Greek Revival

Bertram-Jewett-Hale House // 1842

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This lovely brick house on Winter Street in Salem was constructed for Capt. John Bertram in 1842-3. John Bertram (1795-1882) as a boy had his first job as a cabin boy and would work his way up to become a commander, ship owner and investor. He was extensively involved in shipping around the world including to Zanzibar, South America, and California and later he invested in railroads and real estate. He retired from actively commanding boats at age thirty-six with a vast fortune which he would become a philanthropist, giving much of it to charitable causes and his home city of Salem. Captain Bertram continued to own this property until 1855, when he moved to his new house on Essex Street, which he later gifted to the City of Salem as its public library. By the time of his death in 1882, he donated funds to the Salem Hospital, Old Men’s Home, Home for Aged Women, and various colleges and scholarships. Bertram sold this Winter Street house to John Jewett in 1855 for $10,000. Jewett began his career as a cabinet maker in Beverly in 1817 and subsequently became a dealer in mahogany, fancy woods, furniture and grain. Jewett died in 1874 and the property was sold by his heirs to Henry Appleton Hale in 1890. Engaged in the hardware business, Hale also served as president of the Salem Gas Light Company and as a vice president of the Salem Five Cents Savings Bank. Mr. Hale also served the country during the Civil War, and was shot in the face at Antietam on September 17, 1862. The bullet knocked out his front teeth and sliced off a piece of his tongue. Despite the severity of his wound, he recovered and returned to the regiment months later, and mustered out in 1865 following another injury. Henry A. Hale died in 1927. The property is significant not only for its owners, but also for its architectural quality and integrity. The transitional Federal-Greek Revival house features a recessed entry with original leaded sidelight and transom windows, brownstone trimmings, and alterations (likely by Hale) from the second half of the 19th century, including the projecting bay and arched window in the gable.

George Clark Cottage // 1847

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In 1847, George Clark (1815-1890), a Salem carpenter, purchased a house lot on Oliver Street, a block away from the Salem Common. That year he began constructing this cottage for his family. The Clark Family resided here for just a year until 1849, when George got caught up in the California Gold Rush, selling the property and moving west to make his fortune. Since Mr. Clark was back in Salem by 1850 (according to the federal census), he was likely one of the thousands of forty-niners who did not strike it rich. The Greek Revival style house is unique for its more Gothic style gable, brackets, and segmental arched windows.

Nathaniel B. Perkins House // c.1836

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Nathaniel B. Perkins (1813-1885) was born in Salem the son of Captain Joseph Perkins (born 1785) and Elizabeth Hunt. Perkins was a wealthy ship owner in Salem and served on the Salem School Committee and was Treasurer of the Essex Marine Railway. He married Susan Breed in 1836 and built this house on Oliver Street in Salem soon-after. The high-style Greek Revival house is notable for its prominent recessed center entry with engaged, fluted Ionic columns and a modillioned entablature. Perkins likely had one of his ship carpenters work on the carvings as they are so unique.

Essex County Old Granite Courthouse // 1841

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Aligned in a row on the north side of Federal Street in Salem, the Essex County Court complex is a tour de force of the evolving architectural tastes of three centuries. At the eastern edge of the complex, the Old Granite Courthouse stands as the oldest of the group. The two-story temple-form building is of rectangular plan with gabled roof oriented towards the street. The facade features a recessed porch with paired columns surmounted by Greek Corinthian capitals which are set between broad, squared Doric corner pilasters. The granite building was designed by architect, Richard Bond (1797-1861) of Boston, and the structure is often referred to as one of the finest Greek Revival-style Civic buildings in New England. The courthouse remained in use until the J Michael Ruane Judicial Center at the end of the block was completed in 2012. The Old Granite Courthouse and adjacent Old Superior Courthouse were both vacated and have been essentially mothballed ever-since under the ownership of the Division of Capital Asset Management and Maintenance as surplus. The fate of the two buildings remains undetermined.

Skinner-Boardman Mansion // 1832

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One of the finest houses in New Haven is this stately residence, the Aaron Skinner Mansion on Hillhouse Avenue. The mansion was built in 1832 for Aaron Nichols Skinner (1800-1858) from plans by architect Alexander Jackson Davis. Skinner was a Mayor of New Haven (1850-1854), and for a short time, ran a boy’s boarding school out of this house. Skinner was also a CT State Representative, serving two terms. The house was originally built as a three-bay, two-story house with one-story side wings and a rear ell. After his death, the house was purchased by Judge William W. Boardman, who in 1859, modernized the property hiring architect, Henry Austin, who filled in the side wings and added Italianate window mouldings. The monumental portico supported by fluted, Ionic columns, creates such a stately presence for the early house on the street. In the early 20th century, the mansion was owned by Rutherford Trowbridge, who renovated the house for his own use. The house remained in the Trowbridge family until the death of his last daughter, Miss C. Rachel Trowbridge, when the estate became the property of Yale University.

Pritchard House // 1836

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One of the earliest houses built on Hillhouse Avenue in New Haven, Connecticut, is this stately Greek Revival mansion with monumental portico. The house was built in 1836 for Mary Pritchard from plans by great American architect, Alexander Jackson Davis. The mansion is two stories and is constructed of brick and stucco with a distinct two-story portico supported by fluted Corinthian columns. The architect also may have designed a barn at the rear of the house for Ms. Pritchard. Like many other former residences on Hillhouse Avenue, the house was acquired by Yale University, and is now the house of the Provost.

Liberty Tree Block // 1850

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The Liberty Tree Block is located at one of Boston’s oldest and most important intersections, Boylston and Essex streets. It is said that near this site, the Liberty Tree stood, and where in 1765, Patriots in Boston staged the first act of defiance against the British government under its branches, The Stamp Act protests. The tree became a rallying point for the growing resistance to the rule of Britain over the American colonies. The Liberty Tree was cut down by British Loyalists in 1775, but the tree’s symbolism lives on in the building constructed on the site 75 years later. Nineteenth-century real estate developer David Sears had this commercial block built in 1850, which housed stores at the street with ballrooms on the upper floors. The Liberty Tree Block is best-known and named so due to the wooden relief plaque of the Liberty Tree on the Washington Street elevation. The motif stands 8′ high and 5′ wide and was carved by ship carvers. The bas relief is inscribed with “Liberty–1765” across the top, “Law and Order” at its roots, and at the bottom, “Sons of Liberty, 1765. Independence of their Country, 1776.” The building (and its carving) are protected Landmarks in Boston.

Hilt-Rayner Houses // 1844

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This is your reminder to get lost and explore your city or town. Tucked off Boylston Street sits Boylston Place, a short, dead-end way that is passed by thousands every day, many not knowing about the little enclave of surviving 19th century buildings there. At the end of the street, the Hilt-Rayner Double House remains in great condition and a reminder as to the residential character of the area in the first half of the 19th century. The houses were built by Henry Hilt, a housewright who owned one unit after completion. The other unit was owned by Thomas L. Rayner, who appears to have rented the unit out. The late example of the Greek Revival style in the rowhouse form is well preserved through nearly 200 years of use. Beginning in the 1920s, the two homes were acquired by the Tavern Club, a private social club established in 1884 in the house next door. It remains owned by the Tavern Club today.

Elias Gates House // 1843

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In 1843, Elias Gates (1801-1886) a young farmer, purchased land from the family of his wife, Mary A. Stedman, and had this handsome brick, Greek Revival style house built. The family would reside here less than ten years, and relocate to Albany, where Elias worked as a bookseller. The house was purchased numerous times throughout the 19th and 20th centuries, and operated as a farmhouse until much of the land was sold and subdivided for new housing. The Gates House is a great example of the Greek Revival style with a side hall plan, recessed entry with original sidelights and transom, and bold facade with brick pilasters dividing the bays with brick entablature and gable end facing the street.

First Congregational Church of Chicopee // 1825

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The First Congregational Church Society of Chicopee was organized as the Second Church of Springfield in 1751, when residents of land today known as Chicopee and Holyoke (then a part of Springfield) sought a parish church closer to their homes. Before Chicopee officially split from Springfield in 1844, the Second Church of Springfield built this Federal-Greek Revival style church building in 1825. Shepherd and Whitmarsh, prominent builders of Springfield were hired to erect the church. Both were trained under architect, Isaac Damon, thus the close resemblance to his designs for this church in Chicopee. The clapboard structure is simply designed but holds strong proportions and symmetry. The church has a four-columned portico with Ionic columns and a two-story square tower containing the belfry, blind octagonal stage with molded trim above, all capped by a dome surmounted by a weathervane. While the church now has replacement windows and plastic, ill-fitting shutters, the building is in great shape and tells the story of the early days of the development of Chicopee from sleepy parish town to industrial city.