The former Derby United Methodist Church (now the Ghana United Methodist Church) is located at the northern edge of the Town Green in Derby, Connecticut, and is a great example of a ecclesiastical building constructed in the Romanesque Revival style. Its large round arches, tall square tower, and heavy detailing in brick and brownstone place it in the Romanesque Revival mode, all with stained glass throughout. The church was built in 1894 and dedicated in early 1895. The stately church building was designed by George Washington Kramer (1847-1938), an architect who designed many Methodist churches in the midwest and east coast.
The Housatonic River (also spelled the Ousatonic) is, after the Connecticut and Merrimac, the most powerful river in New England. Its location in Derby, Connecticut, was seen as a benefit to local businessmen, who after the Civil War, created the Ousatonic Water Company. The new organization made up of industrialists and businessmen, set off to complete the Ousatonic Dam (on the Housatonic River) towards the end of 1870. The dam precipitated the rapid development of the industrial villages of Birmingham (Derby) and Shelton. Aptly built on the corner of Main and Water streets, this handsome Italianate style masonry building was constructed by the 1880s for the Ousatonic Water Company for their company offices. The company was absorbed into the Connecticut Light & Power Company in 1927. The former offices have since been repurposed for a local business.
The Sterling Opera House in Derby, Connecticut, is a landmark performing arts venue and civic center in the state and significant as a rare and well-preserved building constructed in the Italian Renaissance Revival style. Built in 1889, the building is named for Charles A. Sterling, founder the former Derby-based Sterling Piano Company, who paid for much of the costs of construction and design for the building. For his namesake building, Charles Sterling hired architect H. Edwards Ficken, who also assisted with the designs for the famous Carnegie Hall in Manhattan, New York, to furnish plans for the unique building. The Opera House was built to serve both political and entertainment needs for the community, with the lower two levels and the basement serving as City Hall offices and the police station from when it opened up until 1965. The auditorium was used for hundreds of shows and live musical performances in its day, with many world-famous performers such as Harry Houdini and Red Skelton taking the stage at the Sterling. Shows were held up until 1945 when the curtain closed for the last time. In the past decades the building has been largely vacant and kept alive by grants and a dream by the city to preserve this significant landmark, possibly for reincorporation as the City Hall.
The Second Congregational Church of Derby was built in 1845 by members of the Birmingham Congregational Society, who grew tired of travelling across the river to the First Congregational Church in town. The present “downtown” of Derby was originally known as Birmingham and grew as the industrial center in the city, which historically was much larger than it is today. The Birmingham Congregation had this edifice constructed in the Greek Revival style, and it was added onto in 1859, 1889, and underwent alterations in 1915, when the facade was altered with Colonial Revival flourishes. The additions to the facade include the Palladian window, elliptical leaded window in the pediment, and panels with swags and wreaths. The top of the steeple was damaged by Hurricane Gloria in 1985 and removed, and was replicated in 2021.
The Westminster Meetinghouse (aka the Westminster Congregational Church) was built in 1770 by Canterbury, Connecticut residents who in the 1760s, created a separate religious jurisdiction, the Westminster Society, due to their reluctance to travel long distances to Canterbury village for required religious services. Local resident John Parks donated land to be used as a public green, as well as a site for a cemetery and this meetinghouse. Sherebiah Butts, captain of the local militia, was engaged as master builder and architect, who along with his sons and other helpers, constructed the church by 1770. The original church, originally a square-plan meetinghouse, initially faced east, but was rotated to face south by around 1840, when the entire structure was remodelled in the prevailing Greek Revival style. The church is said to be one of the oldest continually utilized meetinghouses in Connecticut.
Built c.1805 for Elisha Payne, this architecturally distinguished Federal style mansion in Canturbury, Connecticut is one of the most significant buildings in the state, not only for its architecture but historical significance. In 1831, a young white woman, Prudence Crandall, was asked to open a boarding school for girls in Canterbury. She purchased this mansion and began operations for the school, which was attended by many wealthy girls in town. In 1832, Ms. Crandall was approached by a young Black girl who worked as a servant in town, named Sarah Harris, asking to attend the school. Encouraged by conversations with both Harris and Maria Davis, a Black woman who worked for Crandall and shared copies of the abolitionist newspaperThe Liberatorwith her, Crandall agreed to admit Harris. Almost immediately, residents protested the school’s admission of a Black girl and parents threatened to withdraw their students, Crandall undeterred, closed her school and reopened in 1833, solely for Black and Brown students. Young girls traveled from several states to attend the school. The legislature of Connecticut responded by passing the “Black Law,” which prevented out-of-state Black and Brown people from attending school in Connecticut towns without local town approval. Crandall was arrested, spent one night in jail, and faced three court trials before the case was dismissed. In September 1834, a nighttime mob of men attacked the house, smashing the windows, leading Crandall to close the school out of fear for her students as no protections were afforded to them. These events made national and international news in the 1830s and galvanized the burgeoning abolitionist movement. Crandall would later marry and left Connecticut, never to return. For her vision and brave actions at this school, Prudence Crandall is Connecticut’s official state heroine and the house was designated a National Historic Landmark in 1991.
The Edward Waldo House in Scotland, Connecticut, is a vernacular Georgian house with saltbox roof and wings which from its erection about 1715 until 1971 was owned by members of the Waldo family. Edward Waldo (1684-1767) purchased land here along the Shetucket River in 1702 and by 1715, erected this house. The saltbox house which Edward Waldo built was one of the first houses in the town of Scotland and would remain in successive generations of the family for centuries. The house was the birthplace of Samuel Lovett Waldo (1783-1861), a portraitist who was a founder of the National Academy of Design as well as Daniel Waldo, chaplain of Congress, 1856-1858, and was one of seven Revolutionary War veterans who, having survived into the age of photography, were featured in the 1864 book The Last Men of the Revolution. The last Waldo owner, Miss Ruth Waldo died in1975. She insured the preservation of her family homestead by bequeathing the house, its contents, and about 15 acres of land to the Antiquarian & Landmarks Society of Connecticut Inc. and the surrounding acreage to the Connecticut Forest and Park Association, creating an enduring legacy for centuries to come. The house, set amongst a quiet country road, is evocative of early days in Scotland, Connecticut, and is one of the finest-preserved Colonial homes in this part of the state.
This handsome Shingle style building was constructed in 1906 as a carriage house of a larger farm property in Scotland, Connecticut. The barn is said to have been built for Archie Gallup, who purchased the old Manning farm just west of the town green in Scotland. The 1 1/2-story carriage-house with a gambrel-roof stands out for its principal entry of paneled wooden doors and above, a large, flared hood featuring two pedimented gable-dormers. The entire building is clad with varied shingles to add complexity to the design, catching the attention of all who drive by.
John Pitkin Norton (1822-1852) was a successful educator, chemist, and author, who at just 27-years-old, built this stately mansion on Hillhouse Avenue in New Haven, Connecticut, for his young family. John P. Norton studied chemistry under Benjamin Silliman at Yale College, and was eventually appointed Professor of Agricultural Chemistry at Yale in 1846. He helped to found the Department of Philosophy and the Arts at Yale College and authored many scientific papers, dealing with the chemistry of crops. Coming from an established family and beginning a successful career himself, John hired New Haven-based architect, Henry Austin, to design this large, Italianate villa. The window surrounds, canopies, and flamboyant Moorish entryway are typical of Austin, with the general form and detailing taking cues from architect Alexander Jackson Davis‘ work. The Norton Mansion was purchased by Yale University in 1923 and was long the home to the Yale School of Management and is now occupied by the Jackson School of Global Affairs.
One of the finest houses in New Haven is this stately residence, the Aaron Skinner Mansion on Hillhouse Avenue. The mansion was built in 1832 for Aaron Nichols Skinner (1800-1858) from plans by architect Alexander Jackson Davis. Skinner was a Mayor of New Haven (1850-1854), and for a short time, ran a boy’s boarding school out of this house. Skinner was also a CT State Representative, serving two terms. The house was originally built as a three-bay, two-story house with one-story side wings and a rear ell. After his death, the house was purchased by Judge William W. Boardman, who in 1859, modernized the property hiring architect, Henry Austin, who filled in the side wings and added Italianate window mouldings. The monumental portico supported by fluted, Ionic columns, creates such a stately presence for the early house on the street. In the early 20th century, the mansion was owned by Rutherford Trowbridge, who renovated the house for his own use. The house remained in the Trowbridge family until the death of his last daughter, Miss C. Rachel Trowbridge, when the estate became the property of Yale University.
Buildings of New England 