Chesterwood // 1901

Chesterwood is the former summer home, studio and gardens of American sculptor Daniel Chester French (1850–1931), who is best known for creating two of our nation’s most powerful symbols: the Minute Man (1871–75) at the Old North Bridge in Concord, Massachusetts, John Harvard in Harvard Yard, and Abraham Lincoln (1911–22) for the Lincoln Memorial in Washington, D.C. Daniel Chester French was one of the most successful artists of the late 19th and early 20th centuries, producing more than 100 works of public sculpture. In the fall of 1895, he and his wife drove by horse and buggy and discovered the resort town of Stockbridge. They returned the next summer and purchased the Marshall Warner farm from the family who had purchased the land from Mohican Native Americans. The French family and two maids moved into the white clapboard farmhouse the next summer. To ensure that his summer would be productive as well as restful, he improvised a studio in the barn. He asked his friend and colleague, architect Henry Bacon, to design a studio for him (Bacon would later work with French on the Lincoln Memorial). Soon, in spite of renovation, the original farmhouse was deemed inadequate and French commissioned Bacon to design a residence, completed in 1901. The family owned the home for decades, even after Daniel Chester French’s death. Much of the credit for Chesterwood’s preservation and metamorphosis from summer retreat to public site belongs to Margaret French Cresson (1889–1973), the sculptor’s daughter. After her parents’ death, she maintained the property and began to use it year-round, assembled the work of her father, and established the estate as a historic site of the National Trust for Historic Preservation.

Elm Court // 1886

Real estate listing 11-2020

At 55,000 square feet and 106 rooms, the Elm Court mansion retains the title of the largest American Shingle Style home in the United States. The structure was built for William Douglas Sloane and Emily Thorn Vanderbilt (granddaughter of Cornelius Vanderbilt) as their summer “cottage” in the Berkshires. The home straddles the towns of Stockbridge and Lenox and sits on a massive parcel of land, giving the owners space to breathe the clean countryside air. Emily’s brother, George, built The Biltmore in Asheville, North Carolina and her sister, Eliza (Lila), constructed Shelburne Farms in Shelburne, Vermont. The home was constructed in 1886 from plans by the great Peabody & Stearns architects. Shortly after the turn of the century, ca. 1901, the couple commissioned Peabody and Stearns again, to vastly enlarge their original house. The additions used both Shingle Style and Tudor Revival motifs, and the result is a structure highly reminiscent of an English country house. William Sloane died in 1915, and Emily Vanderbilt continued to use the summer cottage, and in 1921, she married a summertime neighbor, Henry White, a career diplomat. While Henry White died in 1927, Emily retained the house and kept the grounds running until her death in 1946. The property’s use evolved into an inn in the late 1940s. During the 1950s, it embraced the public for dinners, overnight accommodations and events. Eventually Elm Court’s doors closed, and for approximately 50 years the mansion succumbed to significant theft and vandalism. The property has been listed for sale numerous times in the past decades, after a renovation by the last owners in the Sloane family. It is now listed for $12,500,000!

St. Paul’s Church, Stockbridge // 1884

Located on the idyllic Main Street in Stockbridge, MA in the Berkshires, this stone church marks the emergence of the once sleepy town into a summer retreat for wealthy citizens, escaping the cities in the late 19th century. This building is Charles Follen McKim’s first church design, a building reflecting his early training in the office of H. H. Richardson with the use of Romanesque detailing, though with a hint of Norman design. St. Paul’s Church is constructed of gray Berkshire granite with stained glass windows by John La Farge. The church replaced an older wooden church building designed by Richard Upjohn in the Gothic Revival style. The church was almost entirely funded by Charles Butler, a New York lawyer who wanted to honor his late wife Susan Ridley Sedgwick Butler, a descendant of Theodore Sedgwick, whose home I featured not long ago.

Guerrieri Block // 1921

Norman Rockwell‘s ‘Home for Christmas’ painting in 1967 depicts the Main Street scene in Stockbridge, Massachusetts, and epitomizes the essence of Christmas in small towns across the country. In the iconic painting, you can find many landmarks (including the Town Offices building) that make up the quaint main street, that typifies many small New England towns. At the center of his painting, the Guerrieri Block can be seen with a Christmas tree lit up in the window on the second floor. The Guerrieri Block was built in 1921 by Antonio Guerrieri, a skilled woodworker who sold and repaired antiques in one of three street level shops in the block. He and his family lived in an apartment on the second floor. The next year he completed construction of a shop behind the block where he worked out of. In 1953, Norman Rockwell moved to Stockbridge and spoke with Antonio about using the second floor of his building as a studio. Antonio constructed a large central bay window with plate glass to flood the space with light and allow Rockwell to work while observing the street below. Rockwell used the space as his studio until 1957. The building has since been occupied as a general store.

Children’s Chimes Tower // 1878

Located in front of the old Town Hall and Congregational Church in Stockbridge, this tall carillon (bell tower), was gifted to the town by David Dudley Field, Jr. in memory of his grandchildren. His one condition was the chimes were to be rung everyday at 5:30 p.m. between, “apple blossom time and the first frost on the pumpkin”. The tower has a stone base and wooden belfry surmounted by a pyramidal roof with clocks on all four sides. The tower remains a gift, not only to the memory of his grandchildren, but to passersby who are lucky enough to hear the bells toll.

First Stockbridge Town Hall // 1840

The Town of Stockbridge, MA was incorporated on June 22, 1739. After that time the town held meetings and conducted business in the First Congregational Meeting House until 1840 when this Greek Revival town hall building was erected on the church’s property as a gift. A stipulation was made that if the Town government constructed or moved to a new town hall building, the property ownership would revert to the Church. The town outgrew the building and constructed a new building toward the center of town, but named it Town Offices, a cheeky way to retain ownership of this building. Eventually, that building too was outgrown, and the town hired Pittsfield-based architect Harry E. Weeks to modify and enlarge the building in 1903, in the Neo-Classical style to compliment the original Greek detailing. As expected, the town moved again in the 2000s to a former school, on Main Street, but again retained the building.

First Congregational Church, Stockbridge // 1824

Stockbridge, Massachusetts was settled by English missionaries in 1734, who established it as a praying town (an effort to convert the local Native American tribes to Christianity), for the Mohican tribe known as the Stockbridge Indians. The township was set aside for the tribe by English colonists as a reward for their assistance against the French in the French and Indian Wars. From this, a Yale-educated missionary, John Sergeant began converting native people to Christianity, essentially stripping them of their own religious culture and practices. Although Massachusetts General Court had assured the Stockbridge Indians that their land would never be sold, the agreement was rescinded. Despite the aid by the tribe during the Revolutionary War, the state forced their relocation to the west, to New York and then to Wisconsin. The village was then taken over by British-American settlers who created the township.

The first congregational church here was formed by Sergeant in 1734, and later succeeded by Jonathan Edwards, another minister. During his time in Stockbridge, Edwards wrote his masterpiece, Freedom of the Will, which remains one of the most studied works in American theology. Edwards later left the church to become the President of The College of New Jersey, now known as a little school by the name of Princeton. The first church was built in 1739, later replaced by a second church building that stood from 1785 to 1824. The present brick building was built in 1824 in the Federal Style. The space was occupied for town functions until the 1840s, when an official town hall was erected next door, demarcating the separation of church and state. The stunning church marks the immense influence religion had in the early colonial days of New England and the impact it had on native peoples (for better or worse).

Larz Anderson Carriage House // 1889

This large and imposing brick and stone structure, located in Larz Anderson Park in Brookline, was once the carriage house of “Weld”, the estate owned by Larz and Isabel Weld Anderson. Constructed in 1888, it was inspired by the Chateau de Chaumont-Sur-Loire in France and designed by Edmund M. Wheelwright, the city architect of Boston. First constructed to house a working stable, it later served to house and maintain the Andersons’ growing automobile collection. After Isabel Anderson’s passing in 1948, the collection was entrusted, at Isabel’s bequest, to the Veteran Motor Car Club of America. The VMCCA then established the nonprofit organization that is now known as the Larz Anderson Auto Museum. The former mansion suffered from vandalism in the 1950s and caught fire, later demolished by the Town, who could not afford to rebuild the home.

Marion Nichols Summer Home // 1935

This summer estate in Hollis, NH epitomizes the hidden architectural splendor that can be found off the beaten path in many small New England towns. Hollis began serving as a summer destination in the late 1880s and the trend continued until WWII. In many cases, old family homesteads became summer residences for descendants who had moved to the city but desired to return to their “roots” periodically. The Nichols Home is unique in Hollis as it was designed to be a summer retreat for a well-to-do widow and her considerable servant staff, combining all the comforts available with the advantages of a rural retreat. The design of the main house offers separate living spaces for the family and the servants, including a library, living room and dining room for the use of the family. The servants’ wing was designed to include a two-car garage, a butler’s pantry, a manual dumbwaiter connecting the basement and first floor used to transport fireplace wood and a receiving unit for the delivery of milk, groceries and other goods. Sleeping porches, capitalizing on the benefits of the fresh country air, are an integral component of the house design and are included in both the family and servant wings. The home was designed by the Boston architectural firm of Densmore, LeClear & Robbins, who were hired by the 52 year old widow’s children for their mothers’ summer home. It is said that Ms. Nichols never liked the home and decided to summer instead at the old family summer home down the street.

Eli Smith House // 1794

This house on a prominent lot opposite the Town Green in Hollis, NH, was constructed in 1794 for Reverend Eli Smith (1760-1847). In 1794, Rev. Smith married Ama Emerson, the daughter of Rev. Daniel Emerson, then the minister of the Congregational Church in Hollis. After Rev. Emerson’s death, Eli Smith took over the church and became the second minister of the town. Eli’s brother Andrew, a skilled carpenter, is said to have built the stunning Georgian house. After his death in 1847, the property was subdivided and another home was constructed, likely for a member of the family, while Joseph Emerson, one of Eli’s sons lived in the former family home. It remains one of the best-preserved late 18th century homes in the area.

Strafford Municipal Building // 1883

Designed and built by Senator Justin Morrill in 1883, this building was donated to the town of Strafford by Morrill in memory of his mentor Jedidiah Harris. It was given to the town as a public library in part to house the Harris Library, which in turn had been created by a bequest from Harris. This structure remained a library until the Morrill Memorial Library building was completed in 1928 and its collection was joined with Morrill’s. It is currently used as the Town Office building providing space for the Town Clerk/Treasurer and Town Records, and town boards. The white clapboarded building has Victorian detailing with the spindled posts at the porch with a prominent gambrel roof covered in slate. Cute!

Farist House // 1894

Joel Farist (1832-1904) emigrated to America with his family by the way of Sheffield, England, working originally as a laborer as a child. By his thirties, he formed the Farist Steel Company in Springfield, MA, later relocating to Bridgeport, CT in 1872. Due to his prestigious role and success, he became well-connected in Bridgeport, later becoming the first President of the Bridgeport Electric Light Company and Vice President of Bridgeport Hospital. He built this massive home in nearby Fairfield, CT, likely to get away from the polluted Bridgeport air, for a more bucolic area. The massive Queen Anne home he had built (likely as a second home) features prominent towers, a full-length porch, and a porte-cochere off the side. The home has been restored a few times recently, and a new (hopefully not final) paint scheme in yellow was recently painted on the front facade.

Chaffee House // 1931

Herbert Almon Chaffee and Irma Chaffee had this Tudor home built by 1931 for their family in Fairfield, Connecticut. Mr. Chaffee was the Vice President and Assistant Treasurer of the City Savings Bank of nearby Bridgeport. Chaffee also at that time worked as Vice President of the A.W. Burritt Company, a lumber mill that produced building supplies and also operated as a real estate company that bought land and constructed on it. The home he had built clearly showcased the company’s work and features hallmarks of the English Tudor Revival style, with half-timbering, slate roof, and jettying (upper floor slightly overhanging the first).

Howard Lee House // c.1928

Fairfield in the early 20th century began to shift as a suburban town with neighborhoods of large homes in planned districts. The proliferation of the personal automobile led to the “suburbanization” past streetcar suburbs closer to downtowns. Howard Greeley Lee (1893-1965) worked as Vice President of the Lee Brothers Furniture Co. based out of nearby Bridgeport. The company clearly did well as Howard had this large home built in the fairly uncommon (in New England) Spanish Revival style. It features a red tile roof, stuccoed siding, metal casement windows, and arched windows and front door, all commonly found in the style.

First Church Congregational of Fairfield // 1892

The First Church Congregational in Fairfield, Connecticut is the sixth church to occupy this site! The first structure was built in 1640, and the current building was constructed in 1892. The third version of the church was burned by the British in 1779, while the fourth “meeting house” took nearly 42 years to finish and was partially funded by the sales of properties which formerly belonged to Tory sympathizers. The Romanesque Revival church was designed by architect J. Cleaveland Cady, who is best known for his design of the south entrance of the American Museum of Natural History on the Upper West Side of Manhattan.