Newport RI Architecture

Katherine Prescott Wormeley House // 1876

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The Katherine Prescott Wormeley House is an eclectic and eye-catching Queen Anne architectural landmark on Red Cross Avenue in Newport, Rhode Island. Boston-based Katherine P. Wormeley (1830-1908), a native of England, served as a nurse for the Union Army during the Civil War and was one of the best-known translators of French literature into English. She built this double-house at a cost of $7,000 and rented another unit in the home for additional income. The Wormeley House is one of Charles Follen McKim’s early, independent works after working in the office of H. H. Richardson but before forming his own firm with William Rutherford Mead in 1877. Just years after she moved in, Ms. Wormeley in 1882, hired McKim, who was now under the firm, McKim, Mead & White to update and enlarge the home. By 1893, Wormeley had moved to New Hampshire and sold the house to Elizabeth Cabot Hayden and Dr. David Hyslop Hayden. The golden onion dome roof at the tower is a real treat!

Oakwold Cottage // 1883

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Oakwold, a stunning Queen Anne residence on Old Beach Road in Newport, Rhode Island was supposedly built on speculation and purchased by Augustus Jay (1850-1919). Mr. Jay was born in Washington, D. C., the son of Peter Augustus Jay and Josephine Pearson Jay. Augustus Jay graduated from Harvard College in 1871 and from the Columbia Law School in 1876, and worked as a diplomat. His wife was Emily Astor Kane (1854–1932), a daughter of DeLancey Kane and Louisa Dorothea (née Langdon) Kane. Emily was a descendant of John Jacob Astor. The “cottage” was named Oakwold, and was designed by architect Clarence Sumner Luce, who designed many summer residences in Newport, and specialized in the Queen Anne style. Particularly noteworthy in the design of Oakwold are the brick first floor with entrance within a recessed arched opening and pebble-dashed and half-timbered gable ends.

Rosevale // 1876

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“Rosevale” was built in 1876 as a summer residence in Newport, Rhode Island, for couple, Grace Sears Rives and William Cabell Rives. Grace was the daughter of David Sears of Boston, who developed the Longwood neighborhood of Brookline; and William was the son of William C. Rives Sr., a Virginia congressman and Senator. The High Victorian Gothic mansion was designed by the Boston architectural firm of Peabody & Stearns who formed their practice just years earlier. The house was enlarged in 1881 by architect George Champlin Mason, Sr. The stonework of the lancet windows, the large octagonal tower, and the carved moldings give the relatively boxy home a more ecclesiastical feeling. The estate retains its original siting, at the middle of a large lot between Red Cross and Rhode Island avenues, which has thus far resisted infill housing on the estate. For years, Rosevale has been occupied as a funeral home, but it appears to have sold a couple years ago.

Bethshan Cottage // 1884

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Bethshan Cottage is one of Newport’s (many) “hidden” gems that gets far too little attention from publications! Located on Gibbs Avenue, down the block from Eveherdee and William Barton Rogers‘ summer cottage, “Morningside”, Bethshan was built in 1884 on land purchased by Major Theodore Kane Gibbs. Theodore was the son of William C. Gibbs, the 10th Governor of Rhode Island, and served in the Union Army during the American Civil War, mustering out as a Major in 1870. Newport-based architect Dudley Newton designed this cottage for Gibbs, which blends nearly every major architectural style of the late 19th century under one, beautiful gambrel roof. The red granite stone walls, red brick trim, red fish-scale slate roof, even the rust-colored mortar, all work together to create a lovely composition, unlike anything else seen in Newport. According to Newport’s Assessor, the house is presently an apartment house.

Eveherdee Cottage // c.1889

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This Queen Anne style “cottage” is located on Gibbs Avenue, one of the lesser-visited streets for house-stalking in Newport, Rhode Island, but wow is she something! The summer cottage here was built by 1890 for Ogden Hoffman Burrows, a merchant who went into business with his father and brother in San Francisco, shipping goods from East Asia to America. He purchased two adjacent lots here on Gibbs Avenue in 1884 and 1889, having this house built as a summer residence, where he could mingle with other wealthy neighbors. The Queen Anne style house was reportedly designed by local architect, John Dixon Johnston, who incorporated all the hallmarks of the style: varied siding types and materials, turned post porte-cochere, applied ornament, and complex, asymmetrical form. Burrows would sell this house by the turn of the 20th century. Later owners, Herbert E. Stride and Daisy Thompson Stride, who would reside here with Daisy’s mother, Eve. The Stride’s named the home “Eveherdee” an amalgamation of their individual names: Eve (Eveline), Her (Herbert), and Dee (Daisy). The home was most recently owned by television producer, Vin Di Bona, who restored the house to its grandeur we see today.

Edgar-Wolfe-Moore House // 1864

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At the head of Touro Park, this large home has stood since it was built in 1864 for Daniel Edgar of New York, who made it his summer home for eight seasons. It was designed by noted local architect, George Champlin Mason in the Italianate style and included a broad veranda, brackets, and other intricate details. In 1872, Edgar sold the property to Catherine Lorillard Wolfe, who occupied the house until 1883 when her property “Vinland” was completed on Ochre Point Avenue. In 1948, the house was purchased by Cornelius C. Moore, who remodeled the exterior in 1949-1950, removing its Italianate trim and replacing it with Neo-Federal detail we see today. The house was most-recently in use as the Touro Park Inn, but was recently purchased and is a single-family home.

“Park Gate” Cottage // 1879

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“Park Gate” Cottage sits on Bellevue Avenue near Touro Park in Newport, Rhode Island and is one of many summer “cottages” for wealthy summer residents. The home replaced the Atlantic House, a large summer hotel formerly on the site. The wood-frame dwelling was designed by Newport architect George Champlin Mason for Seth Bunker Stitt of Philadelphia and constructed in 1879. Mason’s design for “Park Gate” includes many features typical of the Queen Anne style including the asymmetrical facades, wrap-around front porch, tower, and even the small details like dentils, spindle work and balustrades. The house was later purchased by Newport Lodge #104 of the Benevolent and Protective Order of the Elks in 1920, who own the building to this day.

Gardner House // c.1847

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This perfect Greek Revival style house sits on Pelham Street in Newport, overlooking Touro Park and the iconic Newport Tower/Old Mill. Built around 1847 for Captain Robinson Gardner, the house exhibits flushboard siding, a heavy portico with wrought iron balcony over the door, and entablature with corner pilasters, all hallmarks of the style. The home became known as “White House” and has likely been painted white for much of its history.

Smith-Cottrell House // 1887

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Located next to the Channing Memorial Church and the Derby Cottage on Pelham Street, this Queen Anne style cottage stands as a significant Victorian era residence on the street dominated by Greek Revival homes. Built in 1878 for a William H. Smith for his residence and office. The home is an excellent example of the Queen Anne style with asymmetrical form and massing, complex roofline with multiple gables and towers, varied siding, and intricate millwork. By the early 20th century, the property was owned by John and Mary Cottrell, and later purchased by the Channing Memorial Church as “Channing House”.

Channing Memorial Church // 1880

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The Channing Memorial Church of Newport, Rhode Island was named in the memory of William Ellery Channing (1780-1842), an ardent abolitionist and founder of the Unitarian faith in America. In 1835, ten men formed the first Unitarian Society in Newport in October 1835 and met in the home of Channing’s grandfather, William Ellery, one of the 56 signers of the United States Declaration of Independence. In 1879, the congregation’s minister, Rev. M. K. Schermerhorn, conceived the idea of a memorial to William Emery Channing, whose centenary would be the following year. He decided upon the ambitious project of a new church building and planning began immediately. On Rev. Channing’s 100th birthday, the cornerstone laying ceremony occurred in 1880. The Victorian Gothic stone church designed by Elbridge Boyden took a year to be completed and was was built from granite, cut in Lyme, Connecticut. Inside, two stained glass windows, the first ecclesiastical commission of John LaFarge, flood the interior spaces with warm colored light. The church looks much as it did when completed almost 150 years ago, thanks to an active congregation preserving this great landmark.

Butler House // 1865

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A true Italian Villa can be found in the dense center of Newport, Rhode Island. This is the Butler House, built in 1865 for physician Samuel Butler (1816-1881) and his wife, Emeline. Dr. Butler was born in Maine and was educated at Harvard before moving to Newport to become a member of high-society there. Besides working as a physician, Samuel Butler served on the Newport School Committee and as a director of the Redwood Library. His house was originally built in 1865 (as the right half) in a late-Greek Revival style as a side-hall house with flushboard siding and pilasters between the bays. As Newport continued to grow in wealth as a summer destination, Dr. Butler modernized his home in 1876, adding the oversized corner tower with round arched windows and bracketed cornice. The two aesthetically opposing styles somehow work well together in this eclectic home, which today, is further enhanced by a color palette to accentuate the two sections.

Littlefield-Van Zandt House // 1836

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In the late 1830s, Captain Augustus Littlefield (1803-1878) purchased a house lot on Pelham Street in Newport, Rhode Island and commissioned housewright John Ladd to design and build his new residence. Littlefield reportedly asked his Ladd to design an “authentic copy of an Italian Villa” he had seen during a trip in southern Italy. The result is a more traditional Greek Revival, temple-front house with a portico supported by four monumental columns with capitals that combine Corinthian and Egyptian lotus motifs. The minimal Italian Villa detail can be seen in the bracketed cornice and in the pediment. Built around 1836, the house remained in Littlefield’s possession until his death in 1878. The property was purchased by Charles C. Van Zandt, attorney and later the 34th Governor of Rhode Island. Gov. Van Zandt died in 1894 and was interred at Island Cemetery in Newport. The Littlefield-Van Zandt House remains a significant early, high-style Greek Revival house in the state and one with a great state of preservation.

Old Swedish Lutheran Church, Newport // 1896

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By the end of the 19th century, the summer colony of Newport, Rhode Island continued to see the erection of large summer cottages which required large staffs to maintain them. Scandinavian girls were preferred by the wealthy residents for maids and drivers, and beginning in the 1870s; they joined other ethnic groups, such as the Irish in establishing their own communities in the coastal city. In 1892, organized under the New York Conference of the Augustana Synod, a Lutheran Church for Swedish-speaking residents was established. A small lot on Corne Street was purchased and work began on this small wood-framed church. Completed in 1896, the church was designed by by architect James W. Smith in the Gothic Revival style. It has a central bell tower and a spire and the interior of the church originally had an hourglass pulpit. Gold and white decorations surrounded an oil painting of the risen and ascending Christ. In the 1950s, the congregation purchased land on Broadway in the north end of Newport and built St. Peter’s Lutheran Church. The Corne Street church was sold and is now a private residence.

Cornè House // 1822

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What does this house and the tomato have in common? Keep reading to find out!

Michele Felice Cornè (1752-1845) grew up in Naples Italy and became disillusioned with the Napoleonic Wars. After the French occupation of Naples in 1799, he fled and was brought to the United States on the ship Mount Vernon, commanded by Elias Hasket Derby Jr., and settled in Salem, Massachusetts. Cornè moved to Boston in 1807 and lived and worked there until 1822 when he moved to Newport, Rhode Island, purchasing a property containing a barn. Cornè either had the barn renovated into this 1822 house or built the Federal period house from its timbers. Here, Cornè would paint many maritime scenes as murals in homes and businesses. However, his true contribution to his adopted country was convincing his neighbors to eat the tomato. While in Newport, it is reputed that Cornè introduced the tomato into the American diet. In early 19th century New England tomatoes were thought to be deadly poison. Cornè was accustomed to eating tomatoes in his native land and would regularly eat them without ill effect and, thus, allayed the fears of the residents of his adopted country. Today, the popularity of the tomato in American cuisine can be credited (in part) to Cornè and his love for the tomato.

Harkness House // c.1730

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The award for the cutest house in Newport goes to this c.1730 beauty on Green Street! This charming Georgian cape house sits just one-and-a-half stories tall under a squat gambrel roof. The house was originally located at the corner of Thames Street and was moved at least twice until it was placed on its present site by the Newport Restoration Foundation, after they acquired it in 1983, restoring it soon after. The center-hall house has just two rooms on each floor with a central staircase and chimney. The small dormers add some light to the second floor without compromising the historic and architectural integrity of the cottage.