Thomas A. Hill House // 1836

One of the nicest homes in Bangor, Maine, is the 1836 Thomas Hill House, a stunning Greek Revival home constructed of brick just outside downtown. The home was built for Thomas A. Hill (1783-1864), a lawyer and banker in town. He clearly made substantial money in his time in Bangor, because he hired architect Richard Upjohn, who was in town at the time overseeing designs for his first church St. John’s Episcopal Church (burned in 1911) and the Farrar Mansion. Thomas Hill suffered financial losses during the Panic of 1837 and the bank foreclosed on his properties. The bank allowed him to stay in the house and pay the insurance, heat and taxes until the home was sold by the bank to Samuel and Matilda Dale, who purchased the home in 1846. Mr. Dale came to Bangor in 1833 as a sail-maker. Eventually he would own grocery and ship chandlery businesses downtown before serving as Mayor of Bangor from 1863-1866 and again in 1871. The Sons of Union Veterans bought the house in 1942 and named it the Grand Army of the Republic Memorial. During 1952 the Bangor Historical Society was allowed to use the house, which was placed on the National Register of Historic Places in 1972. In 1974 the house was deeded to the Bangor Historical Society, who occupy the home to this day.

Bangor House // 1832

In the first couple decades of the 1800s, Bangor, Maine, became the capital of the timberlands of the state, as thousands of acres of untouched forests were sold for lumber harvesting and shipping to other developing parts of the region. The massive cedar trees were shipped by rail and boat to cities like Boston, which lacked such large lumber. At the time, a group of wealthy lumbermen in Bangor wanted a hotel which would impress investors and visitors to the frontier town. Inspired by The Tremont House in Boston, an 1829 hotel that was then regarded as one of the pinnacles of luxury accommodation. The investors hired architect Isaiah Rogers, the same architect who designed the Tremont House years earlier, to design the Bangor House. The two hotels are strikingly similar in design. The hotel expanded numerous times over the decades, until the 20th century, when the town’s prosperity began to falter. Many of the additions have since been torn down as part of the building’s conversion to apartments, replaced by modern residential wings which are much lesser quality of design and construction. Thankfully, the historic core of Bangor House remains very well preserved and as it did nearly 200 years ago!

Zebulon Smith House // 1832

The Zebulon Smith House in Bangor is one of the earliest temple-front Greek Revival homes built in the state of Maine. The house was constructed in 1832 for Zebulon Smith, a businessman who moved to the Maine frontier in the early 19th century, likely to get involved with a lumberyard as this section of the state shipped timber all over the region. The substantial home was built just south of downtown Bangor, and has survived fire and urban renewal. It sits alone in a sea of parking lots and industrial buildings in what was once likely a lovely neighborhood.

Isaac Farrar Mansion // 1836

The Isaac Farrar Mansion in Bangor, Maine not only looks gorgeous, it is significant as the one of the first known works of architect, Richard Upjohn. It is important because it shows that English-born Upjohn, who is best-known for launching the popularity of the Gothic Revival style in the United States, began his career by building in the Greek Revival style, the traditional style of the time. This mansion was designed for Isaac Farrar, a lumberman and merchant, and later, President of the Maritime Bank of Bangor. Charles B. Sanford, who lived in the house from 1865-1878, was proprietor of the Sanford Steamship Lines. The home had a few more subsequent owners until 1911, when it was acquired by the University of Maine Law School, which used it as a residency until 1929. It was soon after purchased the Bangor Symphony Orchestra, who renamed it “Symphony House”, and operated the Northern Conservatory of Music on the premises, also hosting the music branch of the Bangor Public Library. In 1972 the school closed, and the symphony sold the building the following year to the local YMCA, which now uses it as an exhibit and reception space. While some aspects of the house look to be from the early 20th century, it retains much of the Greek Revival design by Upjohn. Talk about a full history!

North Rochester Congregational Church // 1841

The North Rochester Congregational Church is located in a distinctly rural, area in the northwest corner of the largely pastoral town of Rochester, Massachusetts. This church, built 1841, is locally important to the development of religion and community in North Rochester. In Rochester as in other early New England towns, the building of a church symbolized the founding of a community. North Rochester’s first church was built in 1748, about 1 mile west of the present building, and was served by traveling ministers from other communities. The church congregation was formally organized in 1790, and a new church was built at that time, serving a larger area. The current church building was built in 1841 by Solomon K. Eaton, a noted regional builder whose credits include several other area churches. The church is of the Greek Revival style, which was frequented in the designs of hundreds of churches all over New England in the mid-19th century.

Mitchell-Patten House // c.1840

One of the most stunning examples of Greek Revival architecture in Gardiner, Maine, is the Mitchell-Patten House. The home was constructed in the mid-1840s for John S. Mitchell (1804-1891) head of the firm of Mitchell, Wilson and Co., who were traders on the Kennebec river, in lumber and other goods. The home was likely built not long after John’s wife, Philenia Sewall Mitchell died during childbirth in 1837 to the couple’s son, who died at just two years old himself. After the death of his wife and only son, John met Mary and they married, moving into this home. Together, they had four children. Together, they had three sons, but like with his first marriage, tragedy wasn’t far behind. Their first son was stillborn, their son William died at age 27, and their third son, Egbert died in his first year. The family home was willed to the couple’s only living child, Susan, after her marriage to husband Freeman Patten. Freeman was a successful businessman in town and worked as a bank director, and later served as President of the Board of Trade and as Mayor of Gardiner 1899-1900.

Peter Grant House // 1830

The this 1830 home in Farmingdale ranks as one of the first Greek Revival temple style residences in Maine. Situated on a rise overlooking the Kennebec River, the house reflects a dignity befitting the commercial success of its original owner, Peter Grant. Peter Grant was born in 1770 in Berwick, Maine. He was a fourth generation descendent of an earlier Peter Grant, born in Scotland in 1631, and one of 3,000 Scots taken prisoner by Cromwell’s army at the Battle of Dunbar. In 1650, he was sent as a convict laborer to the iron works in Lynn, Massachusetts, for a term of seven years. A number of the Grant family settled in Berwick, Maine, and from there, Peter, builder of this house, and his father, Capt. Samuel Grant, moved to Gardiner. Peter Grant soon involved himself successfully in land speculation and shipping in the area. In 1796 he and a group of associates, purchased a large tract of land along the west shore of the Kennebec River, which later became Farmingdale. Grant became sole owner of better than 200-acres of this land in 1800 and built a substantial house soon after. The original house was destroyed by fire and was replaced by Grant with the present house in 1830 six years before his death in 1836.

Moses L. Garland House // c.1845

Located a stone’s throw from the Elijah Locke Homestead (last post) in Rye, New Hampshire, this mid-19th century home stopped me in my tracks when driving by. According to old maps, the home was owned by Moses Leavitt Garland, who married Lucretia Locke, a descendant of Elijah. The home shows strong Greek Revival features including the large gable end facing the street serving as a pediment and pilaster at the corners and entry with entablature above. The house recently sold, and the owners demolished the ell connecting the home to the large barn (not pictured) and replaced it with a historically appropriate addition.

Rye Town Hall // 1839

Rye, New Hampshire sits on the short coast of the state, between the busy towns of Portsmouth and Hampton, and provides a respite from the swarms of tourists and beach-goers alike. Modern-day Rye was the first settlement in New Hampshire by Europeans, and was originally named Pannaway Plantation, established in 1623 at Odiorne’s Point (more on that later). The settlement was eventually abandoned for Strawbery Banke, which became Portsmouth, the historic port town we know today. The town was later a village of New Castle, and was known as Sandy Beach Village, before it was called “Rye”, for Rye in Sussex, England, and incorporated as its own town in 1785. The town met in a Meeting House until it purchased an old 1839 Methodist church in town. In 1873, the building was purchased by the town of Rye for $1000, with an additional $2658 spent on renovations, which added a new ground floor to increase the height from 1.5 stories to 2.5 stories, added 10 feet in depth to the building, and the two-stage tower and belfry. The Greek Revival building has long been a landmark in town, hosting dances, concerts, whist parties, singing schools, oyster parties and immunization clinics, beyond the typical governmental functions. There were calls to demolish the building for a modern town hall, which saw resistance (thankfully) and now the town has agreed on a land-swap with a bank, demolishing an old house to take over the bank building, turning it into some town offices.

Bailey’s Mills // 1837

Driving down the dirt roads of rural Vermont with no cell phone service can be a great way to explore, so imagine my delight when i drove past this stunning old building tucked behind a historic cemetery! The building was erected in 1835-1837 by Levi Bailey, a local entrepreneur and mill owner who, in 1794, in partnership with a George Betterley, purchased the mill site and proceeded to build a dam, for later development. Legend says, in 1808, he required the good will of David Hapgood, his next door neighbor, so he could buy more land in front of his proposed mill. But, in fact, Levi had so irritated Hapgood somehow, that he instead donated the coveted acre to the Town of Reading for use as a town cemetery, ensuring that Bailey could never control it. Thus a “spite” cemetery was laid out, the only one I am aware of! Underterred, Bailey erected over the next two decades the series of buildings to manufacture goods, the buildings we see today. Bailey’s Mills in Reading, Vermont, is actually three connected, 2 1/2-story, brick, Greek Revival style buildings with several attached wood frame appendages added over time. He lived in the building and a store was run out of the building for locals. The building is now home to the Bailey Mills Bed & Breakfast.

Levi F. Hartshorn House // c.1853

This Greek Revival home in Reading, Vermont was built around 1853 for Levi Fay Hartshorn, and is an excellent example of a vernacular Greek Revival house in Central Vermont. Levi F. Hartshorn moved to Reading, Vermont and opened up a store, also built this home for his family. It appears that Mr. Hartshorn gifted the village one of his shops to be used as a local library, before the present building was constructed.

Breezy Cottage // 1840

On the backroads of the rural town of Wilmot, NH, I stumbled upon this perfect Greek Revival cottage tucked away on a dirt road. The home was built in 1840 by Col. Samuel Thompson, likely operated as a farm. The property was purchased by the Tewksbury Family decades later, who likely gave the home its name “Breezy Cottage”, after an older colonial home nearby, and subsequently the name of the street in which it is sited. The Greek Revival home is symmetrical with a wide, gabled roof and upper floors overhanging the recessed front porch. The home features bold corner and entry pilasters.

Follett House // 1841

One of the last remaining grand 19th-century lakeside mansions in the city of Burlington, Vermont, the Follett House stands as an excellent example of Greek Revival architecture and preservation. The Follett House was built in 1841 for Timothy Follett, a prosperous Burlington developer and former Chittenden County judge. Follett hired architect Ammi B. Young to design his estate. Young would go on to become the first Supervising Architect of the U.S. Treasury Department. As a federal architect, he was responsible for creating monumental civic buildings across the United States numerous custom houses, post offices, courthouses and hospitals, many in his favorite Greek Revival style. The house is oriented facing west toward Lake Champlain, with a terraced lawn extending towards the water. The main facade features monumental columns creating a greek temple front, supporting a pediment. The secondary entry is a more modest interpretation of the style with a smaller classical portico. After the home was built, Follett became president of the Rutland & Burlington Railroad, the first Railroad between Boston, MA and Burlington, VT, from 1845-1852. He lost the house, along with his personal fortune, when the railroad went bankrupt in 1852. The house was soon after bought by Henry R. Campbell, superintendent of the rival Central Vermont Railroad.

Perry House-Trinity Church Rectory // 1832

I have a thing for temple-front Greek Revival homes, and this is no exception. This marvelous home was built in 1832 for Francis Dimon Perry (1809-1884), who inherited some of his father’s wealth and became President of Southport National Bank in town. He was a devoted member of Trinity Church throughout his life. Upon Mrs. Perry‘s death in 1893, couple left their residence to the Trinity Church to be used as the parish rectory.

Burr Mansion // 1794

Originally built in 1775, the first iteration of the Burr Homestead, home of Thaddeus and Eunice Burr, which actually saw the marriage of John Hancock, President of the Continental Congress, to Dorothy Quincy. Thaddeus was the cousin of the famous Aaron Burr, Jr., who was the 3rd vice-president of the United States alongside Thomas Jefferson as President. Aaron Burr Jr. is best-known today through his portrayal in the popular play “Hamilton,” where he shoots Alexander Hamilton in a duel. The house was rebuilt in 1794 in its former location in Fairfield, Connecticut after a fire by the British in Fairfield destroyed the first. The home was willed to Thaddeus’ son General Gershom Burr, who eventually sold the mansion to Obadiah Jones. Mr. Jones updated the home by, ““taking out the dormer windows and lifting the roof, taking away the porch and building the broad veranda with its lofty massive fluted columns”. The home was eventually gifted to the Town of Fairfield and is presently maintained by the Fairfield Museum and History Center.