Unitarian Universalist Association Headquarters // 1926

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The American Unitarian Association (AUA) opened its first headquarters in Boston in 1865, forty years after the organization was founded. Since its founding in 1825, the AUA occupied several locations but eventually took residence in a Richardsonian Romanesque style building constructed in 1886 at the corner of Beacon and Bowdoin streets. The handsome structure, designed by Robert Swain Peabody of the firm, Peabody and Stearns, served as the headquarters for the association until it was demolished in the 1920s for the expansion of the Hotel Bellevue. In 1926, the AUA purchased an 1840s townhouse and demolished it, replacing the former residence with their new building to serve as a church headquarters office building. The American Unitarian Association hired the Boston architectural firm of Putnam and Cox to design their building, which employed architectural similarities to the adjacent 1820s townhouses designed by Cornelius Coolidge. The six-story building is constructed of red brick with a two-story granite base with piano nobile with a balcony, all under a mansard roof with dormers. The American Unitarian Association sold their Beacon Street building and relocated to a new headquarters on Farnsworth Street in the Seaport/Fort Point area of Boston in 2014. The 1926 building was converted to high-end luxury condominiums.

Tuckerman-Parkman Mansion // 1825

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The Tuckerman-Parkman Mansion at 33 Beacon Street, like its neighbor, was built in 1825 from plans by architect, Cornelius Coolidge, in the Greek Revival style. The residence was originally purchased by Edward Tuckerman, a wealthy merchant and father of Professor Edward Tuckerman, a prominent lichenologist for whom Tuckerman Ravine on Mount Washington was named. Tuckerman Sr. lived here at 33 Beacon Street until his death. The next owners, Mrs. Eliza Parkman and her son, George Francis Parkman (1823-1908) moved here after the brutal murder and following sensational trial of her husband, Dr. George Parkman (1790-1849). The 1849 trial of Parkman’s murderer, Professor John White Webster of the Harvard Medical School, was called the “case of the century”. Professor Webster owed Dr. Parkman a substantial sum of money. The professor lost patience with Parkman’s constant reminders that his payment was long overdue and killed Parkman in a rage, dismembered his tall, lanky frame and concealed the body parts in a wall of a Harvard Medical School laboratory. With the help of a janitor, Dr. Parkman’s body was discovered. A murder trial ensued, and Professor White was found guilty and subsequently hung. The murder trial has been widely cited as one of the earliest uses of forensic evidence to identify a body. Seeking refuge from the attention and pain from the loss of the family patriarch and trial, Ms. Parkman and her son, George, moved to this home in 1853. Widow, Eliza Parkman died in 1877 and George F. Parkman lived in this home until 1908. In his will, Mr. Parkman bequeathed his mansion and over $5 Million to the City of Boston for the maintenance of the Boston Common. The Tuckerman-Parkman Mansion was restored by the City of Boston in 1972 and used almost exclusively as the Mayor’s residence until 1984. The house is now the official reception hall of the Mayor’s office and appears much as it did when built 200 years ago.

Russell-Bradlee Mansion // 1825

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The land at the corner of Beacon and Joy streets in Boston’s Beacon Hill neighborhood was once John Hancock’s west pasture for his grand manor (razed in 1863) until 1819, when subdivision of the Hancock estate began following his death. In 1821, Israel Thorndike, one of the leading land speculators of early nineteenth-century Boston, began buying out the Hancock heirs and house lots overlooking the Boston Common were sold to John Hubbard and George Williams Lyman, who hired architect Cornelius Coolidge, to build some stately Greek Revival townhomes for wealthy Boston elites. The house at the corner of Beacon and Joy streets, 34 Beacon Street, was built in 1825 for Nathaniel Pope Russell, a leading Federal period China Trade merchant. By 1850, James B. Bradlee, a wealthy merchant, had acquired the property. Bradlee’s grandson Ogden Codman Jr., the influential late nineteenth- and early twentieth-century architect and interior decorator, was born in this house in 1863. Codman later collaborated with novelist and tastemaker Edith Wharton on ‘The Decoration of Houses‘, a book that had an enormous impact on the direction of interior design when it was published in the 1890s. Little, Brown and Company, a publishing company founded in 1837, purchased the former residence and moved their headquarters here in 1909. The publishing company sold the property in 1997, and it converted to a single-family home. In 2007, the residence was purchased by Northeastern University and has since been the President’s House.

Villa Bella Vista // 1908

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Villa Bella Vista in Chester, Connecticut, stands as a striking and deeply personal interpretation of an Italian Villa, designed not by a professional architect, but by its remarkable owner, Eila Pierre. Known even among friends as Madame Pierre, she was a turn-of-the-century feminist of independent means who defied convention at nearly every turn. Drawing inspiration from the indigenous farmhouse architecture of northern Italy, Pierre personally designed the well-preserved stuccoed stone house, which was later constructed by local Italian immigrant masons who settled in Chester. Born Ila Rowland Stone (1870–1931), she was newly married to Reverend Dwight Stone, a Yale-educated minister of the town’s Congregational Church. Within just two years of marriage, it unraveled. Reverend Stone resigned his post, and by 1906, the couple’s uncontested divorce, scandalous for the time, was finalized. Casting off both marriage and social expectations, Ila reinvented herself as Eila Pierre. Despite the scandalous divorce and cheating rumors, she chose to remain in Chester and build a summer home that reflected her independence and worldview. Plans for Bella Vista were underway as early as 1904, when she purchased land on Old Depot Road. To prepare for the design, Pierre embarked on an extended tour of northern Italy, studying villas firsthand and bringing along a young local stone mason, Martin Lanzi, who later built his home across from Madame Pierre’s mansion. Villa Bella Vista, completed in 1908, includes common architectural details in the Italian Villa style with the campanile, or tower, the colonnaded piazza, and stone masonry that define the Latin prototype, all unique to Connecticut, which makes this home so special.

Mitchell-Pratt House // 1820

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This architecturally unique and stunning Federal­ style house in Chester, Connecticut, was built in 1820 on the Middlesex Turnpike by Abram Mitchell for $10,000, double what he originally hoped to pay for the residence. The principal builder was Samuel Silliman, a locally well-known master carver, who clearly showcased his skill inside and out, much of which has been preserved by two centuries of owners. In 1845, the property was purchased by George Spencer, and presented as a wedding gift for his daughter, Julia, who married Dr. Ambrose Pratt (1814-1891). Dr. Pratt became well-known for his practice of hydropathology and temporarily used his house as a sanitarium known as the Chester Water Cure. The house was acquired by the local Roman Catholic Church and became the parish center until the residence was purchased and moved away from the busy street to its current location in 1966. In the 1980s, the house was purchased by famed artist, Sol Lewitt. The house has a large spider web window, still containing the original glass over the door and full-height pilasters dividing bays and inside, many stunning carved mantles and woodwork.

Jonathan Warner House // 1798

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The Jonathan Warner House in Chester, Connecticut, is one of the finest Federal style houses in the state and has been meticulously preserved for over two centuries. The house was built in 1798 by Jonathan Warner (1756-1828), a wealthy farmer who invested in merchant shipping ventures and also operated the nearby Chester–Hadlyme ferry transporting people across the Connecticut River for a fee. When he built his house Jonathan Warner used local workmen and timber, importing glass and paint from New York, wallpaper from Hartford, and stone and hardware were brought from Connecticut and New York. The farmhouse remained in the Warner family until 1922 when it was purchased by Malcolm Brooks, who retained all of the receipts and correspondence on the house’s construction and maintenance. Architecturally, the house stands out for its proportions and detailing, specifically at the front door with fanlight and sidelights, which are framed by fluted pilasters, pediment and dentil molding. There is a Palladian-esque window above the entry which is framed by two free standing Ionic columns on brownstone pedestals. What is your favorite detail of this house?

Gilbert-Zanardi House // 1830

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This unique Greek Revival style house is located on North Main Street in Chester, Connecticut, and was built around 1830 for John Gilbert. Johnʼs sister (Abby Gilbert Daniels) lived in a Greek Revival house on Liberty Street that had been built a few years earlier and was said to have been designed by Ithiel Town, a renowned Connecticut architect who specialized in Greek Revival style designs. It is thought that Town may also be the architect of John Gilbert’s residence seen here. The temple-front facade of the residence sits on a raised basement with the side-hall entrance and full-height hung windows on the facade sheltered under a portico supported by four square Doric columns. In the early 20th century, the property was purchased by Antonio Zanardi, who immigrated to Chester from Italy and worked as a watchman in a local factory. Antonio and his wife, Claudina, had a large family and expanded the house with a side wing in the early 1900s, also adding greenhouses and growing grapes on the terraced rear yard.


Chester Public Library // 1907

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The Chester Public Library in Chester, Connecticut, was formed from a private library when in 1875, a Library Association was formed with members paying fees to take out books. The library grew throughout the 19th century and was housed in rented spaces, including in the Old Stone Store, until the early 20th century, when the collection grew to a point a purpose-built library was needed. A generous donor stepped forward, Mr. Samuel Mills Ely (1837-1909), who grew up in Chester, but made his fortunes in Binghamton, New York. Samuel Ely donated funds to his hometown as a memorial to his parents, Richard and Mary Caroline Ely. The library opened in 1907 and is built of native granite and trimmed with Indiana limestone and resembles many of the Carnegie libraries built at the time with a central, pedimented entry pavilion and recessed side wings, but no Carnegie funds were allocated for this project. The architect is also not known at this time.

C. L. Griswold Mill // 1850

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Tucked away on the banks of the Pattaconk Brook in Chester, Connecticut, this mid-19th century industrial building contributes to the town’s vibrant industrial past. Built in 1850 by Charles L. Griswold (1822-1901) the mill ran on water power and originally produced auger bits, wood screws, corkscrews and other light hardware under the name Chester Manufacturing Company, before closing in 1919. In the early-mid 20th century, the building was occupied by the Solar Masonic Lodge No. 131, who renovated the building and removed all the original factory equipment. The National Theatre of the Deaf bought the building in 1983 and restored the original openings, using the building for rehearsal space and small performances until the theater company moved to Hartford in 2000. With its future uncertain, the old Griswold Mill was purchased by the Chester Historical Society, who opened it as the Chester Museum at The Mill in 2010.

Leet Store // 1909

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The handsome rubblestone commercial block at the corner of Main and Water streets in Chester, Connecticut, was built in 1909 by Italian stone masons for Joseph H. Leet and contained a grain and feed store, with other spaces in the building rented out. Decades later, the old Leet Store became a auto repair shop and the upstairs space was used as a meeting hall and theater for the community. The building was restored in 1979 and expanded at the rear with a two-story wood-frame addition for additional commercial space.