Boston History Blog

Pickering-Apthorp Houses // 1870

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These two near-identical townhouses at 1 & 2 Otis Place in Beacon Hill are significant architecturally and as they are bounded by four streets. The unique lots were created when Otis Place was laid out on made land in 1869 and were built the following year as an identical pair sharing a party wall and with their front facades facing south on Otis Place. The two residences were designed by the firm of Ware and Van Brunt, who blendedSecond Empire and Victorian Gothic styles with gothic arched windows, bracketed cornices, slate mansard roof, and later Colonial Revival porticos added in 1916 by architect, Frank A. Bourne. No. 1 Otis Place (right side with the oriel bay window) was first owned by Henry G. Pickering, a dealer in engines and machinery at the height of New England’s industrial revolution. No. 2 Otis Place (left with later fanlight entry), was originally owned by Robert E. Apthorp, an attorney and realtor, who decades earlier, was an active member of the Boston Vigilance Committee, the group established to harbor and assist fugitives from slavery after the passage of the Fugitive Slave Act in September 1850.

Mrs. Martin’s School – Jenks & Gaugengigl Studio // 1872

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This unique three-story building on Otis Place in Beacon Hill, Boston, was actually constructed in 1872 by owner/architect, Abel C. Martin (1831-1879) as a school run by his wife, Clara Barnes Martin (1838-1886). Clara B. Martin was born in Maine to Phineas Barnes, a prominent publisher in Portland, who educated his daughter at the best schools. She in turn, became a writer and educator herself, writing a book about Mount Desert Island in Maine and publishing articles in national papers, along with operating a school in this building, designed and owned by her husband as they lived next door. After Clara died in 1886, the property was sold by the Martin heirs and in 1895, renovated into artist studios with two floors of large windows to provide natural light for the work inside. The building was owned and operated as artist studios by Ignatz M. Gaugengigl (1855-1932), a Bavarian-born artist who spent most of his professional life in Boston and was a prominent member of The Boston School, and Phoebe Jenks (1847 – 1907), a portrait painter who divided her career between New York and Boston. The building, while heavily altered, showcases the history of the Beacon Hill Flat neighborhood, which, during the late 19th and early 20th centuries, became a popular place for artists and Bohemians, who renovated existing houses and stables in the Arts and Crafts, neo-Federal and other fashionable styles into loft spaces and studios. The 1895 renovation was undertaken by architect, Edgar Allen Poe Newcomb, who was the nephew of sculptor, Thomas Ball, likely providing him insight into the design of artist studios.

Samuel and Emily Eliot Rowhouses // 1871

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These three identical three-story houses at 156, 158 & 160 Mt. Vernon Street in Beacon Hill Flat were built in 1871 as income producing properties for Samuel and Emily Otis Eliot who lived next door on the corner of Brimmer Street. The architect is not evident from my research, but they were likely designed by Abel C. Martin, who furnished speculative housing for the Eliot’s elsewhere in the neighborhood. All three residences feature brick facades with off-center recessed entries on raised stoops. The use of brownstone lintels and sills, decorative brick cornice, and second-story hexagonal oriel windows add intrigue to the design, along with the slate mansard roofs. The three houses were sold or rented and all were owned by various families, but notable owners of the central house include the architect George Russell Shaw (1848-1937) of the firm Shaw and Hunnewell through the early 1900s. Later in the 20th century, the house was owned by Kevin White (1929-2012), who served as the mayor of Boston for four terms from 1968 to 1984.
All three residences are well-preserved and look much as they did when constructed over 150 years ago.

Charles Street Meeting House // 1807

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The Charles Street Meeting House at the corner of Charles and Mount Vernon streets in Boston’s Beacon Hill neighborhood is one of the finest examples of a Federal period meeting house in New England. The building is thought to have been designed by architect, Asher Benjamin, due to its similarities to his Old West Church on Cambridge Street built a year prior. At the time of construction in 1807, the church stood near the banks of the Charles River, but is now a distance away from the Charles following a land-filling campaign to expand buildable land in the city. The Charles Street Meeting House consists of a two-story gable-roof main structure with a three-story tower on the south (primary) elevation that supports a clock tower and wooden cupola with double Ionic pilasters supporting the domed roof. The building was constructed for the Third Baptist Church congregation, who used the nearby Charles River for baptisms. In the years before the American Civil War, it was a stronghold of the anti-slavery movement, and was the site of notable speeches from such anti-slavery activists as Frederick Douglass, William Lloyd Garrison, Wendell Phillips, Harriet Tubman and others. The Baptists sold the structure to the First African Methodist Episcopal Church in 1876, which was part of the first Black independent denomination in the United States. The AME Church sold the building in 1939 to the Charles Street Meeting House Society, and after a period of use as an Albanian Orthodox church, it was sold to the organization that is now, Historic New England, who were required to keep restrictions to preserve the building’s exterior. It served as a Universalist church from 1949 to 1979 with rented space inside to tenants, including a LGBT newsletter, Gay Community News, which was founded in the building in 1973. In 1980 the Meeting House was purchased by the Charles Street Meeting House Associates, who worked with the architectural firm of John Sharrat Associates to restore the building and adaptively reuse it into four floors of offices, with retail on the ground floor.

Former Boston Fire Department Engine House No.10 – Hill House // 1949

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This iconic former firehouse at the corner of Mount Vernon and River streets in Beacon Hill, was built in 1949 and despite its relatively young age, has become an iconic landmark in the neighborhood. Since the mid-19th century, this site has been occupied by a fire station, most of which as a Second Empire, brick engine house with a mansard roof. After WWII, the Fire Department struggled to use the 1860s station which was built before the large, vehicular fire trucks replaced horses-drawn apparatus. In 1946, the Victorian station was razed and architect, John Mathew Gray, furnished plans for a new, Colonial Revival style station that could accommodate the larger fire trucks. The new station opened in April 1949 and Engine 10 remained here until 1982, when the company moved to 123 Oliver Street, Downtown. The Fire Department retained ownership of the building until 1995, and around this time, the building served as the filming location for television shows Spenser For Hire, which ran from 1985 to 1988 and the MTV series The Real World, which was broadcast in 1997. Since 1998, the property has been home to Hill House, Inc. a long-standing non-profit providing sports activities for children, adult education classes and programs for senior citizens.

Faulkner-Hayden House // 1881

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This unique house at 29 Brimmer Street in Boston’s Beacon Hill, was completed in 1881 is architecturally distinctive compared to the early 19th century homes that the neighborhood is known for. The five-story residence has a raised entrance up a flight of steps set within an arched opening. To the side, an arched window frames the facade and has an ornate terracotta panel as a base. More terracotta ornament can be found at the second floor and under the cornice as a thick band frieze with a copper-clad mansard roof above. The single-family residence was built in 1881 for Charles Faulkner (1811-1885), a commission merchant, for his daughter, Ann Ruth Faulkner the year of her marriage to Charles Rowley Hayden. Mr. Hayden was a musician and vocalist. For the new wedding gift, Faulkner hired the esteemed architectural firm of Bradlee & Winslow prepare the designs. The former Faulkner-Hayden House today contains five condominiums.



Baker-Byrd House // 1888

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Located on Brimmer Street in Beacon Hill, this handsome residence is constructed of rough-faced brownstone laid in a random ashlar pattern and is among the most unique in a neighborhood known for brick townhouses. Decorative treatment includes a stone band that is carved with foliate and faces, colonettes that rise along the facade at the bay, and an ornate molded copper entablature and parapet at the roof. The residence dates to 1888 and was built for Seth R. Baker, a Boston real estate developer at the end of the 19th century. It can be inferred that the building was designed by architect, Ernest N. Boyden, as Baker hired Boyden as architect for a half-dozen other apartment buildings between 1888-1890. Antoino Xavier, a Portuguese-born mason is listed as the builder. In the 1910s, the property was purchased by Marie Ames Byrd, wife of polar explorer Richard A. Byrd, who lived a few houses away at 9 Brimmer Street. She rented the four apartments to boarders through the 1930s.


West Hill Place // 1916

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West Hill Place is a small development in Beacon Hill that feels like it was transported to Boston from London! The group of 14 four-story brick townhouses that comprise West Hill Place were built on the site of a gas holder in 1916. The Georgian Revival style development was designed by the firm of Coolidge and Carlson, who aligned six of the townhomes to face west on the Charles River Embankment and arranged the remaining eight residences around a circular court. The development was inspired by Charles River Square, located to its south and built six years prior. The driveway extends off what is today Storrow Drive, with a second exit set within an arched passageway that connects through the Charles Street garage, which was built later. The dark brick with cast stone trim works elegantly with the curving facades facing the courtyard, many of which are adorned with arched doorways and the original iron lanterns. The development has been harmed by the creation of Storrow Drive in the 1950s, but it remains one of the most unique and picturesque enclaves in New England. 

Charles River Square // 1910

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Charles River Square, a delightful development of red brick and cast-stone Colonial Revival townhomes in the Beacon Hill Flat, was developed in 1910 from plans by Boston architect, Frank A. Bourne. The development consists of a total of 21 residences, 19 of which front on the courtyard that is known as Charles River Square. The development is accessed off Charles River Road (which was made a busy thoroughfare in the 1950s and renamed Storrow Drive) and through a Palladianesque passageway off Revere Street. Along with its neighbor to the north, West Hill Place (1916), another group of attached townhouses organized around a courtyard built years later, its layout is a departure from the previous approach to urban planning, resembling the atmosphere of an old London street or mews. Charles River Square remains one of the most desirable developments in the exclusive Beacon Hill neighborhood.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.