Arts & Crafts

Lyman School for Boys – Manual Arts Building and Powerplant // c.1900

Buildings of New EnglandLeave a comment

The former Lyman School for Boys was established in Westborough as the Massachusetts State Reform School in 1847, the first state-operated reform school in the country. Initially located on the eastern shore of Lake Chauncy and dominated by a single massive building, but its early history was plagued by conflict between inmates and administration. In 1885, legislative action authorized the Trustees to purchase and prepare a new site, the first in the state system to be developed on the dispersed cottage plan, the school thrived throughout the 19th century and into the 20th century until its eventual closure in about 1974. Much of the campus was designed by architect, William G. Preston, likely including this industrial building, which was used as a Manual Arts training building. Here, young men would learn trades, where upon graduation, they would be able to enter the workforce. The building appears to have been extended decades later with the addition of a powerplant wing, in a more Arts and Crafts style. The handsome building has been vacant for over 50 years and is literally a shell of its former self. With much of the old Lyman School campus razed for uninspiring replacement buildings, it would be a shame to see this building not restored and adaptively reused.

Lyman School for Boys – Elms Cottage // 1906

Buildings of New EnglandLeave a comment

The former Lyman School for Boys was established in Westborough as the Massachusetts State Reform School in 1847, the first state-operated reform school in the country. Initially located on the eastern shore of Lake Chauncy and dominated by a single massive building, but its early history was plagued by conflict between inmates and administration. In 1885, legislative action authorized the Trustees to purchase and prepare a new site, the first in the state system to be developed on the dispersed cottage plan, the school thrived throughout the 19th century and into the 20th century until its eventual closure in about 1974. This cottage, known as Elms Cottage, provided rooms for the young men at the school, providing sanitary and well-appointed lodging as they were “reformed” to graduate and enter society. Each cottage was ruled by a cottage master and usually a cottage matron. This husband-and-wife team lived in a cottage apartment and was on duty 24 hours a day, often overseeing the young boys and strictly disciplining them, without much oversight. Many of the cottages and other buildings on the campus were demolished after the school closed, but the Elms Cottage, designed in the Arts and Crafts style, was restored.

Dr. Thomas M. Durell House // 1897

Buildings of New EnglandLeave a comment

Located next to the colorful Wadleigh-Friend House on Highland Avenue in Somerville, the Dr. Thomas M. Durell House stands as a more academic example of the Colonial Revival style, but leaning more towards Arts and Crafts style than Queen Anne like its neighbor. This residence was built in 1897 for Dr. Thomas M. Durell, a Harvard-educated doctor and surgeon who, at the formation of the Tufts Medical School, was appointed Lecturer on Legal Medicine, and in 1895, was made Professor of that subject. Architects (and brothers) Edwin King Blaikie and William Everett Blaikie designed the residence for Dr. Durell along with a stable at the rear. While the house exhibits Colonial Revival detailing from the Palladian window and proportions, there are some Arts and Crafts style influences including the shed dormers, shingled siding, inset porches, and broad overhanging eaves with exposed rafters. 

Francis B. Dana House // 1902

Buildings of New EnglandLeave a comment

In 1902, Francis Bryden Dana (1865-1917) began construction on his home here in the Cottage Farm neighborhood of Brookline, Massachusetts. Francis was a member of the wealthy Dana Family and as a young man, attended the Boston Latin School and Harvard College. He became the president of the Dana Hardware Company of Boston. For his Brookline residence, Dana hired the exclusive architect, William Gibbons Rantoul to design the house which blends Arts and Crafts and Colonial Revival styles. The use of stucco siding, shed dormers, and portico with low sloped roof revealing exposed rafters falls squarely within the Arts and Crafts style; while the symmetrical facade, gambrel roof, and projecting octagonal bays are reminiscent of the more traditional New England Colonial Revival style.

Lawrence-Parker House // 1864

Buildings of New EnglandLeave a comment

Built in 1864 as one of the rental properties owned by Amos A. Lawrence as part of his exclusive Cottage Farm neighborhood in Brookline, this house has been extensively altered and even moved but retains significance as a surviving mid-19th century “cottage” in the neighborhood. The house was likely constructed as a one-story, stone cottage with a second floor contained within a mansard roof. In 1903, Mrs. Francis W. Lawrence hired the well-known architect and Brookline resident, Julius A. Schweinfurth, to make extensive alterations to the cottage, replacing the mansard roof with a new second floor with gable roof, along with a new porch. Schweinfurth’s design included wood shingle siding for the upper floors, which were replaced with stucco in 1970. The house was moved to its current site at the corner of Carlton and Mountfort streets in 1929 when the street was re-oriented to follow the old Boston & Albany Railroad tracks. When moved, the cottage was occupied by Philip Stanley Parker, a judge, and his wife, Eleanor. Today, the cottage is owned by Boston University and known as the Core House.

Renton Whidden House // 1912

Buildings of New EnglandLeave a comment

One of the finest Arts and Crafts style “cottages” in the Cottage Farm neighborhood of Brookline, Massachusetts, can be found on Ivy Street as the Whidden House. The property here was developed by Renton Whidden (1859-1942), a real estate developer and politician elected into the Massachusetts House of Representatives, who purchased a house lot from Thomas B. Hall, who owned a house next door. Renton Whidden hired architect, Arthur Hunnewell Bowditch, to furnish plans for the large home, which was completed in 1912. The stucco house features a brick entrance with projecting roof off the front, a unique twin gabled facade, segmental arched dormers, and a Palladianesque window and balconette above the front door.

John L. Sullivan House // c.1812

Buildings of New EnglandLeave a comment

This modified Federal style cottage in Abington, Massachusetts, is known locally as the last home of World Heavyweight Champion bare knuckle boxer, John L. Sullivan. John Sullivan (1858-1918) died in this house on February 2, 1918, of heart disease, but left behind a legacy that will last forever. The house was originally constructed around 1812 for Jacob Cobb, a Deacon of a local church and after successive ownership, the house was purchased by boxer John Sullivan, to celebrate his retirement. As a professional fighter Sullivan was nicknamed The Boston Strongboy, and was one of the first great American boxers and was the last world champion bare-knuckle boxer. He had a record of 47 wins, 1 loss and 2 draws, with 38 wins by knockout in his career. Sullivan’s blustering personality and fabled strength gained him a great following, and he would be inducted into the International Boxing Hall of Fame as part of its original class. As champion he earned more than $1 million but squandered it. A hard drinker during his ring career, he later became an advocate of prohibition and delivered many lectures on the subject. His brick Federal house in Abington was modernized by him, adding the dormer and full-length front porch supported by rubblestone columns.

Harry W. Cotton House // 1905

Buildings of New EnglandLeave a comment

In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Partridge House // c.1908

Buildings of New EnglandLeave a comment

Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly. 

Moseley-Widger House // 1906

Buildings of New EnglandLeave a comment

One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.