Tudor

Curtis House – Boston University Children’s Center // 1904

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Built in 1904 as one of the finest Tudor Revival style residences in the Boston area, this residence in the Cottage Farm neighborhood of Brookline showcases all of the important elements of the iconic architectural style. The residence was built for Harry and Carrie Curtis, with Mr. Curtis being a partner with Curtis & Sederquist, bankers and brokers, with offices on Congress Street in Boston and in New York City. The couple hired architects Howard B. Prescott and William Sidebottom of the firm, Prescott & Sidebottom, to design the house. Rectangular in plan with massing enlivened by numerous cross gables and dormers, the house is decorated with exterior walls covered with wood shiplap at first story and half-timbered stucco at second story. The property was sold to Helen and Edward Mills by 1913. Mr. Mills was president and treasurer of the Edward C. Mills Leather Company. By 1931, the residence was owned by Erland F. Fish (1883-1942), a prominent lawyer and politician as well as the son of Frederick Fish, who owned the house across the street. Boston University purchased the property in 1964 as part of their institutional expansion into this neighborhood. Originally used as an alumni house, it later became the location for the Department of African American Studies. After an extensive expansion and restoration by Studio MLA (now Ashley McGraw Architects) and Kaplan Construction, the Tudor mansion is now a children’s daycare for Boston University faculty, staff, and graduate students.

Wright Estate Gatehouse // 1907

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Besides the former Wright Carriage House (now the Soule Recreation Center), the only other extant building that was built on the grounds of the former John G. Wright Estate in Brookline, Massachusetts, is this structure, the historic gatehouse to the property. Built in 1907 at the same time as the manor house, the gatehouse was also designed by architects Chapman & Frazer and served as the entry to the expansive grounds with a room for the gatekeeper to sleep in overnight. The Tudor Revival style building is less ornate than the stone mansion, the half timbering and stucco work well to compliment the other buildings. While the formerly dark half timbering has since been painted a white, the building still maintains its character. While the remainder of the Wright Estate was subdivided and sold off by the heirs of next owner, wool merchant, Andrew Adie, the gatehouse remained and survived the destruction that befell the main manor. The old gatehouse was converted to a full-time residence and remains to this day.

Barnard Gordon House // c.1928

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Found on Woodland Road in Southern Brookline, Massachusetts, this brick dwelling is one of a dozen-or-so whimsical Tudor cottages built there in the1920s and 1930s. The Barnard Gordon House, built around 1928, utilizes brick and stucco cladding with ornamental half-timbering, diamond pane leaded glass casement windows on the second story, and decorative half-timbering. The main attraction is the round tower with conical roof also serving as the entrance, resembling more of Rapunzel’s tower than a normal suburban home. We need more unique houses today like they built 100 years ago. Everything today feels so sterile and unwelcoming, maximizing interior layout at the loss to street presence.

Arthur B. Bernard House // 1928

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A playful interpretation of a medieval English cottage, with its stucco cladding, half-timbering, weatherboards in the gable ends and ornamental well enclosure in the front yard, can be found on Woodland Road in Brookline. The whimsical cottage was built in 1928 for Arthur B. Bernard, the son of the president of the New England Leather Company in Boston’s Leather District. Arthur would follow his father’s footsteps and join the business himself. Architect and builder, Fred S. Wells of Newton designed and constructed the house (and others in the area in the same style). What’s your favorite part of this house?

St. Elmo Hall – Rosenfeld Hall // 1912

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St. Elmo Society at Yale was founded in 1889 as a chapter of the national fraternity Delta Phi, and it is today one of the “ancient eight consortium” of secret societies at the university. The society’s original building was erected in 1895 and provided housing, meeting spaces, a library, smoking room, and other recreational spaces for the members. Just over a decade later, the group’s increasing wealth and membership necessitated a larger building. This building, named St. Elmo Hall was designed by architect Kenneth MacKenzie Murchison in an Elizabethan style and built in 1912 for the society, replacing its former residence hall. The society saw dwindling funding and during World War II, St. Elmo Hall became a convalescent hospital for soldiers who were out of the hospital but still need observation. After WWII, the group began leasing some rooms out to Yale University, who eventually purchased the building in 1962, renaming it Rosenfeld Hall after Richard Rosenfeld ’63. The L-shaped building is sited opening up to the corner lot and is Neo-Gothic in style, likely drawing inspiration from Yale’s established Gothic stylistic influence.

Rockefeller Hall // 1934

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In the early 1930s, a U.S. Navy Radio Station at the Otter Cliffs on Mount Desert Island had become dilapidated and Navy funds were not forthcoming for repairs. When John D. Rockefeller Jr. suggested that it be removed, the Navy agreed to include the station in his donation to Acadia National Park, provided that he would build an equally good receiving station nearby. In the midst of the Great Depression, and short on funds, the government accepted the swap. Rockefeller set aside land at the tip of the Schoodic Peninsula, about five miles away across Frenchman Bay, at Winter Harbor. Rockefeller, wishing the station’s buildings to be compatible with others designed for the park, retained Grosvenor Atterbury, the New York architect who designed the park’s gatehouses, to come up with plans for the radio station. It opened in early 1935 and for several years served as an operation center and military housing. After the naval base was closed in 2002, the National Park Service acquired the land and established the Schoodic Education and Research Center (SERC). The SERC campus is managed by the nonprofit Schoodic Institute and the NPS in a public-private partnership as one of 19 NPS research learning centers in the country. They restored Rockefeller Hall (as it became known) in the early 2010s and the stunning architecture can really shine today. The building is a Welcome Center to the institute.

Hastings House // c.1941

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Many neighborhoods in New England held on to historical revival styles even when the International style and Mid-Century Modern homes began to proliferate all across the region. Some owners (even today) prefer traditionally designed houses to blend into their surroundings and historical context. This charming gingerbread Tudor Revival style house in Fairfield is one of them! The Hastings House was built in 1941 and designed by the powerhouse design couple of Cameron Clark (architect) and Agnes Clark (landscape architect) who designed and renovated properties all over Fairfield. The house is notable for its use of stucco with half-timbering, steeply pitched roofline, red tile roof, and more Colonial-inspired door treatments.

Rose and Howard K. Hilton House // 1900

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Tudor Revivals may just be my favorite style of house. The interesting roof forms and gables, the use of stone, brick or stucco, and the presence of garrisoning and half-timbering in designs are always so charming. This enchanting Tudor Revival home in Providence, Rhode Island, was built in 1900 by local architect Howard K. Hilton (1867-1909) as his personal residence with wife Rose. He first worked in the office of H. W. Colwell and continued his training under Ellis Jackson joining him in partnership (Jackson & Hilton) and under the firm name was identified with the design of several churches, schools, hospitals and various other buildings in his native city before he retired in his final years. This home is very unique for its site on a narrow urban lot with the door at the side, brick first floor with jettying at the second floor of wood construction with half-timbering. While writing this, I noticed that there are also projecting gargoyles which serve as water spouts to send water away from the structure during rainfall events. Tudors are really the best!

Harriswood Crescent // 1889

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Harriswood Crescent was built in 1889-90 at the height of Roxbury’s development as a streetcar suburb which coincided with the electrification of the streetcar lines in Boston. The area of Roxbury in which the Crescent is located, known at the time as Boston Highlands due to its rocky terrain and steep grades, was an extremely desirable residential location. As land values raised, middle and upper-class families looked for varied housing types that fit their demands. Seen as a great investment of the family estate, the heirs of wealthy businessman Horatio Harris (1821-1876) redeveloped lots on one side of a rocky park for fine townhouses, which were named Harriswood Crescent. The name was probably chosen for its historical associations with Boston’s Tontine Crescent and the great Georgian crescents of London and Bath in England. Architect J. Williams Beal designed the row, which was one of his first commissions upon returning to Boston in 1888 after employment as a draftsman at McKim, Mead & White and a long study in England to view architecture. Built at 15 separate units, the row of Tudor style houses is among the only of such developments in Boston, and New England at large.

LeClear House // c.1915

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Waban in the late 19th and early 20th centuries was a hotbed for architect-designed houses as their own residences. This Colonial Revival/Tudor Revival style estate was designed by Gifford LeClear (1874–1931), a prominent architect in the Boston area. Gifford LeClear was born in Rutherford, New Jersey to Thomas and Cornelia (King) LeClear. He was educated in the private schools in Boston before entering Harvard University. He graduated with a Bachelor of Arts degree in 1895 and Master of Arts in 1896. He then worked for a year in the engineering department of the West End Street Railway before forming his partnership with Densmore in 1897. The partnership of Densmore & LeClear was formed in April 1897, practicing as mechanical and electrical engineers. One of the firm’s major projects in this role was the design of the building systems for the new campus of the Harvard Medical School in Boston.