Somerville Y.M.C.A. // 1904

The Somerville Young Men’s Christian Association (Y.M.C.A.) building on Highland Avenue is a stately four-story Neo-Gothic/Tudor Revival style building that is threatened with demolition. Originally built in 1904, the building was designed by the Boston firm of Brainerd, Leeds and Russell, and was published in architectural publications of the time due to its functional plan and design. For 120 years, the building has housed community spaces in the form of reading and game rooms, a gymnasium, auditorium, and more. Fast-forward to today, the building has suffered from deferred maintenance and the organization has purchased adjacent buildings with the plan to raze multiple structures, including this building, and build a massive, boxy new YMCA. Personally, I think it would be a shame to see the original building demolished, when it could be incorporated into the new design.

St. George’s Episcopal Church, Central Falls // 1922

Tucked away in the middle of a residential neighborhood in the dense city of Central Falls, Rhode Island, this Neo-Gothic style church more closely resembles an English country church than one typically found in a dense, industrial city. This is the St. George’s Episcopal Church, located at the corner of Central and Clinton streets, and built for the local Episcopal congregation there in 1922. The church was designed by the Rhode Island architectural firm of Clarke & Howe and is built of rough-faced stone with limestone trim. The highlight of the design is the large central tower with lancet, stained glass window, and belfry. 

Saint Lawrence Catholic Church // 1896

The parish known today as Infant Jesus-St. Lawrence Church was established in 1898, two years after its original chapel building – shown here – was erected to serve as a mission church of St. Mary of the Assumption in Brookline Village. The St. Lawrence Church was built in 1896 on Boylston Street in the Chestnut Hill/South Brookline area of the town, built to serve a more local, well-off population in the area. The church (and the adjacent rectory) was designed by Franz Joseph Untersee, a Swiss-American architect, and Brookline resident, who designed many Roman Catholic churches throughout the eastern part of United States. The Neo-Gothic church building is built of wood and stone with stucco and applied half timbering. Besides the large stained glass window and applied ornament, the church is notable for its square, irregularly-laid granite tower with crenelation. The church remains active in the community and very-well preserved inside and out.

Little Building // 1917

The Little Building sits prominently at the busy corner of Boylston and Tremont streets overlooking the Boston Common. Like the Colonial Theater next door, the Little Building was designed by architect Clarence Blackall and named after its developer and owner, John Mason Little. Blackall designed the Little Building in the Neo-Gothic style with a steel frame and a two-story Tudor-arched entrance on Boylston Street. The original facade was granite and cast stone, and the floors were made from reinforced concrete. The building replaced the Hotel Pelham which occupied the site since the 1850s. After being completed in 1917, the Little Building was considered significant enough that it was featured in American Architect and Building News, highlighting many architectural details inside and out. The Little Building was advertised as a “City Under One Roof” with 600 offices, dozens of shops, a post office, restaurants, and connections to the nearby subway and theaters. Emerson College purchased the Little Building in March 1994 for $5 million and converted the building to dormitories. After years of deteriorating masonry, Emerson College hired Elkus Manfredi Architects to oversee a full renovation of the building, including a sweeping facade restoration and the insertion of three glazed elevations between street-facing light wells. The “new” Little Building is a splendid re-imagining of a historic building, showing how old buildings can be renovated to meet contemporary uses through well intentioned design and care.

Old Chicopee High School // 1917

The Old Chicopee High School building is located at 650 Front Street, between the two major population hubs of Chicopee Center and Chicopee Falls and is one of the finest examples of Collegiate Gothic/Neo-Gothic Revival architecture in Massachusetts. The school building was constructed in 1917 from plans by architect, George E. Haynes as a central high school, a single building where pupils from all over the city could be educated. The population growth of Chicopee in the early decades of the 20th century necessitated additions and reworking of the spaces of the building, eventually outgrowing the building after WWII. In 1961, plans for a contemporary high school were completed and this building became a middle school for the City of Chicopee. Architecturally, the building stands out for its siting and high-quality design. The main facade features a central clock tower which contains the main entrance. The use of brick with cast stone trim and the castellated parapet add much dimension to the large building. The City of Chicopee have done a commendable job maintaining this important landmark.

Administration Building – Elms College // 1932

Elms College in Chicopee, Massachusetts began as the Academy of Our Lady of the Elms, a Catholic boarding school for girls established in Pittsfield by the Sisters of Saint Joseph in 1897. The academy was relocated to Springfield Street in Chicopee through the efforts of Bishop Thomas D. Beaven in 1899. The Academy provided elementary and secondary education with a Normal School component that prepared young women for careers in teaching. In 1924, Bishop O’Leary announced the intention to expand the school into higher education, creating a women’s college. The college charter was approved in 1928 and the Academy became the College of Our Lady of the Elms. Planning and construction of the Administration Building (later renamed Berchmans Hall in 1983) began immediately after the incorporation of the College in 1928. Designed by John W. Donahue, the official architect of the Diocese of Springfield at the time, Berchmans Hall is a landmark example of the Collegiate Gothic/Neo-Gothic style that proliferated higher education and ecclesiastical buildings in the early decades of the 20th century. Completed in 1932, the new building included offices, modern classrooms and laboratories. The back section contained a gymnasium in the basement and an auditorium on the main floor. The building remains the main building on the Elms College campus and serves as an important visual anchor to the school.

Trinity Episcopal Church, Newton // 1915

The Trinity Episcopal Church in Newton Centre is one of the most unique and architecturally significant buildings in the village. Episcopalians began meeting in Newton Centre by at least 1889 and began discussions about erecting their own church. A small wood-frame chapel was built (since relocated and used by the Newton Parks Department) and provided worship space for years until the 1910s when the congregation acquired enough funds to build a more substantial structure. The cornerstone for the new church, which was designed by architect George W. Chickering, was laid in May of 1915, and the building was completed in 1916. Modeled after the stunning King’s College Chapel in Cambridge, England, the high-style Gothic edifice is notable for the crenelated parapet and pinnacles rising above the buttresses.

Former First Congregational Church, Newton // 1904

The former First Congregational Church (now the Greek Evangelical Church of Boston) of Newton Center, Newton, is a landmark example of the Neo-Gothic architectural style for a church building. Built in 1904, the structure resembles an English village church in the form of a Roman Cross with short trancepts. The structure is constructed of Quincy granite and was designed by the architectural firm of Shepley, Rutan & Coolidge. The First Congregational Church of Newton was originally established in 1664 as a parish church when Newton was still a part of Cambridge (then known as Newtowne). The parish has had six meeting houses built by the Congregation, with the last four on this site. Seeing dwindling membership in the mid-20th century, First Church in Newton dissolved in 1972, after more than 300 years of service to the Newton community. Luckily, the newly formed Greek Evangelical Church of Boston would buy the church that same year and has maintained the significant edifice ever-since!

Tudor Lodge // c.1850

A rambling Gothic Revival style house in the mode of the picturesque Gothic estates in England, can be found tucked away in Newport, Rhode Island. This is Tudor Lodge, a stuccoed summer “cottage” notable for its stucco siding, moulding over all the windows, broad crenellated parapets, and a hip-roof porte-cochère in front of the principal entrance. The house was supposedly originally built as a summer residence for Nicholas Redwood Easton around 1850. After his death, the property was purchased by members of the Gibbs (Gibbes) Family, who owned much of the land in this part of town, giving nearby Gibbs Avenue its name. The property was purchased around 1900 by William Rogers Morgan, a New York City banker, who greatly remodeled and named the estate, Tudor Lodge, giving the house its present appearance. The estate was converted to four condominium units in 1980.

Norwood Town Hall // 1928

Norwood Town Hall represents the achievement of landscape architect Arthur A. Shurtleff and local financier, George Willet, to transform the village center of Norwood, Massachusetts from a sleepy rural village to a thriving commercial and cultural center of town. Plans for the municipal building began as early as 1919, with this building serving as both a town hall and memorial to the Norwood men who died in all previous wars. The building would not be completed until 1928. Designed by Norwood architect, William Upham, the building is a landmark example of the Neo-Gothic Revival style and its main feature, the 110-foot bell-tower which houses a 50-bell carillon, towers over the town common.