Townhome

Faulkner-Hayden House // 1881

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This unique house at 29 Brimmer Street in Boston’s Beacon Hill, was completed in 1881 is architecturally distinctive compared to the early 19th century homes that the neighborhood is known for. The five-story residence has a raised entrance up a flight of steps set within an arched opening. To the side, an arched window frames the facade and has an ornate terracotta panel as a base. More terracotta ornament can be found at the second floor and under the cornice as a thick band frieze with a copper-clad mansard roof above. The single-family residence was built in 1881 for Charles Faulkner (1811-1885), a commission merchant, for his daughter, Ann Ruth Faulkner the year of her marriage to Charles Rowley Hayden. Mr. Hayden was a musician and vocalist. For the new wedding gift, Faulkner hired the esteemed architectural firm of Bradlee & Winslow prepare the designs. The former Faulkner-Hayden House today contains five condominiums.



Baker-Byrd House // 1888

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Located on Brimmer Street in Beacon Hill, this handsome residence is constructed of rough-faced brownstone laid in a random ashlar pattern and is among the most unique in a neighborhood known for brick townhouses. Decorative treatment includes a stone band that is carved with foliate and faces, colonettes that rise along the facade at the bay, and an ornate molded copper entablature and parapet at the roof. The residence dates to 1888 and was built for Seth R. Baker, a Boston real estate developer at the end of the 19th century. It can be inferred that the building was designed by architect, Ernest N. Boyden, as Baker hired Boyden as architect for a half-dozen other apartment buildings between 1888-1890. Antoino Xavier, a Portuguese-born mason is listed as the builder. In the 1910s, the property was purchased by Marie Ames Byrd, wife of polar explorer Richard A. Byrd, who lived a few houses away at 9 Brimmer Street. She rented the four apartments to boarders through the 1930s.


Eliot C. Clarke Townhouse // 1884

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One of the many great townhouses on Brimmer Street in Boston’s Beacon Hill neighborhood is this residence designed as a unique interpretation of Queen Anne and Romanesque Revival styles. Original owner, Eliot Channing Clarke (1845-1921), an MIT-educated civil engineer. His uncle, Thomas Curtis Clarke, was a noted civil engineer, a member of the firm of Clarke, Reeves & Co., Bridge Builders in Pennsylvania, and served later as President of the American Society of Civil Engineers. When Thomas Clarke’s firm was designing and building a new bridge over the Mississippi River in Quincy, Illinois, he had his nephew lead in the design. In 1876, Eliot was appointed engineer in charge of a survey for a main drainage system for Boston. The project was adopted and construction began a year later, taking years to complete. In 1885, Clarke published the work that he oversaw, modernizing a rapidly growing Boston water and plumbing system. He became one of the leading sanitary engineers of the United States. In 1884, Clarke hired architect, S. Edwin Tobey, who designed this townhouse with a unique gable containing a ocular window and panel brick parapet as an interpretation of a Flemish gable. A traditional arched entry in brick is a nod to the Romanesque Revival style, which surged in popularity in Boston following the completion of H. H. Richardson’s Trinity Church. In 1969, the Clarke house’s interior was connected with its neighbor as the Advent School, a private K-6 school associated with the Church of the Advent across the street.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.

Cutler-Paine House // 1834

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Mount Vernon Place is a short, dead-end street in Boston’s Beacon Hill neighborhood. The street was once an entire block of eight rowhouses, and was developed in the 1830s on land formerly owned by John Hancock and his family. The residences numbered 1-5 Mount Vernon Place were torn down during the 1910s to accommodate the expansion of the landscaped grounds of the State House, leaving just 6, 7, and 8 Mount Vernon Place. The easternmost rowhouse, 6 Mount Vernon Place, was built in 1834 and is believed to have been designed by Alexander Parris, a prominent local architect who designed Quincy Market and mastered the Federal and Greek Revival architectural styles with many notable buildings all over the east coast. This house was purchased in 1834, when still unfinished, by William Savage, a merchant, who sold the property to Pliny Cutler, president of the Atlantic National Bank, who appears to have bought it for his son, Dr. William Ward Cutler (1812-1870). The property was owned in the early 20th century by Robert Treat Paine Jr., who likely rented the home to boarders. The residence has a three bay facade and brownstone sills, lintels, and door surround.

Unitarian Universalist Association Headquarters // 1926

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The American Unitarian Association (AUA) opened its first headquarters in Boston in 1865, forty years after the organization was founded. Since its founding in 1825, the AUA occupied several locations but eventually took residence in a Richardsonian Romanesque style building constructed in 1886 at the corner of Beacon and Bowdoin streets. The handsome structure, designed by Robert Swain Peabody of the firm, Peabody and Stearns, served as the headquarters for the association until it was demolished in the 1920s for the expansion of the Hotel Bellevue. In 1926, the AUA purchased an 1840s townhouse and demolished it, replacing the former residence with their new building to serve as a church headquarters office building. The American Unitarian Association hired the Boston architectural firm of Putnam and Cox to design their building, which employed architectural similarities to the adjacent 1820s townhouses designed by Cornelius Coolidge. The six-story building is constructed of red brick with a two-story granite base with piano nobile with a balcony, all under a mansard roof with dormers. The American Unitarian Association sold their Beacon Street building and relocated to a new headquarters on Farnsworth Street in the Seaport/Fort Point area of Boston in 2014. The 1926 building was converted to high-end luxury condominiums.

Russell-Bradlee Mansion // 1825

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The land at the corner of Beacon and Joy streets in Boston’s Beacon Hill neighborhood was once John Hancock’s west pasture for his grand manor (razed in 1863) until 1819, when subdivision of the Hancock estate began following his death. In 1821, Israel Thorndike, one of the leading land speculators of early nineteenth-century Boston, began buying out the Hancock heirs and house lots overlooking the Boston Common were sold to John Hubbard and George Williams Lyman, who hired architect Cornelius Coolidge, to build some stately Greek Revival townhomes for wealthy Boston elites. The house at the corner of Beacon and Joy streets, 34 Beacon Street, was built in 1825 for Nathaniel Pope Russell, a leading Federal period China Trade merchant. By 1850, James B. Bradlee, a wealthy merchant, had acquired the property. Bradlee’s grandson Ogden Codman Jr., the influential late nineteenth- and early twentieth-century architect and interior decorator, was born in this house in 1863. Codman later collaborated with novelist and tastemaker Edith Wharton on ‘The Decoration of Houses‘, a book that had an enormous impact on the direction of interior design when it was published in the 1890s. Little, Brown and Company, a publishing company founded in 1837, purchased the former residence and moved their headquarters here in 1909. The publishing company sold the property in 1997, and it converted to a single-family home. In 2007, the residence was purchased by Northeastern University and has since been the President’s House.

Brewer & Beebe Townhouses // 1863-1917

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Boston is ever-changing and while change can be good, there have been some major architectural losses. This trend of redevelopment is not new however, as this single site on Beacon Street has seen two major losses, all before 1918! This lot on Beacon Street was originally home to Hancock Manor, a landmark Georgian mansion built between 1734-1737 for the wealthy merchant Thomas Hancock (1703–1764), and later inherited and occupied as the home of United States Founding Father John Hancock, yes, that John Hancock. In 1863, the Hancock Manor was sold at public auction and was purchased for $230. The house was demolished within days. While the building was torn down, souvenirs of it were actively sought as it fell. To replace it, two of the finest homes ever built in Boston were constructed on the site, from plans by elite Boston architect, Gridley James Fox Bryant. The double Second Empire style homes were first occupied by wealthy merchants, James Madison Beebe (the house on the left) and Gardner Brewer (right). In 1916, plans for the extension of the Massachusetts State House necessitated a taking of these (and other nearby) properties. These two houses were razed by 1917.

I wonder if the Hancock Manor would have survived to this time, would preservation prevail to save it?

Storrow-Meyer Townhouses // 1862

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Two is always better than one, especially when it comes to historic townhouses! These two residences on Beacon Street in the Back Bay neighborhood were built in 1862 for two esteemed Boston families, the Storrows and the Meyers. 192 Beacon Street (right) was built as the home of Charles Storer Storrow and his wife, Lydia (Cabot Jackson) Storrow. Charles S. Storrow was an engineer by training and made his fortune as the chief engineer at the Essex Company, a company organized to harness the water power of the Merrimack River downstream from Lowell, Massachusetts in present-day. There, Storrow designed and built the Great Stone Dam across the Merrimack river, canals to distribute the water, several large textile mills, and a city, Lawrence, to house the mill workers. He came up with the idea to make roads that go to the mills in Lawrence, allowing him to become the first mayor of Lawrence in 1853. He retired and lived out his final years at this home in Boston. James J. Storrow, after whom Boston’s Storrow Drive is named, was Charles Storrow’s grandson. 194 Beacon Street (left) was built as the home of George Augustus Meyer and his wife, Grace Helen (Parker) Meyer. George Meyer was a prosperous German-American East India merchant and lived in this home until his death in 1889.

John and Gertrude Parkinson House // 1902

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Teardowns have always been a common occurrence in cities, though replacement buildings from before WWII tended to be more substantially designed and built. This stately manse on Beacon Street in the Back Bay was built in 1902 on a lot previously comprised of two townhouses! This residence was built in 1902 for John and Gertrude Weld Parkinson from plans by the renowned firm of Peabody and Stearns. The Classical Revival style house has a limestone face and chunky stone lintels at the second floor to break up the facade. After income tax was introduced in the early 1900s and changing economic conditions for wealthy homeowners shifted, large single-family homes were no longer the norm. This home (and many others in Back Bay) was converted to a multi-family apartment building and today is home to eight condo units.