Arts & Crafts

Former Cornwall Public Library // 1908

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Constructed of random-coursed stone, this charming building in Cornwall, Connecticut, exhibits a prominent classical entry, Tuscan pilasters, and modillion eaves. This handsome structure was completed in late 1908 following a substantial donation to the town for it’s first purpose-built library by summer resident John E. Calhoun. Mr. Calhoun had cultivated an interest in architecture and is said to have designed the building, and later designed his own home in the village years later. The high-style architectural building documents the transformation of Cornwall from a sleepy agricultural town into a fashionable residential retreat in the late nineteenth and early twentieth centuries. The building operated as the town’s public library until 2002 when the contemporary library building was completed. This stone structure was converted to the town hall.

Hidden Valley Castle // 1921

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Photo from listing.

A castle can be found in the small town of Cornwall, Connecticut! Set amongst 275 acres of woodland and streams, with several outbuildings on the property, this whimsical castle looks like it was dropped here from Cornwall, England, but it actually dates to the 1920s. Hidden Valley Castle, had its beginnings when socialite Charlotte Bronson Hunnewell Martin envisioned building a unique country retreat for herself and her husband, Dr. Walton Martin, in the Litchfield Hills of Connecticut as a summer retreat. Just before this, Charlotte had bought a group of 20 brownstones in Manhattan on 48th and 49th Streets, between Second and Third Avenues, and converted them into charming townhouses around a central Italian-inspired garden. Called Turtle Bay Gardens, the houses were highly acclaimed and almost immediately attracted prominent and celebrated residents. The Cornwall Castle was designed by architect, Edward Clarence Dean, who also redesigned the Turtle Bay Gardens for the couple. Dr. Martin imported many of the materials as well as the 100 workmen required to build the castle, a project that lasted five years. Charlotte would also have a cottage built on the estate and hired young Italian artist, Vincenzo Rondinone, to be her resident artist on the estate to create unique vases, bowls, and pots to be used at the house and to be given as gifts to visitors and friends. The property was restored in recent years and put up for sale, with the cottage sold as a separate dwelling.

Bayville Post Office // c.1920

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Bayville, is a quiet and picturesque coastal village on Linekin Bay, in the eastern part of Boothbay Harbor, Maine. The small village is comprised of roughly 40 cottages and a small post office. This post office was built around 1920 and has operated here seasonally every summer since. The rustic Craftsman style building features a broad roof with exposed rafter tails, extending to create a sheltered porch off the front.

Sprucewold Lodge // 1927

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Sprucewold Lodge, nestled in the picturesque coastal town of Boothbay Harbor, Maine, boasts a rich history that dates back to the early 20th century. Established in 1911 by a group of visionary investors and rusticators, the lodge was designed as a summer retreat for families seeking solace in nature. Like the Spruce Point Inn, the building was developed with modest means, but quickly expanded and grew as the unique and rugged site on Spruce Point drew flocks of visitors every year. Its unique blend of craftsman and Adirondack style architecture and stunning natural surroundings quickly made it a popular destination. The investors hired Portland architect John P. Thomas to design a grand log hotel. The hotel was advertised as the largest log cabin in the world until it burned down just years later in 1930. A 31-room annex, this building, was added in 1927 and assisted to serve the over 60 rental cabins, tennis courts, a swimming pool, recreation hall, and a thirty-car garage. When the original Sprucewold Lodge burned down, this building became the new lodge, and it has remained so nearly 100 years later. This enclave of rustic log cabins on Spruce Point is very evocative of the early days of Maine, and it is easy to see why the state garnered the nickname, Vacationland.

Maud Howe Elliott Bungalow // c.1912

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This shingled Craftsman bungalow on Rhode Island Avenue in Newport was built in the 1910s for Maud Howe Elliott (1854-1948), a Pulitzer prize winning author and active member in Newport’s art scene and her artist husband, John Elliott. Maud Howe was born at the Perkins School for the Blind in Boston, founded by her father, Samuel Gridley Howe. Her mother was the author and abolitionist Julia Ward Howe. In 1887, she married English artist John Elliott. John is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, and a mural at the Smithsonian Museum of Natural History. In Newport, Maud became a founding member of the Newport Art Association, and served as its secretary from 1912 to 1942. She also took part in the suffrage movement as she was greatly influenced by her mother’s ideas and convictions about women’s role in society and particularly so in terms of women’s suffrage. She fought passionately for women to be liberated from the societal expectations and roles determined to them by male dominated society. This was her home in Newport until her death in 1948.

Haskins Cottage // c.1910

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Another great turn-of-the-century summer cottage in Rockport’s Headlands neighborhood is this c.1910 Craftsman house on Norwood Street. The listed early owner was L. S. Haskins who likely utilized the house as a summer residence. Architecturally, the cottage follows the Craftsman form with a low-sloped roof with broad eaves, shed dormer, exposed rafters, and rubblestone foundation and columns of stones taken from the site and nearby neighborhood.  

Windswept Cottage // 1909

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The coastal towns of Gloucester, Manchester, and Beverly on the North Shore of Massachusetts often are known for their historic summer “cottages” but great examples can be found right here in Rockport! This is “Windswept”, the W. W. Blunt cottage, located in the Headlands section of town, just south of the harbor. Walton W. Blunt worked as the Treasurer and General Manager of the Boston Journal newspaper and resided in Boston, later purchasing multiple adjoining house lots in Rockport for a summer residence. The two-and-a-half story house was designed by a Rutherford Smith, who sought to utilize fieldstone found nearby for the foundation and chimneys and shingle siding above. Detailed descriptions of the new house were featured in a local newspaper in 1909 and mentioned tennis courts on the grounds, an apartment for servants, and a billiard room in the third floor. It is not clear when the house got its name, “Windswept”, but the name is just too fitting!

Hiram Public Library // 1915

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Located on a slight rise above Main Street and across from the sprawling Hiram Village Cemetery, this one-story library with walls of textured concrete blocks was dedicated in August of 1915 and has been a center for cultural activities in the town of Hiram, Maine, since that time. The Soldier’s Memorial Library was built with funds provided largely by Virginia Barker Jordan, a granddaughter of local businessman Benjamin Barker. Also instrumental in organizing Hiram’s first free public library was Llewellyn A. Wadsworth, local poet and cousin of Henry Wadsworth Longfellow. Beyond the unique use of concrete block construction for a library, other interesting exterior architectural features include the wide-flaring eaves with exposed rafters and the bands of windows on the first story walls, which hint of the Arts and Crafts/Bungalow styles. The library building was designed by Boston architects Robert Wambolt and Amos A. Lawrence.

Miles Standish Cottage // c.1890

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One of the larger summer cottages on Hull Hill is the Miles Standish Cottage, which dates to around 1890. The cottage was built after the nearby Hull Yacht Club was completed in 1882, which was apparently the second largest yacht club upon its completion. Owner L. Miles Standish was the first owner and the eclectic Craftsman/Shingle style cottage has been lovingly maintained by all subsequent owners. The house appears to now have the name “Last Best Place”, which is very suitable!

Former Allerton Point Post Office // c.1890

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By the end of the 19th century, various coastal developments on the elongated coastal town of Hull, Massachusetts, developed into established neighborhoods of cottages. As a result, new stores, schools, and post offices were built to accommodate the increase in population. William Henry Sylvester (1840-1923) a local resident, built this structure to serve as a store, professional offices, and post office. Like other buildings in the area constructed in the 1890s, the structure blends Queen Anne and Craftsman elements in a great composition. Sadly, the building has not been maintained and the windows are now boarded up, with the entire waterfront parcel selling in 2018. Plans to demolish the buildings on the site, including this charming structure were proposed to erect new townhomes, but they have not materialized. I’d love to see the site redeveloped with much-needed housing, but this structure should be incorporated in the development.

Winfield S. Richards Cottage // c.1890

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Summer cottages of the late 19th century are always a treat to come across! While most cottages I feature on here are more high-style and were built for the wealthy, Hull, Massachusetts, has some of the best middle-class summer cottages in New England! Steamships and rail service from Boston and other cities opened up Hull and Nantasket Beach to summer residents and day visitors alike, creating a massive increase in building in the latter decades of the 19th and early 20th centuries. This cottage was owned by Winfield S. Richards and his wife Myra of Newton, Massachusetts. The cottage blends Queen Anne and Craftsman styles with complex Queen Anne massing, turned posts, and recessed second story porch, and sloping roof extension to create the Craftsman-esque front porch. The cottage is one of the better-preserved in town and an excellent blending of architectural styles.

John Smith House // c.1895

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Hull, Massachusetts is an often overlooked town (besides Nantasket Beach Reservation), but there are some really great old houses and buildings to be found in the seaside town. This is the John Smith House on Meade Avenue in the Atlantic Hill neighborhood inland from the peninsular part of town. Development here was fairly slow, but took-off in the late 19th century when cottagers began to develop some house lots here. They were soon joined by year-round residents like John Smith, an ice merchant who built this home around 1895. Craftsman in style, the house exhibits a mix of building materials with a rough fieldstone porch and two matching stone chimneys together with wood shingle siding. The stunning stonework extends from the foundation, uniting the house to its terraced, rocky site. It is one of a handful of homes here that have not yet been altered or covered up by vinyl siding.

Bread Loaf Campus – Treman Cottage // c.1890

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This is the last building to be featured on the Bread Loaf Campus! For more early history and context of the complex, check out the post on the Bread Loaf Inn. By 1900, owner Joseph Battell’s enterprise exceeded the capacity of the original inn, and cottages were added to accommodate more guests visiting his new permanent home in the mountains of Ripton, Vermont. Special friends who summered regularly at Bread Loaf purchased lots with water and sewage rights, and with Battell’s assistance, built their own family cottages to spend their summers. This is Treman Cottage, a shingled beauty which appears to have been built for a friend (though I am not sure who), and has since become the faculty cottage on the campus. As we wrap up this series, here is an interesting fact about the mountain campus: All buildings here that are painted the ochre color were built during Mr. Battell’s lifetime (by 1915), with later buildings painted white.

“Beech Nut” // 1913

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“Beech Nut” is a stone cottage built at the top of Beech Hill in Rockport in one of the best hiking areas of Mid-Coast Maine. The hut was built in 1913 for owner John Gribbel (1858-1936), a Philadelphia-based industrialist, who had a summer estate, “Weatherend” in Rockport. He hired a Norwegian immigrant named Hans Heisted, an employee of the Olmsted Brothers, to improve the grounds at Weatherend, which included meandering paths, stone walls, and stone structures. Meanwhile, the Gribbels had started acquiring land on Beech Hill in 1909, and eventually accumulated holdings of more than 300 acres. To keep the masons and landscapers busy during the winter, Gribbel and Heisted thought to build a small hut a few miles away on Beech Hill, which would serve as the family picnic and tea shelter. The stone building features a unique sod roof which was typical of Scandinavian houses up until the late 1800s. Once complete, family and friends would visit Beech Nut to enjoy the fresh air and views of the Atlantic from atop the hill for the day. After successive owners, the property began to deteriorate until the 1980s, when developers began to swarm the open space for redevelopment. In 1986, the land around Beech Nut was put under conservation easement and was acquired in 2003 by the Maine Coast Heritage Trust, which then transferred it in 2006 to the Coastal Mountains Land Trust. In 2007, the hut was completely restored and serves as a respite after the uphill climb for visitors.

Megunticook Clubhouse // 1901

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As coastal communities in Maine’s mid-coast began to see more wealthy summer residents, these enclaves of cottages needed clubhouses and spaces to spend their summer days. In 1899, Philadelphian (and Rockport summer resident) Charles Wolcott Henry converted a section of his oceanfront summer estate at Rockport’s Beauchamp Point to a newly established golf club which quickly outcompeted all others nearby. Within a few years, Boston architect Charles H. Brigham, was hired to design this Craftsman style clubhouse that sits on an elevated site with an expansive wraparound veranda providing views of the new course and the Penobscot Bay. The rubble-stone foundation and walls clad in brown-stained shingles are well suited to the rugged coastal Maine site. The golf course, also designed in 1901, was planned by groundskeeper Thomas Grant as a 9-hole course. The recreational complex has been meticulously preserved and is a great example of a turn-of-the-century clubhouse in coastal Maine. The 1901 clubhouse is also said to be the oldest golf building in Maine!