Architecture

Rochester Academy // 1838

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In the early 19th century, the schools in the town of Rochester, Massachusetts (and many other rural towns in New England), were under the control of a district system. This system divided the town into districts, with each district having its own schoolhouse and an elected committeeman. The committeeman selected the teacher to run his district school and was responsible for providing school equipment. Each district had to provide its school with a building that included a hall or closet, desks and benches on three sides with 10 square feet of open space in the center for recitations. The schools held two terms (winter and summer) and each term averaged a length of 3 months, much of the “off-time”, students would assist their families on farms. By 1859, Rochester had 11 districts, each with its own schoolhouse that stood throughout the town. Rochester Academy was built at the town center, and educated the “older” students in the town. The school later admitted younger students to ease congestion in the smaller rural schoolhouses. The Greek Revival building, constructed in 1838, presently serves as a community space for the town, but is in need of some maintenance!

Captain John Dexter House // 1860

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This beautiful house was built by retired whaling Captain John G. Dexter in 1860. The Dexter family’s ties to Rochester, Massachusetts, began when William Dexter became the first descendant of the Dexter
family to settle in town around 1679. William, one of the 32 original grantees of the town (from land by Sachem Metacomet), died in Rochester in 1694 and his four sons and grandsons remained in Rochester through the 19th century. After being away for months or years at a time, Captain John Dexter returned to his hometown to build this home on family land that was previously undeveloped. The Dexter family remained in the house well into the early 20th century, carrying on the family’s deep rooted history in the area. The home is a blending of Gothic and Italianate styles, which work really well in the rural area.

Rochester Congregational Church // 1837

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Rochester’s First Congregational Church is the oldest extant building still standing on the Town Green in Rochester Center and is the fourth house of worship to occupy the site. Constructed in 1837 to the designs of architect, Solomon K. Eaton, the beautiful Gothic Revival church building is among the most beautiful in the state. Eaton was well-known for his ecclesiastical structures, but also designed other prominent civic buildings in Southeastern Massachusetts. A fun fact about Eaton is that at age 55, he volunteered for the Union Army during the Civil War and his unit saw action in North Carolina, he returned home after the war and lived out his final days. The church stands out to me for the quatrefoil windows on the bell tower, the pointed finials and comer posts, and large lancet windows. Swoon!

Rochester Town Hall // 1892

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In 1679, three years after the end of King Phillip’s War, an armed conflict in 1675–1678 between indigenous inhabitants of New England and New England colonists, land that would become Rochester, Mattapoisett, Marion, and Wareham was purchased from King Phillip, and immediately divided among 32 proprietors of “Old Rochester.” The first white settlers took up residence in 1680, and the Town of Rochester was incorporated in 1686. Rochester town center was formally established in 1697 when land was set aside for a meetinghouse, burying ground and training field. Rochester’s first meetinghouse, built in 1699, served as a church and town building. A larger meetinghouse was built in 1717, and a third in 1760, doubling in size every time as the town’s population grew. The old buildings were insufficient for the growing farming town, and wealthy widow Elizabeth Leonard funded half the cost of a new town hall building. The current structure on the town green was built in 1892 and is an uncommon example of a Queen Anne style town hall in Massachusetts. The building originally was painted a darker color, common in the style, but was given a bright white paint scheme to blend in with the older buildings on the Green.

Durand House // 1861

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One of the most visually striking homes in little Chester, Vermont, is the Durand House. Sited prominently on a hill, the 1861 home resembles a wedding dress in bright white with intricate spindles that look like lace. The house was seemingly built for Urban Durand, one of the proprietors of the successful Durand Brothers Market in Chester village. The home has an elaborately trimmed full-front porch with a second-story polygonal balcony, and a three-story corner tower with a shallow mansard roof, all possibly later additions. The house stands out in the village, which is largely dominated by classical Federal and Greek Revival houses.

Blaisdell House // 1868

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This Italianate style house was built in 1868 for Augustus and Laura Blaisdell, natives of New Hampshire who moved here to Chester, Vermont, in 1860. The Blaisdell’s operated a company that manufactured fireproof roofing and paint at their home base in New Hampshire, and built this building on a prominent site in the village to promote sales, which were conducted from a storefront on its ground floor. The location of the Blaisdell House alongside the tracks of the local railroad depot, was strategic in order to provide ease in the transportation of goods to the village of Chester Depot from the New Hampshire-based headquarters of A.H. Blaisdell & Co.The home and store is significant in the local economy and is itself, a significant example of the Italianate style in town.

Emery Bolles House // 1841

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Next to the Israel Moore house (last post) in Chester, VT, the Emery Bolles house is yet another beautiful example of a snecked ashlar building in central Vermont. The town of Chester has the largest concentration of these buildings in the state in the north village, now known as Stone Village. The building method was so popular that even a couple examples sprouted up in the larger Chester Village nearby. Erected for Emory Bolles (who operated a wagon shop next door), this 1841 house possesses a 5-bay facade and a later, distinguished Victorian-era full-width porch. The porch incorporates turned posts with a central gable above the steps that carries an openwork screen.

Israel Moore Snecked Ashlar House // c.1846

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Located on Main Street in Chester, Vermont, you can find this perfect little Snecked Ashlar home. The building technique is very local and can be found in just a handful of towns in central Vermont. Scottish-born masons from Canada introduced the technique to local masons while erecting a mill in nearby Cavendish in 1832, and within a few years, the first stone structure in North Chester village was built by local masons. Soon after, the local school, church and other homes were all constructed the same way. This home outside the Stone Village district was built later than almost all other examples in town. It features Federal and Greek Revival detailing with a central fluted fan at the door and large gable-front roof.

Have you heard of Snecked Ashlar before?

Gingerbread Apartments // c.1850

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Built in the mid-19th century this former home in Chester, VT, exhibits the range in tastes seen from the Classically inspired Greek Revival style to the ornate and over-the-top Queen Anne style. The original 1850 Greek Revival design of the house survives in its temple form and classical details, augmented by a visually dominant overlay of Queen Anne features. The house was acquired sometime after 1870 by the Haselton family, whose daughter Hattie married John Greenwood. The Greenwoods undertook a major renovation of the building about 1900, adding the elaborate front porch and other features, giving it the wedding cake or lace-like appearance we see today. The home was converted to apartments in the 1960s, but retains much of its architectural details, it is best known as the Gingerbread Apartments.

St. Luke’s Episcopal Church // 1871

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Next door to the Inn Victoria, the beautiful St. Luke’s Episcopal Church in Chester, VT, stands out as one of the only Gothic Revival buildings in the town. A small group of residents gathered in the 1860s to found a Episcopal church in the town, which already had a dominant Congregational church. They furnished money which was matched by the diocese, and Merrick Wentworth was named senior warden. Members of his family and that of Frederick Fullerton, his son-in-law, formed a large part of the congregation. Frederick and Philette Wentworth Fullerton donated a building site across the street from their home, and Mr. Wentworth’s nephew, Boston architect, William P. Wentworth, contributed plans for a Gothic-style frame church, which includes a tall corner belltower.

Inn Victoria // c.1850

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Located right on Main Street in the beautiful village of Chester, Vermont, this historic inn has been a landmark in town since it was built in the mid 19th century. The house was constructed around 1850 for Dr. Abram Lowell (1794-1876), the village doctor. Dr. Lowell conducted his medical practice in a small building next to the main house and resided in the home, which originally had a side-gable roof. Tributes printed in regional newspapers at the time of his death called him an eminent physician, accomplished gardener, “eccentric in his ideas,” and “the wealthiest man in town.” After his death, the home was inherited by his daughter and her husband, George Hilton. They immediately “modernized” the home, adding the mansard roof, which provided an extra full story of living space. The home was converted to a bed & breakfast in 1998, and has been one of the most intact, Victorian era inns in the state since! It is known as Inn Victoria, so named after Queen Victoria and the Victorian period of architecture in the United States.

Chester Town Hall // 1884

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The town of Chester, Vermont, was originally chartered by New Hampshire Governor Benning Wentworth as Flamstead, in 1754. The terms of the charter were not met and the town was re-chartered as New Flamstead in 1761. In 1766, a patent was issued by New York that changed the name of the town to Chester, after George Augustus Frederick, the Earl of Chester and the eldest son of King George III. Vermont in the 18th century was contested land claimed by both New Hampshire and New York, unsettled until the colonists in the area decided to petition for their own statehood. The town of Chester voted to keep their name. The town grew with two distinct villages, Chester Village and Stone Village. Both villages were very distinct in terms of politics, religious affiliations, and architecture. When the railroad cut through the town, the route passed between Chester’s North and South villages, and Chester Depot village emerged right in the middle. The establishment of a third village by the railroad depot, offered neutral ground on which to erect a town hall, as before 1884, town meetings were held alternately each year in the two opposing villages. The large town hall building in Depot Village is a late example of Greek Revival and Italianate design.

Christensen Hall – University of New Hampshire // 1970

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Christensen Hall at the University of New Hampshire in Durham is a rare example of the much-maligned Brutalist style of architecture in the state. In the late 1960s, the university needed more housing and a dining hall for new students of the growing campus, but a very low budget to accomplish this. They hired Ulrich Franzen, a German-born architect (featured on here previously) who attended school at Harvard, learning Modernist principles there that would shape his career. The boxy buildings feature deep recessions to provide each student an identifiable corner and windows. The concrete frame building and engineering provide breezeways and forms that conventional buildings would not be able to accomplish. The building was completed in 1970 and was immediately applauded by architects and was featured numerous architectural publications.

Stoke Hall – University of New Hampshire // 1965

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One of the most recognizable buildings (largely due to height) on the University of New Hampshire campus in Durham is Stoke Hall, a large dormitory on the outskirts of campus. The building was designed by Leo Provost, a New Hampshire-based architect, who actually graduated from UNH in 1936. Stoke Hall is named for Dr. Harold Walter Stoke, President of the University of New Hampshire from 1944-1947 during an enrollment surge that more than tripled enrollment and the beginning of a massive building program that continued for decades. The surge began with the conclusion of WWII, and the increase in young men going to college thanks to the GI Bill. Mr. Stoke got around as a President, as after three years at New Hampshire, he became President of Louisiana State University (LSU) until 1951. He later served as President at Queens College, New York, for six years. The Y-shaped building was constructed in two phases, the two wings facing the street were built in 1965, with the rear wing added the summer later. The design blends mid-20th century styles from New Formalism to Mid-Century Modern in a graceful way, especially for a college dormitory, though, I cannot speak for the interiors.

Thompson Hall – University of New Hampshire // 1892

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The centerpiece of the University of New Hampshire (UNH) campus in Durham, is Thompson Hall, a stunning example of Romanesque Revival architecture. Thompson Hall was the first building to be built on the new campus of the New Hampshire College of Agricultural and Mechanical Arts, which had been founded in 1866 as a land grant college and was previously located near Dartmouth in Hanover. Benjamin Thompson, a Durham farmer, died 1890, leaving an estate worth $400,000, with 253 acres (102 ha) of land, to the state for use as an agricultural school. The state accepted his gift, and construction of Thompson Hall began in 1891, with a landscape plan for the campus developed by the great Charles Eliot. The bold Romanesque building was designed by Concord, NH architects Dow & Randlett, who were among the most prestigious architectural firms in the state at the end of the 19th century. The building remains as a significant piece of UNH’s ever-growing campus.