Brookline Real Estate

Renton Whidden House // 1912

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One of the finest Arts and Crafts style “cottages” in the Cottage Farm neighborhood of Brookline, Massachusetts, can be found on Ivy Street as the Whidden House. The property here was developed by Renton Whidden (1859-1942), a real estate developer and politician elected into the Massachusetts House of Representatives, who purchased a house lot from Thomas B. Hall, who owned a house next door. Renton Whidden hired architect, Arthur Hunnewell Bowditch, to furnish plans for the large home, which was completed in 1912. The stucco house features a brick entrance with projecting roof off the front, a unique twin gabled facade, segmental arched dormers, and a Palladianesque window and balconette above the front door.

Almy-Palfrey House // c.1858

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The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This house was built for Amos Lawrence as an early, brick Mansard home, and rented out to Frederick Almy, a wealthy Boston attorney. The property was sold out of the Lawrence Family and later purchased by John Gorham Palfrey (1875-1945) a lawyer, who modified the house by removing the mansard roof and replacing it with a full third story with a brick veneer to match the walls below to give it a more Colonial Revival design.

Charles Mason Cottage // 1853

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The Charles Mason Cottage at 89 Carlton Street is one of two extant brick cottages built by Amos A. Lawrence as part of his Cottage Farm neighborhood in Brookline, Massachusetts. The Gothic Revival style cottage was built around 1853 and owned by Lawrence for rental purposes. By 1861, this house had been sold to Reverend Charles Mason (1812-1862), who married Amos Lawrence’s late sister, Susanna. The property was inherited by the couple’s daughter, Mary and her husband, Howard Stockton, a lawyer and onetime president of American Bell Telephone Company. The Mason Cottage is unique for its brick construction, projecting entry with porches on either sides, lancet doors and window, wall and shed dormers at the roof, and the original windows with chimney pots.

Bates Cottage // 1853

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This Gothic Revival brick cottage is of several houses built by Amos A. Lawrence for his Cottage Farm neighborhood in Brookline, Massachusetts. After he built his own stone residence at the center of the estate, Lawrence erected a series of cottages in the vicinity which were rented or sold to family and friends. This house was listed as the “Bates House” in Amos Lawrence’s papers, likely referring to the renter of the property soon after the cottage was completed by 1853. After Amos Lawrence died in 1886, the estate was inherited by his daughter, Hetty S. Cunningham. The “Bates Cottage” was later acquired by Boston University, who in 1964, received town approval to convert the residence into offices for the Center for the Study of Liberal Arts Education. The cottage was expanded at the rear and is today home to the Boston University African American & Black Diaspora Studies Program.

Amos A. Lawrence House // 1851

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Cottage Farm area of Brookline is one of the finest neighborhoods in all of New England. The area was developed thanks to Amos A. Lawrence (1814-1886), a wealthy second-generation Bostonian, who provided much of the capital and enthusiasm for the growth of the cotton industry in New England prior to the Civil War. Lawrence’s involvement in the industry aided the development of the Massachusetts mill towns of Lowell and Lawrence, whom the city was named after. In 1851, Amos Lawrence purchased 200 acres of land from David Sears, who himself developed the equally beautiful Longwood neighborhood of Brookline on the other side of Beacon Street. Amos began to subdivide the land, working with the architect George Minot Dexter and landscape architect and surveyor, Alexander Wadsworth, who designed Mount Auburn Cemetery in Cambridge, to create an early picturesque residential suburb. With houses designed in the newly popular Gothic Revival and Mansard styles and several small parks, the area became known as Cottage Farm. This stone house was designed by George M. Dexter and was the country residence of Amos Lawrence, who had other homes built nearby and rented out to wealthy friends and family. By 1888, the property was owned by Amos’ daughter, Hettie S. Cunningham, who later, subdivided the estate into five house lots, and moved this stone house to the corner of Ivy and Carleton streets. Expressive of English architectural traditions over the more ornate Gothic Revival popularized by Andrew Jackson Downing, the Lawrence House is one of the finest residences in the Boston area. Built of granite with limestone trim and set behind landscaping and a perimeter fence, the mansion is surprisingly hard to get decent photos of, but it is a stunner. Today, the house is owned by Boston University and is known as Sloane House.

Snider and Druker Apartments // 1913

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By the beginning of the 20th century, Brookline was developing rapidly as a desirable Boston suburb, with easy-access to downtown via streetcar and rail, all with less cramped land and less industrial development impacting the air quality. Developers soon realized that they could build high-quality apartment blocks within established neighborhoods to market to middle-income families who wanted to live in these desirable enclaves without breaking the bank. Developers Snider & Druker (a precursor to the Druker Company) purchased house lots in the neighborhood adjacent to Cottage Farm, a rich enclave of large homes on large lots, and began building apartment buildings. They hired architect Frederick A. Norcross, who specialized in multi-family housing designs, to furnish plans for these Renaissance Revival style apartments at the corner of Browne and Powell streets. Besides the use of buff brick, limestone trim and detailing, and the use of projecting bays to break up the facades, the building’s terracotta roof adds intrigue and individuality to a building form often maligned for blandness. 

Louis C. Page House // 1906

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As Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built his house in Brookline, Massachusetts, he also began constructing this neighboring property which was to be sold upon completion (that is one good way to pick your neighbors!) On an oversized lot on Powell Street, Paul Hunt worked with his architect, Milton W. Stratton of Bar Harbor, to furnish plans for a similar style home to his own next door. The Mission Revival style mansion is set behind a tall, stucco and metal fence, and is constructed of wood and covered with stucco siding and capped by a lovely green tile roof. Main architectural details include the Mission-style dormer and the chimneys with round arched tops that are capped with small hipped roofs, creating a whimsical addition to the house. When finished, the property was sold to Louis Coues Page (1869-1956), a wealthy publisher with offices in Boston. Louis C. Page would hire local architect Edward B. Stratton, in 1916, to design a detached automobile garage in a style mimicking the main house. What an incredible property. 

Paul and Caroline Hunt House // 1905

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Paul Hunt, the son of famous painter, William Morris Hunt, and the nephew of famed architect Richard Morris Hunt, built this house in Brookline, Massachusetts for $15,000 for him and his wife, Caroline. Paul had been involved in real estate development in Bar Harbor, Maine, where his mother had a summer cottage, and while not an architect himself, he was very interested in design and took a keen interest in developing estates with the family funds. While developing property in the summer enclave of Bar Harbor, Maine, Paul met the Bar Harbor architect, Milton W. Stratton, and the two collaborated in the construction of houses there and two adjacent homes in Brookline. The two-story house is wood frame construction with a stucco finish on the exterior. Spanish Colonial Revival in style, the roof is hipped with terra cotta tile, as is the roof of the verandah which extends across the facade. In 1911, Paul Hunt worked with architect William Ewing Harding to add the two-story wing on the side of the house, which is built over the driveway, creating a really unique (though not as functional) design element. 

Partridge House // c.1908

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Located on Amory Street in Brookline, this handsome Arts and Crafts style residence dates to about 1908 and while clearly Craftsman in style, does appear to follow the horizontality and form of the Prairie School of architecture, popularized by famed architect, Frank Lloyd Wright. While the architect of this house is unclear, we do know that the first owners were Mr. Frank T. Partridge and his wife, Edith Stevens Partridge. The stucco house features a horizontal belt course, shallow hip roof with broad eaves supported by brackets, and elaborate entry and porches. The colors enhance the architecture of the home perfectly. 

Moseley-Widger House // 1906

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One of the many houses in the Cottage Farm-adjacent neighborhoods of Brookline, Massachusetts, is this great blending of the Tudor Revival and Arts and Crafts styles of architecture, which dominated residential architecture in the Boston suburbs in the early 20th century. This residence was built in 1906 for Mr. Frank Moseley and his wife, Martha Hawes Moseley from plans by architect Robert C. Coit. Covered in stucco siding and half timbering, the charming house evokes the countryside of England, right here in Brookline. After WWI, the house was owned by Ms. Lizzie Widger, a water color artist and member of Copley Society of Boston, and her husband, Samuel Widger, a cotton broker. The Moseley-Widger House looks as it did 120 years ago and is in a great state of preservation, thanks to generations of loving stewards.