Located in the Oak Hill Village of Newton, the Dike-King House remains as one of a few pre-Revolution houses, but the history is a little murky from what I found. Oak Hill was the most remote village of Newton historically and has maintained much of its open space to this day, as it did not see the suburban development following the streetcar in other villages in town connecting to nearby Boston. This house was apparently built by Jonathan Dike (1673-1751), a cooper, who lived here with his second wife Experience French (yes that was her name). The home he built was likely a much smaller dwelling and was added onto as the family grew. Jonathan died in 1751 and the home went to his eldest living son and later sold to Noah King in 1796. The house plaque on the house gives a date of 1795 as King purchased a house on the lot, but it was likely much older than one year old. Noah King was a housewright, deacon, and son of Dr. John King a prominent civic leader in the town. With his expertise as a housewright, he likely rebuilt much of the house into what we see today. Starting in 1796 through 1923 the property was run as a farm by members of the King family, but land was sold off around the Great Depression for much needed funds. Due to the asymmetry of the house, it is likely that it started as a half-house with just three bays with the door at the left-most bay, with the saltbox roof added around that time.
One of the lesser-known historic hotels in Boston can be found at the corner of Exeter and Blagden Streets in the Back Bay neighborhood, tucked behind the Boston Public Library’s Johnson addition. Exeter Chambers (now Courtyard by Marriott Boston Copley Square), was built between 1889 and 1890 from plans by architect Theodore Minot Clark. Clark was a professor at MIT and the understudy of Boston’s famed Trinity Church architect, H. H. Richardson. Clark oversaw much of the construction of Trinity Church and his name is even engraved on the building. Exeter Chambers was constructed by the Guastavino Company, a very prominent contractor during the period noted for style and quality, known for the Guastavino tile. Cutting edge techniques such as compression arches and terracotta accents were featured throughout the structure. The hotel was vacant for many years and a renovation in 2004, which added three stories to the building, restored the ornate exterior to its former glory.
St. Patricks Day in Boston is not the same this year. It has been a year since I have been crammed into a dimly lit, wood-paneled Irish Pub, with a pint of Guinness and good conversations with strangers. So for now, I will drink my sorrows in highlighting one of many Irish pubs in Boston, Hennessy’s. The building was constructed as one of a row around 1826 along with the adjacent buildings on the block (today containing Son’s of Boston and Blackstone Grill). All four buildings were identical and stood 3-1/2 stories as Federal style commercial buildings with retail space at the ground floor and office or residences above. The buildings were sold off separately and in the 1960s, this building was acquired by the Charlestown Savings Bank, who thought to “Colonialize” the building. They removed 1-1/2 stories and altered the openings at the ground floor (it could have been MUCH worse). The bank moved out just decades later and the building has since been home to Hennessy’s.
The Omni Mount Washington (originally the Mount Washington Hotel), surrounded by the great White Mountains of New Hampshire, was completed in 1902, at the end of the Gilded Age and the grand hotel era of America. The grand hotel was financed by Joseph Stickney, a native of New Hampshire, who made a fortune before the age of 30 investing in the coal business in Pennsylvania. In 1881, Stickney purchased the Mount Pleasant Hotel, a nearby summer resort and enlarged it, and acquiring a taste for hospitality development in the White Mountains (it was later demolished in the 1930s). He hired architect Charles Alling Gifford to design a new, larger resort across the street which in total, cost him over $50,000,000 in today’s dollars! Ironically, Joseph Stickney, had famously told the press on the opening day: “Look at me, for I am the poor fool who built all this,” as the economy was starting to turn right as the hotel opened. He died one year later in 1903. Nevertheless, up to fifty trains a day unloaded the families of the country’s wealthiest people, mostly from New York City, who stayed here for Summers at a time, leaving behind “the yellow fever and cholera in the cities” for fresh air and open space. The hotel’s design incorporated some of the most cutting-edge innovations of its age, including a steel-frame superstructure, an electrical power plant, and a sophisticated internal heating system. Roughly 250 Italian artisans were brought in to provide artistic touches to the structure by working on its exterior granite and stucco masonry including the two massive octagonal towers, and installing Tiffany stained glass windows.
After Joseph Stickney’s death in 1903, Carolyn his widow, became extremely rich (the couple never had children). Carolyn spent her summers at the hotel for the next decade, a nearby chapel honoring her late husband. The hotel did well in the subsequent decades until the advent of income tax, Prohibition, and the Great Depression, which harmed many large resorts’ profits. In 1936, Mrs. Stickney’s nephew, Foster Reynolds, inherited the hotel, but it closed in 1942 because of World War II. A Boston syndicate bought the extensive property for about $450,000 In 1944. The Bretton Woods monetary conference took place that year, establishing the World Bank and the International Monetary Fund. After subsequent owners, in 2015, the hotel and the Bretton Woods Mountain Resort were purchased by Omni Hotels & Resorts, who have been advocates to the history and preservation of the building and surrounding area, also overseeing the hotel’s inclusion to the illustrious Historic Hotels of America list.
There is so much more I could write about the Omni Mount Washington Resort, from the incredible interior spaces, to Carolyn’s marriage to a French prince, to the supposedly haunted sites… So much history to uncover, so little time!
The historic Omni Bretton Arms Inn, adjacent to the Omni Mount Washington Hotel in the White Mountains of New Hampshire, was built as a private home in 1896. The home was designed by, and occupied by architect Charles Alling Gifford, while he oversaw the design and construction of the iconic Gilded Age hotel. After the hotel nearby was opened, the interior was converted to hotel rooms, and opened to guests in 1907. The Colonial Revival building features a central mass with two wings. The building was occupied in 1944 as the headquarters for the Conference Secretariat during the 44-nation Bretton Woods Monetary Conference. The Inn was granted National Historic Landmark designation in 1986 and has recently undergone a $1.4 million renovation focused on bringing the outdoors in. Part of the Omni Mount Washington Resort, this property offers more seclusion and less crowds compared to its larger neighbor. Just down the road from the Bretton Arms is the equally stunning Bretton Woods Stable, likely built at the same time.
Located just south of Portland Head Light, on the rocky ocean shore of Cape Elizabeth, is the settlement called Delano Park, a group of summer cottages, many of which were designed by iconic Maine architect John Calvin Stevens. Arguably the most significant and interesting is this Shingle style cottage, completed in 1886 for Charles A. Brown of Portland as a summer home. The cottage, sits atop a fieldstone foundation that are the very color of the ledges out of which the building grows. The walls above the are of shingle, “untouched by paint, but toned a silvery gray by the weather” as Stevens noted in his writings. Stevens was a master in siting his designs perfectly into the existing landscaping, and by covering all of the home with shingles, Stevens created an unembellished, uniform surface, which celebrates the honesty of its form. The home originally had a wood shingle roof, finished with a green stain. The home remains extremely well preserved by the owners and showcases the Shingle style of architecture brilliantly.
The Cape Cottage Casino and Theater was one of several amusement parks developed in the late 1890s by Portland’s electric railways in order to increase business on their trolley lines. Residents of Portland would be able to take a surface trolley to the outskirts of the city in record time, and soak up the sun at luxurious summer communities. The Cape Cottage Casino and Theater was designed by iconic Maine architect John Calvin Stevens, completed in 1899. The casino represents the best in Neo-Classical design, with a full-height, projecting classical pediment supported by bold ionic columns. A wide entablature is accentuated with dentils and modillions; and at the entry, the main front door has a fanlight and is flanked by two small windows, creating a Palladian motif. In 1922, due to the demise in the trolley ridership, partly caused by the rise in personal automobile, the casino was sold off and the Cape Cottage Park Company then hired E.C. Jordan & Company, civil engineers, to subdivide the land and retained John Calvin Stevens and his son as consulting architects. Roughly 50 house lots were platted, resulted that were arranged around the former casino, which was extensively downsized and remodeled as a private residence. While the side wings were removed, the building does retain much of its architectural integrity, while its sheer size has been severely diminished.
The town of Cape Elizabeth, Maine was originally a part of Portland (named Falmouth at the time) until the citizens there petitioned for and obtained their own government in 1765. Commercial and industrial growth in the north end of the town, nearest the harbor (now South Portland), was in sharp contrast to the continuing rural character of the southern tip of the Cape. In 1895, the two sections agreed to separate, and from that date forward the southern end of the original town became the present town of Cape Elizabeth. Shortly after the separation of South Portland, funding for a new town hall was appropriated, and the town hired Portland-based architect Frederick A. Tompson to design the new building to mark the start of the new town. The Town Hall building was constructed in 1900 and is an excellent example of Colonial Revival architecture with its hipped roof with cupola, classic central portico, and entry with Federal Revival sidelights with a fanlight above.
A part of any large public beach in Massachusetts is the public bathhouse, where visitors can go to the bathroom, change, and store belongings in lockers. Ever since the Massachusetts Parks System of Boston acquired land at Nantasket Beach, a bathhouse was here for visitors. The earlier building by Stickney & Austin burned down and was soon replaced. This amazing Art Moderne bathhouse features a central mass with wings adorned by glass block. The architects Putnam & Cox created a whimsical 1935 Moderne design that blends into the sandy beach. The building suffered from the salt air and cold winters and went through a massive restoration in the late 1990s, it was then re-opened and re-named after Mary Jeanette Murray, a state representative.
The Chittenden County Superior Courthouse in Burlington, Vermont was built in 1906 and is one of the most bold architectural designs in the city. The building was actually constructed as the U.S. Post Office and Custom House for Burlington, but changed use in the 1980s after the Old County Courthouse was destroyed by fire. The building was the work of U.S. Treasury architect James Knox Taylor. Taylor designed, many major eastern federal buildings during the late 19th and early 20th centuries. He provided plans for this Beaux Arts structure with a well-appointed exterior finished in marble and dressed granite. Beaux-Arts architecture depended on sculptural decoration along conservative modern lines, blossoming in the United States in the early 20th century after many American architects studied at the École des Beaux-Arts in Paris, particularly from the 1830s to the end of the 19th century.
The Burlington Savings Bank building, constructed in 1900, is one of the most architecturally sophisticated buildings in Downtown Burlington, Vermont. The design uses a brick and brownstone facade with prominent wall dormers and a corner tower with conical roof which harkens back to the chateaus and estates of Europe. The recessed corner entrance is framed by free-standing Ionic columns which support a brownstone segmental arch, which helps command the corner presence. The Burlington Savings Bank opened for business on January 1, 1848, and operated under that title until 1988 when it merged with the Bank of Boston to become the Bank of Vermont, which in 1995, was purchased by KeyBank. The corner building is now occupied by Citizens Bank, which continues this buildings legacy as a castle of finance in the city.
This narrow, four-story commercial block is located near the Burlington City Hall, and fronts the park it sits on. Constructed in 1891 from local redstone in a unique Romanesque Revival style, the building stands out as one of the most unique in the commercial downtown area. The building was built for the Burlington Trust Company from plans by Clellan W. Fisher, an architect who soon after joined a firm with Stephen C. Earle in Worcester, MA. The design features an unusual checkerboard pattern of inlaid red and white ashlar paired with a stone cornice which similates dentils and brackets. The building is now home to a Burton snowboard retail store, a company started in Vermont in 1977, now the leading snowboard company in the country.
In the township of Washington, New Hampshire, about three miles from the Washington Town Green, stands a rural church building, a white wooden structure complimenting freshly fallen snow. This church is honored as the mother church of the first Seventh-Day Adventists. Its story started in 1842 by a local group of farmers calling themselves Christian Brethren, who dissented sharply from the strict Congregationalism of the Church in Washington Center. Many of the Christian Brethren became Adventists about the time this building was first used, and thereafter some of them began worshiping on the Seventh Day; and eventually the majority did so. In 1862 the official Seventh-day Adventist denomination was born at this place. Today, the building is a regular point of pilgrimage for members of the massive, international congregation.
Located adjacent to the Washington Town Green, the Faxon House exemplifies the Georgian architectural style seen in small towns all over the region. The home was built in the early 1790s by a member of the Faxon family. By the early 19th century, the home was owned by Azariah Faxon a storekeeper and the schoolmaster at the District #1 School, which at that time was located between the Town Hall and the Congregational Church in the center of town before being replaced with a larger structure. In 1793, an eight-year-old Sylvanus Thayer moved up to Washington from his family home in Braintree, Massachusetts, to live with his uncle, attending school where he was a teacher. While there, impressionable Sylvanus met Benjamin Pierce, father of future President Franklin Pierce. Both General Pierce and Sylvanus’ Uncle Azaria, who had fought in the Revolutionary War, fed Sylvanus’ growing fascination with military matters, including the dazzling campaigns of Napoleon Bonaparte. Sylvanus later attended nearby Dartmouth College, and went on to become “the Father of West Point” as an early superintendent of the United States Military Academy at West Point and an early advocate of engineering education in the United States.
Residents in the eastern portion of the rural town of Washington, NH found it very inconvenient to attend church at the center of town. In 1800, a group of residents on the east side of town banded together to create a new congregation, building a church perched on a low hill soon by 1826. The church was used for decades until it burned in 1844, it was replaced a year later, but that burned as well. Undeterred, the small congregation had yet another church built in 1877. The church remains in great condition, and is still active.
