Samuel Tarbell Ames House // c.1890

The Samuel Tarbell Ames House is a large, gambrel-roofed house located in New Ipswich, New Hampshire. The residence was built in 1890 for its namesake, Samuel Tarbell Ames (1810-1897), who was eighty years old when it was completed. Mr. Ames was a Boston businessman who summered in New Ipswich, as his wife was Mary Hartwell Barr, a daughter of Dr. James Barr, who lived in town. The house then passed to Samuel’s son, James Barr Ames (1846-1910), who was an Assistant Professor and Dean of the Harvard Law School, who took a great interest in Appleton Academy, serving as Trustee, and his widow donated this house to the Academy in 1912, after his death. The Ames House then served as a boarding house for teachers and students until it reverted to private ownership.

Lyman School – Ashby Town Hall // 1903

Originally built in 1903 as the central school for the town of Ashby, Massachusetts, the significant Colonial Revival style Lyman Building is one of the most significant and well-preserved buildings in the village. The building was designed by architect Henry M. Francis of Fitchburg and educated pupils in town from grades 1-12. The two-story, hip-roofed building displays a symmetrical facade with a central section displaying five arched upper story windows, flanked by two pediment-topped pavilions atop projecting, flat-roofed arched entrance vestibules with quoined corners. The symmetry of the original design was preserved when the identical side wings constructed in 1922. Ashby public schools merged with Pepperell and Townsend and this building was later converted to the town hall. I love when towns value their historic buildings and retrofit them for new uses!

Sunnyside // 1886

Photo from recent real estate listing

During the height of the Shingle and Queen Anne styles’ popularity, architect Stanford White of McKim, Mead & White completed plans for one of the earliest Colonial Revival style residences, “Sunnyside” in Newport, Rhode Island. The residence was built in 1886 for “Commodore” William Edgar (1810-1887) and his wife, Eliza Lucille Rhinelander (1832-1916). William was a co-founder of the New York Yacht Club in 1844 and heir to a New York fortune. Eliza was an aunt of Edith Wharton and a grand-daughter of William Rhinelander, co-founder of the Rhinelander Sugar Refinery. The property remained in the Edgar Family as Lucille Rhinelander Edgar (1858-1948), an unmarried daughter of the couple, would live here year-round with servants. The house is built of buff-Roman-brick with a large central block flanked by L-plan wings under a hipped roof punctuated by massive chimneys. Of special note on the facade are the rounded bays, entry portico with Palladian window above, and side porch.

Mary Walcott Almon Cottage // 1883

Andrew Belcher Almon was born in Nova Scotia in 1824. He would enroll at Harvard College and graduate with a law degree before moving to Salem, Massachusetts, marrying Mary Walcott Baker, the daughter of Samuel Baker and Martha Pickman Wolcott. The couple first lived in Cambridge before relocating to Salem to live Mary’s widowed aunt, the late wife of Ezekiel Hersey Derby. After her aunt died, Mary and Andrew moved back to Cambridge until they built this fine Colonial Revival style mansion on Red Cross Avenue in Newport. No architect is attributed to the house, but due to it being an early Colonial Revival style house for the period, it can be inferred that it was a Boston/Salem-area architect. Does anyone know more?

Bigelow-Stuntzner House // 1896

The Bigelow-Stuntzner House is a large, Colonial Revival style dwelling located on a side street in Norwood Center. The house was completed in 1896 for Waldo H. Bigelow (1856-1926), a lumber dealer with offices in Boston. Mr. Bigelow clearly used the best lumber for his own residence here in Norwood, and his Colonial Revival style house stands out for its gambrel gable which exhibits a modified Palladian window with diamond-shaped panes and a key stone arch. The central entrance is sheltered by a portico supported by Tuscan columns. In 1919, the house was sold to Guido Stuntzner (1876-1964), a German immigrant who arrived in the U.S. in 1887 and went on to become a successful Norwood businessman. The Stuntzer’s lived in the home through at least the 1960s.

Atlantic Hall // 1920

Atlantic Hall is one of the most iconic buildings in the well-visited town of Kennebunkport, Maine. The landmark structure was completed in 1920 as a volunteer fire station, by the Atlantic Hose Company. The volunteer fire-fighting company was founded in April 1906, and different members kept different parts of fire fighting equipment in each of their barns without a consolidated station. With the advent of the automobile, the community raised funds and purchased a Chevrolet hose truck, but had no station to put it. Without having the town pitch in money, residents (both permanent and summer “rusticators”) donated funds and a central location in Cape Porpoise was selected as a site for the new station. Construction started on a modest building in 1914, but was halted during WWI. After the war, local resident, Marion Goodall Marland hired the well known firm of Kilham, Hopkins and Greeley to furnish updated designs for the station, in a more elaborate version of the Colonial Revival style, fitting for the charming town. The building opened in 1920 with an engine room at the first floor and a meeting hall on the second floor. It was in 1958 that the Atlantic Hose Company outgrew its station at Atlantic Hall, and a new fire house was built across the street. Atlantic Hall was renovated for library and event use and has remained a significant piece of Cape Porpoise ever since!

Old Brooklyn Savings Bank // 1928

One of the most intact and architecturally significant buildings in Killingly is this stunning example of a bank built in the Georgian Revival style. Located on Main Street in the village of Danielson, the former Brooklyn Savings Bank was designed by the New Haven-based architectural firm of Norton & Townsend for the Brooklyn Savings Bank, which was founded in the adjacent town, Brooklyn, in 1872. The bank relocated to the economic center of the two towns, Danielson, in 1915, later building this landmark bank structure as its primary facility. The two-story bank is covered in red brick with elaborate limestone and marble trim and detailing, showcasing the wealth and stability of the banking institution for potential members. The façade features a two-story pedimented pavilion, round arched windows, and an elaborate swans neck pediment over the door. The structure has been very well-preserved in its nearly 100 year existence and now appears to be the home of a state judicial court.  

James Roope House // 1916

The only historic brick residence located in the charming Salem Willows neighborhood of Salem, Massachusetts is this stately Colonial Revival house at the corner of Bay View and Juniper avenues. The brick dwelling was constructed in 1916 for James Roope, President and Treasurer of the Salem Lumber Company. Designed by Boston architect, Gordon Robb, it is two stories high, with a shallow hipped roof. The central entry has leaded sidelights and a pedimented porch with trellises at the sides.

Wightman-Pope House // 1910

In 1910, Ralph Linder Pope (1887-1966) graduated from MIT and later became Chairman of the Board of Directors of the Northwestern Leather Co., Boston. He married Elizabeth S. Wightman two years earlier and her father, George Wightman, purchased a house lot near his own 1902 mansion in the Longwood section of Brookline, Massachusetts and had this brick residence built in 1910 for the new couple. Mr. Wightman commissioned the famed architectural firm of Shepley, Rutan & Coolidge to design his daughter’s home in the Colonial Revival style.

McInnis House // 1901

Located next door to Ms. Matchett’s house on Chatham Street in the suburban Longwood neighborhood of Brookline, Massachusetts, you will find this very unique example of a Colonial Revival style single-family home. Built by 1901 for lawyer Edwin G. McInnis (sometime spelled McInnes) and his wife, Mabel, the house is high-style Colonial Revival with symmetrical facade, rustication, two-story Corinthian pilasters framing the bays, Palladian window, and Federal style entry with fanlight transom. No records of the architect could be located sadly.