Providence History

First Baptist Church, Providence // 1774

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The First Baptist Church of Providence, also known as the First Baptist Church in America is the oldest Baptist church in the United States. The Church was founded in 1638 by Roger Williams, who before building this church in 1774, often met in private residences or in more plain meetinghouses to not show vanity. By the early 1770s, a new building for Providence Baptists was needed, and it was conceived in a very large (and ornate) way. Built to accommodate over 1,200 people (just under a third of the entire population of Providence at that time), this church was built “for the publick Worship of Almighty God; and also for holding Commencement”, referring to the commencement ceremonies of Rhode Island College (later Brown University), also founded under Baptist auspices. The church was designed by local amateur architect, Joseph Brown, who was likely inspired by Sir Christopher Wren’s London churches in James Gibbs’s Book of Architecture (1728). The construction was greatly aided by the fact that the British had closed the port of Boston as punishment for the Boston Tea Party. Many shipwrights and carpenters were thrown out of work and came to Providence to build the meetinghouse there. The structure was dedicated in May 1775, and the 185-foot steeple was added shortly thereafter. This was the first Baptist meetinghouse in New England to have a steeple, and it has survived dozens of hurricanes and hundreds of years of change since. The church is a National Historic Landmark and remains as one of the most significant buildings in New England.

Joseph Brown House // 1774

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Constructed in 1774 by architect Joseph Brown (1733-1785) of the Brown family of Rhode Island as his personal residence, the John Brown House of Providence, stands as one of the oldest (if not the oldest) house built by an American architect for his own use. Joseph Brown, while a member of the Brown Family, was not as much in the shipping business as others in his family, instead turning his attention to scientific matters, becoming an expert in astronomy, electrification, and architecture. He was an architect in the Thomas Jefferson-gentleman mode, owning English architectural books from which he selected motifs for inclusion in his designs. It is believed that the eccentric curved ogee gable that caps the façade was adapted from the roof design of a garden house published in William Salman’s Palladio Londinensis, owned by Joseph Brown’s builder, Martin Seamans. The same ogee gable was later replicated in the Colonial Revival period in Providence. The residence’s entrance was originally raised above ground and accessed via symmetrical flights of stairs; in the late 18th century, the entrance was moved to street level in the brownstone basement level. Over a decade after Joseph’s death in 1785, the structure was acquired by the Providence Bank, an enterprise founded by Brown’s brothers John and Moses, and used as an office. The bank occupied the structure until 1929, and the Joseph Brown House was subsequently owned by the Counting House Corporation, and still appears to be owned by descendants of the Brown Family.

Providence Market Hall // 1773

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Located in Market Square between Downtown and College Hill in Providence, Rhode Island, the old Colonial Market House stands as one of the city’s oldest and most architecturally significant buildings. Constructed between 1773-1775, this Georgian-style structure originally served as a public market and meeting space. The building was originally two stories in height with an open arcade on the first story, it was used by vendors below and town officials above. The building was expanded in 1797 with a third floor, which housed the first Masonic Lodge in Rhode Island. The Market Hall was designed by local businessman, astronomer, and architect, Joseph Brown, who was also a brother of the founders and namesake of Brown University. Over the centuries, the Market House has played many civic roles. During the Revolutionary War, it was used for military purposes, and later became a hub of commercial and political activity in the growing city. It housed Providence’s first post office, and housed the Providence City Council in the decades before the completion of City Hall. In 1948, Mayor Dennis J. Roberts signed a deed to give the building to the Rhode Island School of Design, with the provision that the exterior of the building be maintained, an early preservation win! Architect John Hutchins Cady was hired to remodel the interior with classrooms and studios, and the Market House remains as a significant piece of the RISD campus. Its enduring presence on Market Square connects modern Providence to its colonial roots, embodying a rich legacy of adaptive reuse and historic preservation.

Rhode Island Hospital Trust Building // 1917

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Located at the eastern edge of Downtown Providence, the Rhode Island Hospital Trust Building is significant as one of the city’s finest examples of the Beaux Arts style of architecture and as the headquarters of what was once the largest banking institution in the state of Rhode Island. The Rhode Island Hospital Trust incorporated in 1867 as the first trust company in New England. It owes its unique name to the fact that it was chartered by the board of trustees of Rhode Island Hospital, founded four years earlier, with the trust company established to help finance operations of the hospital. The original, purpose-built bank was constructed in 1891, and quickly outgrown as the institution grew exponentially into the early 20th century. In 1916, the trust hired the New York architectural firm of York & Sawyer to furnish plans for the present structure. Construction began in 1917, and after delays caused by WWI, the building finally opened in 1919. The 11-story U-shaped building was designed in an exaggerated form of Renaissance palazzo, with steel-framed construction that is faced with marble on the two lower levels and limestone elsewhere. After a series of mergers throughout the 20th century, the building was owned by FleetBoston, who donated this pristine building to the Rhode Island School of Design (RISD), which was renovated into a dormitory by RISD-alumni and architect Nader Tehrani of NADAAA Architects. It is today known as the Mandle Building.

George H. Dart House // 1893

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Arguably the most restrained and modestly detailed residence on Stimson Avenue in Providence is this residence, the George H. Dart House, a late-Queen Anne dwelling built in 1893. The original owner, George H. Dart (1845-1897) worked as the President of the Rhode Island Tool Company before his unexpected death in 1897.  Four years prior to his death, Mr. Dart hired the local architectural firm of Stone, Carpenter & Willson, to design this single-family residence, which employs Shingle and Queen Anne detailing under a two-story gambrel roof with overhanging eaves sheltering recessed porches and bay windows.

Thurston-Gladding House // 1886

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One of the finest Victorian-era houses in the College Hill/East Side area of Providence is this stately residence at 30 Stimson Avenue, known as the Thurston-Gladding House. The house was built for newlyweds, John Russell Gladding and Ellen (Thurston), on land given to the couple by Ellen’s father, attorney and judge, Benjamin Thurston. John Gladding was originally from Connecticut and the couple split their time between their Providence home and a country retreat in Thompson, Connecticut. Architects Thomas J. Gould and Frank W. Angell (Gould & Angell) furnished the plans for the home, which features a ground floor faced with textured brick and walls adorned by continuous wood shingle siding above. A rounded tower, projecting bays and dormers, and a elongated front porch break up the massing into a pleasing composition.

Henry A. Waldron House // 1893

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The period of the late 19th through early 20th centuries provided architects the opportunity of blending the two prominent styles, Queen Anne and Colonial Revival into a single composition, and as a result, this period has provided some of the most whimsical yet stately homes in New England. This modestly sized residence sits on Stimson Avenue, one of the finest streets in Providence, and despite its unassuming size, packs an architectural punch with its materials and detailing. The Henry Waldron House was built in 1893 for Henry A. Waldron, a clerk in Providence. From deed research, it appears a member of his family, Nathan Waldron, a wealthy grocer, purchased the site in 1891 and likely funded some or all of the construction of the residence there. The architectural firm of Hoppin, Read & Hoppin is credited with the design of the residence, which employs a Colonial Revival form with the gambrel roof and Columned and ornate entrance porch with fan motif, while the use of varied siding materials and octagonal tower with pyramidal roof veers into the Queen Anne style.

Ellen and Charles Baker House // 1898

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The versatility of the Queen Anne style of architecture is unmatched! This stunning example is located at 67 Stimson Avenue in Providence, Rhode Island, and was built in 1898 for Charles H. Baker and his wife, Ellen. Mr. Baker was a superintendent at the Gorham Manufacturing Company, one of the largest manufacturers of sterling and silverplate tableware in America. Sadly, Charles Baker would not get to enjoy the house for long as he died within a year of the house being finished. Ellen and the couple’s daughter, Maude, would reside here for years later. The Providence architectural firm of Gould and Angell designed the house with a large brick Flemish gable breaking the shingled mass of the house in a really abrupt, yet pleasing way.

Goodwin House // 1886

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Queen Anne style buildings are a favorite as they are all so different and interesting to look at with all the ornate details, asymmetrical forms, varied siding, and rooflines. This example on Stimson Avenue in Providence is a great example of the style. The house was built in 1886 for William P. Goodwin (1852-1921), a banker, insurance executive, and author, who never married and lived in the house with his sister, Sarah Jane Goodwin. Keeping it in the family, William hired his brother, architect, John Bray Goodwin, to design his residence, with little expense spared. Interestingly, the house is built right at the street with its front door accessed up a stair and a brick base adjacent to enclose the property from the sidewalk, creating a high garden wall with gate. There is so much to look at here, it is spectacular.

Byron Thomas Potter House // c.1896

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The Byron Thomas Potter House is located at 8 Stimson Avenue in Providence, Rhode Island, and is one of the city’s few examples of the Beaux Arts architectural style in a single-family residence. The Beaux Arts style uses an Italian Renaissance form and materials (Roman bricks), classical Greek and Roman decorative elements like columns and balustrades, and a steep mansard roof punctuated by large dormers, to create a grand and imposing architectural statement. The house was designed by 1896 by local architect, Edward I. Nickerson, who was known for his use of traditional forms in an unconventional manner, with emphasis on ornament and differing materials; with this house being a great example of his work in his later years. The residence was built for newlyweds Helen Sheldon Potter and Byron Thomas Potter, a real estate and insurance broker. The residence is now occupied by the International House of Rhode Island, a non-profit that provides a “home away from home” for international students, scholars, professors, researchers, and their families by providing a venue for folks of different backgrounds, ethnicities, and life experiences to celebrate our similarities and differences and envision a world in which friendship and understanding beat anonymity, isolation, and ignorance. The world needs more of this.

Crandall-Peirce House // 1890

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Talk about a statement! This pink, Shingle style house is located at 140 Brown Street in the fashionable College Hill section of Providence, Rhode Island. Built in 1890 for William and Katherine Crandall, the Shingle style residence stands out for its cantilevered two-story tower and corner rounded porch at the corner, and of course the continuous shingled facades. William T. Crandall was the president of the Union for Christian Work, a religious charitable institution which provided aid to needy children in Providence. Augustus R. and Ida W. Peirce would board in the home for decades, and were likely family, inheriting the property upon Katherine’s death in 1932. The architect could not be located.

Cushing Apartments // 1902

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Apartment buildings get a bad rap, largely because of the cheaply built monstrosities built after WWII through today; but apartment buildings can be dignified and fit within their surrounding context, it just takes good design. These are the Cushing Apartments at Thayer and Bowen streets in Providence’s College Hill neighborhood. The building was constructed in 1902 for owner, Stephen Cushing Harris, from plans by young architect Frederick Ellis Jackson (1879-1950), who would have been in his mid-20s when he designed it! While not an academic example of the Tudor or Colonial Revival styles, the building blends both in a unique U-shaped form. The building is supposedly wood-frame and was eventually purchased by Brown University in 1963. The college renovated the building in 2012 to serve as an upperclassman dormitory with LBB Architects and Gilbane Construction overseeing the project. The building adds a subtle density to the block without being overbearing with the courtyard design.

Francis and Sarah Cranston House // c.1895

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The Francis and Sarah Cranston House is located on Bowen Street in the College Hill section of Providence, Rhode Island. Built circa 1895 for Francis Augusta Cranston (1837-1909) and his wife, Sarah (Hill) Cranston, the house is one of the best residential examples of Colonial Revival architecture in the city. Francis was the son of Barzillai Cranston, a descendant of Gov. Samuel Cranston, who held office from 1698 to 1727, being elected to office 30 times; serving as governor longer than any other individual in the history of Rhode Island. Francis worked as cashier of the Old National Bank of Providence for over fifty years and built this residence to settle into retirement. The residence is unique for its high-sloping hipped roof with two layers of dormers, corner quoins, Palladian window, and Ionic portico. I could not locate the architect, but if anyone knows, I’d love to give them their deserved credit!

Avon Cinema // 1938

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There are fewer and fewer historic movie theaters in America, largely due to the proliferation of larger theaters at the end of the 20th century and the more recent trend of streaming. Smaller, family-owned theaters are becoming rare, so if we value the charm and character of these spaces, we have to support the arts at these spaces! The Avon Cinema is located in Providence’s East Side neighborhood and premiered on February 15, 1938 with the French film Beethoven’s Great Love (titled “The Life and Loves of Beethoven” in the U.S.) The theater was originally constructed in 1915 and operated as the Toy Theater for a few years before it closed. After decades, the building was purchased by the Dulgarian Brothers, who reopened the theater, naming it Avon. The Dulgarian family has owned and operated the theater to this day and have made a point to restore the building and maintain the historic charm.

Smith Owen Mansion // 1861

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You honestly cannot beat Providence when it comes to brick Italianate mansions… The Smith Owen Mansion on College Hill was built in 1861 for jeweler and silversmith Smith Owen (1809-1889) and is one of the finest homes in a neighborhood full of historically and architecturally significant properties. Mr. Owen was in business with his brother George, and they manufactured and sold some of the best jewelery in the region, largely from their commercial block downtown (featured here previously). He hired Alpheus C. Morse and Alfred Stone, local architects who furnished the plans for the colossal home. Owen lived here until his death, which occurred less than a week after his wife’s passing. His daughter Lydia Dexter Owen Beckwith (1850-1947) inherited the property and lived here with her family until her death. It was under Lydia’s ownership that the Colonial Revival entrance details were added with projecting vestibule with columns and urns and central fan transom. It is really something special!