Arts & Crafts

Lawrence-Parker House // 1864

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Built in 1864 as one of the rental properties owned by Amos A. Lawrence as part of his exclusive Cottage Farm neighborhood in Brookline, this house has been extensively altered and even moved but retains significance as a surviving mid-19th century “cottage” in the neighborhood. The house was likely constructed as a one-story, stone cottage with a second floor contained within a mansard roof. In 1903, Mrs. Francis W. Lawrence hired the well-known architect and Brookline resident, Julius A. Schweinfurth, to make extensive alterations to the cottage, replacing the mansard roof with a new second floor with gable roof, along with a new porch. Schweinfurth’s design included wood shingle siding for the upper floors, which were replaced with stucco in 1970. The house was moved to its current site at the corner of Carlton and Mountfort streets in 1929 when the street was re-oriented to follow the old Boston & Albany Railroad tracks. When moved, the cottage was occupied by Philip Stanley Parker, a judge, and his wife, Eleanor. Today, the cottage is owned by Boston University and known as the Core House.

Renton Whidden House // 1912

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One of the finest Arts and Crafts style “cottages” in the Cottage Farm neighborhood of Brookline, Massachusetts, can be found on Ivy Street as the Whidden House. The property here was developed by Renton Whidden (1859-1942), a real estate developer and politician elected into the Massachusetts House of Representatives, who purchased a house lot from Thomas B. Hall, who owned a house next door. Renton Whidden hired architect, Arthur Hunnewell Bowditch, to furnish plans for the large home, which was completed in 1912. The stucco house features a brick entrance with projecting roof off the front, a unique twin gabled facade, segmental arched dormers, and a Palladianesque window and balconette above the front door.

John L. Sullivan House // c.1812

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This modified Federal style cottage in Abington, Massachusetts, is known locally as the last home of World Heavyweight Champion bare knuckle boxer, John L. Sullivan. John Sullivan (1858-1918) died in this house on February 2, 1918, of heart disease, but left behind a legacy that will last forever. The house was originally constructed around 1812 for Jacob Cobb, a Deacon of a local church and after successive ownership, the house was purchased by boxer John Sullivan, to celebrate his retirement. As a professional fighter Sullivan was nicknamed The Boston Strongboy, and was one of the first great American boxers and was the last world champion bare-knuckle boxer. He had a record of 47 wins, 1 loss and 2 draws, with 38 wins by knockout in his career. Sullivan’s blustering personality and fabled strength gained him a great following, and he would be inducted into the International Boxing Hall of Fame as part of its original class. As champion he earned more than $1 million but squandered it. A hard drinker during his ring career, he later became an advocate of prohibition and delivered many lectures on the subject. His brick Federal house in Abington was modernized by him, adding the dormer and full-length front porch supported by rubblestone columns.

Harry W. Cotton House // 1905

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In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.

Partridge House // c.1908

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Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly. 

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.

Edward and Lillian Norton House // 1905

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Edward Russell Norton (1871-1960) and his wife, Lillian (1870-1968) got married in 1904 and immediately began planning their dream home. They purchased a building lot on Powell Street in Brookline, Massachusetts, and hired architect, Robert Coit, to furnish plans for the new home which was completed by the next year. The house blends Arts and Crafts and Tudor Revival styles with a pleasing design and architecturally appropriate paint scheme.

Hugh G. Brown House // 1905

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Eclectic houses of the late 19th and early 20th centuries are my favorite as they showcase how architects of the time blend features and break the strict mold of academic styles. This example is found in the Cottage Farm neighborhood of Brookline and dates to 1905. Designed by relatively unknown architect, Alfred Lyman Darrow, who studied at MIT, before opening his own practice. The house was first owned by Hugh G. Brown, who founded the Brown’s News Company and the Hotel & Railroad News Company. The house exhibits half-timbering in the gable ends and decorative corbelled chimneys that derive from the Tudor Revival; the front porch parapet appears to derive from the Spanish Mission style; along with stucco siding and unique windows typical of the Arts and Crafts movement.

Wheeler-English House // 1884

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In about 1884, Edwin Saxton Wheeler purchased a house lot on the desirable suburban neighborhood on Hillhouse Avenue in New Haven, Connecticut, and began constructing an ornate, brick Queen Anne/Romanesque Revival style home there. In 1887, creditors went after Mr. Wheeler’s assets and the property was sold to Civil War General, Alfred Howe Terry. General Terry died in 1890 and the property remained under the ownership of heis heirs until around 1908 when the property was purchased and fully renovated by Lewis H. English. At this time, the ornate brick and terracotta detailing was largely covered by stucco siding, creating the clean facades we see today. The residence was purchased in 1954 by Yale University, and it now houses the Cowles Foundation for Research in Economics.

Dr. Miner House // 1928

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The early decades of the 20th century were the golden years for suburban development in the Boston area. With personal automobiles better-connecting the city to lesser developed areas like Milton, Newton and Brookline, middle-upper class residents were able to relocate to the suburbs and build stately homes, typically in one of three architectural styles: Colonial Revival (most common), Tudor Revival, or Arts and Crafts (least common). This large house is located on Randolph Road in the Woodland/Heath area of Southern Brookline, and dates to 1928. The residence was constructed for Dr. Walter C. Miner, an orthopedic dentist, and his wife, Ethel and designed by the firm of Strickland, Blodgett & Law. The large house sits on a double-lot, and is notable for its symmetry, slate tile roof, and rough-faced stucco walls.

Former Cornwall Public Library // 1908

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Constructed of random-coursed stone, this charming building in Cornwall, Connecticut, exhibits a prominent classical entry, Tuscan pilasters, and modillion eaves. This handsome structure was completed in late 1908 following a substantial donation to the town for it’s first purpose-built library by summer resident John E. Calhoun. Mr. Calhoun had cultivated an interest in architecture and is said to have designed the building, and later designed his own home in the village years later. The high-style architectural building documents the transformation of Cornwall from a sleepy agricultural town into a fashionable residential retreat in the late nineteenth and early twentieth centuries. The building operated as the town’s public library until 2002 when the contemporary library building was completed. This stone structure was converted to the town hall.

Hidden Valley Castle // 1921

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Photo from listing.

A castle can be found in the small town of Cornwall, Connecticut! Set amongst 275 acres of woodland and streams, with several outbuildings on the property, this whimsical castle looks like it was dropped here from Cornwall, England, but it actually dates to the 1920s. Hidden Valley Castle, had its beginnings when socialite Charlotte Bronson Hunnewell Martin envisioned building a unique country retreat for herself and her husband, Dr. Walton Martin, in the Litchfield Hills of Connecticut as a summer retreat. Just before this, Charlotte had bought a group of 20 brownstones in Manhattan on 48th and 49th Streets, between Second and Third Avenues, and converted them into charming townhouses around a central Italian-inspired garden. Called Turtle Bay Gardens, the houses were highly acclaimed and almost immediately attracted prominent and celebrated residents. The Cornwall Castle was designed by architect, Edward Clarence Dean, who also redesigned the Turtle Bay Gardens for the couple. Dr. Martin imported many of the materials as well as the 100 workmen required to build the castle, a project that lasted five years. Charlotte would also have a cottage built on the estate and hired young Italian artist, Vincenzo Rondinone, to be her resident artist on the estate to create unique vases, bowls, and pots to be used at the house and to be given as gifts to visitors and friends. The property was restored in recent years and put up for sale, with the cottage sold as a separate dwelling.

Bayville Post Office // c.1920

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Bayville, is a quiet and picturesque coastal village on Linekin Bay, in the eastern part of Boothbay Harbor, Maine. The small village is comprised of roughly 40 cottages and a small post office. This post office was built around 1920 and has operated here seasonally every summer since. The rustic Craftsman style building features a broad roof with exposed rafter tails, extending to create a sheltered porch off the front.

Sprucewold Lodge // 1927

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Sprucewold Lodge, nestled in the picturesque coastal town of Boothbay Harbor, Maine, boasts a rich history that dates back to the early 20th century. Established in 1911 by a group of visionary investors and rusticators, the lodge was designed as a summer retreat for families seeking solace in nature. Like the Spruce Point Inn, the building was developed with modest means, but quickly expanded and grew as the unique and rugged site on Spruce Point drew flocks of visitors every year. Its unique blend of craftsman and Adirondack style architecture and stunning natural surroundings quickly made it a popular destination. The investors hired Portland architect John P. Thomas to design a grand log hotel. The hotel was advertised as the largest log cabin in the world until it burned down just years later in 1930. A 31-room annex, this building, was added in 1927 and assisted to serve the over 60 rental cabins, tennis courts, a swimming pool, recreation hall, and a thirty-car garage. When the original Sprucewold Lodge burned down, this building became the new lodge, and it has remained so nearly 100 years later. This enclave of rustic log cabins on Spruce Point is very evocative of the early days of Maine, and it is easy to see why the state garnered the nickname, Vacationland.

Maud Howe Elliott Bungalow // c.1912

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This shingled Craftsman bungalow on Rhode Island Avenue in Newport was built in the 1910s for Maud Howe Elliott (1854-1948), a Pulitzer prize winning author and active member in Newport’s art scene and her artist husband, John Elliott. Maud Howe was born at the Perkins School for the Blind in Boston, founded by her father, Samuel Gridley Howe. Her mother was the author and abolitionist Julia Ward Howe. In 1887, she married English artist John Elliott. John is known for his epic Symbolist murals including working alongside his friend and colleague John Singer Sargent to provide murals for the Boston Public library, and a mural at the Smithsonian Museum of Natural History. In Newport, Maud became a founding member of the Newport Art Association, and served as its secretary from 1912 to 1942. She also took part in the suffrage movement as she was greatly influenced by her mother’s ideas and convictions about women’s role in society and particularly so in terms of women’s suffrage. She fought passionately for women to be liberated from the societal expectations and roles determined to them by male dominated society. This was her home in Newport until her death in 1948.