Renovated in the early 20th century from a Federal style farmhouse, “The Pillars” in Canterbury, Connecticut, is an extravagant example of a Colonial Revival style residence in this quiet part of the state. The Pillars was the creation of Frank Edwin Miller (1856-1947) and his wife, Hattie Jenks Miller. The Miller’s retired here in 1913 after Hattie inherited the family homestead, which dated to the late 18th century, and they had the home renovated, adding the massive two-story columned porch and projecting entry. The house is a visual representation of the difference between Colonial and Colonial Revival styles as this home, the latter example, is a free interpretation of its prototype with exaggerated architectural details in a scale not seen centuries earlier.
Built in 1895 for Samuel Conant, president of a Pawtucket printing firm, this stately residence is one of the finest Colonial Revival houses in Central Falls, Rhode Island. Designed by the Providence architectural firm of Stone, Carpenter & Willson, the house is brick on the first floor with clapboard siding above. The Contant house has a gambrel roof punctuated by several gable dormers. The main facade has two symmetrical round bays, which rise to the roof and are topped by low balustrades. A single-story porch extends between the center points of these bays, and is also topped by a low balustrade. Recognized for its architectural grandeur (inside and out), the house was individually listed on the National Register of Historic Places. The Conant House is now used as a nursing home and while the transition to this new use has required a number of interior alterations, these changes have been made with sympathy for the character of the house and many of them are reversible.
The First Universalist Church of Salem, Massachusetts, is a landmark example of a brick, Federal style church in New England. Tucked away within a network of Urban Renewal-era townhomes and backing up into a busy thoroughfare, the church is overlooked by many who pass behind its rear elevation, not knowing how special the building’s primary facade truly is! The church was constructed between 1808-1809 with early Church records showing that the interior carvings were done by Samuel McIntire, a Salem native, who was trained as a wood carver and later became an architect. It is unclear if any of McIntire’s work remains as numerous building modifications were completed throughout the 1800s; including a major exterior remodel in 1855 by architect Enoch Fuller, changing the appearance from Federal to Italianate. The church would again fall back to changing tastes in 1924, when they restored to an approximation of its original appearance by the office of R. Clipston Sturgis, a prominent Boston architect who specialized in Colonial Revival architecture. While the building’s significance is lessened by the urban renewal infill and streets surrounding it, the building remains one of the oldest in Salem and a significant architectural landmark in the city.
While Salem, Massachusetts, is best-known for its Colonial and 19th century architecture, there are some great 20th century buildings that deserve attention. This is the Kenneally House at 3 Williams Street, just north of the Salem Common, a c.1913 Colonial Revival home with great curb appeal. The house was built for Maurice D. Kenneally, a teamster, who lived here with his wife, Mary, and son, Patrick. Symmetrically arranged, the house has a center entry , with sidelights and an elliptical fanlight. The front facade is dominated by a full-width first story porch on paired Doric columns and a gable roof with Palladian window.
The Tabernacle Congregational Church at Washington and Federal streets in Salem, Massachusetts, was built in 1923 for one of the oldest congregations in the Commonwealth. The Tabernacle Church’s congregation traces its origins to the founding of the First Church of Salem in 1629. The church was originally located a few blocks away until a fire destroyed the wooden building in 1774. The congregation built a new wooden church on this site by 1777, and have remained on the site ever since the United States was established. The present, stone church building, was constructed from designs by the Boston firm of Philip Horton Smith and Edgar Walker in 1922. This dignified and graceful Colonial Revival church building (with attached parish house) is the third ecclesiastical structure to stand on this site. It replaced a large wooden Italianate church which the parish occupied from 1854 until it was torn down in 1922. Its predecessor, which stood from 1776 to 1854, possessed an elegant three-stage tower which Samuel McIntire added in 1805. The Tabernacle Church is a stone-veneered masonry building with a prominent engaged tower which contains a large arched entry, and a giant order porch consisting of four Tuscan columns and associated pilasters of the same type, which supports a pedimented roof that shelters the entrance. The tower is surmounted by a square, wood-frame belltower with pilastered corners above which is an open octagonal cupola with bell-cast roof. What a great Colonial Revival style church!
The third and final extant building on the former Church of the Holy Name of Jesus complex in Chicopee, Massachusetts, is this former school building, a stunning example of Colonial Revival architecture. Located behind the former church and rectory buildings, this three-story building was built in 1925 as a “Science” building to accompany an existing girl’s high school. Inside, the building had a “Commercial” department, where young girls could learn important skills like banking, stenography, and typing; with the second floor containing traditional science classrooms and labs along with the school library. Springfield-based architect, John W. Donohue, who specialized in ecclesiastical buildings in Western Massachusetts, designed the building in the Colonial Revival style with brick and stone construction, an elaborate entrance and Palladian window on the second floor facade. The school building closed in the late 20th century, and has seemingly sat vacant ever-since. I sincerely hope this important building could be incorporated as much-needed housing for Chicopee residents!
This site, in the heart of Cornwall village, was once occupied by an early 19th century Federal style residence, built by the wealthy Pierce family in town. The Pierces’ large home was acquired by John E. Calhoun (1859-1940), a successful New York businessman, who retreated to his father’s hometown for summers away from the city. In 1911, a fire destroyed the home, which was wood-frame construction. This event mobilized Mr. Calhoun, who was untrained but interested in architecture, to begin planning a new summer residence, but of fireproof construction. Calhoun is said to have designed (and funded) the town’s library just years before, and modeled his home in line with the Colonial-era residences in the village, just larger and of brick. From the 1950s through the 1990s, the house was occupied by the headmaster and administration of the local Marvelwood School, but was re-established as a private home, a use that remains today.
While most houses I have featured in Cornwall date to the early-mid 19th century, there are some great examples of early 20th century Colonial Revival dwellings, built at the time the town became eyed as a wealthy retreat for city-folk. This Colonial Revival residence was built for Ms. Harriet Bennett (1841-1928), an ardent suffragist and an active member of the Connecticut Woman Suffrage Association. Harriet was married to William C. Bennett and after his death in 1898, she devoted the rest of her life to charitable causes and giving back to others. As a widow and in her seventies, Harriet oversaw construction of this house, which was completed by 1912, in that same year, established the Cornwall Equal Suffrage League, hosting many of its events and meetings from this house. The League’s activities mirrored the efforts of suffragists throughout the nation. The house remains a well-preserved example of a house in the Colonial Revival style in town.
The Francis and Sarah Cranston House is located on Bowen Street in the College Hill section of Providence, Rhode Island. Built circa 1895 for Francis Augusta Cranston (1837-1909) and his wife, Sarah (Hill) Cranston, the house is one of the best residential examples of Colonial Revival architecture in the city. Francis was the son of Barzillai Cranston, a descendant of Gov. Samuel Cranston, who held office from 1698 to 1727, being elected to office 30 times; serving as governor longer than any other individual in the history of Rhode Island. Francis worked as cashier of the Old National Bank of Providence for over fifty years and built this residence to settle into retirement. The residence is unique for its high-sloping hipped roof with two layers of dormers, corner quoins, Palladian window, and Ionic portico. I could not locate the architect, but if anyone knows, I’d love to give them their deserved credit!
The Rockland Security Trust Building is a significant Colonial Revival style bank structure located on Main Street in Downtown Rockland, Maine. Built in 1912 from plans by Boston architect Richard Clipston Sturgis, the brick building is trimmed in marble, to provide a visual representation to the financial wealth and stability the bank could provide its clients. The bank closed and the building is presently occupied by an art gallery. Sadly, the rooftop deck railing takes away so much from the building’s presence.
The former Wadsworth School of Danvers, Massachusetts, was built in 1897 as a district schoolhouse for the growing town and is one of the finest examples of a school building designed in the Colonial Revival style in the state. The large building held four classrooms (two on each floor) for over 200 pupils with stairhalls at either entrance and was designed by local architect, William H. Pearce. The school was in use until the 1970s when the town consolidated many of the schools, selling this building as excess. The property was converted to offices and given a preservation restriction by the town, protecting it as a local landmark for generations to come!
Years after the Danvers Historical Society acquired the Jeremiah Page House, saving and relocating it to its present location on Page Street, the society began planning for a new facility to house its collections. After a successful fundraising campaign, the society solicited plans from local architect, Lester S. Couch, a partner in the firm, Little & Browne, and member of the historical society, to design the new memorial building. Designed in 1930 and completed a year later, the Colonial Revival style building is constructed of fireproof brick walls with a hipped roof. Two entrances are located on the side elevation facing the Page House, with pedimented surrounds and blind fanlight transoms. The building is notable for the use of slightly recessed arched bays, common in Federal and Federal Revival buildings. The Tapley Memorial Hall is still maintained by the society and can be rented out for functions.
The land that is now Danvers, Massachusetts, was once owned by the Naumkeag branch of the Massachusett tribe. Permanent European settlement began in 1636, when present-day Danvers was known as Salem Village, a village of Salem. The historical event for which Danvers is best-known is the Salem witch trials of 1692, which began in the home of Rev. Samuel Parris, in Salem Village. Danvers officially separated from Salem in 1752 and is likely named after Sir Danvers Osborn, a Colonial Governor of New York. In 1757, Massachusetts incorporated Danvers as a town and, according to legend, King George II later vetoed this act of incorporation and returned his decree with the message, “The King Unwilling.” They simply ignored this royal veto, which was later included on the town’s seal! Danvers would eventually build a central town hall building , this structure, in 1854 which partially functioned as a high school as well. Plans were drawn by the Salem architectural firm of Emmerton & Foster in a pleasing blending of Greek Revival and Italianate styles. As the town grew, the building was expanded in 1883, and in the 1890s. When a new, purpose-built high-school was constructed elsewhere in town in the early 1930s, it was decided to renovate the town hall building. Due to financial constraints during the Great Depression, the town got a lifeline by the Federal government, who in 1934, appropriated $6,500 to the town for a renovated town hall as part of the New Deal. Additional funds from the WPA went to murals (many of which still adorn the walls inside). Architect Lester S. Couch of Danvers, a partner in the firm Little & Browne, oversaw the renovations in the Colonial Revival style.
The Riccar Inn, now known as the Presidential Inn, was constructed in 1913 on the grounds of the former Poland Springs House. The structure was the last of the hotel buildings constructed by the Ricker family, who started the resort aimed at drawing in tourists to take in the area’s natural healing waters. The annex hotel building was named Riccar Inn, with the spelling “Riccar” from the historic surname used by members of the family before they emigrated to America. The Queen Anne/Colonial Revival style hotel building survived the 1975 fire that destroyed the main hotel, the Poland Springs House. Architecturally grand, this three-story irregular plan hotel has a flat roof and features a four-story projecting double bay in the front facade topped with two octagonal towers. While covered in vinyl siding, much of the original ornament still shines (and there is likely more underneath the siding to be uncovered at a future date). What a beautiful building.
The Byfield Parish Church at 84 Warren Street in Georgetown, Massachusetts, was built in 1931 and is the fourth meetinghouse to occupy the site. The congregation dates to 1701, when sixteen families in this section of Rowley (now Georgetown) near Newbury were set off separate from the Rowley First Parish. Travel for religious services became too arduous, so the local residents petitioned to create their own parish, Byfield. Some accounts state that the first meetinghouse was built in 1702 and it is said to have been razed by 1746 to make way for a new wood frame church with a steeple, a spire, and a weathervane. This church burned in 1833, and it was replaced by a new meetinghouse soon after. The 1833 church was used for almost a century until, in March 1930, it was struck by lightning and burned to the ground. The congregation banded together and had this brick church built, its fourth. Completed in 1931, the Colonial Revival style building was designed by architect, George M. Champney, partner in the Boston office of Derby, Barnes & Champney. The church is sited within a historic cemetery containing the remains of many of the churches members, dating back to 1670. The Byfield Parish Church moved to a new building (its fifth) nearby in 1987, and in 1993, sold this church building to a private owner (retaining and maintaining the cemetery themselves) with the 1931 church converted to a single-family dwelling. How cool!