Colonial Revival

Pope-Gardner-Robbins House // c.1870

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Historians date the bones of this house in the Longwood section of Brookline, Massachusetts to the 1870s (or earlier), but its present appearance is definitely from the early 20th century. This is the Pope-Gardner-Robbins House on Colchester Street, a lovely span of stucco-sided homes in one of my favorite neighborhoods in the Boston area. An early (1874) map of the area shows this was the home of T. B. Pope, and later purchased by Harrison and Laura Gardner, husband and wife. Harrison Gardner was a founder (and served as treasurer) of the Boston Red Stockings of the new National Association of Professional Base Ball Players (NABBP). The Red Stockings eventually became the Boston Braves baseball team and are now the Atlanta Braves. The multi-lot property was likely rented by Gardner for supplemental income and was eventually sold to Annette R. Robbins, who seemingly had this home renovated in the 1920s and others nearby built or renovated as well. The house is today an excellent (and fairly uncommon) example of a Colonial Revival style house with stucco siding.

Edgar-Wolfe-Moore House // 1864

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At the head of Touro Park, this large home has stood since it was built in 1864 for Daniel Edgar of New York, who made it his summer home for eight seasons. It was designed by noted local architect, George Champlin Mason in the Italianate style and included a broad veranda, brackets, and other intricate details. In 1872, Edgar sold the property to Catherine Lorillard Wolfe, who occupied the house until 1883 when her property “Vinland” was completed on Ochre Point Avenue. In 1948, the house was purchased by Cornelius C. Moore, who remodeled the exterior in 1949-1950, removing its Italianate trim and replacing it with Neo-Federal detail we see today. The house was most-recently in use as the Touro Park Inn, but was recently purchased and is a single-family home.

Jesse Lee Memorial Church // 1965

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Believe it or not, this church in Ridgefield Center was built in 1965! To know its full history, we have to go back to 1787, when the Methodist Episcopal Church had its beginnings in Ridgefield, the third in New England. Its first meeting was held – just 21 years after Methodism had been introduced into the U.S. from England. In 1789 Jesse Lee, a native of Virginia, was sent north as a circuit rider. His third sermon in Connecticut was preached at the Independent Schoolhouse on Main Street in Ridgefield. In the 1840s, a second meetinghouse in town was built, and the congregation grew. A third church and rectory were built on Main Street in 1884. When a large Main Street estate was available for a new, stately building, the congregation jumped at the opportunity, and hired ecclesiastical architect Harold Wagoner to design a refined, Colonial Revival style church, which was built in 1965. Executed in brick, the church has great verticality, created by the colossal columns supporting its pedimented portico and the spire that rises over an open belfry to a height of 149 feet. Set back from the street, the church still has a commanding presence.

The Colony // 1898-1969

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In 1898, before the Berzelius Society at Yale built their present “tomb” in New Haven, the organization funded one of the finest residence halls in town at the time. The building was known as “The Colony” and would house Seniors who were members of the secret society. Located on Hillhouse Avenue, the stately Colonial Revival/Neoclassical building was designed by architects Henry Bacon and James Brite. Bacon is best known for having designed the Lincoln Memorial on the National Mall. Yale purchased the Colony dormitory in 1933 for student housing, later using it for faculty offices before demolishing it in 1969 to facilitate construction of the Yale Health Services Center, one of the least inspiring buildings on the campus.

New Haven Museum // 1929

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New Haven, Connecticut is known for its Gothic and Modernist architecture, but as it is located in New England, some good Colonial Revival architecture is not hard to find! The New Haven Museum building on Whitney Avenue was built for the New Haven Colony Historical Society, which was established in 1862 to collect, preserve, and publish historical matter related to the history of the greater New Haven community. The Society was housed in various locations around the city throughout the 19th century until 1929 when it relocated to its present building designed by J. Frederick Kelly, a noted colonial revival architect. The symmetrical building with its eleven-bay facade is notable for its arched recessed portico and rooftop cupola. The building remains occupied by the New Haven Museum to this day.

Yale University – McClellan Hall // 1924

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Located in the Old Campus Courtyard of Yale University, McClellan Hall stands as an early example of Colonial Revival on the college’s campus. Built in 1924 across from and as a conscious reproduction of the 1752 Connecticut Hall, McClellan Hall adds to the architectural diversity of the Yard, providing some warm red brick to the mix. The building was constructed thanks to a financial gift to Yale by Helen Mynderse McClellan in memory of her late husband Edwin McClellan (1861-1924), Yale ’84. The college hired architect Walter B. Chambers, who would design the building to provide symmetry in the yard against the one Georgian building there, Connecticut Hall. This was following a recommendation by campus architect James Gamble Rogers who advocated for this, stating that the Colonial style was enhanced by symmetrical groupings. The dormitory, which became known as “Hush Hall”, was a secret until workers began digging in the Yard. The decidedly Gothic style campus was disrupted by the Colonial building, which was more Harvard than Yale, and protest began by some students and faculty. President Angell would have to suspend construction for two months to allow the furor to die-down. Today, McClellan Hall is an important visual aspect of the yard, providing a beautiful tapestry of styles within the enclosed space.

Derby Townhouse // 1886

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Hasket Derby (1835-1914), was the grandson of Elias Hasket Derby, a prominent trader in Salem, MA., who was thought at one time to be the richest man in the United States. Hasket married Sarah Mason and the family lived in Boston. Dr. Hasket Derby was a renowned opthamologist and had this townhouse built in the Back Bay of Boston in 1886. He hired architect William Ralph Emerson, who ditched his prototypical Shingle style for the urban townhouse in the Colonial Revival style. The townhouse exhibits a brownstone swans neck pediment at the entry, three-story rounded bow, dentilled cornice and brick pilasters framing the bays. Its an often overlooked house in Back Bay, but so very special.

Ashe House // 1898

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North Adams, like many formerly industrial towns and cities in New England has some amazing old Victorian and Colonial Revival houses built before the factories closed. Luckily for us, this town still has many unaltered residences, with some needing more love than others. This is the Ashe House, built in 1897-8 for Patrick J. Ashe and wife Katherine O’Brien. Classical details from many different styles make this house unique. An oval window dominates the traditional Greek facade which includes a pediment and side pilasters. A palladian window sits over the elliptical porch which is supported by columns. This one has so much potential!!

Greenfield Hill Congregational Church // 1855

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Local residents of northern Fairfield successfully petitioned the General Assembly to establish a Congregational church in 1725 as a new Northwest Parish, a distinct group from the Fairfield Congregational Church. Their first meeting house was erected just years later in 1727. A larger, more substantial meetinghouse was built in 1760. The area of Greenfield Hill has always been remote and more suburban, but became important in the late 18th century when Timothy Dwight became minister of the Greenfield Hill Congregational Church in 1783. Dwight would go on to become the eighth president of Yale College (1795–1817). With increased funds and affluent members, another church was built in 1850 from plans by esteemed architect Richard Upjohn, in the Gothic style. Sadly, just years after it was completed, a fire from a furnace inside destroyed the church. So again, they rebuilt in 1855 with the building we see today, sort of. Architect Alfred Nash furnished plans for the building which was more Italianate in design. The church would be modernized in the 1940s in the Colonial Revival style, from plans by local architect Cameron Clark, likely inspired by the collection of Colonial-era homes nearby, including his own home in Greenfield Hill. The church remains a visual anchor for the affluent neighborhood.

Lester Thurber House // 1895

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As Victorian styles of architecture fell out of vogue in the late 19th century, New England towns and cities alike, saw a revival of Colonial designs which dominated building styles throughout much of the next century. Early examples of Colonial Revival tend to blend Queen Anne (Victorian) and Colonial motifs under one roof, which makes for exuberant yet refined designs. The Lester Thurber House in Nashua, New Hampshire was built in 1895 and is an ornate example which preserves elements of the Queen Anne style in its asymmetry and high gables, but with Colonial pediment scrolls and classical columned porch. Lester Freeman Thurber (1858-1935) was born and raised in Vermont and was engaged in the political arena there, serving as private secretary to Gov. Roswell Farnham of Vermont, 1880-2. He moved to Nashua in 1882 and was BUSY! He served in both branches Nashua city government, was member for six years on the board of education, member N.H. House of Representatives, 1895, served on railroad committee; was a delegate to Republican National Convention, 1908, and was a member of many local fraternal organizations and clubs. The Thurber House has suffered from some deferred maintenance of sorts, but is a great local example of the transitional Queen Anne/Colonial Revival styles in Nashua.

Blue Hill Town Hall // 1895

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Blue Hill is a charming coastal town in Hancock County, Maine that retains so much of the charm that has been lost in many other coastal New England villages. Originally settled by the Penobscot Tribe, the town as we know it was incorporated in 1789 under the name “Blue Hill”, named after the summit overlooking the region. The town thrived early as a lumber and wood shingle exporter, later shifting to shipbuilding. The town was also noted for the quality of its granite, some of which was used to build the Brooklyn Bridge, New York Stock Exchange Building, and the U.S. Custom House at Norfolk, Virginia. In 1876, local quarries employed 300 workers. The town’s wealthy summer residents likely sought a new Town Hall for Blue Hill, as in the 1890s funding was acquired to erect a new building. It came as no surprise that George Albert Clough, an architect born in Blue Hill would furnish the plans for the new town hall. George was the son of Asa Clough an early settler and shipbuilder in town. He moved to Boston to work as an architect and later became the City of Boston’s first “City Architect” designing municipal buildings. For the Blue Hill Town Hall, he designed it in the Colonial Revival style, which remains well-preserved to this day.

Stephen O. Metcalf House // 1892

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I am on a Colonial Revival style kick lately, so bear with me on this recent span of posts on houses in the style! This estate house is an earlier example in Providence, built in 1892 for Stephen Olney Metcalf (1857-1950) a multi-millionaire who was in business in woolen textiles and insurance before diversifying his portfolio further serving as President of the Providence Journal and Evening Bulletin. To make an architectural statement, Mr. Metcalf called the renowned Boston firm of Andrews, Jacques and Rantoul to design his new residence. The oversized Colonial Revival house is an excellent example of how Revival architecture tend to be a more free interpretation of their prototypes, being larger and having exaggerated features and proportions. In his will, Stephen O. Metcalf bequeathed this residence to the Rhode Island School of Design (RISD), an institution his mother helped found, and his daughter served as President. The mansion remains the RISD President’s House to this day.

Henry Samuel Sprague House // 1902

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Colonial Revival houses just exude New England charm! This house in Providence’s East Side/College Hill neighborhood was built at the turn of the 20th century in 1902 for Henry Samuel Sprague, a Providence grain dealer, for $15,000. Mr. Sprague clearly did well for himself financially as he could afford a house lot on one of the city’s most beloved streets, Prospect Street. The large mansion has many architectural details which stand out including contrasting brick and shingle on the first and second floors, a massive projecting portico covering a prominent entry, bold fluted pilasters at the center bay, and three pedimented dormers at the slate roof. Inside, this old house has some amazing woodwork and details too!

Sarah and John Tillinghast House // 1904

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This stately yellow brick Colonial Revival sits on the edge of the College Hill neighborhood of Providence, and I couldn’t help but to take a few photos! This residence was completed in 1904 for Sarah and John Tillinghast in the later years of John’s life (he died less than two years of moving into this home). The house exhibits a large semi-circular portico with balustrade above, the portico is flanked and surmounted by Palladian windows with elliptical reveals. The house was recently proposed to serve as a suboxone clinic, but that was shut down by neighbors. It appears to be divided into residential units now.

Kennebunkport Post Office // 1941

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During the Great Depression, the federal government built over 1,100 post offices throughout the country as part of the New Deal’s Federal Works Agency. Many of the post offices funded and built in this period were designed by architect Louis Simon, Head of the Office of the Supervising Architect for the U.S. Treasury. Few architects had such a role in designing buildings nationwide than Federal architects who designed buildings ranging from smaller post offices like this to courthouses and federal offices. They really are the unsung designers who impacted the built environment in nearly every corner of the nation. As part of the Treasury Department Section of Fine Arts, artists were hired to complete local murals inside many post offices built in this period, depicting local scenes and histories of the towns they were painted in. In Kennebunkport, artist Elizabeth Tracy who submitted a preliminary sketch of her piece “Bathers” which was approved depicting a beach scene, though the townspeople had not been consulted. Unfortunately, the opinion of a vocal part of the Kennebunkport populace was highly negative to Tracy’s painting, largely due to the fact that her beach scene depicted people on a beach in adjacent Kennebunk, not Kennebunkport! Within a few years, the townspeople gathered funds to hire artist Gordon Grant to paint a satisfactory replacement mural in 1945. The new mural remains inside the post office.