Stucco

Old Sharon Sanatorium – Former Kendall Whaling Museum // 1891

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The old Sharon Sanatorium was built on former farmland in Sharon, Massachusetts, as a medical facility for the cure of pulmonary infectious diseases. The rural medical institution was designed in 1890 by the architectural firm of Longfellow, Alden and Harlow and completed a year later. The Sharon Sanatorium for Pulmonary Diseases opened formally in February 1891 with the purpose to provide affordable care for patients suffering from Tuberculosis and other pulmonary diseases. At the time, tuberculosis was a major health concern and treatment often included fresh air, so facilities such as this were designed with access to open air sleeping porches and forested surroundings. The Sharon Sanatorium was sited to catch the prevailing breezes on the side of Moose Hill, the second highest ascent between Boston and Providence. In 1916, the Sanatorium opened a Children’s Pavilion, which was reserved for children less than fourteen years of age suffering from tuberculosis. By 1938, the threat of tuberculosis was under control, and the Sanatorium began admitting patients suffering from arthritis and rheumatic fever until the facility closed in 1947. The Sanatorium integrated with the Boston Children’s Hospital in 1949 and soon after, the property was bought by Henry Plimpton Kendall (1878-1959), a wealthy entrepreneur and industrialist, for use as the Kendall Whaling Museum, showcasing his personal collection of paintings, prints, and tools of the whaling industry in New England. In 2001, the museum merged with the New Bedford Whaling Museum and today, the property is managed by the Trustees of Reservations as their Archives and Research Center.

Jonathan King – Oliver B. North House // 1852

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A true expression of the Italianate Villa style, the King-North House on Chapel Street in the Wooster Square neighborhood of New Haven is among the communities finest mid-19th century residences but suffers from some serious deferred maintenance. The residence was built in 1852 for Jonathan Williams King (1813-1863) a merchant who moved to New Haven from Cincinnati and hired famed Connecticut architect, Henry Austin, to design this home for him and his new bride, Ann Margaret Smith. The stuccoed mansion features a central tower, broad overhanging eaves with brackets, porches, and arched windows. After Jonathan King’s death in 1863, the property was purchased by Oliver B. North, owner of a saddlery and carriage firm. The property became a multi-family property in the 20th century and has suffered from some unsympathetic alterations and neglect, but remains a highly significant gem in Wooster Square.

Nelson Hotchkiss House // 1850

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Nelson Hotchkiss was a New Haven lumber dealer and developer in the Wooster Square district and had this stately home on Chapel Street built for his family. While the architect is not confirmed, it is probable that the residence (along with neighboring homes also developed by Hotchkiss) was the work of Henry Austin, who partnered with Hotchkiss on developments in New Haven and Trenton, New Jersey. The Nelson Hotchkiss House was built in 1850 and is an excellent example of Italianate style with boxy form, broad overhanging eaves, brick walls covered with stucco and Austin’s signature Greek Doric columns with fluted shafts and foliate capitals. The house maintains a window hood over the upper floor window with delicate carved wood bargeboard.

Soule-Parmelee House // 1844

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The Soule-Parmelee House on Chapel Street in New Haven’s Wooster Square neighborhood is an excellent example of a mid-19th century Greek Revival style residence though with some deferred maintenance. The stately home was built in 1844 for Henchman Sylvester Soule (1800-1860) a merchant and trader who also partook in the California Gold Rush. After Soule’s death, the stucco Greek Revival style house was purchased by Henry S. Parmelee a piano maker, founder of the New Haven Trolley line and inventor of the first practical automatic sprinkler system, which he is said to have had installed in both his factory and his home here. Today, the Soule-Parmelee House operates as a bed & breakfast as the New Haven Historic Mansion.

St. Michael’s Roman Catholic Church // 1904

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St. Michael’s Roman Catholic Church in Wooster Square, New Haven, Connecticut, was established in 1889 to serve a burgeoning community of Italian immigrants and is said to be the oldest Italian Catholic church in the state. New Haven’s census of 1870 listed just ten Italian residents and by 1900, the census listed more than 5,000 Italian-born residents. Most of these Italian immigrants were drawn to New Haven for employment in the growing industrial and railroad industries and the proximity to New York, where many arriving immigrants passed through. New Haven’s Italian community centered around Wooster Square, where many today know all about the many Italian groceries and nationally known pizzerias. The Italian Community acquired a c.1855 church here by 1899 and following a fire, rebuilt the church in the current form. The New Haven-based architectural firm of Brown and Von Beren furnished plans for the Italian Renaissance Revival style renovations, which was completed in 1904 with bold central tower and stucco walls, retaining many original Italianate windows. The church has served as an important cultural and institutional landmark in New Haven for over 120 years and the congregation remains active.

William & Sara Warren House // 1911

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Built in 1911, this Colonial Revival style house rendered in stucco, is located at 28 Hawthorn Road in the Pill Hill neighborhood of Brookline, Massachusetts. The residence was built for William Marshall Warren (1865-1953) and his wife, Sara Shields Warren (1874-1964) from plans by the firm of Gay & Proctor. William M. Warren served on the faculty at Boston University as Professor of Philosophy and later as Dean of the College of Arts and Sciences, promoted by his father, William Fairfield Warren, who was President of the University. The Warren House features a symmetrical five-bay facade with central entrance within a projecting pedimented vestibule framed by four pilasters. The pilasters are replicated in the three dormers at the roof, set below the central chimney.

Old St. Stephen’s Church – Barker Playhouse // 1840

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The old St. Stephen’s Episcopal Church in Providence’s Fox Point neighborhood is an architecturally distinctive Greek Revival style church building located on charming Benefit Street. The church had its beginnings in 1839, when the newly established congregation called on 29-year-old Francis Vinton to serve as their first pastor. The congregation funded this small church which broke ground in 1840, and before it was completed, Rev. Vinton resigned as Rector. The building, built of stone and covered in stucco, once had a spire and belfry above the main entrance. The congregation grew over the next decade and it was soon realized that a larger and more central church should be built for members, many of whom were wealthy residents with mansions surrounding Brown College. In 1860, the parish purchased a lot on George Street, and hired architect, Richard Upjohn to design the new church in the Gothic style. For reasons of location, and possibly social class, twenty-two men and women remained here at the less fashionable church and formed a new parish, the Church of the Saviour. The smaller, mission church with its stucco walls, remained until the property was sold in 1932 to house the Barker Playhouse, reputed to be the oldest continuously operating little theatre in the United States.


Onteora Park Library // 1906

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Built in 1906, the Library at the Onteora Park summer colony in Hunter, New York, is one of the many architectural treasures in the development. Designed by George A. Reid, the Canadian artist, architect, and summer resident of Onteora Park, the Tudor-style Arts and Crafts building was constructed in 1906 and opened to a collection of over 1,500 books and a full-time librarian during the summer season. Built of wood-frame construction with stucco exterior finish and adorned by half-timbering, the building has been lovingly maintained and preserved by members of the community for over 120 years.

First Universalist Church of Somerville // 1917

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The First Universalist Church of Somerville is located on the north side of Highland Avenue across from the First Unitarian Church of Somerville, in a completely different design. The congregation acquired this site in 1915, and the church was built from 1916 to 1923 to a design by the noted ecclesiastical architect Ralph Adams Cram, who produced a somewhat more Romanesque plan than the typical Gothical Revival work he is best known for. One of the key members of the building committee was Gilbert Henry Hood of the Hood Milk Company family. The new church was planned to house an “assembly room,” Sunday school classes, and a parish house. The church operated here for decades, but most recently was home to the Highland Masonic Building Association as the King Solomon’s Lodge. The lodge moved from the building and the property was purchased by a developer who hoped to demolish the building and erect a housing development. The building was deemed significant and “preferably preserved” by the Somerville Historical Commission, and landmark designation was initiated. The building was recently re-listed for sale, and would make a great adaptive reuse or even partial demolition for housing incorporated into the old church. Kudos to the Somerville Historical Commission for standing firm on this significant church by a nationally recognized architect.

Francis B. Dana House // 1902

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In 1902, Francis Bryden Dana (1865-1917) began construction on his home here in the Cottage Farm neighborhood of Brookline, Massachusetts. Francis was a member of the wealthy Dana Family and as a young man, attended the Boston Latin School and Harvard College. He became the president of the Dana Hardware Company of Boston. For his Brookline residence, Dana hired the exclusive architect, William Gibbons Rantoul to design the house which blends Arts and Crafts and Colonial Revival styles. The use of stucco siding, shed dormers, and portico with low sloped roof revealing exposed rafters falls squarely within the Arts and Crafts style; while the symmetrical facade, gambrel roof, and projecting octagonal bays are reminiscent of the more traditional New England Colonial Revival style.