Known locally as the ‘Ye Olde Manse‘, this stunning Georgian cape house is located at the eastern edge of the town green in Willington, Connecticut. Thought to be the oldest extant house in the small, rural community, the gambrel-roofed homestead was possibly built by John Watson of Hartford, who was thought to have been an original proprietor of Willington, but was instead an assignee of George Clark who was. In the 19th century, the homestead operated as the congregational church parsonage. Today, the Georgian cape house with gambrel and saltbox roof is a single family home and has been lovingly preserved by centuries of stewards of this old manse.
Located in northern Willington, CT, this farmhouse on a quiet, country road, dates to before the Revolutionary War! David Lillibridge (1744-1831) of Exeter, Rhode Island, served from 15 to 17 in the French and Indian War, and manned Fort Stanwix. In 1767, when he was a lieutenant in his local militia, he converted, and entered the Baptist ministry. In 1777, he purchased a farm from Moses Holmes, but it is unclear if this residence was existing or if he built this large farmhouse. In Willington, David Lillibridge became a farmer-preacher, establishing a Baptist ministry here. The home remained in the Lillibridge family at least until the 1870s, when it was owned by Burnham Lillibridge. The Georgian saltbox residence is set back from the street and sits upon the bucolic rolling fields of the property.
Located between his family factory and the memorial church built for his late sister, the William H. Hall House in South Willington, Connecticut, is among the community’s finest Victorian residences built for a wealthy industrialist. William Henry Hall (1867-1922) was the son of industrialist Gardiner Hall Jr., who established the business under his name, which manufactured thread and spools, hiring hundreds of employees. After the death of his father, William Hall became the head of the company, but clearly was successful long before this as he had this stately Queen Anne style mansion built in 1896. Beyond his work at his family’s business, William H. Hall served in the Connecticut House of Representatives in 1893–1897 and again in 1905, 1909, and 1911, and he was generous with his money throughout his life and in his will. Hall served on the board of trustees of his alma mater, Wesleyan University, from 1912 until his death, with his estate donating $175,000 to Wesleyan to construct a chemical laboratory named in his honor. Closer to his home, his heirs partially funded the the Hall Memorial School in South Willington in his honor. The property remained in the family after his death, and in the 1980s, it became an assisted living facility, with large additions constructed, but the Hall House remains a great architectural landmark for the mill village.
This handsome stone church in South Willington, Connecticut, was commissioned in 1909 by Gardiner Hall Jr., a terminally ill industrialist, in memory of his late daughter Clara, who tragically died in 1899 at the age of 30. The church was used by area residents, many of which included mill workers hired to work at Mr. Hall’s factory nearby and lived in mill housing just behind this church. Following the construction of this Memorial Church in South Willington, Baptist and Congregational Churches of Willington merged to form the Federated Church of Willington, which has worshiped at this location ever since. Neo-Gothic Revival in style, the church is constructed of multicolored random ashlar sandstone with limestone trim and features a corner clock tower with belfry, buttresses, stained glass windows, and limestone tracery. The church was designed by Boston architect, Thomas Marriott James and was completed by 1911.
In 1860, Gardiner Hall Jr. (1839-1915) founded a spool cotton thread business called the Hall & Manning Company, and later renamed the Hall Thread Company. The new business failed in a year with the onset of the Civil War and the accompanying shortage of cotton. During the war, in 1861, Hall designed and patented a machine for finishing thread and moved to South Willington, Connecticut, founding the Gardiner Hall Jr. Company. He had a three-story mill building constructed around 1862 where his small operation took off. In the following decades, the factory complex expanded rapidly, and machine, blacksmith, and bleach and dye shops were built on the property to increase production. Coinciding with this growth, Gardiner Hall built tenements, a boarding house and a community building for his growing workforce in the 1870s nearby. Before his death in 1915, Hall donated funds to erect a memorial church in memory of his daughter, and donated generously to his workers. His son, William Henry took over operations and was succeeded by his sister, Rosa Hall, until the factory closed in 1954. The industrial buildings were used for decades from various manufacturing companies and today are occupied by retail stores, a tattoo parlor, and event space, perfect adaptive reuse!
Opened in 2017, the two newest residential colleges at Yale University, Benjamin Franklin College and Pauli Murray College, became a case study in how contemporary buildings can honor traditional design while introducing 21st-century amenities. Designed by Robert A. M. Stern Architects (RAMSA), the two large dormitories reinforce Yale’s legacy of collegiate Gothic architecture while reading as new construction to the trained eye. The two buildings feature unique layouts to create enclosed courtyards and are stylistically designed as fraternal twins, similar in size and palette but each enjoying its own identity and organization. RAMSA architects were inspired by James Gamble Rogers’ 1930s Colleges at Yale, which (like at Harvard) were inspired by the college systems at Cambridge and Oxford in England which create enclosed quads or courtyards for students in self-contained housing. Like Rogers’ Neo-Gothic Yale buildings, the Franklin and Murray Colleges feature battlements, stained and leaded glass windows, iron gateways, towers, and hidden stone gargoyles. The two buildings are a tour de force of Traditional Architecture that blends new and old in all the best ways.
The Becton Engineering and Science Center at Yale is a behemoth academic building on Prospect Street containing offices, laboratories, a library, and an auditorium for the world-renowned institution. Discussions about a new engineering and science center began in 1965 after a generous donation by Yale alumni, Henry Prentiss Becton, and the University hired famous Modernist architect, Marcel Breuer to design the new building opposite the city’s Grove Street cemetery. For the design, Breuer used precast concrete panels and logical planning, to maximize interior space through the building which required less vertical columns in the floorplates. At the street, an elongated arcade provides views into the interior spaces and serves as a shelter from the weather. The arcade and facade above is supported by stunning buttress-like columns, a Modernist nod to the predominant Gothic buildings and character of Yale’s campus. A landmark example of the Brutalist style, the Becton Center serves as a great, and well-preserved example of an often maligned period of American architecture.
The Tsai Center for Innovative Thinking at Yale University is a contemporary, 12,200-square-foot centertucked away behind larger buildings that serves as an important nucleus for research-based programs within Yale’s School of Engineering and Applied Science. The center brings together students from diverse disciplines to the new building where collaboration to solve real-world issues can be done. Designed by Weiss/Manfredi, the innovative building’s elliptical form is centrally positioned in a courtyard surrounded by taller, boxy structures, creating a unique juxtaposition. Lined by undulating, transparent glass walls, the design allows visibility inside to see and participate in the work inside. The Tsai Center is one of my favorite new buildings in New England and showcases how high-quality and innovative design can make a big architectural statement, even if the building is just a small pavillion-like structure.
The Wolf’s Head was established in 1883 as one of Yale’s secret societies. It was intended as an alternative to the more established Skull and Bones and Scroll and Key societies, and it made a statement when it completed this clubhouse in 1884. The handsome Richardsonian Romanesque clubhouse at the corner of Prospect and Trumbull streets in New Haven was designed by the firm of McKim, Mead and White, which would go on to become one of the leading architectural firms in the country during the late 19th and early 20th centuries. The rough-faced brownstone structure was historically covered in climbing ivy, adding to the building’s mysterious nature. Wolf’s Head made it their home from 1884 until 1924 when the building was sold to the University and Wolf’s Head moved to new quarters on York Street. The building was rented to clubs for years until the early 1960s, when it started to be used for faculty offices, staff and classrooms. The building was added onto and today, the old Wolf’s Head is used by the Institution for Social and Policy Studies.
The James Dwight Dana House at 24 Hillhouse Avenue in New Haven, Connecticut, is a landmark early example of an Italianate style residence designed by a famed 19th century architect. Built in 1849 from plans by architect Henry Austin, the house was constructed for owner, James Dwight Dana (1813-1895) and his new wife, Henrietta Silliman and possibly funded by her father, Benjamin Silliman, a Yale professor who was considered “The Father of Science in America”. James Dwight Dana’s education in geology, in addition to his studies with his father-in-law, Professor Silliman, extended to the four-year United States Exploring Expedition between 1838–1842), in which Dana served as the staff geologist and mineralogist, exposing him to a wide-ranging variety of geological formations and minerals. Upon his return to New Haven, he married Silliman’s daughter and then moved into this stately home. Later in his career, Dana was responsible for developing much of the early knowledge on Hawaiian volcanism. In 1880 and 1881 he led the first geological study of Hawaii. The James Dwight Dana House has a three-bay front facade, with a single-story porch extending across its width, supported by wooden columns with unique capitals. The shallow roof has broad, overhanging eaves sheltering a unique corbelled brick cornice. The building was added onto in 1905 with similar architecture and was purchased by Yale in 1962. Today, the building is preserved by the University and houses the Institution for Social & Policy Studies (ISPS).