“Park Gate” Cottage sits on Bellevue Avenue near Touro Park in Newport, Rhode Island and is one of many summer “cottages” for wealthy summer residents. The home replaced the Atlantic House, a large summer hotel formerly on the site. The wood-frame dwelling was designed by Newport architect George Champlin Mason for Seth Bunker Stitt of Philadelphia and constructed in 1879. Mason’s design for “Park Gate” includes many features typical of the Queen Anne style including the asymmetrical facades, wrap-around front porch, tower, and even the small details like dentils, spindle work and balustrades. The house was later purchased by Newport Lodge #104 of the Benevolent and Protective Order of the Elks in 1920, who own the building to this day.
Located next to the Channing Memorial Church and the Derby Cottage on Pelham Street, this Queen Anne style cottage stands as a significant Victorian era residence on the street dominated by Greek Revival homes. Built in 1878 for a William H. Smith for his residence and office. The home is an excellent example of the Queen Anne style with asymmetrical form and massing, complex roofline with multiple gables and towers, varied siding, and intricate millwork. By the early 20th century, the property was owned by John and Mary Cottrell, and later purchased by the Channing Memorial Church as “Channing House”.
Tucked behind the Jesse Lee Memorial Church on Main Street in Ridgefield, you will find this stately Queen Anne/Tudor Revival estate. The ‘Ashton Croft’ Manor House, now called Wesley Hall, is part of the Jesse Lee Memorial United Methodist Church complex and it has been modified several times blending two distinct styles into a single, pleasing composition. This house was originally constructed by Henry and Elizabeth Hawley circa 1892 in the Queen Anne style. The house was later sold to Electa Matilda Ziegler, a wealthy New York City widow in 1912, who reconfigured the structure to include half-timbering on the gables and upper story walls in the Tudor Revival style. She spent summers at a mansion in Darien, Connecticut, and would sell her Ridgefield property to Sanford H.E. Freund, a New York City attorney. The local order of Odd Fellows bought the estate from the Freund family in 1956. Three years later, the organization sold most of the property — retaining the carriage house for its lodge — to Jesse Lee Methodist Church, which planned to eventually build a new church there to replace the old one at Main and Catoonah Streets. Today, the entire former Ashton Croft estate is owned by the local Methodist Church and is known as Wesley Hall.
Built ca. 1890 for Boston salesman Washington Libby Krogman (1858-1894), one of Boston’s finest Queen Anne style homes can be found in the Clam Point neighborhood of Dorchester. The pronounced sculptural qualities of this residence, together with the juxtaposition of clapboards and patterned shingles, variety of window sizes, and ornamentation place this house squarely within the pantheon of important Queen Anne designs within the city of Boston. Painted in a manner that showcases its sheathing and ornament to great advantage, this well-preserved house is particularly noteworthy for its graceful verandah that encircles a distinctive, round, conically-capped tower at its northeast corner. The home was only occupied by Washington Krogman for less than four years when he died unexpectedly in 1894 at just 35 years of age. The property was deeded to his widow Carrie for a few years before she sold the property to Thomas Francis McManus, a noted naval architect (schooner designer). The home remains one of the finest mansions in Dorchester.
The Dixon Cottage on Grindstone Neck was built around 1891 for Alexander J. Dallas Dixon (1850-1948) who appears to have either shared the summer house with his brother Thomas, or sold the property soon after. The Dixon brothers (along with George Dallas Dixon), were early investors in the Grindstone Neck colony and they built summer homes here in its early development. The Dixon Cottage was the summer retreat for Thomas’ eldest son, Fitz Eugene Dixon, who married Eleanor Elkins Widener, a philanthropist and heiress to the Widener and Elkins families. Eleanor and Fitz would later own Park Cottage, featured previously. The Dixon Cottage deviates from the traditional Shingle style cottages seen so frequently on Grindstone Neck and is a refined example of the Queen Anne style with its varied siding, rounded tower, and asymmetrical plan.
Queen Anne Victorian perfection! This is the Trotter Cottage on Grindstone Neck in Winter Harbor. The house was built in 1892 for one of the proprietors of the Gouldsboro Land Improvement Company, the group that developed the Grindstone Neck Summer Colony. Nathan Trotter (1852-1915) was a commission merchant from Philadelphia who made a name for himself there, eventually investing his money into real estate. He had Philadelphia-based architect Lindley Johnson, who also built other cottages on Grindstone Neck (including one for himself), to design this cottage for his family to visit for the summer seasons. The property became known as Park Cottage under later owner Eleanor Widener Dixon, she and her husband would summer here when not occupying their palatial Pennsylvania estate. Her father, George Dunton Widener and brother, Harry Elkins Widener both perished in 1912 aboard the Titanic. After the Titanic disaster, Eleanor’s mother presented to Harvard University the $2,000,000 Widener Memorial Library in memory of her son. Park Cottage is one of the finest cottages on Grindstone Neck.
In 1888, the West Gouldsboro Union Church Society had enough funds to build this Queen Anne style church, built completely from member donations. By November 1888, the exterior was completed, but so much money was spent on the detailing on the exterior, no funds were available for the exterior painting and interior spaces. In 1891, the new church was finally dedicated. The West Gouldsboro Union Church is a stunning example of a church in the Queen Anne style with varied siding forms, asymmetrical plan, and square tower capped by a pyramidal roof. My favorite part about this building is its historically appropriate paint colors. For a long time, the church was fully painted a bright white, but now its details really shine!
The three-decker is a commonly found housing type in New England’s urban industrial cities. These buildings are typically of light-framed, wood construction, where each floor usually consists of a single apartment, and frequently, originally, extended families lived in two, or all three floors. These were affordable housing, largely built by and for first- or second-generation immigrant families who could build a home and rent the other two units to family or friends to offset the steep cost of a mortgage. These three buildings were constructed around 1895 by David Sullivan, a cabinet-maker in North Adams, Massachusetts. They are all Queen Anne in style with applied stickwork, gabled roofs, and multi-story porches. Housing like this is what keeps so many New England towns and cities (relatively) affordable with increased density without sacrificing character or charm.
In the late 19th century, Merrill Whitney, a former stone mason, and his wife Harriett, built a dozen multi-family housing units or “tenements” for the surge of working-class residents moving into the City of North Adams, Massachusetts. As the factories and mills were overrun with immigrant workers, rental units were built to provide housing for them and also lined the pockets of established residents of the city who could supply the much needed housing there. Some landowners like the Whitney’s built high-style housing that rivaled some of the single-family homes there. This was a two-family home that was rented through the early 20th century, and still features front porches, a tower, and Victorian-era detailing.
Queen Anne perfection! The Samuel Dearborn House sits at the beginning of Concord Avenue in Nashua, New Hampshire and is among the city’s finest examples of the great architectural style. Samuel Gerrish Dearborn was born in Northfield, New Hampshire, August 10, 1827. His father was an industrious farmer and allowed Samuel to be educated at Sanbornton Academy and the New Hampshire Conference Seminary. He graduated from Dartmouth in 1849 and began practicing medicine in various New Hampshire towns. He served as a surgeon during the Civil War and after, settled in Nashua, remaining a prominent doctor. He and his family were avid travelers and had trips to the Pacific northwest and Mexico. He had this stately Queen Anne style residence built in 1886 which exhibits all the hallmarks of the style. Varied materials and siding types, asymmetrical plan, ornate turned columned porch, gables with detailed shingling, and complex roofline are all so eye-catching.
Yet another of Nashua’s fine estates on Concord Street is the George French House, a more academic example of the Queen Anne style of architecture. The French House was built in 1890 for George Barstow French (1846-1933), an attorney in town. I really wish I could find more on the architect, as this seems to be a more academic example of the style with bold material choice of brick construction with brownstone and terracotta trim and detailing. The hipped roof with flared eaves and brick pilaster detailing on the second floor add a lot to the design and are not common! Does anyone know more?
One of the finest homes in Nashua, New Hampshire is this stately brick and brownstone mansion at the corner of Main and Prospect streets. It was built for Charles Horace Burke (1850-1912) and his wife, Asenath Burke (1856-1943) in 1889 as one of the most up-to-date residences in the city. As a young man, Charles was known as “the busiest businessmen” in Nashua. He would become the president of the Nashua Iron and Brass foundry as well as the director of the Second National Bank. In 1878, he was the city’s tax collector and he served as Mayor from 1889 to 1890, soon after he had this estate built. As mayor, Mr. Burke was responsible for the building of the Soldiers and Sailors Monument in Abbot Square and the Court Street Police Station. As Mayor, Burke also improved the sewage system, streets, sidewalks, and highways of Nashua. He hired architect Charles J. Bateman to furnish the plans for the house, which would take over a year-and-a-half to build. Bateman would later be named City Architect for the City of Boston, designing schools, firehouses, and more during his time there in 1893-4 and 1898. The house is a high-style Queen Anne Victorian home of brick with brownstone trim. There is an intact former carriage house at the rear. The house was inherited by Charles and Asenath‘s only child, a daughter, Tena, in 1914. She sold it two years later to Dr. Augustus W. Shea and his wife, Lucy. When Lucy passed away in 1948, her daughter sold the property to the Nashua Medical Center. It has seemingly been used as offices ever since. The large corner lot and adjacency to a large medical center across the street have me worried that this property may be threatened in the future for redevelopment, here’s to hoping Nashua can preserve this significant and architecturally grand estate! Thank you to the Nashua Historical Society for assistance researching this post!
WOW! Would you just look at this absolute stunner in Nashua? The town is not necessarily known for its historic architecture, but like most New England towns and cities, there are some amazing buildings to check out. This example, the James Tolles House, was built in 1890 and is one of the finest residences in the city. The stately residence was built for Mr. Tolles who served as Nashua’s 23rd mayor. The Tolles House stands out for the use of sandstone ashlar construction on the first floor with shingle siding above, carved terracotta panels, and a large, rounded corner tower capped with a domed copper roof. This one is pretty close to perfect!
Brookline Village is full of amazing double houses (or duplexes) built in the late 19th century. Many feature Queen Anne detailing and are architecturally striking with porches, complex rooflines, and trim details. This example was built in 1884 by Elijah Emerson, who had an estate nearby. His house was originally located where the park, Emerson Garden is located, but it was moved across the street. He had this double house built and rented it out to middle-class families who flocked to the neighborhood for the ease of access to Downtown Boston, while maintaining a bucolic feel (why many still today move to Brookline). Even though it is covered in aluminum siding today, the original wood clapboards and trim likely are waiting underneath to be revealed someday. But for today, we can gawk at the original details that are visible, including the semi-circular window, recessed porch with decorative balustrade, and porch with original entry doors.
While many lots in Brookline village in the final decades of the 19th century were being redeveloped as duplexes, three-deckers, and apartment houses, some property owners still wanted single-family living. In 1885, George Carpenter had this home in the village built from plans by well-known architect Obed F. Smith, who designed many Victorian-era homes in Boston’s Back Bay and around the region. George Carpenter worked in Downtown Boston as an agent for the Massachusetts Mutual Life Insurance Company. The house features some Stick style elements seen in the porch spindles and carved brackets.
