Eclectic architecture

Wadleigh – Friend House // 1893

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One of the most beloved houses in Somerville, Massachusetts is this beauty on Highland Avenue, known best for the unique assemblage of colorful found objects in the front yard, as a living museum. The residence was built in 1893 for William Y. Wadleigh, a wholesale grocer who operated markets all over the region. The house is an eclectic blending of Queen Anne and Colonial Revival styles with an asymmetrical plan and rounded corner tower taken from Victorian styles, along with a classical porch and swan’s neck pedimented dormers at the roof, clearly Colonial Revival in style. Today, the Wadleigh House is best-known for its owner, artist Martha Friend, who has preserved the house, and created an enchanting, ever-evolving installation outside and inside the residence. Sapphire City, an installation in the front yard, draws passersby in to see the assemblage of blue bottles and Dance Party, an assortment of animals at the porch roof, make the house a favorite in the neighborhood. It is houses and owners like this that make Somerville such a vibrant and great place to live and explore.

Edmund and Eliza Leland House // 1905

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One of the few truly eclectic houses in the Cottage Farm neighborhood of Brookline can be found here at the corner of Prescott and Euston streets. Built in 1905 for Edmund Francis Leland Jr. (1868-1963), a wool merchant, and wife, Eliza Smith Leland (1872-1949), the house exhibits elements of Tudor Revival, Colonial Revival, and Arts & Crafts styles under one roof. The house was designed by the firm of Kilham & Hopkins who incorporated many design features found in early 20th century architecture. The steep gable roof, diamond pane door and half timbering is typical of the Tudor Revival style; the columned entry and large Palladian window on the side elevation are evidence of the Colonial Revival style; and the use of stucco and shingle siding, and the overhanging eaves with brackets and exposed rafters at the roof and second floor, are typical in the Arts & Crafts mode.

Hugh G. Brown House // 1905

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Eclectic houses of the late 19th and early 20th centuries are my favorite as they showcase how architects of the time blend features and break the strict mold of academic styles. This example is found in the Cottage Farm neighborhood of Brookline and dates to 1905. Designed by relatively unknown architect, Alfred Lyman Darrow, who studied at MIT, before opening his own practice. The house was first owned by Hugh G. Brown, who founded the Brown’s News Company and the Hotel & Railroad News Company. The house exhibits half-timbering in the gable ends and decorative corbelled chimneys that derive from the Tudor Revival; the front porch parapet appears to derive from the Spanish Mission style; along with stucco siding and unique windows typical of the Arts and Crafts movement.

George M. Thornton House // c.1870

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One of the finest homes in Central Falls, Rhode Island, is this eclectic Victorian residence on Clay Street. The home was seemingly built around 1870 and modified by the end of the 19th century by later owner, George Mumford Thornton (1850-1916). Mr. Thornton was an industrialist who was elected as one of the first aldermen when Central Falls incorporated in 1895. The well-preserved house features varied siding, a rounded corner tower with spiral-columned porch and conical roof, and original multi-light sash windows. What a spectacular home.

Louis E. Robinson House // 1892

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Built in 1892, at the height of the convergence of tastes of the Queen Anne Victorian and more traditional Colonial Revival architectural styles, the Louis E. Robinson House at 60 Stimson Avenue in Providence, Rhode Island, showcases the intricacies and whimsy that can be designed when a house is a blending of styles. The residence was built for Louis Elmer Robinson (not Robertson like so many sources claim), a cotton dealer and merchant, from plans by architect Frank W. Angell of the firm, Gould & Angell of Providence. The Robinson House is a gambrel-roofed mass, set gable end to the street, leaving only the ground story and side elevations in clapboard. The polygonal half-tower attached to the side elevation and its paneled grouping of windows retains the older medieval allusion of the early Queen Anne style, but with a swans neck pediment topping the stair hall window showcased the Colonial influence. I am imagining the home with a more period-appropriate color palette, but it still shines!

Daniel T. Kidder House // 1884

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This charming Shingle/Queen Anne style house is located on Sumner Street in Newton Centre, a street of fine suburban houses built for businessmen who commuted into Boston. This house was built in 1884 for Daniel Tufts Kidder (1852-1941), a glass dealer. Daniel got his start under the employ of Hills, Turner & Harmon, jobbers of plate, window and mirror glass, and manufacturers of mirrors, eventually working his way up to salesman and later as president of the consolidated company, Boston Plate and Window Glass Co. It is believed that Mr. Kidder used antique and imported glass in his home when it was built. The house remains well-preserved and characteristic example of the fanciful Victorian styles.

Maine State Building // 1893

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The Maine State Building is a one-of-a-kind landmark located in the Poland Springs Historic District of Poland, Maine, though it was not originally built in this location! The Victorian structure was built in 1893 at the Columbian Exposition in Chicago (aka the Chicago World’s Fair) as one of the State Buildings constructed by each U.S. state to highlight their history. Designed by Chicago architect Charles Sumner Frost, a Lewiston, Maine native and MIT graduate, the building was constructed of granite with a slate roof. After the close of the fair, the Ricker family of Poland Spring, purchased the building from the state. They had it dismantled, moved to Maine, and rebuilt on their resort, which brought even more visitors to their property. In Maine, it reopened in 1895 as a library and art gallery for their hotel guests. Along with the Norway Building in Norway, The Dutch House in Brookline (a personal favorite), the Palace of Fine Arts (now the Museum of Science and Industry) and World Congress Auxiliary Building (now the Art Institute of Chicago) in Chicago, the Maine State Building is one of the few remaining buildings from the 1893 World’s Fair, and the only State Building remaining. It has been lovingly preserved and operated by the Poland Spring Historical Society, who operate the building as a museum.

William Dexter House // 1899

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One of the best examples of the eclectic architecture designed at the of the 19th century in Norwood, Massachusetts, can be found on Beacon Street in the William Dexter House. Built in 1899 for William W. Dexter (1827-1911), who in 1852, married Harriet Blake, later settling in Massachusetts. Tragedy struck the family in 1871, when on the same day, his wife and daughter died; two days later, his sister-in-law, and six days after that, his other daughter Carrie died, all of bacterial infections. All that remained of the family was William and his only surviving daughter, Nellie. William remarried and built a blended family until his death in 1911. This house was built by Dexter, who worked as a contractor and painter, and George F. Bagley, a local builder. The complex form, rooflines, varied siding types, corner tower, and intact historic windows all add to its beauty. If only it had a historically appropriate color scheme to compliment it!

Kaffenburgh House – Bertram Inn // c.1910

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Across the street from the C. D. Hammer House on Sewall Avenue in Brookline, Massachusetts, this later take on the Queen Anne style with Tudor Revival elements is about to go through quite a transformation!

A little history before I share the proposal for the site… This house was built around 1910 for Bessie V. and Carl J. Kaffenburgh, a tobacco dealer with a store in Downtown Boston. The house was  from plans by architect Harry E. Davidson, who had previously designed stucco houses with Tudor influences for both the Vorenberg and Kaffenburgh family including 20 Amory Street in the nearby Cottage Farm neighborhood. By 1940 the house was owned by Hazen Blood and his wife. The Bloods had rented out rooms in the house totalling 13 lodgers here as a rooming house in the 1940 directory. In 1987, owner, Bryan Austin purchased the property restored it, and opened it as the Bertram Inn.

In recent years, the adjoining lots were eyed for redevelopment and demolition was proposed for this property. Neighborhood opposition and the demolition delay process allowed for review of the plans, which now includes the “restoration” of the main house with a six-story boxy addition on the rear containing condominium units. While the proposed addition is not contextual to the historic Tudor Revival house, it does save the original building and provides much-needed housing for others, so I guess this is a win! What do you think?

Judge Philip Rubenstein House // c.1915

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In the early 20th century, the suburban development of Longwood in Brookline saw another period of rapid development. Larger estates were subdivided and developed with all kinds of housing from single-family mansions to middle-class homes to large apartment buildings. One of the more modest-sized houses built in the first decades of the 20th century was this house, one of a collection of stuccoed homes on Colchester Street. The house was purchased by Judge Philip Rubenstein, the first member of the Jewish faith to serve on the Massachusetts bench and one of the first three judges of Boston’s juvenile court, the first in the country. The unique home is clad with stucco with a terracotta shingle roof and Colonial Revival style entry, showing an effective blending of the Arts and Crafts and Colonial styles.