Queen Anne

Roughwood // 1891

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Roughwood is a historic estate house on Heath Street in Brookline, Massachusetts. The main residence and the various outbuildings on the grounds were designed by the Boston architectural firm of Andrews, Jaques and Rantoul, and built in 1891 as the summer estate of William Cox, a wholesale dealer in the footwear industry. Mr. Cox died in 1902 and the property was sold to Ernest Dane, the year before he married Helen Pratt, the daughter of Charles Pratt, a wealthy New York businessman and philanthropist. Mr. Dane was a banker who served as President of the Brookline Trust Company. The Dane’s owned the property for decades until the property was eventually purchased by Pine Manor Junior College in 1961. The estate house remained a centerpiece of the campus. In the early 21st century, Pine Manor College saw financial distress, and was saved by Boston College, who acquired the campus and its existing students as Messina College, which opened in July 2024 for over 100 first-generation college students. Architecturally, Roughwood is a high-style example of the Queen Anne/Shingle style of architecture. The mansion is built with a puddingstone and brownstone first floor and a second floor of varied patterns of wood shingles, all capped by a slate roof. The facade is dominated by towers and dormers and the great rustic entrance portico with dragon’s head brackets. To its side, a 1909 Tudor Revival addition served as a music room for the Dane’s family and while stylistically unique, is designed with impeccable proportions.

Ancient Landmark Building // 1887

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Tucked away on Boylston Place, a dead-end pedestrian way off the bustling Boylston Street in Boston, you will find a collection of 19th century buildings that have miraculously survived over a century of growth, urban renewal, and rebirth. This is the Ancient Landmark Building, constructed in 1887 as a IOOF Lodge. The Independent Order of Odd Fellows (IOOF) is a non-political, non-sectarian international fraternal order established in the United States 1819. The four-story Ancient Landmark Building blends Queen Anne and Romanesque Revival styles effectively with its two arched openings, arched windows in the top floor and two-story metal projecting bays. In the 1970s, the building was listed as “substandard” by the infamous Boston Redevelopment Authority, and luckily did not get demolished as part of its Urban Renewal push. The property was eventually acquired by Emerson College, a great steward for historic buildings and cultural institutions, who restored the building and built a new dormitory above and alongside the Ancient Landmark Building. The project preserves the important streetscape of Boylston Place, while providing needed dormitories for the school.

Blaisdell-Carter House // 1890

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The Blaisdell-Carter House is a great example of a Queen Anne style home in Chicopee, Massachusetts. The house was built in 1890 for Harriet P. Blaisdell following the death of her husband, Samuel Blaisdell, a cotton broker, in 1888. Mrs. Blaisdell hired David B. Griggs, a builder in Chicopee under the firm D. B. Griggs & Sons, to design and build the residence, which sat across the street from Griggs’ own home. Harriet would pass away just three years after her home was built, and the property would eventually be sold to Nathan P. Ames Carter (1864-1959). The residence sits on a large lot and exhibits varied siding, asymmetrical plan with porches, additions, and steep gable roofs, and the use of irregular windows of varied sizing and locations. While the second floor porch has been enclosed, the house retains much of its original fabric and has not been covered by vinyl or aluminum siding, a rarity in Chicopee.

Griggs House // 1891

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This fancy Queen Anne Victorian residence can be found in Chicopee Falls, Massachusetts, and is one of the most unique houses in the industrial city. This property was built and occupied by David B. Griggs, a builder in Chicopee under the firm D. B. Griggs & Sons. The firm was very busy in the late 19th and early 20th centuries, as Chicopee saw rapid industrial prosperity followed by a population boom, growing in population from over 9,000 residents in 1870 to 36,000 in 1920. Builders like David Griggs were able to grow to upper-middle class and buy property on desirable house lots and build large homes for their family, as was the case here. David Griggs died in 1896, five years after his home was built, and the property was inherited by his son, Millard Griggs. While the residence is covered in vinyl siding (original siding and trim is likely underneath the present siding), the house retains much of its original fabric including the brackets, delicate open friezes at the porches, and four-story tower.

Justin and Sarah Spaulding House // 1886

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Justin Spaulding and his wife, Sarah (Cooley) Spaulding erected this house on Springfield Street in Chicopee, Massachusetts, in 1886, and would later be known for their philanthropic gifts to their home city. Justin Spaulding (1838-1906) was a wealthy grocer who amassed a small fortune operating stores in the industrial Lower Pioneer Valley. The Spaulding House is one of the finest Queen Anne style buildings in Chicopee, and is notable for its asymmetrical form, tower, ornate gable detailing, porches with original balustrade, and the chimney with inlaid terracotta tiles. Justin Spaulding died in 1906, and Sarah C. Spaulding (1840-1907) would pass away a year later. They had no children. In her will, Sarah bequeathed funds for the first purpose-built library in Chicopee and money for a memorial chapel in a local cemetery. The Spaulding House was acquired by the Academy of Our Lady of the Elms (now Elms College), moved to its present location in 1920, and was converted to the Office of Admissions for the College. Besides the need for a new coat of paint, the house is lovingly preserved!

Old Goshen Town Hall – Goshen Players // 1895

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The first purpose-built official town building of Goshen, Connecticut, was this wood-frame structure at the main junction in the central village as the town’s first town hall. Built in 1895, the structure originally housed offices for the selectmen and town clerk, a fireproof vault for records, and a large audience-room with stage for town meetings and ceremonies. The building employs a more traditional form similar to the old Greek Revival meetinghouses built in New England in the first half of the 19th century, but with a shingled, Victorian entry tower with bell roof. When the Town of Goshen moved into its present town hall building, this structure became the home to the Goshen Players, a community theatre established in 1949, and is the second oldest continuously performing theatre group in the state.

George H. Dart House // 1893

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Arguably the most restrained and modestly detailed residence on Stimson Avenue in Providence is this residence, the George H. Dart House, a late-Queen Anne dwelling built in 1893. The original owner, George H. Dart (1845-1897) worked as the President of the Rhode Island Tool Company before his unexpected death in 1897.  Four years prior to his death, Mr. Dart hired the local architectural firm of Stone, Carpenter & Willson, to design this single-family residence, which employs Shingle and Queen Anne detailing under a two-story gambrel roof with overhanging eaves sheltering recessed porches and bay windows.

Thurston-Gladding House // 1886

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One of the finest Victorian-era houses in the College Hill/East Side area of Providence is this stately residence at 30 Stimson Avenue, known as the Thurston-Gladding House. The house was built for newlyweds, John Russell Gladding and Ellen (Thurston), on land given to the couple by Ellen’s father, attorney and judge, Benjamin Thurston. John Gladding was originally from Connecticut and the couple split their time between their Providence home and a country retreat in Thompson, Connecticut. Architects Thomas J. Gould and Frank W. Angell (Gould & Angell) furnished the plans for the home, which features a ground floor faced with textured brick and walls adorned by continuous wood shingle siding above. A rounded tower, projecting bays and dormers, and a elongated front porch break up the massing into a pleasing composition.

Louis E. Robinson House // 1892

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Built in 1892, at the height of the convergence of tastes of the Queen Anne Victorian and more traditional Colonial Revival architectural styles, the Louis E. Robinson House at 60 Stimson Avenue in Providence, Rhode Island, showcases the intricacies and whimsy that can be designed when a house is a blending of styles. The residence was built for Louis Elmer Robinson (not Robertson like so many sources claim), a cotton dealer and merchant, from plans by architect Frank W. Angell of the firm, Gould & Angell of Providence. The Robinson House is a gambrel-roofed mass, set gable end to the street, leaving only the ground story and side elevations in clapboard. The polygonal half-tower attached to the side elevation and its paneled grouping of windows retains the older medieval allusion of the early Queen Anne style, but with a swans neck pediment topping the stair hall window showcased the Colonial influence. I am imagining the home with a more period-appropriate color palette, but it still shines!

Henry A. Waldron House // 1893

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The period of the late 19th through early 20th centuries provided architects the opportunity of blending the two prominent styles, Queen Anne and Colonial Revival into a single composition, and as a result, this period has provided some of the most whimsical yet stately homes in New England. This modestly sized residence sits on Stimson Avenue, one of the finest streets in Providence, and despite its unassuming size, packs an architectural punch with its materials and detailing. The Henry Waldron House was built in 1893 for Henry A. Waldron, a clerk in Providence. From deed research, it appears a member of his family, Nathan Waldron, a wealthy grocer, purchased the site in 1891 and likely funded some or all of the construction of the residence there. The architectural firm of Hoppin, Read & Hoppin is credited with the design of the residence, which employs a Colonial Revival form with the gambrel roof and Columned and ornate entrance porch with fan motif, while the use of varied siding materials and octagonal tower with pyramidal roof veers into the Queen Anne style.