlar walls with brownstone trim. The three-bay front façade contains centered entrances recessed behind a wide brownstone arch in the signature Richardsonian manner. The building was designed by Shepley, Rutan and Coolidge, a Boston-based architectural firm which grew out of Henry Hobson Richardson’s office, where they completed many of Richardson’s unfinished works after his death.
The Ames Free Libraryfirst opened its doors in 1883. Under the terms of the will of Oliver Ames II, $50,000, in trust, was left for the construction and support of a library for the benefit of the inhabitants Easton. The library was designed by Henry Hobson Richardson in 1877 and opened in 1883, becoming one of the finest public libraries in the region. The library is built of Milford granite with the same Longmeadow trim used on his famous Trinity Church in Boston. The very low cavernous arch over the doorway was used here by Richardson for the first time and became one of the most prominent and widely imitated characteristics of his style.
Located on Main Street in Easton, the Oliver Ames Jr. House exemplifies the romanticism of the Italianate style in the mid 19th century. Built in 1864, the home, known as “Unity Close”, was designed by George Snell, a Boston-based architect. Oliver Ames Jr. was a son of Oliver Ames Sr., who along with his brother, Oakes Ames, joined the family business at the Ames Shovel Works in town. The home has a massive garden at the side yard, originally designed by the Olmsted Brothers, John and Frederick, the sons of the great Frederick Law Olmsted.
I’m starting to see a trend in Easton, almost everything is named after the Ames Family! In 1893, Oliver Ames (1831-1895), a grandson of shovel company founder Oliver Ames and son of Oakes Ames, offered to fund the construction of a new high school building if the town would pay the cost of building its foundation and grading the site. While governor of the Commonwealth of Massachusetts (1887-90), Ames had hired Boston architect Carl Fehmer as consulting architect to the State for the extension to the Massachusetts State House, and it was Fehmer who secured the design contract for the new school in Easton. The refined Colonial Revival school building features a central pavilion with an entrance set within an ornate stone architrave with a Classical entablature with central pediment. The school was outgrown in 1957 and became the town’s middle school, outgrown again in the 1990s. The town sold the school to a developer with preservation restrictions and it is now used as apartments!
In the early 20th century, the village of North Easton, Massachusetts saw large growth, in large part by the Ames Family. The town had previously had a volunteer fire station, but due to the development, a permanent fire department was needed. In 1904, Mary S. Ames (later Mrs. Louis Frothingham) donated land for the purposes of building a fire station; across from the Ames Shovel Works. The fire station, completed in 1905, remained active until 1968, when the town’s modern firehouse that could accommodate larger fire apparatus was constructed. In 1991, the former fire station became the home of the Children’s Museum in Easton, which it remains to this day.
Without question, this property is the most photographed site in the tiny town of Pomfret, Vermont, if not the state. The property dates to the late 18th century when John and Samuel Doten moved to the newly settled town of Pomfret Vermont, overlooking the growing town of Woodstock in the valley below. The two brothers acquired vast farmland on the hills of Pomfret and each built farmhouses adjacent to eachother, with Samuel getting elevated land and John developing the land sunken off what is now known as Cloudland Road into this stunning property. Sleepy Hollow Farm remained in the Doten family for centuries until the 1950s, when the owners sold the property to move to Woodstock and work for Laurance Rockefeller, the famous philanthropist and conservationist, who later donated his Summer home in Woodstock to the National Park Service. The property sold numerous times in the late 20th century, and is presently owned by Aerosmith guitarist Joe Perry and his wife, Billie. They are clearly great stewards to the property’s rich history and various outbuildings, and must not care too much to have swarms of photographers at the end of their driveway year-round!
Buildings of New England 
