Dorchester Temple Baptist Church // 1889

Located at the corner of Washington Street and Welles Avenue, the Dorchester Temple Baptist Church was designed in 1889 by architect Arthur H. Vinal, as one of the best examples of a church designed in the Shingle Style in New England. The church began in 1886 as a mission church of the Tremont Temple Baptist Church in Boston. At this time, Dorchester was a semi-rural area and would surge in development when the streetcars were electrified in the 1880s. With a rapidly developing neighborhood, the congregation here, purchased lots and hired Vinal to furnish plans for a house of worship. The church’s cornerstone was laid October 3, 1889, with the church membership numbering ninety-nine at that time. Membership would decline in the decades following WWII, and shifting racial and ethnic demographics in the neighborhood brought new members to worship here. The building was renamed as the Global Ministries Christian Church by the current congregation, who with the assistance of preservation grants, worked with Mills Whitaker architects to restore the iconic landmark. Specific details of the building stand out, including the stained glass windows, the belfry with bulbous form, and the arched openings with continuous shingled walls.

Second Church of Christ, Scientist, Roxbury // 1915

Breaking ground in 1915, this early Modern church building must have turned heads when it was being built in Roxbury! In October, 1907, a fine lot of land with a house on it, at the corner of Elm Hill Avenue and Howland Street, was purchased for eighteen thousand dollars by a group of Christian Science followers. In October, 1911, a building committee of five was elected by the church, and by the summer of 1914 the building fund had made such satisfactory growth that ground was broken and work for the new structure begun in September. The congregation hired the illustrious architectural firm of Shepley, Rutan, and Coolidge to design the edifice of classic and imposing design. Constructed of gray tapestry brick with limestone trimmings, the auditorium seated upwards of one thousand members, under the dome roof. Today, the building is occupied by Grace Church of All Nations.

St. Andrew R.C. Church – Bethel AME Church // 1921

During the rich Arts and Crafts movement of Boston, dozens of churches and their associated buildings were constructed using principles of the movement, which sought to incorporate English design with hand-crafted detailing, moving away from the mass-produced features and architecture seen in the Victorian-era/Industrial Revolution. After WWI, the Forest Hills neighborhood of Boston saw a massive influx of residents and housing construction, leading to the desire for a new neighborhood church. The Roman Catholic Archdiocese commissioned Boston architects Timothy O’Connell and Richard Shaw, who specialized in ecclesiastical design to build the new church. Opened in 1921, the building is constructed of random ashlar walls with buttresses, lancet windows, and a large rose window, all nods to Gothic architectural precedent. Demographic changes and declining church attendance led the parish, for the first time in 1995, to accept aid from the archdiocese to meet expenses. Unable to justify keeping the church open, the Archdiocese sold the church to Reverend Ray Hammond and the Reverend Gloria White-Hammond, a husband-and-wife pastoral team, who started a local African Methodist Church (Bethel AME Church) in the neighborhood.

Grace Church // 1835-1966

Grace Church was built in 1835 for a growing congregation in Beacon Hill. The absolutely stunning Gothic style church was designed by William Washburn (1808–1890), an architect and city councilor in Boston. The church was constructed of granite and had massive stained glass windows and soaring towers with decorative embellishments. Inside, a massive central window flooded the interior with natural light, and illuminated paintings from Mario Bragaldi, a Milan artist. In 1865, the building was sold to the Methodist Episcopal Society. 1873, it merged with Hanover Street, and took the name First Methodist. The church was variously referred to as First, Grace, or Temple Street, sometimes all at once! This church was occupied until 1962, when it merged with Copley to form First-Copley, which appears to have then occupied the Old West Church. The building was soon after acquired by Boston University and demolished for the building on the site today, a true loss to one of Boston’s most beautiful buildings.

Brattle Street Church // 1772-1872

Boston’s constant churning of development has given us amazing architectural landmarks, and incredibly unfathomable architectural loss. One of such cases of loss is the former Brattle Street Church which was located on Brattle Street, roughly where the main entrance to Boston City Hall is located today. Demolition of significant architecture in Boston began way before the period of Urban Renewal in the mid-20th century, and the loss of the Brattle Street Church in Downtown Boston showcases this. The Brattle Street Church had been founded in the 1690s by a group of merchants seeking an alternative to the authority exercised by Increase and Cotton Mather in Boston’s existing congregations. Despite these beginnings, the church remained Congregational through the 18th century. At the time of the Revolution, Brattle Street counted such figures as John Hancock, Samuel Adams, Joseph Warren, and John and Abigail Adams among its parishioners. The original wooden church was replaced in 1772 by this stunning brick building, designed by Thomas Dawes. Just years after the doors opened, the American Revolution upended life in Boston. This building was a survivor, and was apparently hit by cannon-fire by the American batteries at the siege of Boston. A cannonball can be seen lodged into the building at the second floor, to the right of the Palladian window. After the American Civil War, development of the Back Bay led to a shifting population away from the downtown core, and a new church was erected for the congregation, the Brattle Square Church, designed by Henry Hobson Richardson. This church was demolished in 1872, just 100 years after it opened its doors and took a cannon for America.

Church of All Nations // 1975

One building in Boston that has always perplexed me is this round church building. It echoes Eero Saarinen’s MIT Chapel in Cambridge, but is much heavier and plain. After over an hour of researching, I finally found out some history behind it! The church was constructed in the South Cove Redevelopment area, an urban renewal program run by the Boston Redevelopment Authority (now BPDA) as a sort of “slum” clearance near Chinatown. The Church of All Nations was founded in the South End in 1917, housed in a Gothic Revival chapel that was seized by eminent domain for the Massachusetts Turnpike Extension and demolished in 1963. The congregation met in temporary quarters on Arlington Street until the new church was constructed in 1975. Records show that the congregation hired famed Modernist architect Bertram Goldberg as early as 1967 to design a new chapel, set in a new public park. The original plans called for a square building with a massive “steeple” incorporated as the entire roof. For some reason (possibly funding and changing demands for the church), the final design was a little more mundane. The cylindrical church is clad in dark glazed brick with a cross raised in the brickwork. The church suffered from a dwindling congregation in its location, and now appear to rent out the building. One of my favorite local architecture firms Touloukian Touloukian, Inc., re-imagined the site as a new residential tower. It would be one of the few beautiful new buildings in Boston in the past decade or two. Can we please make this happen?!

Old North Church // 1723

One of the most visited buildings in New England is the stunning Old North Church in the North End of Boston. Old North Church (originally Christ Church in the City of Boston) was established when the cramped original King’s Chapel, then a small wooden structure near Boston Common, proved inadequate for the growing number of Anglicans in the former Puritan stronghold. Subscriptions for a new church were invited in 1722. The sea captains, merchants, and artisans who had settled in Boston’s North End contributed generously to the building fund, and construction began in April, 1723. The church was designed by William Price, though heavily influenced by Christopher Wren’s English churches.

Before the American Revolution, both Patriots and Tories were members of the church, and often sat near each-other in pews, clearly adding to bubbling tensions. The enduring fame of the Old North began on the evening of April 18, 1775, when the church sexton, Robert Newman, and Vestryman Capt. John Pulling, Jr. climbed the steeple and held high two lanterns as a signal from Paul Revere that the British were marching to Lexington and Concord by sea across the Charles River and not by land. This fateful event ignited the American Revolution.

A full scale restoration of Old North was carried out in 1912-14 under the direction of architect R. Clipson Sturgis and a number of 19th century alterations were then eliminated. In this work, floor timbers and gallery stairs were replaced, the original arched window in the apse at the east end was replaced, and the old square box pews and raised pulpit were reconstructed. Additionally, the interior woodwork was incorrectly repainted white rather than the rich variety of original colors described in the early documents of the church, clearly submitting to Colonial Revival sensibilities. The iconic white steeple is also not original. The original steeple of the Old North Church was destroyed by the 1804 Snow hurricane. A replacement steeple, designed by Charles Bulfinch, was toppled by a hurricane in 1954. The current steeple uses design elements from the original and the Bulfinch version. Even with all these differences, Old North lives up to her name and stands proudly as a symbol of freedom and revolution.