Colonial Revival

Warren Industrial Trust Company // 1906

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This monumental Georgian Revival bank building on Main Street in Warren, Rhode Island, and is one of the finest buildings of the style in the entire state. The Warren Industrial Trust in 1906 hired Edmund R. Willson of the Providence architectural firm of Stone, Carpenter & Willson to design the bank for the town after it had absorbed the town’s multiple banks, under one roof. It would be one of his final commissions before his death. On the facade, four Corinthian columns support a dentilled pediment over the entrance with the red brick walls enlivened with arched windows, oversized keystones, and pilasters with contrasting capitals and bases. The building shows that Colonial Revival architecture, while often seen as a refined, classical style, can be festive and ornate.

Nora M. Swift House // c.1902

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One of the few high-style, early 20th century homes in Warren, Rhode Island’s Downtown/Waterfront neighborhood, can be found on Washington Streetjust steps from the community’s vibrant Main Street. The handsome residence was built around 1902 for Dora Martin Swift, a widow of Edward A. Swift (1812-1895) a sea captain and whaler in the mid-19th century. Dora’s home exhibits a blending of Victorian-era and Colonial Revival styles with the varied shingle and clapboard siding, asymmetrical porch, and flared shingles between floors showcasing Queen Anne style influence and the portico, swag and wreath motifs, and symmetrical center-hall plan showcasing the emerging Colonial Revival style influence. The property has been well preserved and appears to have been the work of a successful builder or architect. 

Joyce Street School // 1903

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Built in 1903, the Joyce Street School in Warren, Rhode Island, is an excellent example of an early 20th century public school building constructed in the Colonial Revival style. To keep up with a growing population town officials hired architect, Albert Humes, to furnish plans for a new primary school on a lot behind the Town Hall. The handsome school is constructed of brick with a stone foundation and trim of marble and granite with a projecting entrance pavilion, and segmental-arch windows at the second floor. In 1940, the Joyce Street School became a grammar school to house grades 5 to 8, and the building was completely renovated in 1950. The Building was decommissioned as a school in the mid-1970s and later went through a $2.5 million renovation with an addition at the rear to house the Central Fire Station and the Police Department in the former school, a use that remains today.

Hall Memorial School, South Willington // 1922

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Located in South Willington, Connecticut, this Colonial Revival style school building was built to serve the mill village pupils, many of whom were first- and second-generation Americans who immigrated to the area to work at the local mill. In his will, William Henry Hall (1867-1922), the son of industrialist Gardiner Hall Jr., who established the business under his name, donated funds to the community to erect a new, suitable school building for the village. Beyond his work at his family’s business, William H. Hall served in the Connecticut House of Representatives in 1893–1897 and again in 1905, 1909, and 1911, and he was generous with his money throughout his life and in his will. For the Hall Memorial School, his heirs selected architect, Harry L. Sprague of Springfield, Massachusetts, who designed the one-story school built of brick and limestone trim and a tall, pedimented portico at the entry supported by four tuscan columns. The school has seen additions, but it retains much of its architectural integrity in the over 100 years of use as a public school.

Former Boston Fire Department Engine House No.10 – Hill House // 1949

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This iconic former firehouse at the corner of Mount Vernon and River streets in Beacon Hill, was built in 1949 and despite its relatively young age, has become an iconic landmark in the neighborhood. Since the mid-19th century, this site has been occupied by a fire station, most of which as a Second Empire, brick engine house with a mansard roof. After WWII, the Fire Department struggled to use the 1860s station which was built before the large, vehicular fire trucks replaced horses-drawn apparatus. In 1946, the Victorian station was razed and architect, John Mathew Gray, furnished plans for a new, Colonial Revival style station that could accommodate the larger fire trucks. The new station opened in April 1949 and Engine 10 remained here until 1982, when the company moved to 123 Oliver Street, Downtown. The Fire Department retained ownership of the building until 1995, and around this time, the building served as the filming location for television shows Spenser For Hire, which ran from 1985 to 1988 and the MTV series The Real World, which was broadcast in 1997. Since 1998, the property has been home to Hill House, Inc. a long-standing non-profit providing sports activities for children, adult education classes and programs for senior citizens.

West Hill Place // 1916

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West Hill Place is a small development in Beacon Hill that feels like it was transported to Boston from London! The group of 14 four-story brick townhouses that comprise West Hill Place were built on the site of a gas holder in 1916. The Georgian Revival style development was designed by the firm of Coolidge and Carlson, who aligned six of the townhomes to face west on the Charles River Embankment and arranged the remaining eight residences around a circular court. The development was inspired by Charles River Square, located to its south and built six years prior. The driveway extends off what is today Storrow Drive, with a second exit set within an arched passageway that connects through the Charles Street garage, which was built later. The dark brick with cast stone trim works elegantly with the curving facades facing the courtyard, many of which are adorned with arched doorways and the original iron lanterns. The development has been harmed by the creation of Storrow Drive in the 1950s, but it remains one of the most unique and picturesque enclaves in New England. 

Charles River Square // 1910

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Charles River Square, a delightful development of red brick and cast-stone Colonial Revival townhomes in the Beacon Hill Flat, was developed in 1910 from plans by Boston architect, Frank A. Bourne. The development consists of a total of 21 residences, 19 of which front on the courtyard that is known as Charles River Square. The development is accessed off Charles River Road (which was made a busy thoroughfare in the 1950s and renamed Storrow Drive) and through a Palladianesque passageway off Revere Street. Along with its neighbor to the north, West Hill Place (1916), another group of attached townhouses organized around a courtyard built years later, its layout is a departure from the previous approach to urban planning, resembling the atmosphere of an old London street or mews. Charles River Square remains one of the most desirable developments in the exclusive Beacon Hill neighborhood.

Eye and Ear Infirmary Nurse’s Residence // 1909

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The Massachusetts Charitable Eye and Ear Infirmary (now Massachusetts Eye and Ear) began in 1824 by doctors, Edward Reynolds and John Jeffries II as a free weekly clinic they operated out of a rented room in Boston’s Scollay Square. At the time, Boston was an immigration destination for laborers arriving from Europe, among whom occupational injuries were common, but affordable medical care was scarce. With an increasing population and increasing medical needs, the clinic expanded rapidly. In 1849, a new clinic was built on Charles Street, just south of the West Boston Bridge (now Longfellow Bridge) from plans by Edward C. Cabot. As demand grew in the late 19th and early 20th centuries, the hospital sought expansion and built a new facility farther north on Charles Street, closer to Massachusetts General Hospital. The 1849 building was deemed excess and demolished, soon to be replaced by the current building on the site, the Nurse’s Dormitory. Built in 1909, this handsome, four-story brick and stone structure was designed by the office of Page and Frothingham in the Colonial Revival style, which contributes to the architectural character of Beacon Hill. The building provided much-needed residential space for nurses and other staff people who worked at the new Eye and Ear Infirmary a few blocks away. The building was later converted into an inn, the John Jeffries House (after one of the founders of the infirmary) until 2016, when the site closed and was converted into a wing of the new Whitney Hotel by Hacin Architects!

Motley-Davis Mansion // 1811

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This stately Federal style mansion at 10 Walnut Street in Beacon Hill, was built in 1811 for Ebenezer Francis as an investment property on land he had purchased from Uriah Cotting, one of the premier real estate developers of 19th century Boston. By 1823, Thomas Motley, the father of historian John Lothrop Motley, lived here, and hosted impromptu melodramas enacted by a young John Motley and two of his friends,
Wendell Phillips and Thomas Gold Appleton, both of whom lived close by on Beacon Street. After the Civil War, the property was owned by James Davis (1806-1881), a wealthy coppersmith who co-founded The Revere Copper Company with Joseph Warren Revere, grandson of Paul Revere. James Davis remodelled the Federal style house with Second Empire detailing including a brownstone-faced first story and quoins, with an oriel window at the second story, and a slate mansard above a bracketed cornice. During the 1920s, 10 Walnut Street’s Victorian facade was removed and a Federal Revival facade was constructed in its place, closer to original conditions. Today, the Motley-Davis Mansion rises four stories from a low granite basement to a flat roof enclosed by a low parapet. The off-center entrance is marked by columns supporting a cornice-headed entablature. This entablature interrupts the continuous stone belt course separating the first and second stories. What a beauty.

Unitarian Universalist Association Headquarters // 1926

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The American Unitarian Association (AUA) opened its first headquarters in Boston in 1865, forty years after the organization was founded. Since its founding in 1825, the AUA occupied several locations but eventually took residence in a Richardsonian Romanesque style building constructed in 1886 at the corner of Beacon and Bowdoin streets. The handsome structure, designed by Robert Swain Peabody of the firm, Peabody and Stearns, served as the headquarters for the association until it was demolished in the 1920s for the expansion of the Hotel Bellevue. In 1926, the AUA purchased an 1840s townhouse and demolished it, replacing the former residence with their new building to serve as a church headquarters office building. The American Unitarian Association hired the Boston architectural firm of Putnam and Cox to design their building, which employed architectural similarities to the adjacent 1820s townhouses designed by Cornelius Coolidge. The six-story building is constructed of red brick with a two-story granite base with piano nobile with a balcony, all under a mansard roof with dormers. The American Unitarian Association sold their Beacon Street building and relocated to a new headquarters on Farnsworth Street in the Seaport/Fort Point area of Boston in 2014. The 1926 building was converted to high-end luxury condominiums.