George P. Davis House // 1893

This Colonial Revival style single-family house on Emerson Street in Brookline Village, was built in 1893 on the former Emerson Estate, that was subdivided by the heirs of Elijah Emerson as Brookline Village filled in during the late 19th century. This house was seemingly built for Elijah’s daughter, Sarah C. Emerson Davis, and her husband, George Peabody Davis from plans by Boston architect, Olin Wesley Cutter. Of particular note, the Davis House features a symmetrical facade with round entry portico, Palladian stairhall window with leaded glass, and pedimented dormers, with the center dormer in a swan’s neck pediment. The oddly proportioned pilasters with tiny Ionic capital on the corners of the house were great to see as well!

The Linden Apartments // 1885

The Linden Apartments is an early multi-family apartment building in Brookline Village that shows how density can be done tastefully. The building is located at the center of Linden Place, Brookline’s first planned subdivision which was laid out in the 1840s. By the end of the 19th century, development pressure associated with the growth of Brookline Village lead to further subdivision of the original building lots and greater density of settlement in this neighborhood. The Lindens was constructed in 1885 by and for James W. Tobey (1830-1914), a local builder, as an income-generating property. Designed in the Queen Anne style, the Linden Apartments contained six suites, all with exceptional quality materials and finishes. The façade is embellished with two octagonal bays at the ends and two angled bay windows with gables which break up the otherwise rectangular form. The building has been lovingly maintained by residents and contributes to the rich history of Brookline Village from a sleepy village to a vibrant and dense “downtown”.

Saint Mary of the Assumption Rectory // 1882

Located adjacent to the St. Mary of the Assumption Catholic Church in Brookline Village, this handsome three-and-a-half-story brick structure has served as the Rectory of the congregation since it was built in 1882. Complimenting the Victorian Gothic style of the church next door, the Rectory was also designed by the firm of Peabody and Stearns, and was the home of the priest and other high-ranking clergy men. The rectory stands out architecturally for its panel brick corbelling at the eaves, steeply pitched slate roof and copper-coated gables.

Rowe House // 1911

The Rowe House at 11 Mason Street is an over-the-top, and high-style example of the Colonial Revival style, showcasing the oversized proportions and scale that architects in the early 20th century followed when referencing Colonial American architecture. The house here was built in 1911 for Edward Prescott Rowe (1879-1936) and his wife, Eleanor Livingstone. Designed by the firm of Rowe & Keyes of Boston and New York, the commission was likely a relative of Mr. and Mrs. Rowe. The symmetrical house features a broad gambrel roof with Palladian windows in the side gable and central dormer at the facade, large pilasters breaking up the bays on the facade, a projecting Colonial Revival entry, and squat windows at the second floor terminating at the entablature above. The property even retains its Colonial Revival gateway.

Amos A. Lawrence House // 1851

Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

New England Fireproof Construction Co. Apartments // 1917

One of the most unique and architecturally pleasing buildings in Brookline has to be these apartments on Egmont and St. Paul streets that break the mold of traditional brick or wood-frame apartment houses. Built in 1917 by the New England Fireproof Construction Company as an example of how cheaper cement material can be used effectively and beautifully to design and construct high-quality housing. The company hired architect G. Bertram Washburn to design the buildings which utilize concrete block and cast concrete details with the facades embellished with pilasters capped with Corinthian capitals, engaged balusters, and modillioned and corniced entrances decorated with a lion’s head over each doorway. Additionally, a special touch is the recessed wells in the facade which not only break up the massing of the building, but provide additional light and air into the apartments inside. 

Paul and Caroline Hunt House // 1905

Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built this house in Brookline, Massachusetts for $15,000 for him and his wife, Caroline. Paul had been involved in real estate development in Bar Harbor, Maine, where his mother had a summer cottage, and while not an architect himself, he was very interested in design and took a keen interest in developing estates with the family funds. While developing property in the summer enclave of Bar Harbor, Maine, Paul met the Bar Harbor architect, Milton W. Stratton, and the two collaborated in the construction of houses there and two adjacent homes in Brookline. The two-story house is wood frame construction with a stucco finish on the exterior. Spanish Colonial Revival in style, the roof is hipped with terra cotta tile, as is the roof of the verandah which extends across the facade. In 1911, Paul Hunt worked with architect William Ewing Harding to add the two-story wing on the side of the house, which is built over the driveway, creating a really unique (though not as functional) design element. 

Hugh G. Brown House // 1905

Eclectic houses of the late 19th and early 20th centuries are my favorite as they showcase how architects of the time blend features and break the strict mold of academic styles. This example is found in the Cottage Farm neighborhood of Brookline and dates to 1905. Designed by relatively unknown architect, Alfred Lyman Darrow, who studied at MIT, before opening his own practice. The house was first owned by Hugh G. Brown, who founded the Brown’s News Company and the Hotel & Railroad News Company. The house exhibits half-timbering in the gable ends and decorative corbelled chimneys that derive from the Tudor Revival; the front porch parapet appears to derive from the Spanish Mission style; along with stucco siding and unique windows typical of the Arts and Crafts movement.

Kaffenburgh House – Bertram Inn // c.1910

Across the street from the C. D. Hammer House on Sewall Avenue in Brookline, Massachusetts, this later take on the Queen Anne style with Tudor Revival elements is about to go through quite a transformation!

A little history before I share the proposal for the site… This house was built around 1910 for Bessie V. and Carl J. Kaffenburgh, a tobacco dealer with a store in Downtown Boston. The house was  from plans by architect Harry E. Davidson, who had previously designed stucco houses with Tudor influences for both the Vorenberg and Kaffenburgh family including 20 Amory Street in the nearby Cottage Farm neighborhood. By 1940 the house was owned by Hazen Blood and his wife. The Bloods had rented out rooms in the house totalling 13 lodgers here as a rooming house in the 1940 directory. In 1987, owner, Bryan Austin purchased the property restored it, and opened it as the Bertram Inn.

In recent years, the adjoining lots were eyed for redevelopment and demolition was proposed for this property. Neighborhood opposition and the demolition delay process allowed for review of the plans, which now includes the “restoration” of the main house with a six-story boxy addition on the rear containing condominium units. While the proposed addition is not contextual to the historic Tudor Revival house, it does save the original building and provides much-needed housing for others, so I guess this is a win! What do you think?