Wells-Bullard House // c.1868

One of the finest Second Empire style houses in Brookline can be found on Prescott Street in the fashionable Cottage Farm neighborhood of the city. Built around 1868 by Amos A. Lawrence, who lived in a house nearby, this “cottage” was rented out to John Wells (1819-1875), a Judge on the Massachusetts State Supreme Court until his death. The property remained in the Lawrence family into the 20th century and was later rented to George E. Bullard, a banker. The brick house is notable for its siting at the center of the lot, corner quoins, brick corbelled cornice, arched door and windows, and slate mansard roof.

Benjamin F. Greene House // 1868

Built for Benjamin Franklin Greene, a second-generation mill owner of the Greene and Daniels Thread Company in Central Falls, Rhode Island, this large, Second Empire style house is one of the finest of its style in the entire state. The house is one of only a few high-style residences left from the mid-nineteenth century in Central Falls, when industrialization’s full expansion provided manufacturers such as Greene with fortunes to be expended on their houses. Designed by Providence architect Clifton A. Hall, the ornamentation of the Greene House is extraordinary for its elaboration, relieving the severity of the simple, block-like shape of the house. The central door is set under a flat-roofed porch which is supported by trios of Corinthian columns. Above the porch a trio of round-head windows is set under a “sunbonnet” gabled dormer which caps the central pavilion, is supported by brackets, and encloses a round-head window with a small balcony. What a spectacular home!

David G. Fales House // c.1858

The David G. Fales House of Central Falls, Rhode Island, is an excellent example of the Second Empire architecture style in a high-end residence. The home was built around 1858 and belonged to David Gilmore Fales (1806-1875), one of the partners of the nearby Fales and Jenks machine works. Mr. Fales either built or purchased the home which was then a flat-roofed Italianate style home, and hired architect Clifton A. Hall, to modernize the residence, adding trim and the mansard roof. Its broad eaves are supported by brackets with pendants; segmental-head dormers are set in the mansard and a square belvedere with round-head windows tops the roof. A major fire gutted much of the house in the 1960s, and its future was uncertain. It was preserved and is now a multi-family apartment building.

Abigail Whelpley House // c.1826

The oldest extant building on Hillhouse Avenue in New Haven is this Federal-period house with later Victorian-era modifications. The Abigail Whelpley House was built by 1826 (with some estimates as early as 1800 and moved to the site) and was a traditional, five-bay, two-story Federal style residence. It is said that the house was built by James Abraham Hillhouse (1789-1841) for his widowed family member, Ms. Whelpley, and her two sons. As of 1849, the property was owned by Noah Porter, later President of Yale, who would alter the house in the 1860s with the addition of a mansard roof and trim, all designed by architect, Henry Austin. The house, now known as Allwin Hall, is maintained by Yale University and contains offices for the program on Ethics, Politics & Economics.

Governor Robinson House – Assumption Church Rectory // c.1870

Located next to the Assumption Roman Catholic Church of Chicopee, this handsome Second Empire style residence is significant not only architecturally, but as the residence of a Massachusetts Governor. This house was built around 1870 for a Frank D. Hale, who resided here until 1878, when the property was purchased by George Dexter Robinson (1834-1896), who moved to Chicopee and eventually got engaged in politics, in 1873 winning election to the Massachusetts House of Representatives, and was elected to the Massachusetts Senate in 1875. In 1876, Robinson was elected to the United States House of Representatives, where he served most of four terms, buying this home about half-way through his time as a Representative in Washington. While serving in Congress, Robinson was nominated to run for Governor of Massachusetts in 1883, he won and served three, one-year terms. After his time as Governor, he went back to his law practice, and in 1892, Robinson took on his most famous client, Lizzie Borden. During the infamous trial, Robinson was also able to cast significant doubt on the reliability of several witnesses to the events surrounding the murders. Lizzie Borden was ultimately acquitted of the criminal charges, and Robinson was a highly visible presence in the media circus that attended the trial. In the 20th century, this handsome property was acquired by the Assumption R.C. Church of Chicopee, who used the house as a rectory for its new church next door. It remains a well-preserved example of the Second Empire architectural style with slate mansard roof crowned by iron cresting.

Church of the Holy Name of Jesus Rectory //1857

In 1857, the same year that the Diocese of Springfield built the Church of the Holy Name of Jesus in Chicopee, they also broke ground on an adjacent rectory, a residence for its priest. Like the church, the brick rectory was possibly designed by Irish-born architect, Patrick Keely. The Italianate style building originally was capped by a shallow hipped roof, but a renovation in 1871 added the mansard roof, two-story bays, and the portico at the entrance. The building served as the church rectory for over a century but eventually closed by 2011, and the future of the site was uncertain. Luckily, the Polish Center of Discovery and Learning have rented and occupied the rectory, serving as an important cultural institution educating and collecting to tell the story of Polish history in Chicopee and beyond. Fitting that many early-arriving Poles in the late 19th century to Chicopee attended this church before establishing their own.

Captain Albert F. Ames Mansion // 1874

Located next door to the William H. Glover House on Talbot Avenue in Rockland, Maine, this equally impressive Second Empire style Victorian residence stands as one of the finest in town. The abode was built in 1874 for Captain Albert Franklin Ames (1831-1887) by the architectural firm of Kimball & Coombs of Maine. Albert F. Ames was a sea captain and merchant who would later own many ships to distribute his manufacturing of lime casks which were sold and transported all down the east coast to build American cities. The stately home would later be the subject of one of artist Edward Hopper‘s paintings in Rockland, titled, “Talbot House” after a later owner.

William H. Glover House // 1873

William Hurd Glover (1834-1910) was a prominent lumber dealer and builder in Rockland, Maine, and would built this house as his residence on Talbot Avenue. Mr. Glover hired architect Charles F. Douglas, to furnish the plans for the Second Empire style mansion. While covered in vinyl siding, the handsome residence features a slate mansard roof, central tower, delicate projecting portico over the entrance, and decorative window hoods and brackets. The house is one of the best examples of the style in Maine, even with the later siding.

Samuel D. Garey House // c.1870

Samuel D. Garey (1825-1891) was born in Auburn, Maine, and worked as a carriage manufacturer there before moving to Newton, Massachusetts to use his carpentry skills building houses in the rapidly developing Boston suburb. He became a prominent builder and developer in Newton Centre, residing there and building this mini-mansard house on Gibbs Street before 1870. Garey likely rented the house out to tenants for supplemental income, with the family maintaining the charming cottage into the 20th century.

John H. Sanborn Mansion // c.1868

One of the finest Second Empire style residences in Newton, Massachusetts, can be found on Herrick Road in Newton Centre. This is the John H. Sanborn house, built before 1870 for John H. Sanborn, a Boston broker and commission merchant who also served as a Representative to the Massachusetts General Court. The imposing residence is a two-story house based on a rectangular plan, and capped with a bellcast Mansard roof of gray, fish-scale patterned slates. The focal point of the design is the four-story, towered entrance pavilion which dominates the facade.