Built in 1906, the Library at the Onteora Park summer colony in Hunter, New York, is one of the many architectural treasures in the development. Designed by George A. Reid, the Canadian artist, architect, and summer resident of Onteora Park, the Tudor-style Arts and Crafts building was constructed in 1906 and opened to a collection of over 1,500 books and a full-time librarian during the summer season. Built of wood-frame construction with stucco exterior finish and adorned by half-timbering, the building has been lovingly maintained and preserved by members of the community for over 120 years.
The former Lyman School for Boys was established in Westborough as the Massachusetts State Reform School in 1847, the first state-operated reform school in the country. Initially located on the eastern shore of Lake Chauncy and dominated by a single massive building, but its early history was plagued by conflict between inmates and administration. In 1885, legislative action authorized the Trustees to purchase and prepare a new site, the first in the state system to be developed on the dispersed cottage plan, the school thrived throughout the 19th century and into the 20th century until its eventual closure in about 1974. This cottage, known as Elms Cottage, provided rooms for the young men at the school, providing sanitary and well-appointed lodging as they were “reformed” to graduate and enter society. Each cottage was ruled by a cottage master and usually a cottage matron. This husband-and-wife team lived in a cottage apartment and was on duty 24 hours a day, often overseeing the young boys and strictly disciplining them, without much oversight. Many of the cottages and other buildings on the campus were demolished after the school closed, but the Elms Cottage, designed in the Arts and Crafts style, was restored.
One of the finest Arts and Crafts style “cottages” in the Cottage Farm neighborhood of Brookline, Massachusetts, can be found on Ivy Street as the Whidden House. The property here was developed by Renton Whidden (1859-1942), a real estate developer and politician elected into the Massachusetts House of Representatives, who purchased a house lot from Thomas B. Hall, who owned a house next door. Renton Whidden hired architect, Arthur Hunnewell Bowditch, to furnish plans for the large home, which was completed in 1912. The stucco house features a brick entrance with projecting roof off the front, a unique twin gabled facade, segmental arched dormers, and a Palladianesque window and balconette above the front door.
In 1905, George H. Cotton and his wife, Cora S. Cotton, purchased a house lot on Amory Street in Brookline and hired famed architect, William Gibbons Rantoul, to design this home for their son and daughter-in-law. George Cotton was a manufacturer of brass tubing and also the founder of the Belmont Springs Water Company and maintained homes in the Back Bay of Boston and in Belmont. His son, Harry W. Cotton, also worked for the American Tube Works and lived in this home with his family. The Cotton House is an architectural blending of Dutch Renaissance Revival and Arts & Crafts styles. The stucco siding and entry portico are in the Craftsman style, while the prominent Flemish gable on the central pavilion and round arched pediments for the dormers are in the Flemish mode.
Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly.
One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.
Bayville, is a quiet and picturesque coastal village on Linekin Bay, in the eastern part of Boothbay Harbor, Maine. The small village is comprised of roughly 40 cottages and a small post office. This post office was built around 1920 and has operated here seasonally every summer since. The rustic Craftsman style building features a broad roof with exposed rafter tails, extending to create a sheltered porch off the front.
Another great turn-of-the-century summer cottage in Rockport’s Headlands neighborhood is this c.1910 Craftsman house on Norwood Street. The listed early owner was L. S. Haskins who likely utilized the house as a summer residence. Architecturally, the cottage follows the Craftsman form with a low-sloped roof with broad eaves, shed dormer, exposed rafters, and rubblestone foundation and columns of stones taken from the site and nearby neighborhood.
One of the larger summer cottages on Hull Hill is the Miles Standish Cottage, which dates to around 1890. The cottage was built after the nearby Hull Yacht Club was completed in 1882, which was apparently the second largest yacht club upon its completion. Owner L. Miles Standish was the first owner and the eclectic Craftsman/Shingle style cottage has been lovingly maintained by all subsequent owners. The house appears to now have the name “Last Best Place”, which is very suitable!
By the end of the 19th century, various coastal developments on the elongated coastal town of Hull, Massachusetts, developed into established neighborhoods of cottages. As a result, new stores, schools, and post offices were built to accommodate the increase in population. William Henry Sylvester (1840-1923) a local resident, built this structure to serve as a store, professional offices, and post office. Like other buildings in the area constructed in the 1890s, the structure blends Queen Anne and Craftsman elements in a great composition. Sadly, the building has not been maintained and the windows are now boarded up, with the entire waterfront parcel selling in 2018. Plans to demolish the buildings on the site, including this charming structure were proposed to erect new townhomes, but they have not materialized. I’d love to see the site redeveloped with much-needed housing, but this structure should be incorporated in the development.