Located just east of downtown Bristol, the Dennis Doran House stands as an excellent example of the Queen Anne style of architecture for a middle-class residence. The home was built in 1891 by Dennis Doran as his personal house. He worked as a carpenter and cabinet maker, and showcased his wood-working skills on this home. The asymmetrical facade, dominated by an octagonal corner tower, capped by a steep conical roof stands out, but is complemented by a complex hipped roof broken up by various jerkin-head and gable dormers at two tiers. The home is also clad in shingles of varied shapes to provide a complex texture.
“Longfield”, aka the Abby DeWolf House was built in 1848 and is one of the finest homes in Bristol, Rhode Island. The home was completed from designs by Providence architect Russell Warren, who also designed other mansions in town (I’ll post those later on in this series), the Westminster Arcade in Providence, and “Hey Bonnie Hall” a since demolished Federal style home I featured a couple days ago. Longfield’s name derives from the 60-acre meadow, part of the 300-acre Henry DeWolf farm, given to Abby DeWolf when she married Charles Dana Gibson at just 21 years of age. The DeWolf Family paid for the home as a gift to Abby. The DeWolf Family is infamous for being highly active in the slave trade, and was believed to have transported over 11,000 enslaved people from Africa to the Americas before congress abolished the African Slave Trade in 1808, which “prohibited the importation of slaves into any port or place within the jurisdiction of the United States…from any foreign kingdom, place, or country.” This policy did little as many owners of slaves just kept children born into slavery and also opened plantations in the Caribbean and South America. After Abby died in 1901, the home went to her granddaughter who maintained the home. By the 1970s, the home was sold out of the family and began a period of decades of deterioration to its current state. The interior is effectively gutted, but some original woodwork and fireplaces remain. Recent calls for a townhouse development with ample parking was proposed and approved by the town a couple years ago, but would greatly diminish its siting and architectural integrity. Nothing has happened on the site, but here’s to an appropriate restoration!
In 1687, William Throope 1637-1704, who migrated to Bristol from Barnstable, Massachusetts by way of England, purchased land in Bristol, Rhode Island. On it, he constructed a small, one-room deep, two-story house. Throope’s grandson, Thomas, Jr. (1710-1771), enlarged the house about 1760, when he constructed this four-bay Georgian home, adding the old 1687 Throope house to the rear. Interestingly, house moves were very common in America to the early 20th century, as materials such as glass, nails, and brick were more expensive while labor was much cheaper, making the reuse of original structures and materials common. The farm eventually passed to Isaiah Drown Simmons (1810-1882), a dairy farmer, in 1830, and remained in the Simmons family until 1922. Records show that the original 1687 house that was moved to the rear of the 1760 house was replaced in the 1830s by Simmons. The home remained in the Simmons Family until after the death of their only daughter Elizabeth, who died in 1914. It appears that the existing front portico was added after that time, which appears more Colonial Revival.
In the decades after the American Revolution and British burning of Bristol, Rhode Island, the port city rebuilt with grand mansions downtown and farmhouses on vast land holdings beyond. One of such farms was that of George Coggeshall (1752-1812), who built this Federal home in 1798. George Coggeshall was an ancestor of Wilbour Coggeshall, who operated a farm on Poppasquash Point in town (featured recently), now the site of the Coggeshall Farm Museum. After George’s death in 1812, the farm was purchased by Nathaniel Bullock, who would later become Lieutenant Governor of Rhode Island. The home is a great example of the early Federal style of architecture. It features a large central chimney, classical pedimented entrance with fluted pilasters, and flared lintels over the first floor windows. Oh, and that stone wall with cute little gate!
This three-story wood-frame house is one of the oldest buildings in Bristol and the oldest known three-story building in Rhode Island. The home was built by Joseph Reynolds (1679-1759), a patriarch in the Reynolds Family, who later built the Reynolds-DeWolf House I featured previously. The house is five bays wide and three deep with the roof extending lower to the rear, giving the house a classic New England saltbox appearance. Joseph built this house, and also operated a tannery and gristmill on his land. The home is nationally significant as during the ownership of the house by his son Joseph II, Marquis de Lafayette occupied the north parlor chamber. Lafayette was a general in the Continental Army and was responsible for the defense of Bristol and Warren from September 7 to 23, 1778 during failed military operations to drive the British from occupied Newport. The home was added onto and altered in 1790 to give it the current design, with Federal detailing. The home remained in the Reynolds Family until 1930.
New England is lucky to have so many examples of pre-Revolution Georgian homes to gawk at, and this home in Bristol is one of them. The home was likely constructed by Benjamin Reynolds, a cobbler (shoemaker) for his family. The home was purchased by Benjamin and Abigail Bosworth sometime before the Revolutionary War, and Benjamin served with the Continental Army, at the rank of Major. In 1786, Mark Antony DeWolf the patriarch of the infamous DeWolf Family (who made their fortunes on the backs of the enslaved) returned to Bristol after it was burned by the British, and purchased this home where he lived until his death in 1793. At that time, one of Mark Antony DeWolf’s many children, Levi, moved into the home. Levi DeWolf (1766-1848) was a Quaker, who was an avid reader. While his involvement in the slave trade was a shadow of that of his siblings, he was complicit and travelled to Africa at least three times on behalf of his brother James. After the trips, James offered to outfit a vessel for him to continue the trade, but Levi’s conscience likely caused him to decline. In the late 1790s, Levi had the home updated, with a new, elaborate pedimented entrance with a modillion and dentil cornice.
Formerly located on the Poppasquash Peninsula in Bristol, Rhode Island, the William DeWolfe House, also known as Hey Bonnie Hall, was constructed in 1808 for William DeWolf (1762-1829) and his wife Charlotte Finney (1764-1829). William DeWolf was a member of the infamous DeWolf Family of Rhode Island, which is believed to have transported tens of thousands of enslaved people to the United States and Caribbean before the African slave trade was banned in Rhode Island. The Ocean State played a leading role in the transatlantic slave trade. Not only did Rhode Islanders have slaves—they had more per capita than any other New England state. The beauty of Hey Bonnie Hall, and its melodic name hid the dirty money with which it was built. With his extreme wealth, William hired Providence architect Russell Warren to construct the home in a high form of the Federal style. Eventually, the home was willed to Anna DeWolf, who married Nathaniel Russell Middleton, from a slave-owning family in Charleston, South Carolina (birds of a feather…). It was Anna Middleton who gave the house its curious name of “Hey Bonnie Hall”. When she was younger, she used to sing an old Scottish song called “Hey The Bonny Breast Knots” over and over again to delight her grandfather, William, the first owner of this home. After Anna’s death, the home was willed to her two unmarried daughters. The Great Atlantic Hurricane of 1944 proved fatal for the grand estate, when the front portico was ripped off the home and flew away. The damage was deemed too expensive to repair and the home was demolished that year.
Samuel Pomeroy Colt (1855-1921), a Bristol industrialist, purchased three farms on Poppasquash Neck, in Bristol, Rhode Island in 1905. One of the farms he aquired, Coggeshall Farm, was featured in my last post. On the newly consolidated farmland, just outside the hustle-and-bustle of Bristol’s downtown core, Colt built a large summer dwelling called ‘The Casino’. He lived at his family estate in town a majority of the year, but used ‘The Casino’ as a gentleman’s farm and a space to raise his prize-winning Jersey cattle and Berkshire sows. Colt wished that the citizens of town share his enjoyment of the property and had an open invitation carved onto the marble piers at the estate entrance which reads, “Private Property, Public Welcome”; access was freely allowed at the farm and shoreline. The two marble piers at the entrance to the estate are topped with massive bronze bulls modeled after two of Colt’s bulls, and were cast in Paris by Val d’Onse Company. Colt died in 1921. His will specified that Colt Farm not be sold and that it remain accessible to the public. Though he left a sum to operate the farm, it ran a deficit. The Casino was demolished in the 1960s as it was consistently destroyed by vandals, and became a public safety concern. The lasting cow barn was built in 1917, from designs by architect Wallis E. Howe. The barn utilized field stone from existing stone walls on the property and is capped with a red tile roof. The barn is unlike anything I have ever seen, and now is park offices. In 1965, after approval by Bristol voters, the State of Rhode Island purchased 466 acres of the Colt estate and created the largest public park in the Bristol County, known as Colt State Park.
Located on the Poppasquash Peninsula, in my favorite Rhode Island town of Bristol, the Coggeshall Farmhouse showcases the historic rural farming character of the town, which saw much development by the 19th century. In 1723, Samuel Viall (1667-1749 purchased farmland from Nathaniel Byfield, who had acquired most of the north part of Poppasquash as one of the original “founders” of Bristol (though the Wampanoag people had been already living here for centuries). Viall or a descendent likely had this small Georgian farmhouse built on the land, along with outbuildings to farm the beautiful land here. In the early nineteenth-century Wilbour and Eliza Coggeshall were tenant farmers at the farm. The Coggeshall’s son, Chandler Coggeshall, later became a politician and helped to found the Rhode Island College of Agriculture and Mechanic Arts in 1888, which became known as the University of Rhode Island. The farm eventually was acquired by industrialist Samuel P. Colt, nephew of firearms manufacturer Samuel Colt, who created a massive estate on the land. In 1965 the State of Rhode Island purchased the Colt Estate for use as a state park, and the Bristol Historical Society petitioned the state for permission to preserve the old Coggeshall farm house on the property as a museum. Coggeshall Farm Museum was established in 1973 to educate modern Americans about eighteenth century New England farm life.
Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.
Built in 1889, this interesting structure is located away from the rocky coastline of Cape Elizabeth, a lasting remnant of the agricultural history of the town. The building was constructed as the Cape Elizabeth Grange Hall. The National Grange of the Order of Patrons of Husbandry, is a social organization in the United States that encourages families to band together to promote the economic and political well-being of the community and agriculture. The Grange organization, as it is often known as, had grange halls all over the country, where farming community members would gather to discuss issues and challenges that needed addressing. The building echos late 19th century architectural styles, blending multiple to create an elegant composition, wrapped in wood clapboard and shingle siding. In 1916, the hall was purchased by P. W. Sprague from the Cape Elizabeth Grangers to insure its use and upkeep – and it is still the home of the Patrons of Husbandry, Cape Elizabeth Grange #242.
The Cape Cottage Casino and Theater was one of several amusement parks developed in the late 1890s by Portland’s electric railways in order to increase business on their trolley lines. Residents of Portland would be able to take a surface trolley to the outskirts of the city in record time, and soak up the sun at luxurious summer communities. The Cape Cottage Casino and Theater was designed by iconic Maine architect John Calvin Stevens, completed in 1899. The casino represents the best in Neo-Classical design, with a full-height, projecting classical pediment supported by bold ionic columns. A wide entablature is accentuated with dentils and modillions; and at the entry, the main front door has a fanlight and is flanked by two small windows, creating a Palladian motif. In 1922, due to the demise in the trolley ridership, partly caused by the rise in personal automobile, the casino was sold off and the Cape Cottage Park Company then hired E.C. Jordan & Company, civil engineers, to subdivide the land and retained John Calvin Stevens and his son as consulting architects. Roughly 50 house lots were platted, resulted that were arranged around the former casino, which was extensively downsized and remodeled as a private residence. While the side wings were removed, the building does retain much of its architectural integrity, while its sheer size has been severely diminished.
Cape Elizabeth is full of amazing late-19th and early-20th century summer cottages, but one of the best examples of early International-style architecture can also be found here! This house was designed by Marcel Breuer, one of the most famous architects working in the International Style in the mid- 20th century. The house plays on the traditionally New England vocabulary, but Breuer, a proponent of the Bauhaus Movement, turned it on its head. The house appears to emerge from its ‘ancient’ fieldstone foundation towards the street and levitates over the hilly landscape, supported by light columns. The house originally was painted a shade of white, common in the International style, but a later owner preferred the natural wood finish. The home is one of the most significant examples of the style in New England, and an uncommon example in Maine.
On a rise above the Cape Elizabeth’s rocky shore stands Beckett’s Castle, a picturesque Gothic cottage of a century ago. Designed and built by the Portland literary figure Sylvester Beckett for his summer residence, the Castle was begun in 1871 and finished in 1874. It is said that Beckett constructed the cottage from local gray fieldstone largely with his own hands, though he must have had help, or fabricated this fiction as he would have in his own books. The home was patterned after a typical English castle, but on a much smaller scale, and is tucked away from the street. Sylvester Blackmore Beckett was born in Portland, Maine in 1812, as the son of English parents. Although never attending college, he acquired a modest education and became a prominent journalist and articulate writer. He was admitted to the bar in 1859 and spent much of his time administering and settling estates becoming well-connected in town. Beckett held massive parties in the home, and invitations to the social gatherings held there were highly prized; guests were served expansive dinners cooked in primitive fashion in a large fireplace. Sylvester Beckett died in 1882, and went to his only child, Lizzie. The home fell into disrepair in the 1970s, but was restored by the most recent owner. It was sold in 2018, and the listing photos show some great interior spaces.
At the southern tip of Cape Elizabeth, Maine, two lighthouses have long provided a beacon to ships that sailed the rocky coast where the town protrudes into the ocean. The story of Cape Elizabeth’s Two Lights begins in 1614, when Captain John Smith, who sailed along New England’s shores, gave the appellation to the cape in honor of Princess Elizabeth, King Charles’ sister. After the American Revolution, Portland Harbor became an important trading port, and ships from all over the world would dock there. In 1827, the decision was made to use two lights at this location, a fixed light in the east tower and a revolving light in the west one, so the station would not be confused with the lights at nearby Portland Head Light or Wood Island Light in nearby Biddeford. After land was purchased for a mere $50, the towers were built, spaced by 895 feet and topped by octagonal wrought-iron lanterns housing lamps and reflectors, first shone their lights in October 1828. The stone towers were poorly constructed and keepers would consistently complain about poor working and living conditions. A $30,000 appropriation was made in 1873 to fund the erection of two matching sixty-seven-foot, brick-lined, cast-iron towers set 923 feet apart and featuring elegant Italianate details. In 1878, a new wood-frame, one-and-a-half-story dwelling was built for the principal keeper near the east tower, designed in the Gothic Revival style. During World War II, the west tower became an observation tower after a cylindrical turret was installed atop, which had had its lantern room removed after being discontinued. It was auctioned to the highest bidder in 1959. In 1971, actor Gary Merrill, ex-husband of Bette Davis, purchased the west tower for $28,000. Merrill sold it in 1983, and a new house was built next to it. The keeper’s cottage at the east tower is also privately owned, but the tower is retained by the Coast Guard, and is automated today.
Buildings of New England 
