Boston History Blog

Faulkner-Hayden House // 1881

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This unique house at 29 Brimmer Street in Boston’s Beacon Hill, was completed in 1881 is architecturally distinctive compared to the early 19th century homes that the neighborhood is known for. The five-story residence has a raised entrance up a flight of steps set within an arched opening. To the side, an arched window frames the facade and has an ornate terracotta panel as a base. More terracotta ornament can be found at the second floor and under the cornice as a thick band frieze with a copper-clad mansard roof above. The single-family residence was built in 1881 for Charles Faulkner (1811-1885), a commission merchant, for his daughter, Ann Ruth Faulkner the year of her marriage to Charles Rowley Hayden. Mr. Hayden was a musician and vocalist. For the new wedding gift, Faulkner hired the esteemed architectural firm of Bradlee & Winslow prepare the designs. The former Faulkner-Hayden House today contains five condominiums.



Baker-Byrd House // 1888

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Located on Brimmer Street in Beacon Hill, this handsome residence is constructed of rough-faced brownstone laid in a random ashlar pattern and is among the most unique in a neighborhood known for brick townhouses. Decorative treatment includes a stone band that is carved with foliate and faces, colonettes that rise along the facade at the bay, and an ornate molded copper entablature and parapet at the roof. The residence dates to 1888 and was built for Seth R. Baker, a Boston real estate developer at the end of the 19th century. It can be inferred that the building was designed by architect, Ernest N. Boyden, as Baker hired Boyden as architect for a half-dozen other apartment buildings between 1888-1890. Antoino Xavier, a Portuguese-born mason is listed as the builder. In the 1910s, the property was purchased by Marie Ames Byrd, wife of polar explorer Richard A. Byrd, who lived a few houses away at 9 Brimmer Street. She rented the four apartments to boarders through the 1930s.


West Hill Place // 1916

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West Hill Place is a small development in Beacon Hill that feels like it was transported to Boston from London! The group of 14 four-story brick townhouses that comprise West Hill Place were built on the site of a gas holder in 1916. The Georgian Revival style development was designed by the firm of Coolidge and Carlson, who aligned six of the townhomes to face west on the Charles River Embankment and arranged the remaining eight residences around a circular court. The development was inspired by Charles River Square, located to its south and built six years prior. The driveway extends off what is today Storrow Drive, with a second exit set within an arched passageway that connects through the Charles Street garage, which was built later. The dark brick with cast stone trim works elegantly with the curving facades facing the courtyard, many of which are adorned with arched doorways and the original iron lanterns. The development has been harmed by the creation of Storrow Drive in the 1950s, but it remains one of the most unique and picturesque enclaves in New England. 

Charles River Square // 1910

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Charles River Square, a delightful development of red brick and cast-stone Colonial Revival townhomes in the Beacon Hill Flat, was developed in 1910 from plans by Boston architect, Frank A. Bourne. The development consists of a total of 21 residences, 19 of which front on the courtyard that is known as Charles River Square. The development is accessed off Charles River Road (which was made a busy thoroughfare in the 1950s and renamed Storrow Drive) and through a Palladianesque passageway off Revere Street. Along with its neighbor to the north, West Hill Place (1916), another group of attached townhouses organized around a courtyard built years later, its layout is a departure from the previous approach to urban planning, resembling the atmosphere of an old London street or mews. Charles River Square remains one of the most desirable developments in the exclusive Beacon Hill neighborhood.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.

Church of the Advent // 1878

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The Church of the Advent in Beacon Hill, Boston, is a landmark example of a church designed in the Victorian Gothic style with strong English influence. The congregation, established in 1844, purchased a large corner lot at Brimmer and Mount Vernon streets on the newly made filled land west of Charles Street in Beacon Hill Flat, to construct their new church. In 1875, John Hubbard Sturgis, a Boston architect and parishioner, began designing the red brick with sandstone-trimmed church set on a corner lot with dominant corner tower and octagonal steeple. Construction began in phases beginning in 1878 and took years until the steeple was completed in 1888. Before its completion, John H. Sturgis died and his nephew, Richard Clipston Sturgis, oversaw the completion of the church, which became somewhat of a memorial to his late uncle. Following the completion of the Church of the Advent, Sturgis’ widow, extended family and clients donated a major portion of the interior art, stained glass windows, and furnishings. The polychromatic exterior in red and charred brick mixed with sandstone trim appears to have been inspired by his designs for the original Boston Museum of Fine Arts (1876, demolished in 1911.) The Church of the Advent in Boston is one of the finest ecclesiastical buildings in New England and is the master-work of one of America’s great architects.

Eye and Ear Infirmary Nurse’s Residence // 1909

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The Massachusetts Charitable Eye and Ear Infirmary (now Massachusetts Eye and Ear) began in 1824 by doctors, Edward Reynolds and John Jeffries II as a free weekly clinic they operated out of a rented room in Boston’s Scollay Square. At the time, Boston was an immigration destination for laborers arriving from Europe, among whom occupational injuries were common, but affordable medical care was scarce. With an increasing population and increasing medical needs, the clinic expanded rapidly. In 1849, a new clinic was built on Charles Street, just south of the West Boston Bridge (now Longfellow Bridge) from plans by Edward C. Cabot. As demand grew in the late 19th and early 20th centuries, the hospital sought expansion and built a new facility farther north on Charles Street, closer to Massachusetts General Hospital. The 1849 building was deemed excess and demolished, soon to be replaced by the current building on the site, the Nurse’s Dormitory. Built in 1909, this handsome, four-story brick and stone structure was designed by the office of Page and Frothingham in the Colonial Revival style, which contributes to the architectural character of Beacon Hill. The building provided much-needed residential space for nurses and other staff people who worked at the new Eye and Ear Infirmary a few blocks away. The building was later converted into an inn, the John Jeffries House (after one of the founders of the infirmary) until 2016, when the site closed and was converted into a wing of the new Whitney Hotel by Hacin Architects!

Tebbetts-Bowditch House // 1856

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The townhouse at 4 Walnut Street in Beacon Hill is among the most architecturally unique buildings in the neighborhood. The main facade consists solely of a bowed front, which contains a deeply recessed entry to the side. To the right of the entrance, a later tripartite window exhibiting Queen Anne/Colonial Revival multi-pane sash pierces the southern half of the bow front.  At the third story, a massive wooden oriel window projects over the street below and contains a window set within a recessed panel. Above, the mansard roof ties in with its neighbor. The residence was built in 1856 and purchased by William C. Tebbetts, a dry goods merchant who was partner in a Downtown firm. By 1890, the residence was owned for a short period by Ernest W. Bowditch (1850-1918), a celebrated landscape architect and engineer. By the 1930s, the property became a boarding house, primarily for single women and widows. Today, the former single-family home contains eight apartments and from the exterior, presents some Victorian flair and quirkiness not commonly seen on the South Slope of Beacon Hill. 

Henry S. Grew Townhouse // 1856

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Built in 1856, the townhouse at 2 Walnut Street is a unique Second Empire style townhouse erected on one of the last undeveloped lots on the South Slope of Boston’s exclusive Beacon Hill neighborhood. The three-story, brick residence is capped by a mansard roof and its facade is dominated by a full-height octagonal bay, which at the center on each floor, is a recessed brick panel in lieu of windows. The property was originally owned by Henry Sturgis Grew (1834-1910) a real estate developer and politician who split his time between this residence and a large estate called Grew’s Hill, that grew to several hundred acres and contained an active farm, part of which was later incorporated into Stony Brook Reservation. Henry Grew’s daughter, Jane Norton Grew, would go on to marry John Pierpont Morgan Jr. (J. P. Morgan) in 1890. The Grew House was modernized in the 20th century with a Classical door surround, but otherwise, it maintains the appearance of when it was built in 1856. 

Tudor Apartments // 1887

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Frederic Tudor (1783-1864) was a businessman and merchant known as Boston’s “Ice King” having founded the Tudor Ice Company and becoming a pioneer of the international ice trade in the early 19th century. Frederic Tudor lived in a house at the corner of Beacon and Joy streets in Beacon Hill, Boston, and after his death, the property was inherited by his widow, Euphemia Fenno and their children. By 1885, the old Tudor House was demolished and replaced by The Tudor Apartments, which was built between 1885 and 1887 to house twelve upper-class families who sought smaller living space as opposed to the typical townhouses in Beacon Hill. Designed by architect, Samuel J. F. Thayer, the nine-story Queen Anne/Romanesque Revival building features a brownstone base with brick walls above, combining the traditional Boston bowfront with late 19th century flair at the upper floors with the partial mansard roof punctuated with dormers and oriel windows. Thayer designed the Joy Street elevation with cascading bays to provide interiors with views of the Boston Common and ample natural light.