Colonial Revival

Benjamin and Almira Pitman House // 1900

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Benjamin Franklin Keolaokalani Pitman (1852-1918) was born in Hilo, Hawaii, to parents Benjamin Pitman, a Salem businessman, and Kinoʻoleoliliha, high chiefess in the Kingdom of Hawaii. After the sudden death of Kinoʻoleoliliha, Benjamin Pitman Sr. remarried and sent his children to attend schools in Boston. Benjamin F. K. Pitman would meet and marry Almira Hollander Pitman (1854-1939), a suffragist who was instrumental in working for women’s suffrage in Hawaii. The couple purchased a house lot in the exclusive Cottage Farm neighborhood of Brookline, and hired architect Edwin J. Lewis, to design a home for their family. Early atlas maps and photos show that the house was originally clapboarded on the front and rear elevations with large brick end walls containing the chimneys. The facade was given a brick veneer sometime in the 20th century. After Benjamin died in 1918, Almira had a small gambrel-roofed cottage built in the rear yard for her son to live in. The residence is one of the finest Colonial Revival style homes in the area.

Joseph and Jane Cotton House // c.1905

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As the heirs of Amos A. Lawrence began subdividing and selling off desirable house lots in the Cottage Farm neighborhood of Brookline in the 20th century, we can see a visual representation as to the ever-changing architectural tastes of wealthy residents, from Colonial Revival to Tudor Revival. This residence, the Joseph and Jane Cotton House, was built adjacent to the Amos A. Lawrence Cottage, and is an excellent example of a Colonial Revival style brick home. The property was built for Joseph Hall Cotton (1869-1919), treasurer of the American Tube Works, and his wife, Jane Eaton Cotton. The couple remained in the home for about a decade until they relocated to the Back Bay neighborhood of Boston. The architectural firm of Chapman & Frazer, esteemed suburban architects, designed the house as an elongated rectangle with projecting columned porches on the first floor, pilastered entrance and window above, and hipped roof with overhanging eaves and shed dormers, a nod to the Arts and Crafts style.

Briggs-Lyman House // 1903

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Built in 1903 for Walter Briggs, this stately Colonial Revival style residence showcases the bold proportions and scale of the style. Located on Euston Street in the Cottage Farm neighborhood, this house was designed by Walter H. Kilham of the firm, Kilham & Hopkins, who specialized in large, suburban homes in the Boston area during the early decades of the 20th century. The symmetrical facade includes a projecting center vestibule, an arched window with blind fan above, bold window trim, and a shallow hip roof broken by two pedimented dormers. The house is so special that it was featured in a 1909 publication highlighting 100 country houses of various styles of the United States.

Rowe House // 1911

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The Rowe House at 11 Mason Street is an over-the-top, and high-style example of the Colonial Revival style, showcasing the oversized proportions and scale that architects in the early 20th century followed when referencing Colonial American architecture. The house here was built in 1911 for Edward Prescott Rowe (1879-1936) and his wife, Eleanor Livingstone. Designed by the firm of Rowe & Keyes of Boston and New York, the commission was likely a relative of Mr. and Mrs. Rowe. The symmetrical house features a broad gambrel roof with Palladian windows in the side gable and central dormer at the facade, large pilasters breaking up the bays on the facade, a projecting Colonial Revival entry, and squat windows at the second floor terminating at the entablature above. The property even retains its Colonial Revival gateway.

Abington Savings Bank // 1930

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Built in 1930 for the Abington Savings Bank, this handsome Colonial Revival style building is located in the center of Abington, Massachusetts and has been a bank for almost 100 years! The bank was originally incorporated in 1853 and grew as Abington and adjacent towns saw suburban growth. The corporation hired the firm of J. Williams Beal & Sons, who specialized in commercial developments, to furnish plans for the building, resulting in the present structure. The firm also designed the Abington Mutual Fire Insurance Company Building (1931) across the street and the Dyer Memorial Library (1932), the town library. The brick and limestone building has three main bays, with the center rising above with a gable, resembling as a pediment of a Roman temple. In the gable, a shield with swags is adorned with the letters “ASB” (Abington Savings Bank) with the original incorporation date of 1853. The bank merged with others and eventually became a Sovereign Bank, and later Santander Bank, which remains in the building to this day.

Charles H. Owens House // 1906

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This stately house on Powell Street in Brookline, Massachusetts, was built in 1906 for Charles H. Owens, Jr., and his wife, Nellie. Charles was a “house decorator”, who built the house next door just two years earlier before moving into this larger home in 1906. Both houses were designed by the architectural firm of Loring & Phipps, who Owens likely collaborated on commissions with in his career. The house is 2 1/2-stories with a shallow hip roof and is an excellent example of an academic interpretation of the Colonial Revival style. The principal facade has flush board siding with round-arched windows on the first floor along with a squat fanlight transom over the center entrance.

John R. Perry House // 1904

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This lovely Colonial Revival style house on Powell Street in Brookline was built in 1904 for Charles H. Owens, Jr., an interior designer who just two years later, built another home next door that he would reside in with his own family. This house was rented to John R. Perry, who was also listed as a “decorator” in city directories and president of Perry, Lewis & Whitney, a design firm. The house (like its neighbor built two years later), was designed by the architectural firm of Loring and Phipps and was oriented southward to face the side yard. The Perry House features small projecting oriel windows, a broad gambrel roof, and an entrance portico supported by Tuscan columns.

First Congregational Church of Canterbury // 1964

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The Canterbury Green has been home to four congregational churches in its history. Originally established in 1711, a modest frame church was built here and in 1736, a new meetinghouse was constructed as a more permanent building. The rustic structure was deemed insufficient for a wealthy rural community, so in 1805, a stately, Federal style edifice was built. Designed by Thomas Gibbs, a local architect/builder who also designed other nearby high-style Federal homes, the building was destroyed by fire in December, 1963. Within a year, this church was constructed on the ground of its 1805 building. While designed and constructed during the mid-20th century, the town clearly wanted its new church to contribute to the village’s Colonial character, having this Colonial Revival style church serve as the new anchor to the green.

“The Pillars” // c.1780

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Renovated in the early 20th century from a Federal style farmhouse, “The Pillars” in Canterbury, Connecticut, is an extravagant example of a Colonial Revival style residence in this quiet part of the state. The Pillars was the creation of Frank Edwin Miller (1856-1947) and his wife, Hattie Jenks Miller. The Miller’s retired here in 1913 after Hattie inherited the family homestead, which dated to the late 18th century, and they had the home renovated, adding the massive two-story columned porch and projecting entry. The house is a visual representation of the difference between Colonial and Colonial Revival styles as this home, the latter example, is a free interpretation of its prototype with exaggerated architectural details in a scale not seen centuries earlier.

Samuel B. Conant House // 1895

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Built in 1895 for Samuel Conant, president of a Pawtucket printing firm, this stately residence is one of the finest Colonial Revival houses in Central Falls, Rhode Island. Designed by the Providence architectural firm of Stone, Carpenter & Willson, the house is brick on the first floor with clapboard siding above. The Contant house has a gambrel roof punctuated by several gable dormers. The main facade has two symmetrical round bays, which rise to the roof and are topped by low balustrades. A single-story porch extends between the center points of these bays, and is also topped by a low balustrade. Recognized for its architectural grandeur (inside and out), the house was individually listed on the National Register of Historic Places. The Conant House is now used as a nursing home and while the transition to this new use has required a number of interior alterations, these changes have been made with sympathy for the character of the house and many of them are reversible.