beacon hill architecture

Braman-Cabot House // 1869

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This charming residence is one of a few hidden houses tucked away on Mt. Vernon Square in Boston’s Beacon Hill. The small enclave of four houses with a stable was developed in 1869 by the partnership of builder Daniel Davies and Grenville T. W. Braman, a businessman turned real estate developer in the mid-late 19th century. The residence pictured is today known as 3 Mt. Vernon Square, but was once a double-house that was rented to families by Braman before they were sold off to separate owners. In 1903, Philip Cabot (1872-1941), a member of the wealthy Cabot Family of Boston, purchased both 3 and 4 Mt. Vernon Square and had the homes combined to a single-family home for his family. It is unclear who was hired as architect, but the property was renovated with a new central entrance, full third floor faced with stucco replacing the former mansard roof, diamond-pane and blind arched windows, and a decorative metal or cast-stone panel inlaid in the facade. Philip was married to Lucy Fuller but filed for divorce in 1910 after she deserted him according to local papers, and in 1911, she married Winthrop Ames, of the wealthy Ames Family of North Easton, Massachusetts. Philip Cabot also remarried, and sold the house on Mount Vernon Square to Frank Washburn Grinnell, a successful attorney.

Braman-Richards Stables // c.1870

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Located behind the iconic former fire station on Mt. Vernon Street in Boston, this converted stable maintains the important nickname for the Beacon Hill Flat as the “horsey” part of the neighborhood, which developed on filled land and contained many stables for wealthy Beacon Hill residents. This two-story stable fronts River Street and dates to 1870 and was built along with the townhouses fronting the hidden Mount Vernon Square for Grenville Temple Winthrop Braman (1832-1902), who partnered with a builder, Daniel Davies, to develop the lots here. The stable, which originally had a flat roof, was occupied as private stables and later as storage for the townhouses for nearly 100 years until it was purchased in 1968 and converted into residences by architects and partners, Joan E. and Marvin Goody, who established Goody/Clancy, a Boston architectural and design firm. The interior was modernized and the addition of a contemporary metal “mansard” roof fits well within the context of the neighborhood and was an important early “remodel” in the Beacon Hill Historic District.

Former Boston Fire Department Engine House No.10 – Hill House // 1949

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This iconic former firehouse at the corner of Mount Vernon and River streets in Beacon Hill, was built in 1949 and despite its relatively young age, has become an iconic landmark in the neighborhood. Since the mid-19th century, this site has been occupied by a fire station, most of which as a Second Empire, brick engine house with a mansard roof. After WWII, the Fire Department struggled to use the 1860s station which was built before the large, vehicular fire trucks replaced horses-drawn apparatus. In 1946, the Victorian station was razed and architect, John Mathew Gray, furnished plans for a new, Colonial Revival style station that could accommodate the larger fire trucks. The new station opened in April 1949 and Engine 10 remained here until 1982, when the company moved to 123 Oliver Street, Downtown. The Fire Department retained ownership of the building until 1995, and around this time, the building served as the filming location for television shows Spenser For Hire, which ran from 1985 to 1988 and the MTV series The Real World, which was broadcast in 1997. Since 1998, the property has been home to Hill House, Inc. a long-standing non-profit providing sports activities for children, adult education classes and programs for senior citizens.

Faulkner-Hayden House // 1881

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This unique house at 29 Brimmer Street in Boston’s Beacon Hill, was completed in 1881 is architecturally distinctive compared to the early 19th century homes that the neighborhood is known for. The five-story residence has a raised entrance up a flight of steps set within an arched opening. To the side, an arched window frames the facade and has an ornate terracotta panel as a base. More terracotta ornament can be found at the second floor and under the cornice as a thick band frieze with a copper-clad mansard roof above. The single-family residence was built in 1881 for Charles Faulkner (1811-1885), a commission merchant, for his daughter, Ann Ruth Faulkner the year of her marriage to Charles Rowley Hayden. Mr. Hayden was a musician and vocalist. For the new wedding gift, Faulkner hired the esteemed architectural firm of Bradlee & Winslow prepare the designs. The former Faulkner-Hayden House today contains five condominiums.



Baker-Byrd House // 1888

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Located on Brimmer Street in Beacon Hill, this handsome residence is constructed of rough-faced brownstone laid in a random ashlar pattern and is among the most unique in a neighborhood known for brick townhouses. Decorative treatment includes a stone band that is carved with foliate and faces, colonettes that rise along the facade at the bay, and an ornate molded copper entablature and parapet at the roof. The residence dates to 1888 and was built for Seth R. Baker, a Boston real estate developer at the end of the 19th century. It can be inferred that the building was designed by architect, Ernest N. Boyden, as Baker hired Boyden as architect for a half-dozen other apartment buildings between 1888-1890. Antoino Xavier, a Portuguese-born mason is listed as the builder. In the 1910s, the property was purchased by Marie Ames Byrd, wife of polar explorer Richard A. Byrd, who lived a few houses away at 9 Brimmer Street. She rented the four apartments to boarders through the 1930s.


Eliot C. Clarke Townhouse // 1884

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One of the many great townhouses on Brimmer Street in Boston’s Beacon Hill neighborhood is this residence designed as a unique interpretation of Queen Anne and Romanesque Revival styles. Original owner, Eliot Channing Clarke (1845-1921), an MIT-educated civil engineer. His uncle, Thomas Curtis Clarke, was a noted civil engineer, a member of the firm of Clarke, Reeves & Co., Bridge Builders in Pennsylvania, and served later as President of the American Society of Civil Engineers. When Thomas Clarke’s firm was designing and building a new bridge over the Mississippi River in Quincy, Illinois, he had his nephew lead in the design. In 1876, Eliot was appointed engineer in charge of a survey for a main drainage system for Boston. The project was adopted and construction began a year later, taking years to complete. In 1885, Clarke published the work that he oversaw, modernizing a rapidly growing Boston water and plumbing system. He became one of the leading sanitary engineers of the United States. In 1884, Clarke hired architect, S. Edwin Tobey, who designed this townhouse with a unique gable containing a ocular window and panel brick parapet as an interpretation of a Flemish gable. A traditional arched entry in brick is a nod to the Romanesque Revival style, which surged in popularity in Boston following the completion of H. H. Richardson’s Trinity Church. In 1969, the Clarke house’s interior was connected with its neighbor as the Advent School, a private K-6 school associated with the Church of the Advent across the street.

West Hill Place // 1916

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West Hill Place is a small development in Beacon Hill that feels like it was transported to Boston from London! The group of 14 four-story brick townhouses that comprise West Hill Place were built on the site of a gas holder in 1916. The Georgian Revival style development was designed by the firm of Coolidge and Carlson, who aligned six of the townhomes to face west on the Charles River Embankment and arranged the remaining eight residences around a circular court. The development was inspired by Charles River Square, located to its south and built six years prior. The driveway extends off what is today Storrow Drive, with a second exit set within an arched passageway that connects through the Charles Street garage, which was built later. The dark brick with cast stone trim works elegantly with the curving facades facing the courtyard, many of which are adorned with arched doorways and the original iron lanterns. The development has been harmed by the creation of Storrow Drive in the 1950s, but it remains one of the most unique and picturesque enclaves in New England. 

Charles Street Garage // 1919

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The area west of Charles Street in Boston’s Beacon Hill is known as the Beacon Hill Flat, which is largely built on 19th century-made land along the Charles River. The area developed into housing with a high percentage of carriage houses and horse stables built by the wealthy families living on Beacon Hill. Today, many of these edifices have been converted into charming residences, shops, and in the 20th century, garages. As the personal automobile took over horses as the desired method of transportation, savvy developers developed garages where wealthy residents could “stable” their vehicles, especially important in a dense neighborhood like Beacon Hill without much off-street parking. Built in 1919, the Charles Street Garage stands four stories tall with large expanses of multi-light windows and ground floor retail spaces set within the bays to enliven the street.

Charles River Square // 1910

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Charles River Square, a delightful development of red brick and cast-stone Colonial Revival townhomes in the Beacon Hill Flat, was developed in 1910 from plans by Boston architect, Frank A. Bourne. The development consists of a total of 21 residences, 19 of which front on the courtyard that is known as Charles River Square. The development is accessed off Charles River Road (which was made a busy thoroughfare in the 1950s and renamed Storrow Drive) and through a Palladianesque passageway off Revere Street. Along with its neighbor to the north, West Hill Place (1916), another group of attached townhouses organized around a courtyard built years later, its layout is a departure from the previous approach to urban planning, resembling the atmosphere of an old London street or mews. Charles River Square remains one of the most desirable developments in the exclusive Beacon Hill neighborhood.

Charles and Elizabeth Ware Mansion // 1870

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Located at the corner of Brimmer and Mount Vernon streets in Beacon Hill, this stately mansion showcases the various architectural styles and methods utilized by architects in the waning decades Victorian-era Boston. Set atop a brownstone base, the floors above are in the “Panel Brick” style, which utilizes brick masonry in a variety of decorative patterns of slight projecting or receding panels. The style was popularized by the Boston architectural firm of Ware & Van Brunt, as noted by architectural historian, Bainbridge Bunting. As expected, this house (and the attached townhouse next door) was designed by William Robert Ware for his uncle, Dr. Charles Eliot Ware (1814-1887) and his wife, Elizabeth Cabot Lee Ware. Dr. Ware was a physician at Massachusetts General Hospital and secretary of the Massachusetts Medical Society. After the death of Dr. Ware and Elizabeth, the property was inherited by their daughter, Mary L. Ware (1858-1937), a naturalist and botanist who was the principal sponsor of the Harvard Museum of Natural History‘s famous Glass Flowers. After the death of Mary, the property sold out of the family to Robert Wales Emmons III, a financier from a yachting family. The mansion remains in a great state of preservation, and is among the great Victorian-era residences in Beacon Hill.