One of the most recognizable buildings in Salem is the former East Church, now occupied by the Salem Witch Museum. The East Church was constructed between 1844 and 1846 for the oldest branch of the First Church of Salem, which originally organized in 1718. The stunning Gothic Revival church has been credited to architect Minard Lafever (1798-1854), a prominent New York architect known for his Gothic, Greek and other Exotic Revival style buildings. Constructed of brownstone, a material Lafever utilized for his New York City churches built at the same time, the East Church exhibited pointed arch stained glass windows, crenellation resembling battlements, and once featured two, four-stage octagonal towers, which were cut down in the 1920s to their current height. The church suffered from a massive fire in the early 20th century and the church eventually moved out in the 1950s. The building was occupied by the Salem Auto Museum until another fire in 1969. In 1972, the Salem Witch Museum moved in and completely updated the interior.
The St. Peter’s Episcopal Church of Salem, is a landmark example of a granite, Gothic Revival church of the 19th century. The present church, which is constructed of Cape Ann granite, was the second church on the site built for local Episcopalians, replacing a wood-frame building constructed there 100 years prior. Designed by architect Isaiah Rogers, the Gothic church features a prominent entry tower with a quatrefoil window in each elevation, large lancet-arched windows in the tower and lining the sanctuary, and a crenelated parapet. When completed, St. Peter’s had Salem’s first church bell, an 1740 English bell that supposedly still graces the tower today and is said to be the oldest church bell in the United States! In 1871, the rear chapel was added to the building, from plans by George E. Harney. The chapel was built directly over the old parish cemetery, requiring some of the tombstones to be placed inside the chapel walls, while others were moved to the front of the church, creating a really unique “garden cemetery” in front of the church.
With crop failure a common occurrence in 1830s Ireland, immigration from Irish to New England surged with workers and families looking for a better life. Labor opportunities were abundant in the newly established mill town of Chicopee, with the Irish flocking here to dig canals, build dams and mills and later work in those same buildings. Their wives and daughters would work as cooks and maids, but later as operatives in those same mills. As many Irish were Catholic, it became apparent that a Catholic congregation should be established, St. Matthew’s was first organized in Chicopee in 1838. An earlier wood-frame church was built and used for a number of years until a large site on South Street was purchased by the Diocese for a new campus. Irish-born ecclesiastical architect Patrick Keely designed the church building which was constructed between 1857-1859 in the Gothic Revival style. The church was dedicated the “Holy Name of Jesus” church and exhibited sandstone-topped buttresses, rows of pointed dormers running down the clerestory on the sides, and a prominent central steeple. In 1910, the present copper spire replaced the original steeple which was damaged and burned in a lightning strike. The complex grew throughout the 19th and 20th centuries, with a rectory, schools, convent and monastery built on the site. Sadly, due to dwindling membership and fiscal considerations, many of these buildings were demolished in the past decades. The church appears now to be closed and is still owned by the Archdiocese of Springfield. I hope something can be done to preserve this landmark structure and the remaining buildings on the site.
The General Davis Tillson House was built in 1853 and is one of the best examples of a high-style Gothic Revival residence in the Mid-Coast region of Maine. Located on Talbot Avenue in Rockland, Maine, the house was first owned by General Davis Tillson (1830-1895), a prominent local businessman who owned lime manufacturing facilities and the town’s main wharf before enlisting for service in the American Civil War. Tillson had attended the United States Military Academy at West Point (1845-1851) but did not graduate due to an injury which forced the amputation of one of his legs. During the Civil War, Davis Tillson fought with distinction at the Battles of Cedar Mountain and Second Bull Run. Promoted up to Lieutenant Colonel, then Brigadier General, US Volunteers on March 21, 1863, he later served as Chief of Artillery, and commanded defensive fortifications in the siege of Knoxville before the conclusion of the war. Afterwhich, General Tillson was selected to serve as Director of Freedmen’s Bureau in Georgia and Tennessee. The Bureau was established in 1865 by Congress to help millions of former Black slaves and poor whites in the South in the aftermath of the Civil War. The Freedmen’s Bureau provided food, housing and medical aid, established schools and offered legal assistance. It also attempted to settle former slaves on land confiscated or abandoned during the war. After two years in Tennessee, Tillson would return to Rockland to his home and spend the rest of his life in Maine from this home. The General Tillson House is notable for the use of brick and the steeply pitched gable roof with jigsawn bargeboards.
Combining Greek and Gothic revival styles, the 1835 Ashby Congregational Church in Ashby, Massachusetts, is a significant building showcasing the transitional tastes of ecclesiastical architecture in 1830s New England. The church had its beginnings in 1818, when a group of church members disillusioned to the current teachings separated from the town’s Unitarian roots and the accompanying meeting house, the First Parish Church. In 1820 a church for the Congregationalists was built on the opposite end of the town common. In 1835 it was sold and this, the current church building was constructed on a new site facing the Common. The original 1820 church building became the Ashby Academy and is now a Grange Hall. The design of the Ashby Congregational Church shows the leaning towards Gothic detailing wit its prominent pointed arch detailing, yet retains some traditional Greek Revival features like the two-story pediment and pilasters at the belfry.
One of the most architecturally significant college buildings in the United States, Dwight Hall was designed to house the growing book collection of Yale College as its library. The former Yale College Library, now Dwight Hall, represents a significant shift in Yale’s campus architecture from Georgian and Federal brick buildings to the Gothic mode which the campus is largely known for today. Dwight Hall was designed by local architect Henry Austin with the guidance of esteemed architects Ithiel Town and Alexander Jackson Davis, both experts in early high-style Gothic buildings in America. The design, to me, resembles the 1443 King’s College Chapel in Cambridge, England. The structure is constructed of brownstone from Portland, Connecticut, and it is composed of a central block with two smaller flanking wings on either side connected by smaller linking spaces. At the yard facade, two octagonal towers with domed copper roofs rise, flanking a large, pointed lancet arch window that extends above the doorway. The library was outgrown fairly quickly, necessitating an annex next door and eventually collections were transferred to Sterling Memorial Library in 1930, the Old Library was converted to a chapel and community service building and is known as Dwight Hall.
Dixmont, a small rural town in central Maine was originally originally a land grant by the Commonwealth of Massachusetts (of which Maine was then a part) to Bowdoin College, which sold the first settlers their land for profit to build on their campus. As a result, the town was originally called “Collegetown”, which was obviously short-lived. Dr. Elijah Dix (1747-1809) of Boston, who never lived there but took an interest in its settlement, encouraged others to settle there, and when the town was officially incorporated in 1807, it named itself after Dix, as Dixmont. A “malignant fever” broke out among the settlers in the early years, also killing Elijah Dix while in Dixmont on a trip there in 1809, he was buried in the Dixmont Corner Cemetery. Elijah was the grandfather of reformer and nurse Dorothea Dix. The early settlers had this church built by 1834 by Rowland Tyler, a local master builder whose only other documented work is the 1812 City Hall of Bangor. The Dixmont Corner Church is one of Penobscot County’s oldest Gothic churches and also exhibits some Greek/Classical elements.
As soon as settlers arrived in Waterbury, they began worshipping their respective religions, largely out of private homes. The town’s meeting house was occupied by some congregations, but there was no real union church for the many growing congregations. This edifice was originally erected in 1824 as a united Congregational church by local builders, the Carpenter Brothers (how perfect is that?) The church was modernized in about 1860 with Gothic Revival detailing, which included the raising of its foundation, bargeboard, spires, and a new steeple. It was updated later in 1880 with a new chapel and ten years later, with stained glass windows. It remains today as an active church and is in a great state of preservation.
Arguably the most high-style building in the quaint village of Dorset, Vermont is the Congregational Church, which appropriately sits on Church Street. The original congregational church in Dorset was located in nearby Maple Hill Cemetery. When the wood structure burned in 1832, an new wooden church was built on this site. The second wooden building burned in 1907, and then this church was built, but of fireproof construction. Jordan Greene, an architect from New York, designed this Neo Gothic Revival style in the historic district. The church was constructed by the contracting firm of O. W. Norcross, partner in the Norcross-West Marble Company, which donated the building stone from its South Dorset quarry. The design is dominated by a massive square central tower that ascends its facade and is capped by pinnacles. Behind the tower, the gable-roofed church is built of rough-faced Dorset marble laid in patterned coursed ashlar and trimmed with dressed stone. How many other marble churches can you think of?
One of the more iconic theater buildings to ever stand in Boston was the Howard Athenaeum, later the Old Howard, which stood on the former Howard Street in Downtown Boston. The origins of the building begin in 1843, when a flimsy, tent was built to serve as a church for the small Millerite sect. The small but loyal congregation eventually abandoned the site following disappointment with the minister’s promise that the world would end in 1844. After Armageddon failed to materialize, the founder of the sect, William Miller, an ex-Deputy Sheriff from Poultney, Vermont, was discredited and the Millerites moved on. After running their former minister out of town, several church members (who had given up all their worldly possessions in preparation for their trip to heaven,) decided to recoup some of their losses by selling the property to Messers Boyd and Beard, who opened a theater here in 1845. A fire destroyed the structure, and it was replaced by a larger, fireproof building that same year. The new building was constructed in 1845 and was designed by architect Isaiah Rogers in the Gothic Revival style with massive granite blocks from Quincy.
The Howard Athenaeum saw many iconic performers and historical events in its 100 years. A young John Wilkes Booth, played Hamlet at the Howard before becoming famous for a more nefarious deed in Washington in 1865. Also, Sarah Parker Remond, a Black anti-slavery activist and lecturer with the American Anti-Slavery Society (and later a medical doctor), had bought a ticket through the mail for the Donizetti opera, Don Pasquale, but, upon arriving, refused to sit in a segregated section for the show. She was forcibly removed and pushed down a flight of stairs. She eventually won a desegregation lawsuit against the managers of the Howard Athenaeum and received $500 in a settlement.
The theater was quickly deemed obsolete and second-tier compared to more modern theatres built nearby. By the mid-20th century, the Old Howard was largely featuring burlesque shows. To keep bringing in audiences, the burlesque performances got more risqué with each year. As a result, the Boston vice squad made the Old Howard the object of their attention. The Boston Vice squad made a 16 mm film during one of their raids in 1953 and captured on film the performance by “Irma the Body”. This film footage resulted in an indecency hearing which eventually led to the closing of the Old Howard in 1953. A fire a few years later along with Urban Renewal led to the demolition of the Old Howard by 1962. Like the former Suffolk Savings Bank (featured previously), the present Center Plaza Building is on the site.
Buildings of New England 