Connecticut Landmarks

Former Lupoli Brothers Funeral Home – H. L. Hotchkiss House and Stable // 1841 & 1935

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A rare example of the Art Deco architectural style in New Haven, the former Lupoli Brothers Funeral Home on Chapel Street in Wooster Square is more than meets the eye! This Art Deco jewel box was originally constructed in 1841 as a large, single family home and modernized nearly 100 years later in its current design. In 1841, Henry Lucas Hotchkiss (1810-1861), a businessman and president of the L. Candee Rubber Company, had a two-story Greek Revival style home built on this lot for his wife, Lucy. The home was originally two stories, but a third floor was added in the 1860s, around the time the rear stable (still extant) was constructed, for another owner. In the early 20th century, as the Wooster Square neighborhood became a center of Italian-American life and business in New Haven, the property was purchased by Liberato Lipoli (1862-1934) who moved to Connecticut from the Piedmont region of Italy. A year after their father’s death, sons Mario, Gennaro, Antonio and Louis Lupoli, established a funeral parlor catering to the local Italian American community. In 1935, the Lupoli Brothers hired local architect, Lester Julianelle to reimagine the former Hotchkiss House in a modern style. The result is the refaced building with Classical Revival and Art Deco elements including the iconic entry reading, “Lupoli Bros” in the iconic lettering. The Lupoli’s closed the parlor here in 2008 and the building was converted to eight condominium units.

Willis Bristol House // 1845

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The Willis Bristol House on Chapel Street in the Wooster Square neighborhood of New Haven, Connecticut, is one of the finest and most architecturally distinctive residences in New England. Built in 1845 for Willis Bristol (1804-1875), a partner in the shoe manufacturer of Bristol & Hall, the home was designed by Connecticut architect, Henry Austin, who designed many of the other great mansions in Wooster Square around this period. The Bristol House is Italianate in style with Exotic Revival detailing which has often been described as Moorish Revival, but it is actually more Indian Revival, an extreme rarity in 19th century New England. It is believed that Henry Austin was influenced by an illustration of columns and capitals at the Ellora Caves in India published by Henry Repton in Designs for the Pavilion at Brighton (1808) and through this worked picked up a fascination with Indian architecture that was to influence his designs in the mid-19th century. Many of Austin’s designs in Wooster Square feature these Indianesque columns on their porches. The Willis Bristol House remained in the family until 1876 and was subsequently used as a congregation house, school, beauty parlor, and presently as apartments. The owners should be commended for preserving and protecting this ornate and unique residence for all to enjoy.

James E. English House // 1845

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The oddly proportioned James E. English House stands on Chapel Street in New Haven’s Wooster Square neighborhood and remains one of the most interesting mid-19th century residences in the city. Built in 1845 for James Edward English (1812-1890), a prominent businessman who later became Governor of Connecticut and U.S. Senator. James English started his career as a carpenter and expanded to open the English & Welch Lumber Company. He was a savvy businessman and helped restructure the New Haven Clock Company into one of the largest clock manufacturers in the region. From his success, he purchased property in the new fashionable Wooster Square district and moved into this residence which was designed by architect, Henry Austin, who designed many other homes in the neighborhood. English got engaged in politics and served as the 43rd and 45th Governor of Connecticut and later as a U.S. Senator (1870-1871). Upon returning to Connecticut, James English continued his lumber business and with his own product, expanded his Wooster Square home, vertically. In the mid-1870s, the house, which was originally two stories, was given a third floor, creating the strong vertical proportions we see now. Today, the James E. English House operates as the Maresca & Sons Funeral Home, one of the many prominent Italian-American-owned businesses that helped revitalize the neighborhood in the 20th century.

Olive Street Rowhouses // c.1865

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The Wooster Square area of New Haven, Connecticut, is comprised of a lovely collection of houses and institutional buildings from the 1830s through the late 19th century, showing the ever-changing taste of architectural styles from Greek Revival to Italianate to Second Empire and Queen Anne. These rowhouses on Olive Street serve as bookends to long rows of houses on Court Street, a narrow, one-way street radiating from Wooster Square. The buildings were developed by the Home Insurance Company, a fire insurance firm and developer that helped fuel the development of residential New Haven in the 1860s by investing in real estate, primarily with fireproof masonry buildings. These Italianate style rowhouses were built in the 1860s after the Civil War and were sold on speculation to middle-class families. All buildings retain the original bracketed cornices, brownstone sills, lintels, and basement facing, and projecting porticos at the entries.

Lillibridge Farmhouse // c.1770

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Located in northern Willington, CT, this farmhouse on a quiet, country road, dates to before the Revolutionary War! David Lillibridge (1744-1831) of Exeter, Rhode Island, served from 15 to 17 in the French and Indian War, and manned Fort Stanwix. In 1767, when he was a lieutenant in his local militia, he converted, and entered the Baptist ministry. In 1777, he purchased a farm from Moses Holmes, but it is unclear if this residence was existing or if he built this large farmhouse. In Willington, David Lillibridge became a farmer-preacher, establishing a Baptist ministry here. The home remained in the Lillibridge family at least until the 1870s, when it was owned by Burnham Lillibridge. The Georgian saltbox residence is set back from the street and sits upon the bucolic rolling fields of the property.

Villa Bella Vista // 1908

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Villa Bella Vista in Chester, Connecticut, stands as a striking and deeply personal interpretation of an Italian Villa, designed not by a professional architect, but by its remarkable owner, Eila Pierre. Known even among friends as Madame Pierre, she was a turn-of-the-century feminist of independent means who defied convention at nearly every turn. Drawing inspiration from the indigenous farmhouse architecture of northern Italy, Pierre personally designed the well-preserved stuccoed stone house, which was later constructed by local Italian immigrant masons who settled in Chester. Born Ila Rowland Stone (1870–1931), she was newly married to Reverend Dwight Stone, a Yale-educated minister of the town’s Congregational Church. Within just two years of marriage, it unraveled. Reverend Stone resigned his post, and by 1906, the couple’s uncontested divorce, scandalous for the time, was finalized. Casting off both marriage and social expectations, Ila reinvented herself as Eila Pierre. Despite the scandalous divorce and cheating rumors, she chose to remain in Chester and build a summer home that reflected her independence and worldview. Plans for Bella Vista were underway as early as 1904, when she purchased land on Old Depot Road. To prepare for the design, Pierre embarked on an extended tour of northern Italy, studying villas firsthand and bringing along a young local stone mason, Martin Lanzi, who later built his home across from Madame Pierre’s mansion. Villa Bella Vista, completed in 1908, includes common architectural details in the Italian Villa style with the campanile, or tower, the colonnaded piazza, and stone masonry that define the Latin prototype, all unique to Connecticut, which makes this home so special.

Mitchell-Pratt House // 1820

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This architecturally unique and stunning Federal­ style house in Chester, Connecticut, was built in 1820 on the Middlesex Turnpike by Abram Mitchell for $10,000, double what he originally hoped to pay for the residence. The principal builder was Samuel Silliman, a locally well-known master carver, who clearly showcased his skill inside and out, much of which has been preserved by two centuries of owners. In 1845, the property was purchased by George Spencer, and presented as a wedding gift for his daughter, Julia, who married Dr. Ambrose Pratt (1814-1891). Dr. Pratt became well-known for his practice of hydropathology and temporarily used his house as a sanitarium known as the Chester Water Cure. The house was acquired by the local Roman Catholic Church and became the parish center until the residence was purchased and moved away from the busy street to its current location in 1966. In the 1980s, the house was purchased by famed artist, Sol Lewitt. The house has a large spider web window, still containing the original glass over the door and full-height pilasters dividing bays and inside, many stunning carved mantles and woodwork.

Jonathan Warner House // 1798

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The Jonathan Warner House in Chester, Connecticut, is one of the finest Federal style houses in the state and has been meticulously preserved for over two centuries. The house was built in 1798 by Jonathan Warner (1756-1828), a wealthy farmer who invested in merchant shipping ventures and also operated the nearby Chester–Hadlyme ferry transporting people across the Connecticut River for a fee. When he built his house Jonathan Warner used local workmen and timber, importing glass and paint from New York, wallpaper from Hartford, and stone and hardware were brought from Connecticut and New York. The farmhouse remained in the Warner family until 1922 when it was purchased by Malcolm Brooks, who retained all of the receipts and correspondence on the house’s construction and maintenance. Architecturally, the house stands out for its proportions and detailing, specifically at the front door with fanlight and sidelights, which are framed by fluted pilasters, pediment and dentil molding. There is a Palladian-esque window above the entry which is framed by two free standing Ionic columns on brownstone pedestals. What is your favorite detail of this house?

Chester Public Library // 1907

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The Chester Public Library in Chester, Connecticut, was formed from a private library when in 1875, a Library Association was formed with members paying fees to take out books. The library grew throughout the 19th century and was housed in rented spaces, including in the Old Stone Store, until the early 20th century, when the collection grew to a point a purpose-built library was needed. A generous donor stepped forward, Mr. Samuel Mills Ely (1837-1909), who grew up in Chester, but made his fortunes in Binghamton, New York. Samuel Ely donated funds to his hometown as a memorial to his parents, Richard and Mary Caroline Ely. The library opened in 1907 and is built of native granite and trimmed with Indiana limestone and resembles many of the Carnegie libraries built at the time with a central, pedimented entry pavilion and recessed side wings, but no Carnegie funds were allocated for this project. The architect is also not known at this time.

C. L. Griswold Mill // 1850

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Tucked away on the banks of the Pattaconk Brook in Chester, Connecticut, this mid-19th century industrial building contributes to the town’s vibrant industrial past. Built in 1850 by Charles L. Griswold (1822-1901) the mill ran on water power and originally produced auger bits, wood screws, corkscrews and other light hardware under the name Chester Manufacturing Company, before closing in 1919. In the early-mid 20th century, the building was occupied by the Solar Masonic Lodge No. 131, who renovated the building and removed all the original factory equipment. The National Theatre of the Deaf bought the building in 1983 and restored the original openings, using the building for rehearsal space and small performances until the theater company moved to Hartford in 2000. With its future uncertain, the old Griswold Mill was purchased by the Chester Historical Society, who opened it as the Chester Museum at The Mill in 2010.