Federal Style

Edgartown Town Hall – Old Edgartown Methodist Church // 1828

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Edgartown, the historic whaling harbor village, is Martha’s Vineyard’s first colonial settlement and has prospered as one of the best-preserved collections of 19th century architecture in the United States. The streets of Edgartown’s village are lined by historic residences, shops and churches built by and for prosperous whaling captains and preserved today as part of New England’s elite summer destinations. Presently occupied by the local government of Edgartown as its Town Hall, this handsome Federal style building on Main Street was originally used as the community’s first purpose-built Methodist Church. Methodism on Martha’s Vineyard began after 1787, when a vessel commanded by Capt. Thomas Luce arrived to the island containing two stowaways escaping enslavement in Virginia; John Saunders and Priscilla, his wife. They were slaves to a Virginia planter, and both were zealous christians, and Methodist speakers, who helped foster a larger community on island. A methodist church was established in Edgartown in a building shared with Baptists until this handsome building was constructed in 1828 by local architect and builder, Frederick Baylies Jr. Just fifteen years later, the town grew in population and wealth and the local Methodists felt it necessary to build a much larger church, now known as the Old Whaling Church in 1843. This building was acquired by the Town in the 1840s and converted to a town hall with space for a fire engine and police. More recently, the building served as the fictional town hall of “Amity” in the 1975 film, Jaws, where the infamous chalkboard scratch scene took place.

Lewis-Zukowski Farm // 1781

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Located on a back road in Suffield, Connecticut, the Lewis-Zukowski Farmhouse stands as one of the oldest and largest brick homes found in this part of the state. The Federal period farmhouse was built in 1781 for Hezekiah Lewis, he was a farmer of modest prosperity. The farm was owned by subsequent owners until 1905, when it was purchased by Michael Zukowski, who was born in Poland around 1867. He arrived in Suffield with his family in 1888 and found a job working on a tobacco farm for $8 a month. He married in 1898 and became a naturalized citizen in 1900. By 1905, he had saved enough money to purchase this farm property for $2,800. He grew tobacco on his farm and raised his family, who retained the property throughout the 20th century. The rural farmhouse is architecturally significant as well as historically significant for its connections with the local tobacco industry and immigration that helped the community thrive in the 20th century.

Thaddeus Leavitt Jr. House // 1800

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One of the many grand homes on Main Street in Suffield is this Federal style home built in 1800 for a 21-year-old Thaddeus Leavitt. Like his father, Thaddeus was a merchant with a store in Suffield and . Immediately after the home was completed, Thaddeus got married and moved into the home with his new wife, Jemima Loomis. The home was altered in the 1850s with Italianate features including a belvedere and bay windows, which lasted into the 20th century. Since then, the home was restored back to its original Federal style.

Phelps-Hatheway House // c.1762

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Set back from tree-lined Main Street in Suffield, Connecticut, the Phelps-Hatheway House stands as one of the largest, and best-preserved Colonial era homes in New England. The center-chimney residence was built by 1762 by Thomas “Shem” Burbank, where he and his wife, Anna Fitch Burbank, raised nine children. Due to the unstable national economy during and after the American Revolution, the family’s financial situation suffered and they would sell the residence in 1788 to Oliver Phelps. at the beginning of the Revolutionary War, Phelps joined the Continental Army and fought in the Battle of Lexington. He served as Deputy Commissary under George Washington and following the War, he became a prominent businessman and was elected to the Massachusetts Senate in 1785 and served on the Governor’s council in 1786 (Suffield was still a part of Massachusetts at this point). In 1794, Phelps commissioned the addition of a substantial wing designed by Thomas Hayden of Windsor. Under the employ of Hayden, a young Asher Benjamin, later to become one of the most important architects of the Federal period, was one of the workers on the new wing and is believed to have carved the Ionic capitals of the wing’s entryway. Inside, the addition was decorated with imported Parisian wallpaper. When Phelps died, the house was owned by the Hatheway family for a century and is currently open as a house museum, the Phelps-Hatheway House & Garden, administered by Connecticut Landmarks.

Gay Mansion // 1795

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In 1795, Ebenezer King Jr. (1762-1824) bought 26 acres of land on Main Street in Suffield, Connecticut, to build this stately manse. He at the time was at the height of his prosperity and lived lavishly from his new mansion until he sold his property in 1811. King’s estate was purchased by William Gay (1767-1844), a prominent lawyer and the son of Ebenezer Gay, who had been the longtime pastor of the Congregational church and lived nearby. Aside from his law practice, William Gay was also the postmaster of the town for 35 years, and for much of that time the post office was located here in his living room. The home remained in the Gay Family for generations until it was eventually purchased by Suffield Academy for use as the headmaster’s home. The symmetrical Federal style residence features a five-by-five-bay square form with center entrance. The facade is dominated by an elaborate Federal style entry with fanlight transom and Palladian stairhall window on the second floor, which is mimicked with a smaller version in the gabled peak at the roof.

John Fuller House // 1823

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This lovely brick, Federal style farmhouse was built in 1823 for John and Mary Fuller in rural Suffield, Connecticut, in 1823 and operated as a farm by the family for over fifty years. The town of Suffield purchased the house and farmland before the 1880s for use as the town’s poor farm. Poor farms (also known as almshouses) were often rural houses where paupers, mainly elderly and disabled people, were supported at public expense. The land was available for the elderly and workers to harvest crops for sale and sustenance. One of the “residents” at the poor farm was “Old Cato” a formerly enslaved person who was owned by Maj. John Davenport, a lawyer and politician in Stamford. Davenport offered Old Cato his freedom in 1812 if he enlisted to serve in the War of 1812, which he did. By the 1820s, he moved to Suffield CT, and worked at the West Suffield Congregational Church, paid to ring the bell at the church, likely also maintaining the property. He eventually ended up at the poorhouse and died, estimated to be over 100 years old. The old Fuller/Poor House was sold by the town in 1952 and converted back into a single-family residence.

Spencer – Mearkle House // c.1824

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Built in 1824 by Hezekiah Spencer, this beautiful Federal style residence is located on South Main Street in the charming town of Suffield, Connecticut. Hezekiah Spencer (1795-1873) lived and raised his family here with his wife, Cecelia, who farmed the land behind. During the 20th century, the house was occupied by Annie Mearkle, a poet who wrote under the name of Angela Marco. The Spencer-Mearkle House is a great example of a Federal style residence in a side-hall form, with its gable-end oriented to face the street. The house retains its original leaded glass fanlight in the gable and glazed door surround.

Charles Shepard House // 1824

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The Charles Shepard House on Main Street in Suffield, Connecticut, is a stately and well-proportioned Federal period residence that contributes to the iconic streetscape of historic homes that have been lovingly preserved by centuries of ownership. The residence was built in 1824 for newlyweds Charles Shepard (1792-1867) and Cordelia King of the wealthy local King Family of Suffield. Charles was a local attorney who practiced in town for a few years until he moved to Hartford following the death of Cordelia in 1825, soon after this house was completed. The large residence was later owned by William Henry Fuller a local businessman and politician. The house features larger first-floor double-hung windows, fan motifs in the flushboarded gable ends, dentilled cornice, and early 20th century rear addition and entry portico on the facade.

Dr. Howard Alden House – “Aldenheim” // c.1794

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Located on North Main Street in Suffield, Connecticut, the Dr. Howard Alden House (also known as “Aldenheim”) stands as a significant late-18th century estate that has been lovingly preserved for centuries. The residence was originally built in 1794 for Dr. Howard Alden (1760-1841) the main village’s primary physician. The estate remained in the family, first willed to Dr. Alden’s daughter, Susan Alden Pease and later by her daughter, Sarah Pease Fuller and her husband, wholesale tobacco merchant, Edward A. Fuller. While not architecturally ornate, the Federal period residence features a symmetrical facade, center entry with Classical door surround, and dentilled cornice.

Mason-Fitz House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the residence at 75 Beacon Street is known as the Mason-Fitz House and was originally owned by Jonathan Mason (1756-1831), a U.S. Congressman and U.S. Senator, and later inherited by his son, William Powell Mason (1791-1867), who engaged in real estate. It was likely William Mason who added the mansard roof in the late 1850s or 1860s, but the main unique detailing of the residence occurred in 1889 when newlyweds, Henrietta G. and Walter Scott Fitz hired the popular architectural firm of Little & Browneto reconfigure the front of the house in the Colonial Revival style. Little & Browne added the rather fanciful, oriel windows on the facade, which include the three, small hipped-roof oriels on the second story and larger projecting oriel on the first floor with fanlight and leaded glass. Cambridge architect, Edward T. P. Graham later purchased the residence and petitioned to convert the single-family house into eight apartments, but was denied, later converting the residence into four units. Today, the Mason-Fitz House is broken up into two larger condominium units. 

Greenough-Dwight House // 1829

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One of six attached houses townhouses between 70-75 Beacon Street, this stately granite-faced residence was built concurrently with its neighbors in 1828 on speculation for the Mount Vernon Proprietors, a group of wealthy Boston businessmen who helped develop Beacon Hill into the posh, architecturally significant neighborhood it is today. The Mount Vernon Proprietors knew how important Beacon Street was as the entry into the neighborhood, and thus, hired Boston’s premier architect, Asher Benjamin, to design the row. When completed, all of the houses were identical, but throughout the 19th and 20th centuries, they all deviated from the original design, some gaining additional floors, others adding bay windows, but all together form a cohesive and architecturally significant span of houses. Completed in 1829, the corner dwelling is known as the Greenough-Dwight House and it retains its original three-story rusticated granite façade with segmental arch openings. The major change to the exterior of the Greenough-Dwight House is the addition of the ornate wood oriel window with iron cresting in 1874, the oriel and facade feature the iconic purple windows, which became a status symbol in the 20th century. The story goes, that between 1818 and 1824, an English company sent shipments of glass that contained too much manganese oxide into Boston Harbor. After being exposed to sunlight for an extended period of time, the manganese oxide in the glass began to turn purple creating the colored panes we love today. Over time, many panes broke or were replaced, creating the checkerboard appearance on so many windows, but many owners in the 20th century had imitation purple glass installed as a marker of wealth and prestige, like in this house and bay, which were built after the period that the glass was brought over from England. My favorite in the row, the Greenough-Dwight House shines with its granite facade and brick end wall, with panes reflecting the sun off her violet glass windowpanes. 

Deacon Edward Taylor House // 1786

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The oldest building on the iconic Thomas Street in Providence, Rhode Island, is the Deacon Edward Taylor House, a stunning early Federal residence built into the sloping site. The property was developed in 1786 for Edward Taylor, a chaise maker who had a shop on Main Street, also serving as a Deacon of the nearby church. Edward had bought out his brother’s half of the property and had this home built for his family. With its three-story symmetrical, five-bay facade, the house features a stately pedimented entry and flared lintels all atop a brownstone foundation. The property passed through many hands in the 19th and early 20th centuries until 1961, when it was purchased by the Providence Art Club as part of their multi-building campus.

Seril Dodge House // 1791

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Years after Seril Dodge (1759-1802), a silversmith and clockmaker, built a house in 1786 on present-day Thomas Street in Providence’s East Side, he sold the property to the Brown Family and built this stately Federal period home next-door. Built in 1791, this three-story, side-hall brick house features belt courses above the first and second stories, a hipped roof, and flared lintels over the windows and doorway. After less than a decade, Seril Dodge moved back to his hometown of Pomfret, Connecticut, and sold this property to Moses Brown, who gifted the property to his son, Obadiah. Obadiah Brown (1771-1822) was a member of the Quaker faith and was a member of the Society of the Abolition of Slavery providing local jobs for free Blacks and sponsoring them in any legal disputes. Additionally, he helped secure the freedom of enslaved Africans who escaped to the north. This property was leased to the Providence Art Club in 1886 and acquired by the organization in 1906. Under the ownership of the Art Club, the side arcaded carriage entrance was added, likely designed by Stone, Carpenter and Willson, in conjunction with their 1906 renovation to the adjoining Dodge-Brown House. Today the building is known as the “Club House” and is home to the organization’s cafe, with an its intimate bar, and two exhibition spaces that are open to the public.

Dodge-Brown House // 1786

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The Dodge-Brown House on Thomas Street in Providence, Rhode Island, was built in 1786 by Seril Dodge (1759-1802), a silversmith and clockmaker. Seril Dodge was a middle-class resident who did well in Providence circles, as an artisan and shop keeper. The house was originally a two-story residence with central entrance that was raised up in the early 20th century to facilitate a new storefront. Seril Dodge and his family only lived here briefly before moving to a brick house next door. Dodge sold the property to Nicholas Brown II (1769-1841) who rented the home to his stepmother, Avis Binney Brown, who became the widow of one of Providence’s richest men, Nicholas Sr. It continued to stay in Brown family hands through the nineteenth century, but only as an investment. The house was raised one story above street level in 1906, when the handsome Colonial revival storefront was installed from plans by the firm of Stone, Carpenter and Willson. The original front door with elaborate pedimented and pilastered enframement is now a door to a small second floor balcony. Since 1919, the Providence Art Club has owned the building, who for years had the ground retail space occupied as an art store, but now contains a club gallery.

Luther Store // 1815

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The Luther Store in Swansea, Massachusetts, is a historic commercial building constructed in 1815 and uncommon as a rare brick block with saltbox roof. The structure was built for John Brown Luther, and was operated by the Luther family as a store until 1903. The Luther’s Corner area was in the mid-19th century the economic center of Swansea, and Luther’s Store served as post office and library. The building was acquired in 1941 by the Swansea Historical Society, which now operates it as a local history museum following a restoration by Fall River architect, Maude Darling-Parlin.